Masterpiece Theatre - The Cazalets Review

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(More customer reviews)This is the story of a large extended, relatively well-off British family from just before WWII up through the early years of the war. The film breaks off about half way through the war while the novels continue through until the end of the war. The way the film ends it feels as if the people making this intended to continue in another season, so it finishes with a lot of loose ends. Despite that fairly serious flaw, the superb character development and the rich range of very real individuals who range from young children to very elderly, from sleazy to incredibly noble and self-sacrificing, makes this something not to be missed. This is about the home front and is a bit more about the women than the men, but the male characters, I thought, were as well developed as the females. In the interest of not offending those who are more puritanical than I, I should mention that there is a very tender, very closeted lesbian relationship involving one family member. In addition, there is a male family member who is less than faithful to his wife. In neither case does much happen on camera. The Cazalet's are in the main generous and loving people. You will be glad you met them. If they had continued with the rest of the story line from the novels, I would have given this 5 stars as a first installment.

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In the shadows of WWII, one family is blessed with privilege, prestige and unspeakable secrets.It’s 1937 and the storm clouds of World War II gather across Europe. Tensions also simmer beneath the seemingly charmed lives of the Cazalet family. While this grand family saga commences during an idyllic summer at the Cazalet’s Sussex country estate, the years that follow will see birth, death, marriage, adultery, dementia, intrigue, and war play significant roles. Acclaimed for its richly detailed production, talented cast and brilliant character depictions, this vivid and poignant family portrait revolves around the wives, lovers, and children of the four Cazalet siblings:hard-working Hugh, womanizing Edward, spinster Rachel, and the artistic Rupert. Soon after Hitler enters Poland and England enters the war, the lives of three generations intertwine as devastating secrets explode like a blitzkrieg. Hardships invade with brutal reality, and slowly, the Cazalet’s decorum can no longer mask their problems. As both the country and family are splintered by war, the Cazalets must prove they have the strength to endure.Based on Elizabeth Jane Howard’s captivating family epic, The Cazalets stars Tony Award®-winner Stephen Dillane (The Real Thing), Hugh Bonneville (Madame Bovary), Paul Rhys (From Hell) and Emma Griffiths Malin (Mary Reilly)

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The Bretts Review

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(More customer reviews)Like other reviewers, I was not impressed with the first or even the second episode. However, the wonderful acting of all the characters made me move from episode to episode eagerly. I watched it all in a week. You learned to care about all of them, which is interesting, since some of them are very selfish. But they managed to show enough of the insecure human being behind the mask that I was intrigued.
Also, like other reviewers, I was disappointed with the abrupt removal of characters. Whatever happened to Jean? Why did Patrick, a definite addition to the below-stairs staff (well I won't say what happened since you haven't watched it). I don't think people who put on these shows realize that we in the audience care about these (grantedly unreal) characters. And as for Martha's lovers!! Who can believe it? We need more lead-time when a character is going to disappear. I think that's the price you pay when different writers write different episodes.
But the actors marched bravely on, ignoring the impossibilities in the script and giving us laughs and tears along the way. I haven't enjoyed something like this in a long time, so I highly recommend you rent it. (Netflix has it). As for buy? I haven't made up my mind. If the characters haunt me, as I think they will, I will probably break down and buy it.

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In London's West End, the 1920s are one long andglittering post-war celebration.Nightlife fills society restaurantsand the theatre business is booming.The spirit of the age createsstars whose social escapades seem as daring as their dramatic roles. This "Masterpiece Theatre" presentation, created by playwrightRosemary Anne Sisson, shows the public triumphs and behind-the-scenestraumas that are all part of one family's flamboyant life in thetheatre. Since the 1890s, Charles and Lydia Brett have been thereigning luminaries of the West End stage: They are fiercelycompetitive, with a sophistication, charm and drop-dead chic thatmake them the darlings of London's theatre world.Sparkling with witand period style, "The Bretts" recaptures the glamour and the grit,the vanities and the gifts of the dramatic artiste in the days whenmoving pictures learned to talk and the theatre was home to a host ofrising stars.

