Waiting for the Moon Review

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(More customer reviews)Though this film has been criticized for some historical inaccuracies, overall it gives a very good feeling for the period and the relationships between some of the most famous writers and artists of the 20th century. Linda Hunt's portrayal of Alice B. Toklas is flawless, as are some of the scenes between her and Stein. It is almost as if you are "a fly on the wall", ease-dropping on two icons of "the lost generation."
The settings are superb and the opening scene of Stein and Toklas proof-reading one of Stein's books is amazing!
A must for anyone interested in the literature and art of the 1920s and 1930s.
Also the interview with the director on the DVD version provides some fascinating insights into how the script was developed as well as how the movie was cast and made.
A must-have for anyone interested in this literary period!

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We'll Meet Again Review

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(More customer reviews)Compelling war drama about a USA Air Base in England. Struggling B-17 crews find solace among British ladies. The Yank's money is appreciated but not always their ways with alcohol and women. This is a story of the small village of Market Wetherby and it's war-weary locals, and how they cope with the new arrivals, American bomber soldiers who freshly join the war, and expect to win overnight.
The British TV has always been excellent in period television series, war dramatizations, and this is no exception. War nostalgia. It is surpurb, with added interest of half a cast of Americans joining British actors. Brits have the preserved buildings to pull off a period series. They use that to advantage. Beautiful 1943 scenery, costumes, props. This show was actually filmed in the 80s but because of the historical setting, it is a timeless DVD set; classic. Perfect for those with war interest, awesome for those interested in what it was like living in a country waiting to be invaded by Hitler's army. It is something of a cousin series to the more recent homeland war drama of "Foyles War" (a must for all British Drama fans) and "Enemy at the Door" (also good).
WE'LL MEET AGAIN cleverly mixes in actual bomber air strip and bombing raid footage. But much of the action takes place in the village homes and the local pub. Dr. Helen Dereham (by Susannah York) and Maj. Jim Kiley (Michael Shannon) are only two that show the extraordinary work that war leaders had to complete, as well as the struggles romantically of working so closely in life/death living. There's is not the only romance. Plenty of hardship and lives lost. Very believable, although I'm too young to know first-hand, being a Baby Boomer.
The series ends well; but with a potential for another season, which, alas, never came. This set has no subtitles or CC. It's box warning of partial nudity refers to one breast exposed for 3 seconds.
My wife and I both enjoyed this, both sorry there were no additional episodes after the 13 provided in this set.
Episode details (each about 53 min.):
1 ALL DAY AND EVERY DAY-Market Wetherby, Suffolk, April 1943. American Air Force arrives in England ungraciously.
2 HANDS ACROSS THE SEA-Cocky American crews fail to perform well in the air & on the local ground.
3 THE MILK RUN-Letty's Uncle Sid arrives with contraband booze while she falls for a Yank on a 'milk run'-safe mission.
4 ONE STEP FORWARD,TWO STEPS BACK-Some romance buds but overall relations remain tense.
5 THE BIG ONE-Market Wetherby & the American Base find some agreeable relationships. 'The Big One' mission heads over Germany.
6 UP THE SMOKE-Some Yanks get London R&R while Dr. Dereham ponders her feelings between her injured husband & US Maj Kylie.
7 FIGHTING MEN-2 men in English woman's lives seems to become a minor epidemic, plus secrets are found out.
8 A WING AND A PRAYER-Yank marries a local just prior to a dangerous raid.
9 YOU'LL NEVER KNOW-2 Brit wives contemplate continued relations with Yanks. 3 sec. of female nudity.
10 OLD ENOUGH TO FIGHT-Maj Kiley halts his romantic relationship causing poor results at work.
11 ONE DAY AT A TIME-Maj Kiley gets more active in the air & personally as death touches others lives.
12 EXCEPTIONAL CIRCUMSTANCES-Dr. Dereham adds more bedside time to her manner dealing with Maj Kiley's injuries.
13 THE END OF THE BEGINNING-It's love & war and time to choose permanent sides on romance issues.

