Showing posts with label bisexual. Show all posts
Showing posts with label bisexual. Show all posts

12/28/2011

Stage Beauty Review

Stage Beauty
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Perhaps thought patterns are changing and prejudices against gay characters are indeed abating. At least hearing the audience delight after viewing STAGE BEAUTY makes a case for more mainstream male actors to shed the fear of taking on roles that feature gender and sexuality variations: Russell Crowe, Colin Farrell, Tom Hanks, Matt Damon, Antonio Banderas, Javier Bardem, Rodrigo Santoro, Gael Garcia Bernal, et al have all performed sensitively as gay men despite their macho image - the once small list is now respectably large. And now add Billy Crudup and Ben Chaplin to that ever-growing list. Bravo to that change.
STAGE BEAUTY (in the screenplay version of his own play 'The Compleat Female Stage Beauty' by Jeffrey Hatcher) is set in the mid 17th century with all the frills and foibles of British dandies and ladies visually intact. This is the time when female roles were assumed by male actors (the theater was simply no place for ladies to participate) and we are introduced to Mr. Kynaston (in a brilliant, multifaceted performance by Billy Crudup!) as he portrays Desdemona in Shakespeare's 'Othello'. He is attended by a dresser Maria Hughes (Claire Danes, another superlative acting achievement) who longs to act and steals away after performances in the theater run by actor Betterton (Tom Wilkinson) to a tavern where she assumes the memorized roles Kynaston performs on the royally approved stage.
Kynaston has been raised to portray women on stage (and indeed in life) and responds to men as a woman (his lover is the Duke of Buckingham - Ben Chaplin). King Charles II (a thorough-going hilarious fling for the gifted Rupert Everett) is convinced by his tart du jour to allow women to play women's roles on the stage, thus dethroning Kynaston as the actress of the time, driving him into tawdry masquerades in pubs after a severe beating from thugs beckoned by the bloated Sir Charles Sedley (Richard Griffiths). Maria Hughes thus becomes the first 'compleat female actress' and this transition between Kynaston and Maria results in desperate tutoring lessons before Maria can play Desdemona for the King. For the first time in his life Kynaston must examine his own sexuality and his successful final curtain after playing Othello to Maria's Desdemona gratefully leaves that choice up in the air.
The script is a delight, the actors are all first rate, especially the wholly immersed Crudup and Danes who could well be part of the Royal Shakespeare Company, so fine is their British sound, demeanor, and Shakespeare! The supporting cast is a kaleidoscope of jewel-like performances from Everett, Wilkinson, Edward Fox, Hugh Bonneville among others. The mood is appropriately British - all dark, candlelit stagecraft and foggy marsh vistas - and the music matches the overall picture. Richard Eyre has directed a film that deserves many kudos, but the main glory should shine on his ability to explore the spectrum of gender and sexuality with dignity, intelligence, and tremendous sensitivity. A welcome delight!


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11/01/2011

Portrait of a Marriage (1992) Review

Portrait of a Marriage (1992)
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I watched this in 1992 when it was shown on PBS's "Masterpiece Theatre", introduced each Sunday night by the late, great Alistair Cooke. The very tall Janet McTeer (all 6' of her!) and Cathryn Harrison are superb in their roles. Other stand-outs are David Haig and Diana Fairfax. At the time it was shown on American TV, there were at least 30 minutes cut from what the Brits saw in the BBC version. I am delighted to finally get my hands on the unedited version of this extremely well-done slice of obscure history.

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From the BBC, Janet McTeer stars as Vita Sackville-West in the classic Masterpiece Theatre drama British aristocrat and writer Vita Sackville-West and diplomat Harold Nicolson married in 1913, and their love endured and deepened over the course of their 50 years together. Each, however, was knowingly and repeatedly unfaithful to the other, Vita most famously with fellow writer Virginia Woolf. But only one affair threatened their union: Vita’s tempestuous liaison with her childhood friend Violet Keppel. This BBC drama is the story of that affair based on the extraordinary literary biography by Nigel Nicolson, Vita and Harold’s son. Award-winning actress Janet McTeer (Tumbleweeds, Carrington) stars as Vita with David Haig (Two Weeks Notice) as Harold, and Cathryn Harrison (Clarissa) as Violet.

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9/08/2011

Apartment Zero Review

Apartment Zero
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What makes this film so good is how dangerous it is. It teeters on the edge of homosexuality and true friendship and at the same time casts Colin Firth as almost a damsel on the edge of madness to Hart Bochners rogue character. This movie is set in Buenos Aires and and creates a political climate, a delicate madness and an under current of so many divergent sexualities that fuel the film and keep pulling the rope taunter and taunter.
What makes this film so good is how eventually Firth's character expresses his love for a man who is a ne'erdowell and always will be. He goes to the brink of madness and violence but never of sexuality which is what twists this fikm in upon itself. Eventually it seems as if the relationship between the two becomes too fraught with peril for sex but all of there actions for each other are sexualized.
What I find interesting about this movie is that it in no way compromises its sexuality to be politically correct and instead challenges the watcher to stick with it thru a byzantine plot of identity that switches the nerd for the rogue and then the rogue for the nerd. Both men ultimately have no identity. firth's character by harsh abuse racked upon him by his family and currently dementia trapped mother and Bochner thru the way he must live for his terrorist lifestyle.
In the end Firth learns to absorb Bochner's character to have an identity and Bochner hesitates and theefore loses his own. The best movies are about things that are intangibly exchanged thru the physical world of actions representing so much more.

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