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Rosencrantz & Guildenstern Are Dead (1991) Review

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(More customer reviews)Query: what are the minor characters in Hamlet doing when they are not actively engaged in carrying the plot forward? Answer: floundering around, not entirely clear as to who they are, and absolutely clueless about what is going on. I remember being electrified by the play's genius when I first read it six million years ago, and only stumbled on the film adaptation by chance while channel surfing in San Diego. The film is a gem.Gary Oldman is a treasure as Rosencrantz, a follower if ever there was one, innocently and accidentally discovering the laws of physics then shrugging them off. Rosencrantz is a trifle slow at times, and he doesn't seem to know- or care- whether he is Rosencrantz or Guildenstern. Mostly, he just wants to go home. Tim Roth is brilliant as Guildenstern, who does know who he is but doesn't know what he can do about it. The interactions and wordplay between these two are dazzling. Richard Dreyfuss is perfect as the slightly sinister Player. Dreyfuss tends to chew scenery which is entirely apt for this character. The production values are wonderful and you get a real feel for the ambience- cold Denmark, even in cold castles, where actors saying their lines can see their own breath. If you love drollery and wordplay and fine acting, this is your kind of movie.

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In this cleverly inspired twist on William Shakespeare's Hamlet, two of the outrageous supporting players take center stage for a dazzling game of illusion and reality that delivers one-of-a-kind entertainment! World Class Cast featuring Richard Dreyfuss (Mr. Holland's Opus, Jaws), Tim Roth (Pulp Fiction, Planet of the Apes) and Gary Oldman (Bram Stoker's Dracula, Harry Potter and the Prisoner of Azkaban)

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To Be or Not to Be (1942) Review

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(More customer reviews)"To Be or Not to Be" has the distinction of being the last movie starring Carole Lombard before her tragic death in an airplane crash in 1942 and is also remembered as having Jack Benny's finest film performance. But beyond the qualities of the stars Ernst Lubitsch's film deserves to be singled out for its anti-Nazis position, a distinction shared with Charlie Chaplin's "The Great Dictator" and few other films. Keep in mind that the film was released on February 15, 1942, not only a month after Lombard's death but only two months after Pearl Harbor, which means it was in the works before the United States entered World War II.
Lubitsch and Melchior Lengyel came up with the story, which was turned into a screenplay by Edwin Justus Mayer. The story of "To Be or Not to Be" is of a Polish theatrical company that is in Warsaw preparing to perform an anti-Nazi melodrama on the eve of World War II. In the leading roles are the husband and wife team of Maria (Lombard) and Joseph Tura (Benny), who are trained in Shakespeare. However, the production is canceled by the Polish government because they are afraid Germany will attack the country is a play critical of the Nazis goes on (you know how touchy Hitler can be). So the Turas put on "Hamlet" instead and while Joseph does Hamlet's "To be or not to be" soliloquy, Maria is visited backstage by Lieutenant Stanislav Sobinski (Robert Stack), a young pilot in the Polish Air Force. Then the war breaks out, Sobinski makes it to London to fight with the RAF, and the Turas remain in occupied Warsaw.
While in London Sobinski meets with Professor Siletsky (Stanley Ridges), a Nazi agent posing as a Polish patriot, who gets the names of friends and relatives from the pilots. Sobinski becomes suspicious and is sent to Warsaw to recover the list from Siletsky before he gives it to the Nazis. In Warsaw Maria helps Sobinski, but then she is arrested by the Gestapo as Siletsky tries to get her to join the Third Reich. To rescue his wife Joseph and the other actors masquerade as Nazi soldiers and end up with one of them (Tom Duggan) dressing up as Hitler to help in the great escape.
This is a comedy, but it is not a broad comedy in which the whole thing descends into slapstick, otherwise the overt attempts at anti-Nazi propaganda would not work. There is a similarity between "To Be or Not to Be" and the television situation comedy "Hogan's Heroes," in terms of presenting the Nazis as incompetent buffoons, personified by Sig Ruman as Colonel Ehrhardt. The difference is that Lubitsch still manages to work in the idea that the Nazis are also killer clowns. However, the biggest joke is that these actors, less than inspiring on the stage in Shakespeare, are so convincing playing Nazis. Meanwhile, Joseph cannot quite bring himself to belief that Maria is actually cheating on him.
Keep in mind that when this film was made "concentration camps" did not mean what they mean today; the terms was used by the United States to describe the camps in which Japanese-Americans were interred during the war. But then when you see Jack Benny walk in as a Nazi you know this is a different time and place. The humor is pretty coarse for a film from the early Forties (e.g., Ehrhardt recalls Joseph's performance of "Hamlet" and declares, "What he did to Shakespeare we are doing to Poland"), but then keep in mind who is being made fun of here and you have to admire the bite that they put into some of these bits. Benny is pretty much perfect for this part and Lombard sparkles throughout. As is usually the case, the original is much better than the 1983 remake with the husband and wife team of Mel Brooks and Anne Bancroft.

