Showing posts with label amber tamblyn. Show all posts
Showing posts with label amber tamblyn. Show all posts

10/01/2011

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008) Review

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008)
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The impression that "The Sisterhood of the Traveling Pants 2" gives is that it's a bubbly, bright, and--for all intents and purposes--meaningless sequel to the first film. To my relief, it follows the example set by its predecessor, a surprisingly levelheaded friendship story. Four years after discovering a magically fitting pair of jeans, best friends Tibby Tomko-Rollins (Amber Tamblyn), Carmen Lowell (America Ferrera), Lena Kaligaris (Alexis Bledel), and Bridget Vreeland (Blake Lively) have returned for a second chapter that remains on perfectly equal ground with the first, focusing on coming-of-age issues like maturity, self-discovery, family, and love. Unoriginal ideas? Maybe so, but that doesn't mean they're any less effective. If anything, they make the film's message that much clearer. It helps that many of the girls' problems are based in reality--high school issues, like being pretty and popular, are pushed aside in favor of adult issues, like pregnancy scares and family crises.
If there's anything we learned from the first film, it's that the magic of the titular jeans was symbolic; by in large, the girls worked through their own ups and downs on their own, with no miraculous intervention other than their friendship with one another. We learn pretty much the same thing in this film, which sees each character facing new, more mature challenges. Let's begin with Carmen, who doubles as the film's bookend narrator. She now attends Yale, working as a stagehand for the theatre department. Her mother (Rachel Ticotin) has since remarried and is now pregnant with her second child. When Carmen's hopes of spending the summer with her friends are dashed, she decides to join a Shakespearian theater company in Vermont with a prima donna named Julia (Rachel Nichols). Once there, a British actor named Ian (Tom Wisdom) coaxes Carmen into auditioning for "A Winter's Tale"; to her shock--and to Julia's horror--she's cast as Perdita. As rehearsals continue, she begins to fall in love with Ian.
Next, there's Bridget, who plays Soccer at Brown University. Lately, her interests have shifted to archeology. While on an expedition in Turkey, her instructor, Professor Nasrin Mehani (Shohreh Aghdashloo), opens her eyes to the fact that she's only running away from her past. Bridget, it seems, is still haunted by the suicide of her mother. And her relationship with her father (Ernie Lively) is worse than ever; before leaving for Turkey, she discovered a box full of letters her grandmother had written her, letters her father wanted to keep hidden. Returning to the United States, Bridget takes a bus to Alabama and finally meets her grandmother, Greta (Blythe Danner), an accommodating woman with a matter-of-fact outlook on everything, including her daughter's mental illness.
The next in line is Tibby, who continues to pursue her filmmaking dreams at NYU. Forced to stay in New York for the summer to rewrite her screenplay, she gets a job at a local video store. She's now dating Brian McBrian (Leonardo Nam), who was introduced in the first film as the "Dragon's Lair" champion. When their relationship is threatened (for reasons I won't reveal), Tibby begins to wonder if she was meant for happiness. She does put up a wall every time she gets close to someone, and that's because, deep down, she believes that those you love the most will eventually abandon you. Her attempts to get sympathy from Carmen are flatly rejected; she doesn't appreciate how uncommunicative Tibby has been all summer.
Finally, there's Lena, who attends an art college in Rhode Island on a scholarship. Heartbroken after breaking up with her Greek boyfriend, Kostos (Michael Rady), she reverts to her old timid ways. She then meets Leo (Jesse Williams), the male model hired to pose nude in her art classes. It isn't long before they fall in love, although we suspect it's for all the wrong reasons. All she really knows about Leo is that he's a nice guy, and he's incredibly handsome. But does she know what she wants out of life? Does she even know who she is? How can know she when she's torn between two men?
Naturally, the pants themselves have to play a part in this story, and indeed, they're continually FedEx-ed from friend to friend. The question is: Do any of them need the pants anymore? You'd think that, at this point, a pair of old jeans traveling the world would reveal itself as a big metaphor. They may realize that by the time the film ends. I'm not entirely sure, though.
Moments of this movie are perhaps a little too sentimental, and the general plot may be a little too formulaic. At times, the dialogue is a bit contrived. Consider this conversation: When Tibby says drearily, "I suck at relationships. I should have been a guy," Lena calmly responds, "A guy wouldn't care about sucking at relationships." Only best friends in a coming-of-age story could get away with lines like that. Then again, I never expected a reinvention of the wheel. Movies like "The Sisterhood of the Traveling Pants 2"--and its predecessor--are aimed at a very specific audience, namely teenage girls; if they can get something out of it other than the sight of four young women looking pretty, if they can leave the theater understanding the more complex aspects of the story, then the filmmakers can include all the predictable dialogue they want. I think this movie will get the job done, not merely for teenage girls, but for anyone open to the idea.

