Showing posts with label bards and minstrels. Show all posts
Showing posts with label bards and minstrels. Show all posts

2/28/2012

Faerie Tale Theatre - Rumpelstiltskin (1982) Review

Faerie Tale Theatre - Rumpelstiltskin (1982)
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RUMPELSTILTSKIN is an average entry in the FAERIE TALE THEATRE series. Shelley Duvall, host and creator of the series, takes center stage as the winsome Miller's Daughter.
The Miller (Paul Dooley) is constantly telling tall tales, but his latest lie just might result in the death of his daughter (Shelley Duvall). When the Miller tells the King (Ned Beatty) that his daughter can spin straw into gold, the King orders she be brought to the palace to work her miracle.
Imprisoned in the palace, the Miller's Daughter is visited upon by a strange little man (Herve Villechaize) who helps her out of her dilemma. But will the price be more than the Miller's Daughter can pay?...
This is only the second episode in the series, and features fine acting from Duvall and Villechaize. A real charmer.

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A young woman must figure out a strange old man's name in order to keep the first born child she promised him in exchange for the ability to spin straw into gold.

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Faerie Tale Theatre - The Boy Who Left Home to Find out About the Shivers (1982) Review

Faerie Tale Theatre - The Boy Who Left Home to Find out About the Shivers  (1982)
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THE BOY WHO LEFT HOME TO FIND OUT ABOUT THE SHIVERS is one of the scarier entries in the FAERIE TALE THEATRE series and thus may not be suitable for younger children, though older viewers will be captivated.
Martin (Peter MacNicol) sets out on a journey to discover the feeling of being scared. He meets an old King (Christopher Lee) who lets Martin stay in his haunted castle for 3 nights. If he makes it through the 3 nights without being scared away, he'll be rewarded with his own kingdom and a beautiful princess.
Dana Hill, David Warner and Frank Zappa co-star in this fabulous TALE. Highly-recommended.

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2/27/2012

Faerie Tale Theatre - Thumbelina (1982) Review

Faerie Tale Theatre - Thumbelina  (1982)
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"Thumbelina" is a fantastic retelling of the classic Hans Christian Andersen fairy tale, "Little Thumb".
Produced in 1983 (and released the following year), as part of Shelley Duvall's charming live-action "Faerie Tale Theatre", the narrative is told with good humour, imagination, and a great sense of fun. The magnificent cast adds much colour and warmth to the proceedings. In particular, Carrie Fisher, in the title role, delivers a captivating performance. She makes an extremely attractive heroine, not to mention one who's "more than just another pretty face". She's an absolute delight, adding her unique qualities to the role. Not only is she pint-sized in real life (although not quite as tiny as a thumb!), she has a lovely, deep voice that is quite at odds with her diminutive stature. When she sings, it is a beautiful and rewarding experience. Indeed, she sings with "an angel's voice". (This is also a highlight for any Carrie Fisher fan, as she began her career as a singer, and yet she only sings briefly in "Hannah and Her Sisters", 1986, and in the Walt Disney live-action comedy, "Sunday Drive", also released in 1986.)
Carrie Fisher is supported by equally delightful character actors. The late Burgess Meredith is in top form as Mr Mole, the second would-be husband of Thumbelina. Likewise, William Katt makes a very positive impression as the Prince of the Flower Angels.
This wonderful fairy tale is further enhanced by excellent production values, including great music, atmospheric sets, and good costumes and creatures like Mother Toad, her hapless son, Herman, the Fieldmouse, and the Swallow.
The script faithfully follows the original story, although the gender of the Fieldmouse has been changed, making for a more convincing friendship with Mr Mole to exist, as well as creating a heartfelt guardianship of Thumbelina along strictly platonic lines.
This well-written and perceptive tale ("I'm always the bride, but never the bridesmaid") makes for enchanting family entertainment. "Thumbelina" delivers a great message, too, but above all, it's storytelling at it's most memorable.
I applaud executive producer Shelley Duvall, and all involved, for giving such a wonderful gift. It's up there with Jim Henson's equally engaging "Storyteller" anthology series, produced in the late 1980s, and the "The Doll", an Emmy Award winning episode of "Amazing Stories" (of the same era).
For me, it's an extra special treat because Carrie Fisher became much more than just Princess Leia with this performance. Besides, she continues to melt me every time she smiles as the Ultimate Flower Angel! Let's hope that this "Faerie Tale Theatre" production, along with my other favourites like "Beauty and the Beast", are re-released soon. Preservation on DVD for future generations is highly recommended.