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A POLISH THEATRE TROUP IS PUT OUT OF BUSINESS BY THE NAZIS UNTILTHEY BECOME INVOLVED IN ESPIONAGE AND FIND THEIR SKILLS BEING PUT TO THE ULTIMATE TEST.

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The Wizard of Oz (Three-Disc Collector's Edition) (1939) Review

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(More customer reviews)Like most baby boomers, I've watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc ... but I had never actually SEEN "The Wizard of Oz" until this newly restored DVD came out. It's an amazing transfer. The sepia-tone Kansas sequences are startlingly sharp and clear, and the Technicolored world "Over the Rainbow" is truly dazzling. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow's field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen's uniforms. Incredibly, even the individual grains of red sand in the Witch's hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the story, and the music.
The DVD extras are a mind-boggling embarrassment of riches. The "Making Of" documentary hosted by the incomparable Angela Lansbury is worth the price of the DVD alone, but there's so much more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There's enough material to keep even the most casual viewer fascinated for hours, and a true Oz buff will be occupied for days!
If you only bought a DVD player to watch this one disc, it would well be worth the expense. Treat yourself, and fall in love with this classic film again ... for the first time.

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An All-New Wizard of Oz With State of The Art Ultra-Resolution Picture Quality and Over 10 Hours of Bonus Extras.DVD Features:Audio Commentary:Commentary by John Fricke and multiple cast and crew members.Biographies:We Haven't Really Met Properly - includes 9 orginal cast biographiesDeleted Scenes:If I Only Had a Brain; If I Only Had a Heart; Triumphal Return to Emerald City; Over the Rainbow; The JitterbugDocumentaries:L. Frank Baum: The Man Behind the Curtain; Memories of Oz -2001 TCM documentaryFeaturette:The Wonderful Wizard of Oz Storybook; Prettier Than Ever: The Restoration of Oz; The Art of Imagination: A Tribute to Oz; Because of the Wonderful Things it Does: The Legacy of OzMusic Clips:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We're Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and moreMusic Only Track:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We're Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and moreNewsreel:Cavalcade of the Academy Awards Excerpt - 1939 newsreelOther:The Wizard of Oz - 1910 short; The Magic Cloak of Oz - 1914 short; His Majesty, The Scarecrow of Oz - 1914 feature; The Wizard of Oz - 1925 feature; The Wizard of Oz - 1933 animated short; and morePhoto gallery:Oz on Broadway; Pre-MGM; Sketches and Storyboards; Costume and Make-up Tests; Richard Thorpe's Oz; Buddy Ebsen; Oz Comes to Life; Behind the Scenes; Portraits; Special Effects; Post Production; Deleted Scenes; Original PublicityTV Special:The Wonderful Wizard of Oz: The Making of a Movie Classic - 1990 TV specialTheatrical Trailer:1939 What is Oz? Teaser; 1940 Loews Cairo Theater Trailer; 1949 Re-issue Trailer; 1949 Grownup Re-issue Trailer; 1970 Children's Matinee Re-issue Trailer; 1998 Warner Bros. Re-issue Trailer; Texas Contest Winners [1939 trailer]