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The Golden Bowl (1972) (3pc) (1973) Review

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(More customer reviews)Henry James' last novel, "The Golden Bowl," is a long work in which very little overt action occurs. The plot is basically as follows. After a long and intense love affair is over between a penniless Prince Amerigo and the beautiful Charlotte, they meet again just as he is ready to marry the American millionairess Maggie Verver. Maggie and her father Adam are very close knit; and as marriage will not seem to separate them for long, Charlotte gets Adam to propose. And so begins one of the most interesting menage a quatre in fiction.Published in 1904, the theme of adultery had to be handled with kid gloves; and this is where James is a master. When in 1972 it was dramatized and taped for the BBC (and then over here as a "Masterpiece Theater" presentation), the subtlety and ambiguity of the original had to be retained. So now that it has been made available by Acorn Media as a boxed set, we do not get to see as much as bare leg, let alone what some of the recent film versions would have offered by way of nudity. Indeed by never showing any of the amorous goings on between Amerigo and Charlotte, one can even begin to wonder if Maggie's suspicions--so long in being aroused--are actually justified.To replace the omniscient narrator of the novel, this adaptation gives us the urbane Bob Assingham (Cyril Cusack) who starts and ends each episode looking into the camera and telling us the story as he knows it. But what he knows is only what his wife Fanny (Kathleen Byron) tells him has happened. Of course, one might wonder, then, how he could know every word of dialogue that took place in Fanny's absence--but let us not quibble over technicalities.As the narrator tells us right off, this is a story not of what was said but of what was not said. At no time in the 6 episodes that make up this taped version does any character say what is really important until Maggie (Jill Townsend) finally confronts her husband and winds up simply stalemated. "No one must know" is the motto of the times and of the class of people with whom we are dealing.The acting is superb. Barry Morse (whom you might remember was the remorseless policeman pursuing The Fugitive many years ago on television) is a sympathetic Mr. Verver, too good to suspect the truth or to show he knows it when he finally does. Daniel Massey's Prince shows just the right balance between continental mores and those of the uptight upperclasses of England and America. Jill Townsend looks just fragile enough while she suffers immensely without batting an eyelash except for two moments of release during the 270 minutes of this dramatization.Gayle Hunnicut gives us a Charlotte who is not evil, who suffers ultimately more than any of the others, but who is simply in love and will not compromise. Kathleen Byron's Fanny never is reduced to caricature. Feeling responsible for introducing Maggie to the Prince, she tries to make amends by interfering and then lying about what she thinks. I am sure many of us can relate to her motivation and she emerges as a more sympathetic character, in a way, than do any of the others. And Cyril Cusack is just a joy, both as narrator and as something of a Richard Bucket to his socially motivated wife. I have to leave to my betters to find how closely this follows the original novel; but on its own terms this Acorn Media release is compelling drama and quite a treat for those who would appreciate some intelligent "adult treatment of adult themes" without the adolescent soft porn which that phrase usually implies. The three tapes hold two episodes each and are neatly boxed. Just the sort of thing you will want to see once a year to clear the mind and perhaps see yourself more objectively afterward.

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In his last great novel, Henry James crafted perhaps his richest study of manners and morals.A wealthy American collector and his daughter innocently marry a pair of former lovers who are disposed to continue their intrigue.The fate of the four turns on a beautiful but flawed object-the golden bowl. This classic BBC adaptation takes viewers into the great dwellings of turn-of-the-century England and the lives of Henry James' richly drawn characters.Cyril Cusack (My Left Foot) performs the role of narrator to droll perfection.Also starring Daniel Massey (In the Name of the Father), Gayle Hunnicutt (A Woman of Substance), and Jill Townsend (Poldark).

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Anna Karenina - Masterpiece Theatre (Video & Teacher's Guide Set) (2001) Review

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(More customer reviews)This is a stunning, not-stuffy-at-all adaptation of Tolstoy's seminal work. The casting is excellent and the script is true to the story line. Anna is particularly well-cast. She's passionate, loved by men and women alike, smart and compelling to watch. The two men in Anna's life are well cast, as well. Anna's husband's character is portrayed with all of the depth that he has in the book, which is an impressive feat. The man who plays Vronsky was a perfect choice even if he is blond and in the book he is dark.
The Kitty/Konstantin parallel plot is very well done, and both characters are also very well cast. In the book, Kitty has more depth than is portrayed, but she is beautiful and charming here nonetheless.
They don't rush the plot. It is presented thoughtfully which does Tolstoy's masterpiece the due it deserves. Watch this over several nights if you want. You'll think about it all day, every day until you're done watching the whole thing.