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Faerie Tale Theatre - Princess and the Pea (1984) Review

Faerie Tale Theatre - Princess and the Pea  (1984)
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THE PRINCESS AND THE PEA is one of the all-time great FAERIE TALE THEATRE episodes. Featuring a talented cast and brilliant costumes and sets, it's totally adorable.
Prince Richard (Tom Conti) leads a boring and eventless life under the thumb of his controlling mother Queen Veronica (Beatrice Straight). Until, one stormy night, in whirls the vivacious Princess Alecia (Liza Minnelli). But is she really a princess? Queen Veronica is skeptical, so employs a method to test her royalty: she places a tiny pea under 20 mattresses and quilts. If Alecia can feel the pea it will prove beyond any doubt her royal blood.
Will Alecia pass the test? And if she does, will she choose to marry Richard? You'll find out in THE PRINCESS AND THE PEA. Co-starring Jane Alden and Nancy Allen.

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Faerie Tale Theatre - The Dancing Princesses (1982) Review

Faerie Tale Theatre - The Dancing Princesses  (1982)
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THE DANCING PRINCESSES surely ranks as one of the finer entries in the FAERIE TALE THEATRE series. It features the beautiful Lesley Ann Warren as well as a sweeping and delightful musical score.
The story is about the daughters of a widowed King (Roy Dotrice) who somehow wear out their dance-slippers every night despite being locked in their room until morning. The secret is not discovered until a crafty soldier (Peter Weller) follows them and finds that they go dancing in a fairy-kingdom under the ground.
This must surely be my favourite, because its everything a fairytale should be; romantic, funny, sad and incredibly-entertaining. Lesley Ann Warren looks luminous and has a remarkable chemistry with Peter Weller.
The story also features Sachi Parker (the beautiful and talented daughter of Shirley MacLaine) as the comical youngest princess; as well as Zelda Rubinstein (Tangina from the POLTERGEIST trilogy).
Most FAERIE TALE THEATRE fans single out this episode as their all-time favourite (with TALE OF THE FROG PRINCE coming a close second). This was actually the final episode ever made of FTT.

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2/24/2012

Faerie Tale Theatre Snow White and the Seven Dwarfs (1982) Review

Faerie Tale Theatre Snow White and the Seven Dwarfs  (1982)
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This is one of the best entries in the fabulous FAERIE TALE THEATRE series, with a superb cast and haunting music score.
Elizabeth McGovern is luminous in the title role of Snow White. Her acting is very understated and she perfectly captures the innocence and bewilderment of the character. Vanessa Redgrave offers a tour-de-force performance as the Wicked Queen, who dons several magical disguises to ensnare our heroine. Rex Smith gives us a Prince who is handsome yet goofy (a refreshing change), and Vincent Price is a delight as both the Magic Mirror and Narrator. Series creator Shelley Duvall has a brief role as Snow White's mother during the prologue.
Sharp direction by Peter Medak and a brilliant, haunting musical score round out the package. This is FAERIE TALE THEATRE at it's height.