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Life After Tomorrow Review

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(More customer reviews)Life After Tomorrow is a documentary about what happens in life after your dreams come true. The film reunites cast members who played orphans in the Broadway production of Annie. Via interviews with high-profile "annies" like Sarah Jessica Parker, viewers get a glimpse of life inside the dream-nights at Studio 54 when you're ten, life on the road with tutors who got high, stage mothers who had affairs with stage fathers and subsequent abortions, and worst of all, growth spurts which predicated your removal from the show. As one cast member in the film remarks, "the younger ones are coming to take your place and you're 12."
This isn't a US Weekly type of documentary. There are no child star "smash-ups" here-no stories of "annies" robbing liquor marts for drug money because they weren't able to readjust to life after stardom. The tragedy here is subtle and understated. Many of these women admit to being forced off stage and continuing life with the nagging hope in their heart that they would get back to Broadway. Life happens to these actresses-they become financial planners, mothers and annoying stage mothers, but some of them are obviously stuck somewhere else-not in tomorrow, but yesterday-when they were singing and dancing in Annie. Some of them haven't self-actualized which is unpleasant to see in someone who is turning 40. Others have adjusted OK. It's interesting, but it's also a hard-knock life when you peak at 10.

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The award winning Life After Tomorrow, a film by Julie Stevens and Gil Cates, Jr., reunites more than 40 women who played orphans in the original Broadway production of Annie and reveals the highs and lows of their experiences as child actresses in a cultural phenomenon. Once the curtain came down, many found it could be a hard-knock-life, fraught with out-of-control stage mothers, separation anxiety, and worst of all, pubescent growth spurts that could find the moppets being replaced by smaller, younger editions just waiting in the wings. As one cast member in the film remarks, The younger ones are coming to take your place and you're 12. It's not like you are getting downsized at 50...you're 12!. While their lives moved on, the impact of the experience remains. Features behind-the-curtain footage from the original Broadway production and performances with the re-united orphans.

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Victor/Victoria (1982) Review

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(More customer reviews)In the age of "Moulin Rouge" audiences would do far better by rediscovering this musical comedy gem, starring the incomparable Julie Andrews, Robert Preston, Leslie Ann Warren and James Garner. Rarely has Hollywood captured the essence of great music with outstanding performances as it has in "Victor/Victoria." There are literally a dozen or so scenes that will leave you hysterical, as in gasping-for-breath hysterical, something many films aspire to, but few ever deliver on. But more than funny, this is a poignant, character driven film where every principal is allowed to shine.
Andrews permanently sheds her "Sound of Music" virginal skin in the title role, embodying the man-pretenting-to-be-a-woman-pretending-to-be-a-man part in a way noone has ever done before or since. Of course, the audience is in on the joke, but it never becomes tired or anything less than fresh. Robert Preston is the antithesis of his former "Music Man" personna, a gay-Paree emcee who discover's Victor's startling 8-octave vocal range and turns him/her into the rage of Paris. These two performances, along with Leslie Ann Warren's unforgettable floosy - all three Oscar-nominated - are drop dead fabulous. These are actors at the very height of their form....funny, passionate, real and endearing. The musical highlights are truly phenomenal, certainly better than other "best loved" musicals like "Singing In the Rain" or "An American In Paris." Andrews scores on "Le Jazz Hot" and shows an indelible comic flair few people knew she was capable of in the legendary cafeteria sequence, which literally had the audience I viewed this with ROLLING in the aisles. It's a movie where even the insects - cockroaches in this case - are memorable. But more so, its also a lesson in what Hollywood USED to do so well in its tradition of movie musicals....and what its forgotten to do over the past two decades since Victor/Victoria was released. In a nutshell, Hollywood forgot that the power of song and music is their ability to HUMANIZE a character and progress the plot, but also lend depth and color to the principals. For me, "Victor/Victoria" IS Hollywood's last great musical, and certainly one of the most visually stunning, fully realized films of our time. This ranks far and away as Blake Edward's crowning masterpiece - high above SOB or the Pink Panther flicks. And the supporting performances are some of the best ever caqptured. Just try and forget Warren's cooing to James Garner ("pooookie....I'm horny) or Alex Karras' gay gangster falling in love with Preston. From roaches to royalty, "Victor/Victoria" is quite simply one of the best films of the 80's or any other decade.
I am anxiously awaiting its release on DVD, and secretly hoping that the currently available Broadway show version silently goes away as it cannot hold a candle to the film. Rent it, buy it, LOVE IT.

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A woman singer masquerades as a man impersonating a woman in Paris, circa 1934. This brings her success in her professional life but complicates her personal life.Genre: MusicalsRating: PGRelease Date: 4-JUN-2002Media Type: DVD

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