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Based on Tolstoy's classic novel of a tragic and adulterous love affair.Includes a full color, 16-page teacher's guide featuring viewing strategies, discussion and activities by episode, after-viewing activities, background essays, and more.

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The Road from Coorain (2003) Review

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(More customer reviews)I think this is a wonderful adaptation of a wonderful novel. The acting is superb. The cinematography exquisite. Juliet Stevenson and Tim Guinee are extraordinary. It is well worth your time.

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Masterpiece Theatre: Painted Lady (1998) Review

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(More customer reviews)if you like helen mirren you will love this movie, since it was expressly written for her by allan cubitt. there are art forgeries and theft, there is great music, gay characters and situations, and a good sampling of gangsters and the chaos they bring upon a group of people who are attempting for the first time to live an "ordinary, quiet life". And there is murder and deep personal loss. it shows that in even well meaning situations the price for breathing is very high indeed. this is what every mystery writer should aspire to, and again our british cousins show us how it is done.

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Helen Mirren (Prime Suspect, The Clearing) stars in this compelling murder-mystery set amid the murky underworld of illegal art trade.Maggie Sheridan (Mirren), once one of the most famous blues voices of her generation, lost decades of her life to drinking and hard-living. After a failed suicide attempt, she was taken in by Sir Charles Stafford (Iain Cuthbertson, Antonia and Jane) and his son Sebastian (Iain Glen, Tomb Raider). She has lived quietly on their Irish estate for ten years. But one summer evening, her peaceful life is shattered when Sir Charles is brutally murdered, and a valuable sixteenth century painting is stolen. The painting is one of several disturbing pictures sent to Sir Charles marking the major events in his life.Maggie is convinced that the stolen painting holds the key to Sir Charles' death and decides to track it down. Meanwhile, Sebastian uncovers a terrible secret, with horrific consequences.

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Flambards Collection Set Review

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(More customer reviews)Have you ever encountered a TV series which, from the first episode on, became an irreplaceable part of your identity, moving you in ways impossible to describe but felt profoundly? FLAMBARDS was that beautiful a series. Set in the years surrounding the First World War, the story depicts how Christina, a young orphan sent to live with her cousins and uncle at a decaying country estate, Flambards, comes of age amid the conflicts, passions, loyalties, and tragedies which follow from her new life. Her uncle Russell, wheelchair-bound for life due to a fox-hunting accident, compounds his misfortune through heavy drinking by the fireplace, and takes his sole pleasure in life from the vicarious adventures in the hunting field which his rugged son Mark shares with him. They are callous to their servants, and cannot understand anyone who does not share their absorption in the world of hunting, hounds, and endless leisure. Mark's brother William could not be more different. Gentle, sympathetic to the servants and the plight of their class, and passionately devoted to the design, building and flying of planes, he too is injured while engaging in the one sport he hates - fox-hunting - and must now walk with a limp. Christina, in her late teens like William, prefers his gentle company, yet thrills to the excitement of the fox-hunt. And she soon learns that her ample inheritance, due when she is twenty-one, has been earmarked for the restoration of Flambards - and that she is to marry Mark, who, among other brutalities, has provoked the firing of Violet, the kitchen maid, after making her pregnant!The rest of the series portrays the growing attraction of Christina and William, their escape from Flambards into the world of the early aviators, and the disruptions in their new life resulting from the epic slaughter of the First World War. Everything in this series is just right: the casting of Christine McKenna and Alan Parna by as Christina and William, the stirring footage of restored early airplanes in glorious flight (set to the haunting background music of David Fanshawe, itself worth the eleven-and-a-half hours you'll spend loving this series), the tenderness of the scenes where William and Christina discover their love for each other, the portrayal of a bygone age of English social life help make FLAMBARDS a series with something for everybody. But what lifts this series into the realm of the extraordinary for me is its unaffected embodiment of human goodness and innocence, of nobility and the heroic, and of how these qualities can move us still, in a time when we need them more than ever.I've seen dozens of TV shows since I first caught episode 6, "Cold Light of Day," on PBS during a collegiate summer vacation almost twenty years ago. None have found their way as close to my heart as FLAMBARDS. I hope you agree. And I wish you the very best. END