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2/22/2012

Rime of Ancient Mariner (1975) Review

Rime of Ancient Mariner  (1975)
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Recently, a friend and I were discussing educational and ethical influences when we were growing up in the 1950's versus today.She mentioned Samuel Taylor Coleridge, who, in 1798, wrote The Rime of The Ancient Mariner. Both of us had been required to recite parts of the epic poem in high school and in English Literature courses in college. My friend said, "Its messages even might be called metaphysical within today's context."
We tried reciting it and only remembered bits and pieces. (I have problems remembering Dr. Seuss.)I said I'd get two copies of the poem so each could read it. That was easy enough, but I was extremely surprised to find it had been made into a film. We looked forward to watching the film to see how it had been interpreted. After all, The Rime of the Ancient Mariner isn't exactly light reading. After each had read the poem, we watched the film together.
We considered the film a remarkable achievement, especially considering it was made in the 1970's, before computers, before the so-called "Ken Burns effect," and before special effects too often began compensating for a lack of substance. Particularly noteworthy are the 19th and 20th century illustrations culled from "lesser known artists," such as Willy Pogany, the early Hollywood designer.
The film is narrated by Sir Michael Redgrave, whom had taught the poem when he was a schoolmaster, adding a tone of authority and credibility in remaining true to the poem.
Its mastery is in the layers of subtle messages, conveyed without "instructing," or becoming an oppressive and obvious morality tale. We found it such a refreshing change from today's 'in your face' and 'clobber them over the head' mentality. Most of today's morality messages in film are two-dimensional: extreme violence, murder and mayhem mark the bad. The bad are really, really, bad, and good are super heroes.It is as if human character lacked any nuance. The Rime of The Ancient Mariner is a celebration of the individual, of character, of an appreciation for celebrating all the richness life has to offer, within the larger context of humanity, i.e., man's capacity to give to others.
Proud of ourselves for having found this "unknown" gem, we then learned it had won the top award in its category five out of six times at "name" international film festivals. Another surprise was learning the film's director, Raul daSilva, is a recognized authority on early animation, and authored six award winning books about film.
This film's message is just as relevant today, if not more so, than when Coleridge penned the original epic poem and when Raul daSilva translated it to film. If I still was teaching high school, which I did for five years, I'd grab this one and show it to all my students. There's a level of richness here that naturally leads to discussion about the big and important issues all of us face, whether in 1798, 1978, or today--in fact, as long as humanity has a spiritual component.
Highly recommended.


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Samuel Taylor Coleridge's epic poem is brought to life with an evocative mix of animated and real images which givethis famous poem an exciting new dimension.This visuallyremarkable cinematic work is narrated by Sir Michael Redgrave, who gives an inspired reading of this literary classic. The program is presented in two parts.Part One is a biography of Samuel Taylor Coleridge from his orphaned childhood, through his vain attempts at being a dashing blade in 18th Century London. It also traces his tragic encounter with opium, his brief, ill conceived flight into the army and how his friendship with William and Dorothy Wordsworth inspired him to write "The Rime of the Ancient Mariner. Part Two is a unique visualization of Coleridge's evocative poem that takes us on a strange and lonely voyage where time and space are as limitless as the imagination.

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2/21/2012

Sting - Inside - The Songs of Sacred Love (Jewel Case) (2003) Review

Sting - Inside - The Songs of Sacred Love (Jewel Case) (2003)
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If you're a Sting fan or just a fan of great music, this DVD is for you. I've seen Sting in concert 3 times. This tops anything I've ever heard. Crystal clear picture and sound, insightful interviews (not too long), and priceless music. This DVD has 17 songs on it. And if I had to pick a favorite, I could not. Although, the rendition of Dead Man's Rope almost made me cry (and I'm a grown man) lol. There are also 3 songs I've never heard on this... That Sinking Feeling, All Would Envy, and Like a Beautiful Smile. All good, but the latter being awesome. This is a no brainer... just buy it. Enjoy!

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STING - INSIDE (JEWEL CASE) - DVD Movie

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2/20/2012

Faerie Tale Theatre: Little Mermaid (1987) Review

Faerie Tale Theatre: Little Mermaid  (1987)
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FAERIE TALE THEATRE's touching and tender recreation of THE LITTLE MERMAID (the second-last in the series) is one of their best efforts.
Pearl (Pam Dawber) is a beautiful young mermaid who lives with her father King Neptune (Brian Dennehy) and her sisters Coral and Anemonie (Donna McKechnie and Laraine Newman) in a kingdom at the bottom of the ocean. When Pearl comes of age and is allowed a brief glimpse of the world above the sea, she falls in love with a handsome Prince (Treat Williams) whom she saves from drowning when his ship has a fatal explosion.
She makes a bargain with the Sea Witch (Karen Black): her voice in exchange for a pair of legs and hopefully the love of the Prince. Once on land Pearl quickly returns to the Prince, though he only has eyes for the lovely Princess Emilia (Helen Mirren).
What follows is a heartbreaking story of selfless love and sacrifice, as Pearl risks everything for true love...
Pam Dawber leads a strong cast. Karen Black is amazing as the Sea Witch; Newman and McKechnie are a delight as Pearl's sisters and Treat Williams fills the role of the Prince admirably. A true gem in the series

