American Ballet Theatre Now - Variety and Virtuosity (Dance in America) (1998) Review

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(More customer reviews)Finally, this thrilling gala performance is available on DVD! The transfer is crisp and the dances are nicely indexed so you can jump to your favorites...not that you'll want to skip even one of them. But I'm sure every balletomane will have her or his favorite. Mine is "Remanso", a pas de trois for men based on a Garcia Lorca poem. Taped in 1998, these performances feature many of ABTs upcoming stars (Corella, Carreno, Herrera, Stiefel) as well as seasoned veterans (Jaffe, Bocca, Hill, McKerrow). Angel Corella delivers breath-taking turns in his pas de deux with Paloma Herrera from "Don Quixote."
Although comprised of eight separate dance performances, each segment is intercut with fragments of backstage interviews with the dancers and artistic director Kevin McKenzie. Nothing momentous is revealed, but it's nice to hear the dancers express their enthusiasm for the works they perform and for the company that have the priviledge to dance for. Introduced by prima ballerina assoluta Natalia Makarava (looking great in a maroon silk and velvet gown by Gianfranco Ferre), it moves quickly and is the type of DVD you'll want to watch over and over. Far superior to ABTs other recent offering on DVD, "Le Corsaire," in which the dancers make fun of ballet (with justification) in between-the-acts interviews...and which is difficult to watch more than once.
I never understand why "fine art" DVDs offer so few "extras" (in this case, none). If you go to a live performance of a ballet, you get program notes on the music and choreography and short biographies of each principal dancer. Is that so difficult to transfer to a bonus material section on a DVD? Are there copyright issues? Anyway, don't let the absence of extras deter you, this DVD really delivers the goods. Buy it, watch it, love it.

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Variety and virtuosity are the key qualities of American Ballet Theatre's tradition. The company has long distinguished itself through its artistic eclecticism and its star power. In this dazzling program, leading American Ballet Theatre dancers are joined by guest artists to perform highlights from the company's 20th century repertoire, including romantic, classical and contemporary pieces as well as the premiere of a new piece by Nacho Duato.

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Don Quixote / Baryshnikov, Harvey, American Ballet Theatre Review

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(More customer reviews)This is my favorite ballet tape, and I look forward to having it on DVD. I don't even know where to start in my praise, so I'll begin with the smaller parts. Susan Jaffe and Cheryl Yeager as the dream Mercedes and Amor absolutely shine. It is no wonder Jaffe has become a superstar. Johan Renvall is adorable in the small part of the innkeeper's son and has a few incredible leaps. Frank Smith has become an excellent character dancer as the innkeeper, who is Kitri's father. It was good to see Robert LaFosse in a small role as well, as he had subsequently left American Ballet Theatre for the New York City Ballet. Unfortunately I do not remember the names of the soloists who dance Kitri's friends, but they are also quite lively. On a sad note, the late Peter Fonseca, who died too young, sparkles in the corps and in the gypsy camp scene. He would have been a major international star if he had lived, and I was fortunate to have seen him, Jaffe, Yeager, and Julie Kent with the Maryland Youth Ballet when they were in their teens. Patrick Bissell, also, is a very attractive Espada. He, too, died too young and is much missed.
In my opinion, Cynthia Harvey was a wonderful Kitri. Not only was her dancing outstanding, but her personality shone through the role of the kittenish innkeeper's daughter who was determined to win the man she loved, even though he was merely a poor barber, and also to keep the upper hand in their marriage. Baryshnikov exudes charm and demonstrates that he was, at that time, the world's greatest dancer.
However, for me the highlight of the ballet was Victor Barbee as the rejected suitor Gamache. There is no better actor in all of ballet and, although he wasn't the strongest dancer in the corps, he carries the role with panache and aplomb. He receives the last curtain call, and rightly so.
Although Minkus is not the greatest ballet composer, the score is easy to listen to. The costumes and settings are colorful and enjoyable. There are some unanswered questions, including where Kitri changed her clothes between act 1, when she runs off with Basil, and act 2, when they arrive at the gypsy camp, as she took nothing with her! And doesn't she notice that there is no blood on the knife Basil pretends to stab himself with? But they can be easily overlooked.
This is a really enjoyable ballet. I strongly advise buying it!

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Mikhail Baryshnikov’s sparkling full-length production of Don Quixote captures all the excitement, Spanish color, and humor of Cervantes’ original masterpiece. It is one of the most popular and joyful ballets surviving from the imperial Russian ballet’s repertory. The famous virtuosic pas de deux is danced in this performance by Baryshnikov "like a dream," according to the New York Post, "a madcap bravado which combined with his pure classicism gives his dancing an edge of genius." His partner, Cynthia Harvey, who takes the part of Kitri, was reviewed in the New York press as possessing "a clear line and splendid grace that grow more wonderful on each viewing." American Ballet Theatre was ecstatically received by the New York press for this performance. The New York Times described how "the dancers had the audience gasping," while the New York Post felt that the company had "never looked better. Dancing flows out of the Ballet with a boisterous beauty."