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Join the four best friends as they finish their first year of college and dive into a summer of excitement. Bridget (Blake Lively) journeys to Turkey on an archeological dig. Carmen (America Ferrera) plunges into the hectic, creative world of summer theater in Vermont. Lena (Alexis Bledel) discovers new love and old heartbreak at the Rhode Island School of Design. And in the Big Apple, Tibby (Amber Tamblyn) takes a big step in her relationship with Brian. Romance, laughs, tears and that magical pair of jeans that keeps the girls together even when theyre far apart all here in a heart-lifting second film based on Ann Brashares bestsellers. Its a perfect fit.

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9/05/2011

127 Hours (2010) Review

127 Hours  (2010)
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From the macabre paranoia of "Shallow Grave" to the comedic debauchery of "Trainspotting" to the disturbing creepiness of "28 Days Later" to the fanciful romanticism of "Slumdog Millionaire," director Danny Boyle has made kinetic films that really connect to the viewer at a visceral level. Very much a visual stylist, Boyle uses every tool at his disposal--quick cut editing, frantic camera movement, fantasy sequences, jarring music--to really delve into the emotional core of whatever story he is telling. At first glance, "127 Hours" would seem an odd follow-up to the Oscar winning "Slumdog." Stripped down to the most primal level, "127 Hours" is one of the simplest, most straightforward narratives you're likely to encounter. And yet, through the technical bells and whistles and an earnest James Franco performance, you are immersed in a world of madness, desperation, perseverance, hope, struggle and ultimately survival. And there is no denying that this very matter-of-fact tale packs a punch!
Franco plays real-life adventurer Aron Ralston. In 2003, the reckless Ralston set off to explore Utah's Canyonlands National Park. No one knew where he is going and safety was secondary to fun in Ralston's blissed-out commune with nature. While negotiating a crevice, a boulder dislodged and trapped Ralston's arm stranding him in isolation within the earth. The film then documents Ralston's dilemma for the next 127 hours. With limited supplies and no mobility, Boyle makes the most of his claustrophobic environment by inviting us into Ralston's mind. And the primary success of "127 Hours" is that it really traps us within this confined space as well. We're there to the bitter end where survival and sacrifice meet at a crossroads.
In many ways, I wish people cold go into "127 Hours" with no expectations and forewarning of what is going to happen. I know that's naive. Ralston's tale is certainly public domain--reported on TV, the subject of books and news features. In fact, the entire film is marketed around the gruesome turning point in Ralston's struggle. This decisive act that spared Ralston's life is so harrowing and Boyle does not shy away from its unpleasantness. But the promise of this scene lingers over all that proceeds it. We are biding time for this ultimate act. We know what's going to happen and we know it's going to be graphic--everyone has told us so well in advance. But that sequence is so strong, it has come to define the entire movie. "127 Hours" has literally come to be described as "the movie where he......." (I, for my part, have resisted divulging this point--although you can read it everywhere else, including the product description and other reviews).
Franco does a great job making us root for Ralston. Impetuous and somewhat irresponsible, this thrill seeker didn't take the necessary precautions advisable. He thought he was immune to the dangers inherent in the mountain. But Franco makes him such a life force, you want him to be the victor over his poor decisions. His whip smart survival instinct keeps him alive and he never gives up. But as he faces mortality, he comes to understand his shortcomings and even faces visions of the future. His videotaped proclamations to his family are the emotional highpoint of "127 Hours." Franco is a physical actor and acquits himself well in the adventure scenes--but it is the immobile moments that showcase an interior to Franco that hasn't always been on full display in other films. Boyle takes full advantage of Franco and delivers one of the year's most effective human dramas. Stunning in its simplicity, "127 Hours" has an energy and vitality that make it stand out from the pack. KGHarris, 11/10.

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From Academy Award-winning director Danny Boyle (Slumdog Millionaire) comes the powerfully uplifting true story of one man\'s struggle to survive against mountainous odds. Aron Ralston (James Franco) has a passion for all things outdoors. But when a falling boulder traps him in a remote Utah canyon, a thrill-seeker\'s adventure becomes the challenge of a lifetime. Over the next five days, Ralston embarks on a remarkable personal journey in which he relies on the memories of family and friends--as well as his own courage and ingenuity--to turn adversity into triumph!

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