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2/19/2012

Faerie Tale Theatre - The Dancing Princesses (1982) Review

Faerie Tale Theatre - The Dancing Princesses (1982)
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THE DANCING PRINCESSES surely ranks as one of the finer entries in the FAERIE TALE THEATRE series. It features the beautiful Lesley Ann Warren as well as a sweeping and delightful musical score.
The story is about the daughters of a widowed King (Roy Dotrice) who somehow wear out their dance-slippers every night despite being locked in their room until morning. The secret is not discovered until a crafty soldier (Peter Weller) follows them and finds that they go dancing in a fairy-kingdom under the ground.
This must surely be my favourite, because its everything a fairytale should be; romantic, funny, sad and incredibly-entertaining. Lesley Ann Warren looks luminous and has a remarkable chemistry with Peter Weller.
The story also features Sachi Parker (the beautiful and talented daughter of Shirley MacLaine) as the comical youngest princess; as well as Zelda Rubinstein (Tangina from the POLTERGEIST trilogy).
Most FAERIE TALE THEATRE fans single out this episode as their all-time favourite (with TALE OF THE FROG PRINCE coming a close second). This was actually the final episode ever made of FTT.

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A king discovers that his daughters' dancing slippers are worn out every morning and hires a man to find out where they are going when they're supposed to be asleep.

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The Frog Prince (1993) Review

The Frog Prince  (1993)
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What a mountain of talent! Jim Henson continued his legendary roll with a charming made-for-TV version of "The Frog Prince". Like the equally wonderful "Hey Cinderella!" the plot more of less follows the classic fairy tale, but only the Muppets would have a plot hinge on a line like "Break the hall in the candle of her brain!".
Kermit guides us through the story as we meet the lovely Princess Lenora, just turned nineteen, and everything a beautiful Princess should be: Perfect complexion, flaxen hair, kind disposition, and wealth galore. There's only one problem: She only speaks backwards, and no one in the kingdom can understand a word she says. She wasn't always that way, someone's obviously been up to devious tricks, but who? It couldn't possibly be the hideous crone who claims to be the King's sister, could it?
Enter Robin the Frog, who claims to really be Robin the Brave, a prince under an enchantment. He recognizes the old crone; it's the same woman who turned him into a frog. From there it's all a series of twists and misunderstandings, falling in love and daring escapes until at last we come to the classic fairy tale ending.
What makes these Muppet tales so fun is the level of humor that appeals to kids and adults alike, such as the hilarious lullaby for a monster and the withering sarcasm of "Aunt Taminilla". If you like the Muppets I can't recommend "The Frog Prince" enough, and along with its counter point "Hey Cinderella!" the show represents what is missing in much of children's programming today. That's what DVD and video are for, right?
GRADE: A
(And if you enjoy this, check out Henson's little-known fairy tale show "Storyteller". It's even better.)