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Masterpiece Classic: Any Human Heart Review

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(More customer reviews)As every review on Amazon for the PBS Masterpiece Classic presentation of "Any Human Heart" wants to challenge the editing of the film--I feel compelled to leap into the fray with the definitive answer. There is no denying that the show was broadcast for American audiences to fit the current format and timeslot of the network which resulted in unfortunate editing. However, what that has to do with the DVD release is absolutely nothing. Condemn PBS Broadcasting, if you must, for the televised end product--but any amount of investigation will confirm that the DVD offered for sale is absolutely intact with the full United Kingdom version. First, all you have to do is click on the DVD image above to read the bold print "Original UK Edition" and I have further confirmed the details through the PBS website. So, by all means, can we please just judge the full program and refrain from insinuating that this is a nefariously tampered with version?
Complete DVD specs:
Disc#1 - Episode 1 (RT: 1:17), and Episode (RT: 1:06)
Disc#2 - Episode 3 (RT: 1:10), and Episode 4 (RT: 1:07)
Bonus Content (approximately 48 minutes) includes)
(Interviews with actors, producers, directors, writer - all subtitled)
- In Oxford with Sam Clafin
- Matthew MacFayden on location in Spain
- Interview with Jim Broadbent
- Kim Cattral on "Gloria"
- Gillian Anderson and Tom Hollander on playing the Duke and Duchess of Windsor
- Hayley Atwell on "Freya"
- On the Set of "Any Human Heart"
- From Paper to Screen - William Boyd Discusses "Any Human Heart"
- Deleted Scenes (about 7 minutes of 11 clips - not subtitled)
This DVD is the original and unedited UK version
The following program contains mature content. Viewer discretion is advised.
This DVD features subtitles in English (SDH)Masterpiece Classic has certainly been serving up some sophisticated entertainment of late. This production headlined by an impressive international cast including Jim Broadbent, Matthew Macfadyen, Gillian Anderson, Tom Hollander, Kim Cattrall, Richard Schiff and Hayley Atwell seems, on the surface, to be one of its most promising entries. Following the recollections of author Logan Mountstuart as he tries to assimilate the pieces of his life, this biographical journey traverses approximately six decades with four actors of varying range portraying the novelist. It's an exciting idea and a fascinating trip with tales of success, stories of romance, bits of intrigue, and moments of struggle. This sometimes melancholy look at the vignettes that make up a life story is held together by Broadbent (as the eldest Mountstuart) while sorting through the memorabilia of the passing years.
While a child Mountstuart is featured in fantasy sequences, the tale really begins with the college aged version (Sam Claflin). Claflin is an appealing and engaging actor, and the youthful Mountstuart is depicted with energy and much humor. The bulk of the story is handled by the middle aged Mountstuart (MacFadyen)--this includes two marriages, infidelity, children, a foray into espionage, literary success, and waning literary success. And the late-in-life Mountstuart (Broadbent) is left to adapt to the ever changing world. MacFadyen, as I mentioned, carries much of the narrative and Mountstuart rubs elbows with everyone from Hemingway to Ian Fleming to the Duke and Duchess of Windsor (terrifically played by Hollander and Anderson). The film veers from slapstick to maudlin with little warning and its tone tends to be all over the place!
In truth, I didn't love "Any Human Heart" in the way I expected. I admired its effort, production values, and performances--but the film lacks a bit of heart. Mountstuart is never a particularly likable creation and, at various stages, he is displayed with a chilly emotional detachment. He all but abandons his first wife and child to start a family he dotes on--and never once does the screenplay challenge him to feel regret. Through infidelities, deception, and selfishness, the film never confronts the darker aspects of its own storytelling. I didn't mind the negative qualities that made Mountstuart whole--I just never felt there was a desire to portray him in totality. We're meant to like him at any cost. The end result was that I felt like I never got to know him very well--and since I spent a lifetime with him, that was a bit of an issue for me. Definitely recommended but it is one Masterpiece Classic I probably won't choose to revisit with frequency. KGHarris, 3/11.