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American Ballet Theatre at the Met - Mixed Bill (1984) Review

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(More customer reviews)This eclectic program (Les Sylphides, Sylvia pas de deux, Kenneth MacMillan's Triad, and Paquita) is a beautiful slice of ABT's wide range of repertory and features sparkling performances from Baryshnikov, Cynthia Gregory, Fernando Bujones, Cynthia Harvey, Marianna Tcherkassky, Martine van Hamel, and many others. Although the taping itself is a little less engaging than I would like (ABT's 1998 tape, Variety and Virtuosity, is far superior in this aspect), this is still a wonderful addition to any ballet fan's collection.

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From the Metropolitan Opera House, New York, this triple bill of ballets, with an additional glittering pas de deux, is a delightful introduction to the range and excitement of American Ballet Theatre’s repertory. The first piece is Les Sylphides in which Mikhail Baryshnikov is the poet surrounded by the drifting chorus of sylphs. The Sylvia Pas de deux is a sparkling duet for Martine van Hamel and Patrick Bissell, and it is followed by Triad, one of Sir Kenneth MacMillan’s most poetic and sensitive short ballets. Finally, in a blaze of brilliant dancing, the Grand Pas from Paquita shows off the technical virtuosity of ABT’s dancers in a cascade of mock-Spanish bravura choreography staged by Natalia Makarova from the original Petipa version.

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Tchaikovsky - Swan Lake / American Ballet Theatre, Murphy, Corella (2005) Review

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(More customer reviews)American Ballet Theatre's Swan Lake, as presented on PBS' Dance in America series, is a must-have for any serious ballet lover. The settings & costumes are fresh and new. The age-old story of love, betrayal, and redemption is set to Tchaikovsky's lush score with some new music and a new scene. Of course the cornerstone of any ballet is the dancing. Gillian Murphy is absolutely remarkable as Odette/Odile, soft and vulnerable as the Swan Queen in acts 2 & 4 and hard, brilliant, dazzling as Odile in act 3. Angel Corella's Prince Siegfried is a perfect match for her. He is a brilliant dancer and a good actor, although I would have liked to have seen what Ethan Stiefel could have done with the part. The chemistry between Murphy & Corella is palpable. However, I have an old VHS of Swan Lake with Natalia Markova & Ivan Nagy, and I must say there has never in my opinion been a danseur noble to compare with Nagy. He was Siegfried incarnate.
Herman Cornejo also shines in the small role of Benno, Siegfried's friend, and he and the two female dancers (whose names I confess I don't know) make the first act trio a joy to watch. Georgina Parkinson is just right as the queen mother, stern yet loving. Victor Barbee is wasted in the small role of the master of ceremonies. In his younger days, he was an outstanding Rothbart.
One very unexpected pleasure in this ballet was Marcelo Gomes, who did such a fine job in Le Corsair as the villainous pirate, as the human Rothbart. He was wisely given a dance with the four princesses in which he is so handsome and seductive that they are putty in his hands--and he has an effect on the queen as well! I give him a standing ovation. Brilliant!
Rothbart's dance and a prologue in which we see him seduce the human Odette are two welcome additions, although I wish the prologue had been a little longer.
I have two minor complaints. First of all, the princesses were generically costumed. None of them had an of the flavor of their native countries in their dress. This is, however, not really important, just something I noticed.
Secondly, however, I saw no need to have another dancer as the demon Rothbart complete with green skin and huge, curving horns. One Rothbarth would have been perfect; two is a joke.
I strongly recommend this DVD to any lover of Swan Lake. It's one you'll treasure.

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Born to Be Wild - The Leading Men of American Ballet Theatre Review

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(More customer reviews)I must admit to some disappointment in this DVD; not because of the quality of the content but rather the content itself. Also, this disc is short, very short...only 54 minutes in fact
This DVD features four of the male stars of todays American Ballet Theatre: That being, Jose Manuel Carreno (Cuba), Angel Corella (Spain), Vladimir Malakhov (Russia) and Ethan Stiefel (USA).
I'd expected some extended video of each of the dancers actually dancing, but instead the bulk of the video is more of less a mini biography of each of the dancers with brief snippets of each of them from previous shows they were in.
There is also an extended section showing them rehearsing a dance, a pas de quatre, danced to Scubert's piano quintet; the finished work is about 7 minutes long and shown at the very end of the disc. This was well done and performed before a live audience.
I think the highlight of this disc, to me, was a short segment of each of them on a trampoline, with a single photograph frame capturing some spectacular aerial pose at the apex of their leaps. Unbelievable height and agility.
All in all, not quite what I expected when I purchased this DVD. That is not to say that I didn't enjoy it, I did, (getting some insight on the lives of these fabulously talented individual was very interesting, but it's just not something that I'd probably watch more than once. And watching some of my favorite choreographed dances is something that I do watch on a regular and repeated basis.

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This DANCE IN AMERICA performance/documentary explores the lives of the ABT's four lead male dancers: Cuba's Jose Manual Carreno, Spain's Angel Corella, Ukraine's Vladimir Malakhov, and the U.S.'s Ethan Stiefel. Concludes with the four dancers performing.

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