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2/16/2012

Paul Simon - Live at the Tower Theatre (1980) Review

Paul Simon - Live at the Tower Theatre (1980)
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Paul Simon "Live At The Tower Theatre", may be the finest solo Paul Simon concert ever filmed. This is bare bones Simon, with a four piece band, that starred with him in the movie "One Trick Pony". It is actually nice to hear the songs, without the different world music arrangements and caribbean orchestras, that plagued his live shows during the nineties. The band is made up of ex Stuff members Steve Gadd[drums],The late Richard Tee[keyboards and vocals], The late Eric Gale[guitar], and Tony Levin[bass]. These guys crank, and may well have been Paul Simons best band ever assembled. The rockin "Ace In The Hole", is one of several cuts from the much overlooked album 'One Trick Pony", and features Richard Tee sharing vocals with Simon, while pounding his gospel tinged keyboards. Other favorites include, "Late In The Evening", "Fifty Ways To Leave Your Lover", "Me And Julio", and "One Trick Pony", to name a few. The sound and picture quality is very good, considering that the show was recorded in 1980. The only negative, is that the concert is a tad short at 55 minutes, but this is all quality, and Paul Simon never sounded better in concert. Paul Simon along with top session men, Steve Gadd, Eric Gale, Richard Tee and Tony Levin, is not to be missed, if you are a fan of vintage Paul Simon.

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In 1980, after several years of absence, Paul Simon returned to the concert stage on a triumphant swing through the United States and Europe. Touring with him were some of the best in the business:Steve Gadd on drums, Tony Levin on bass, the late Richard Tee on piano, and the late Erie Gale on guitar. The performance of October 7, 1980 at the Tower Theatre in Philadelphia was one of the focal points on the tour and included an unsurpassed ensemble of musicians. This DVD contains special features such as a biography, discography, photo gallery, motion manuscript gallery and motion menus.

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Scarecrow (Broadway Theatre Archive) (1972) Review

Scarecrow (Broadway Theatre Archive)  (1972)
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What a pleasure to revisit this first-rate production after its 30 years in obscurity. Funny, serious and haunting "Scarecrow" is the colorful tale of a bewitched scarecrow, falsely disguised as the image of true love, and the awakening of his heart's desire to seek and claim his soul as his own.
This production is worth viewing just to enjoy Gene Wilder's compelling and earlier performances and he is joined by an impressive cast.
Pete Duel, as the real image of true love, provides important balance as the story's sole voice of truth and reason to Blythe Danner's spellbound maiden and Wilder's beguiling scarecrow. Will Geer as the central target of Norman Lloyd's Devil and his disciple, Nina Foch, are all perfection and terrific fun.

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By Percy MacKaye. In a 17th century Massachusetts town, a scarecrow is magically transformed into a man and charged with the mission of destroying true love. Spectacular performances by two-time OscarÂn a 17th century Massachusetts town, a scarecrow is magically transformed into a man and charged with the mission of destroying true love. Spectacular performances by two-time Oscar®-nominee Gene Wilder (Young Frankenstein, The Producers)and Tony® Award-winner Blythe Danner (Butterflies Are Free). Also starring Norman Lloyd and Will Geer (The Waltons).

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2/15/2012

Faerie Tale Theatre - Snow White And The Seven Dwarfs (1982) Review

Faerie Tale Theatre - Snow White And The Seven Dwarfs (1982)
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This is one of the best entries in the fabulous FAERIE TALE THEATRE series, with a superb cast and haunting music score.
Elizabeth McGovern is luminous in the title role of Snow White. Her acting is very understated and she perfectly captures the innocence and bewilderment of the character. Vanessa Redgrave offers a tour-de-force performance as the Wicked Queen, who dons several magical disguises to ensnare our heroine. Rex Smith gives us a Prince who is handsome yet goofy (a refreshing change), and Vincent Price is a delight as both the Magic Mirror and Narrator. Series creator Shelley Duvall has a brief role as Snow White's mother during the prologue.
Sharp direction by Peter Medak and a brilliant, haunting musical score round out the package. This is FAERIE TALE THEATRE at it's height.

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A jealous queen tries to kill a fair maiden with a poison apple, but she's saved by seven dwarfs and, ultimately, the kiss of a handsome prince.