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Moll Flanders (2pc) (Mobile Masterpiece Theatre) (1996) Review

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(More customer reviews)This is the BBC/Masterpiece version of MOLL FLANDERS (most recent version) and definitely a film to buy if you are fond of English literature adapted for film. This is a long film 3 hours and 40 minutes, and was shown over several nights on our local PBS station. I own the DVD and it is excellent. The costumes, settings, etc. are fabulous and accurate and comparable to other Masterpiece dramas on DVD such as the recently released WIVES AND DAUGHTERS.
Moll Flanders (played by Alex Kingston) was an incredibly resourceful woman. Daniel Defoe (author of ROBINSON CRUSOE, 1719) wrote Moll Flanders and in some respects Moll is a mirror-twin to Robinson. While Robinson battled nature Moll battled civilization. Civilization in late 16th-early 17th Century England was ragged around the edges. We hear much about slavery during this period, but life for the ordinary working-class male and female was just as ugly. Through Moll we learn just how ugly life could be and what it meant to survive, especially for those not "To the Manor Born" and in some cases those who were. Poverty, illness, sexism, seduction, rape, murder--Moll sees it all. In spite of all this, Moll has her moments of gracious living, so you won't be watching a poor tattered Moll during the whole film. Moll is elegantly dressed most of the time, and the settings for the action in this film include everything from the finest drawing rooms in Tudor style manors to a plantation house in the English colony of Virginia.
Moll marries five times, and each marriage is perfectly logical, pragmatic, and a choice she makes to survive. Moll turns to the camera in each instance and asks, "What would you do" much as Defoe asked the reader the same question. Her marriages face incredible odds. Her favorite beau Jemmy, played by Daniel Craig (The Ice House), surfaces over and over. Are these two star-crossed lovers or destined to be together? The end will tell.
I like Moll, and though she's been characterized as a "bad girl" I don't think she was at all. Moll took what she was handed and made the best of it. Moll was street smart before the term was invented. More than one of us is descended from someone who faced these incredible odds of survival. Does Moll beat the odds, you'll have to see the film to find out. A special treat--the wonderful Diana Rigg as Mrs. Golightly.

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Rebecca (1997) Review

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(More customer reviews)While I will always like the Hitchcock film better, this adaptation is a great example of how a book should be turned into a movie. This will always be a classic love story between a young woman and an older mysterious widower that changes and matures with tragedy and the revelation of secrets. As with the originial film, this movie is suspenseful, romantic, and tragic. This faithful adapation from the book expands on issues that were skimmed over in the orginial movie but should have been filmed in black and white. In the new adaptation, the feelings between Maxim and the new Mrs. de Winter are underscored with some blatant scenes where they are still laying in bed and with more dubtle touches, such as holding hands when they walk or when Maxin touches Mrs. de W's face while in conversation. However, Lawrence Olivier somehow portrayed a more tragic and angry Maxim than is seen in this version.

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Romance, suspense and wrenching jealousy abound in this adaptation of theDaphne du Maurier novel. Charles Dance stars as Maxim de Winter, a brooding English nobleman who marries a much younger woman is forced to live in the shadow of de Winter's first wife, Rebecca, whose memory is tenaciously preserved by a sinister housekeeper.

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The 39 Steps (2008) Review

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(More customer reviews)Diplomat, intelligence officer, and adventure writer John Buchan's superb 1915 thriller "The 39 Steps" has been recreated several times on the big and small screens, most famously in Alfred Hitchcock's 1935 movie. The 2008 BBC production is now available on DVD. It stars Rupert Penry-Jones, familiar to PBS fans as Captain Wentworth in 2007's "Persuasion", as Richard Hannay, a resourceful Scottish mining engineer just returned from South Africa to the United Kingdom in 1914, as tensions rise with an aggressive Imperial Germany.
At loose ends, Hannay encounters a British Secret Service agent on the run, who imparts a notebook full of coded messages before being murdered in Hannay's London apartment. Sought by the police and the mysterious men who framed him, Hannay flees to Scotland. There, he manages to decode enough of the notebook to realize a deadly foreign conspiracy is afoot against Britain, and sets out to expose the conspirators and clear himself.
The story features a complicated espionage plot, some terrific location shooting in Scotland, an exciting action sequence involving a biplane (reminiscent of "North By Northwest"), and an unlikely but charming romance with a fiesty suffragette named Victoria Sinclair (Lydia Leonard).
This version of "The 39 Steps" is loosely based on the John Buchan original, as re-imagined by screenwriter Lizzie Mickery. It includes some new story elements, such as a two-part ending and Hannay's relationship with Victoria Sinclair. Viewer opinions may well depend on their attachment to earlier versions. This reviewer suggests enjoying "The 39 Steps" on its own terms for best results.