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2/14/2012

Alice at the Palace (Broadway Theatre Archive) (1982) Review

Alice at the Palace (Broadway Theatre Archive)  (1982)
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Finally, the musical Alice at the Palace is available on both DVD and VHS! I have been looking for this musical for almost 20 years, and am so delighted to have found it at Amazon[.com]. The musical stars Meryl Streep and has a talented supporting cast that helps her bring Alice in Wonderland and Through the Looking Glass to life in one musical.
Alice at the Palace appeared on TV in 1982, and at that time my family had a Beta tape recorder, so Alice was immortalized on tape. At some point the last 10 minutes were recorded over and it was transferred from Beta to VHS. Ever since it aired, my family has been on a quest to obtain a copy of the full musical...and at times I was desperate enough to go searching for just the transcript to read and relive it.
Alice at the Palace is low on grand theatrical gimmicks and high on incredible talent, songs, acting, and humor. It's a delight for both adults and children. I give it two thumbs up and five stars out of five for sheer entertainment. You'll be singing the songs for years afterwards....my family did.
And for anyone who says, "Meryl Streep? In a musical? Singing??!" I say, "Just wait..."

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This "music hall" version of Lewis Carroll's Alice in Wonderland and Through the Looking Glass was adapted for television from Elizabeth Swados' Joseph Papp/New York Shakespeare Festival production entitled Alice in Concert for which Swados also composed the score, adapted the book and directed for the stage. Starring Meryl Streep and featuring Debbie Allen and Betty Aberlin, Alice at the Palace is an entertaining and shrewdly conceived retelling of the Carroll classics with all of the beloved characters--from the Mad Hatter and the Cheshire Cat to the Queen of Hearts--given a unique twist by the witty and charming performances of an accomplished theatrical ensemble. Alice at the Palace was originally broadcast as part of NBC-TV's "Project Peacock" series in 1982.

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2/13/2012

Faerie Tale Theatre - Puss 'n Boots (1982) Review

Faerie Tale Theatre - Puss 'n Boots (1982)
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This is a great movie. It's real light hearted and comical. The characters are all very love-able, except for the ogre of course! I also thought it was neat that all the main characters are African American. I highly recommend this film if you're looking for a good, clean, fun movie to enjoy.

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A clever cat comes up with a way to transform his master into a nobleman, but first he demands a new wardrobe.

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Incident at Vichy (Broadway Theatre Archive) (1973) Review

Incident at Vichy (Broadway Theatre Archive)  (1973)
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Set in a holding room Vichy, France, in 1942, this powerful play by Arthur Miller introduces nine men who have been picked up on suspicion that they are Jews or Jewish sympathizers. Waiting to be questioned are an actor, a waiter, a businessman, a psychoanalyst, a Marxist railroad worker, a gypsy, an ancient Hasid, a fourteen-year-old boy, and an Austrian prince. As they talk and begin to share bits of information, Miller examines the tendency of ordinary men to become immobilized when faced with "an atrocity...that is inconceivable," to refuse to believe that such behavior can possibly happen in a civilized world. At the same time, he also examines those others, the Nazis and their collaborators in France, who serve an ideology, not mankind, those who subordinate themselves so completely to an abstract concept that they believe "there are no persons anymore."
Directed by Stacy Keach, who also wrote the background music, the production features a talented cast, including Rene Auberjonois as the actor, Allen Garfield as the panicked and fatalistic artist, and Andrew Robinson as the German major who has second thoughts about his role. Harris Yulin shines in the very demanding and crucial role of the psychoanalyst Leduc, and his confrontation with Richard Jordan, as the Austrian prince who has failed to act when he had the chance, is heart-stopping. The external action takes place with only one set and virtually no props, focusing the audience's attention on the characters' intense psychological crises, through which Miller examines the tendency of men to believe that the world is essentially rational. Gradually, the truth about the waiting train and its destination emerges, and the sense of horror becomes palpable.
As the men, one by one, disappear from the set, the drama focuses on the psychoanalyst and the Austrian prince, one Jewish and one Christian, one of whom wants desperately to live, and the other of whom has already attempted suicide. Beautifully paced, with a very moving climax, the play is an unusually sophisticated treatment of the Nazi horrors. Miller does not see events purely in black and white, showing instead that everyone creates his own reality to keep from accepting the unthinkable. Written in 1964, while Miller was representing the New York Herald Tribune at the Frankfurt war crimes trials of officials from Auschwitz, this play is Miller's creative reaction to the atrocities he has heard first-hand--and one of his most powerful plays. Mary Whipple


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Item Name: Incident at Vichy (Broadway Theatre Archive); Studio:Kultur Video

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