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BBC's new adaptation of John Buchan's thriller is the best ever! Richard Hannay (Rupert Penry-Jones) finds himself framed for a murder he didn't commit. Now he has to break a ruthless German espionage network to prove his innocence and, more importantly and patriotically, warn the admiralty that its plans have fallen to the enemy. Full of excitement, danger, fun and romance, The 39 Steps is a remarkable tale of an ordinary man who puts his country's interests before his own safety.

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Cranford: Return to Cranford Review

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(More customer reviews)I was able to watch this follow-up to Cranford thanks to a particular website and I promptly pre-ordered the DVD as I loved "Cranford" and its host of interesting and eccentric characters (and yes, I am a period drama fan, especially of BBC productions). This is actually a 2-part special that is not only inspired by the original Cranford, but also two other stories by author Elizabeth Gaskell, i.e. "The Moorland Cottage", and also "The Cage at Cranford", see Three Tales of Cranford: Cranford, The Cage at Cranford, and The Moorland Cottage. Besides the familiar and beloved cast of the original Cranford such as Miss Matty (Dame Judi Dench), Miss Pole (Imelda Staunton), Mrs Forrester (Julia McKenzie), Miss Tomkinson (Deborah Findlay), etc. several new characters are introduced, such as Lady Glenmire (played by Celia Imrie), and the conjuror Signor Brunoni(Tim Curry).
The first part is set in summer 1844 - it has been two years since dear Miss Matty (Dame Judi Dench in another luminous portrayal) lost her beloved sister Deborah, and a year since Sophy Hutton married Dr Harrison (these two characters are no longer in this show). Miss Matty seems content with the presence of her brother Peter (Nicholas Le Prevost) who is home from India, and helps look after Tilly, the baby of her maid Martha and carpenter Jem Hearne. The continuity from the original Cranford is seen in the railway project which still looms menacingly over the town. Things are also made more exciting with the arrival of Mr. Buxton, a wealthy widower who lives with his ward Erminia (Michelle Dockery) and his son William (Tom Hiddleston who is quite the eye candy). Life in Cranford is always full of surprises and when Lady Ludlow's long absent son Septimus (Rory Kinnear) arrives, things take unexpected turns, precipitated by a tragedy in the family. The old tensions are there - especially between those that are against the railroad project and those ,like Captain Brown and young William who feel that modernization is essential to Cranford's long-term survival. Miss Matty, in her usual subtle fashion, gets involved in some of these village proceedings, with some rather startling results.
The second part is set later in the year 1844, October up till Christmas - Miss Matty and her friends are predictably excited at the visit of Lady Glenmire (Celia Imrie) but when Mrs Jamieson (Barbara Flynn) feels no one amongst her peers is of suitably high rank to meet her, she and Lady Glenmire get snubbed by Matty and company and it is left to Lady Glenmire to set things right in a most memorable way. Matty also faces some challenges that involves a falling out amongst her circle of friends,a serious romance between William and a young woman deemed unsuitable by his father (which has Matty pondering the wisdom of her 'involvement' in bringing the pair together), and more tragedy on the horizon, affecting the citizens of Cranford.The magic of the original is still evident and this follow-up (of sorts - it's not strictly a sequel though some story arcs from the first Cranford get developed here) is still charming and engrossing. A fair note of warning, this particular installment in the Cranford franchise is much more subdued than the original and there's quite a fair bit of tragedy - there's death (involving a couple of familiar characters who were also in the original), grief, tension, family drama, imperiled friendships, the age-old battle between those opposed to change and those who embrace the challenges of modernization,etc., but there's also romance, lighthearted moments and even a bit of magic!The comic and the tragic are seamlessly blended into the story, resulting in an immensely satisfying viewing experience. I loved it though I can understand how this particular follow-up might disappoint purists who loved the original and how well it adhered to Gaskell's novel. As for the production qualities - they are excellent. The cinematography is gorgeous, capturing the beauty of the village surroundings as well as the period details, and the score complements the story perfectly. I wish I could be so lucky as to live in a place like Cranford!

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Welcome to Cranford, where all changes and all remains the same. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realised in the birth of Tilly, daughter of her maid Martha and carpenter Jem. The shadow of the railway still looms but, to the relief of Matty and the Amazons, the line has been halted five miles outside of Cranford because of Lady Ludlow's refusal to sell her land. Elsewhere Miss Matty\'s friend Mr Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty decides to introduce them to Peggy Bell, a young woman who lives in an isolated cottage with her mother and domineering brother, Edward, in the hope of building friendships. But, when tragedy strikes, she comes to believe that she has opened Pandora's box and fears Cranford will never recover.

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Emma (2009) Review

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(More customer reviews)Being an avid Jane Austen fan, I have watched every single adaptation of Emma (as well as Austen's other works). The older 1972 BBC adaptation, Emma (BBC, 1972) was quite tepid and the lead actress was not very inspiring in her role, lacking the upbeat, and sunny disposition that one associates with Austen's character. Then there was the A&E version starring Kate Beckinsale in the title role, in Emma (A&E, 1997) which though much better than the 1972 version (which also suffered from inferior production qualities), was still not the best adaptation. Finally, there was the movie version of "Emma" starring Gwyneth Paltrow, and until this current adaptation, this was actually my personal favorite (even though I personally found Paltrow's accent rather stilted)- it was a gorgeous movie with beautiful cinematography and the chemistry between Emma (Paltrow) and Mr. Knightley (Jeremy Northam) was simply wonderful and altogether credible.
This is truly a stellar production in terms of casting, and production qualities. The title role of Emma is credibly portrayed by Romola Garai, who has also been in other notable productions such as I Capture the Castle,and Daniel Deronda. She is perfectly cast - luminously beautiful, snooty, a busybody matchmaker wannabe who feels self-justified in her quest to pair off couples regardless of their own wishes, and yet possessing of a warm and sunny disposition. Romola Garai convincingly portrays all of Emma's characteristics - both her lovable and annoying qualities, her immaturity and impetuousness, and also shows her ability to transform from a self-centered immature young girl into a mature woman who realizes her flaws.
The other lead is of course Mr. Knightley, and he is also convincingly portrayed by Johnny Lee Miller, who had portrayed Edmund Bertram in the 1999 movie adaptation of "Mansfield Park"Mansfield Park (1999) which was rather reviled by critics and purists alike for its liberal adaptation of Austen's classic. Miller was also excellent as Lord Byron in Byron.I was quite concerned initially because I had always thought Jeremy Northam's portrayal of Knightley to be the best thus far, but Miller comes close, and in fact brings a new interpretation to the character that I really appreciated. There is this one scene in the series where Emma invites Knightley to dance, and as they dance...viewers get the sense that these are two individuals who are gradually realizing their real chemistry, not just as childhood friends and relatives-in-law, but as true soulmates. It is definitely one of the most romantic parts of the series and a highlight!
The other characters are also generally well-cast - Mr. Woodhouse is played to delightful effect by Michael Gambon (aka Dumbledore in the Harry Potter movie franchise); Harriet Smith is portrayed by Louise Dylan (though I still prefer Toni Collette's portrayal of Harriet in the movie version); the talented Jodhi May plays Emma's governess turned Mrs Weston (Jodhi May is a veteran of BBC productions and Henry James' The Turn of the Screw, The Other Boleyn Girl (2003 BBC Version), as well as others, including the coincidence that she was also in Daniel Deronda cast as the Jewess Mirah Lapidoth who attracts the attentions of Daniel Deronda, showcase her diverse acting talent); Frank Churchill is portrayed by Rupert Evans and I must say this particular adaptation portrays Frank Churchill in a thoroughly unflattering light - the man is simply infuriating, and gives Mr. Elton a run for his money! Mr. Elton is played by Blake Ritson who recently portrayed Edmund Bertram in Masterpiece Theatre: Mansfield Park.
The cinematography is excellent, capturing the beauty of the lush English countryside through the seasons, and the score is memorable (I still cannot get the music from the Emma-Knightley dance out of my mind!). The costumes are gorgeous - simple in their beauty, yet detailed and period-accurate, and the other production qualities are impeccable (the English manor houses picked for the various residences such as Hartfield etc are well-chosen).
Austen purists might take issue with some of the liberties taken here - the way the characters are portrayed, missing dialogue, the sequencing of certain story arcs, etc - but I still loved this adaptation - it is sunny, and bright, and all that I love in an Austen adaptation, and it is certainly my favorite adaptation of "Emma" thus far!
DVD features
Contains the scenes deleted from the PBS airing, and in addition:
Emma's Locations - this nine-minute featurette focuses on the locations used during Emma's filming, and why these places were chosen. I just loved the places they used (as is the case with most BBC period dramas) and found this illuminating.
Emma's costumes - this twelve-minute featurette explores the details behind costuming decisions for this period drama, including the choice of fabrics, color, etc. It's really a wonderful opportunity to see what goes on in the costume department, and these folks certainly take their jobs seriously, to wondrous effect!
Emma's music - this ten-minute featurette explores the music behind Emma with a brief description of how one goes about creating a score that matches the mood of the drama (I'd say they did a great job, especially on that Emma-Knightley dance!), and how important this is as the score should complement and not detract from the show itself.
Emma's Mr. Woodhouse - fans of Michael Gambon (aka Dumbledore) will rejoice in this thirteen-minute featurette. This veteran actor is truly a great talent, and this interview covers his career from his early beginnings in the craft until today. It's more of a special focus on Gambon, not so much on his role in Emma, but it is a nice touch nevertheless.
I did wish they had a director's commentary (I guess we'll have to wait for a special edition release for that, and spend more money!), and other cast interviews, sigh...but I'm happy to have the drama itself on DVD so that I can enjoy repeat viewings, and have an Emma adaptations marathon (the 1972 BBC adaptation, Kate Beckinsale's A&E adaptation, and of course, Paltrow and Jeremy Northam's pairing in the movie version). Enjoy!

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Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a story which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.

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Masterpiece Classic: Downton Abbey (Original UK Unedited Edition) Review

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(More customer reviews)Julian Fellowes has mined his script for Gosford Park, and took a few cues from the beloved 1970s series Upstairs, Downstairs - Collector's Edition Megaset (The Complete Series plus Thomas and Sarah), to create Downton Abbey, a stunning and colorful drama set around the aristocratic Crawley family and the staff which serves them. Set between 1912 and 1914, Downton Abbey chronicles the conflict of class, gender, and politics, and serves it up with a refreshing dollop of sizzle and scandal. Hugh Bonneville, Elizabeth McGovern, and Dame Maggie Smith (as Robert, Earl of Grantham, Cora, Countess of Grantham, and Violet, Dowager Countess of Grantham, respectively) are knock outs, but the rest of the cast are no slouches either, with the stunning Michelle Dockery at the forefront as Lady Mary Crawley, who is the selfish, proud, and vindictive eldest daughter you can't help but like. The actors and the stunning interiors of Highclere Castle, home to the Earls of Carnarvon, give Downton Abbey a glossy, sophisticated sheen, even when the script's twists and turns can be a bit of a let-down. Nevertheless, the drama is engrossing and invigorating, and a worthy addition to the collection of any period drama aficionado--and anyone who likes good drama, period!

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Downton Abbey -- a sprawling, lavish Edwardian mansion nestled in the Yorkshire landscape -- needs an heir. Dame Maggy Smith stars as Violet, the stubborn Dowager Countess of Grantham matriarch of Downton. Hugh Bonneville stars as her son, the stoic, unflapple Lord Crawley. Elizabeth McGovern is his far-sighted American wife, Cora. From Academy Award-winner Julian Fellowes. This is the original un-edited UK version of the program.

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