Showing posts with label drama films. Show all posts
Showing posts with label drama films. Show all posts

12/17/2011

Foyle's War - Set 3 (2003) Review

Foyle's War - Set 3 (2003)
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Series 3 of the excellent series Foyle's war was first telecast in the U.S. on PBS on 11, 18, 25 Sep. and 3 Oct. 2005 and was released on DVD on 1 Nov. 2005. However, watching the DVDs of all series is preferable if one wants to see the unexpurgated episodes. Here are the first telecast dates for series 1-4 of Foyle's war:
series 1: telecast UK Oct.-Nov. 2002, US in Feb. 2003 (on Masterpiece theater, with Russell Baker introducing)
series 2: telecast UK Nov.-Dec. 2003, US in July-Aug. 2004 (on Mystery)
series 3: telecast UK Oct.-Nov. 2004, US in Sep.-Oct. 2005 (on Mystery)
series 4: was filmed in spring 2005 and will be telecast in 2006
The PBS broadcasts in the US are edited for a 90-minute period, which includes the Mystery (or Masterpiece theater) opening-closing sequences, between-program promos, etc. This means that each episode is really only 85 minutes long at best. Region 1 DVDs (U.S., Canada), in contrast, are about 100 minutes per episode, as are the region 2 DVDs (Europe--see www.amazon.co.uk): specific values for the 4 episodes on series 2 are (for region 1) 98.5, 97.9, 98.3, 98.3 minutes. Thus in the U.S. for the proper, more nuanced episode watching Foyle's war on DVD is essential and preferable to viewing it on PBS.
Note: In a 28 Sep. 2004 interview with creator-writer Anthony Horowitz, he was asked: "Do you realise that the show is edited to pieces when it's shown on Public Broadcasting Service (PBS) in the states?" Horowitz replied: "Yes we're very sorry about that. It's not something I'd choose to do. It's American networking. I'd advise all American fans to get their hands on the English DVDs to see them in full." I note here that American fans need only get the *American* DVDs to see the episodes in full. Also, if you first watch the shortened PBS telecast, you may later wonder about some lengthier scenes when you watch the DVDs.

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The international hit mystery series continues with four stories set in 1941, as World War II rages over Europe. Michael Kitchen (Out of Africa) stars as detective Christopher Foyle, whose loyalties are put to the test as his investigations uncover unpleasant truths that powerful people would rather keep hidden. Grounded in historical fact and filmed in London and the southern counties of England, Foyle’s War opens a unique window on a significant time and place. As seen on PBS. Also starring Anthony Howell, Honeysuckle Weeks, Julian Ovenden, and featuring Corin Redgrave, Bill Paterson, Stella Gonet, Samuel West, Angela Thorne, and James Wilby. THE MYSTERIES:
THE FRENCH DROP-Investigating a suspicious death, Foyle gets caught up in the rivalry between the established spy agency MI5 and the newly created SOE (Special Operations Executive).
ENEMY FIRE-Sabotage, murder, and adultery at a pioneering RAF hospital brings Foyle face to face with the devastating physical and emotional consequences of war.
THEY FOUGHT IN THE FIELDS-A murdered farmer and the crash landing of a German plane present a confusing case, especially as spring is in the air and even Foyle is not immune to a whiff of romance.
A WAR OF NERVES-An unexploded bomb at a busy shipyard leads to a startling discovery in a complex story of greed and politics. DVD SPECIAL FEATURES INCLUDE behind-the-scenes documentary with interviews and exclusive "making-of" footage, production notes, and cast filmographies.

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12/16/2011

Collision Review

Collision
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"Collision" is a departure from the typical crime film in that the detectives are auto accident investigators, not homicide detectives. Their job is to explain what happened in a 6-vechicle accident on England's A12 freeway that left 5 people dead. If they find any wrongdoing, the cases are turned over to the appropriate departments of the police force. The first senior officer on the scene of the accident that May afternoon is Ann Stallwood (Kate Ashfield). She and her former flame DI John Tolin (Douglas Henshall) work together uneasily to put the pieces of the smash-up together. This turns out to be a lot more intricate and entertaining than I expected.
A mild-mannered piano teacher named Sidney Norris (David Bamber) lost control of his car, causing a car driven on a clandestine errand by Karen Donnelly (Claire Rushbrook) to smash into him. A van bringing furniture from the Netherlands, driven by Daniel Rampton (Dean Lennox Kelly), runs into them and is catapulted over the median, where it is hit by a BMW carrying a young couple en route to the woman's 23rd birthday party, with a police car in pursuit. Then Brian Edwards (Phil Davis), driving his complaining mother-in-law, runs into them, as do wealthy executive Richard Reeves (Paul McGann) and his driver. Then Daniel disappears after the police arrive on the scene.
It's all quite contrived, as the accident is connected to no fewer than 4 crimes. That's a high crimes-per-vehicle ratio, but none of the crimes seem implausible in themselves. Reactions seem realistic. It's not just a bunch of melodramatic backstories. The script by Anthony Horowitz and Michael A. Walker is packed with intrigue but down-to-earth at the same time. Director Marc Evans has the film jumping around in time a lot, starting after the accident and then going back weeks, days, hours, but not in that order. It can be a little confusing, but more is revealed about the accident with every jump. "Collision" is equally dependent upon its structure and character writing to maintain interest, and both are quite competent.

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At 5:57 on a Friday afternoon, a major incident took place on the A12: six cars were involved in a tragic collision that left two dead at the scene, two other critically wounded, and the surviving victims forever changed their lives forever entwined. When the father of one of the victims files a suit against the police department for alleged complicity in the accident, Detective Inspector John Tolin (Douglas Henshall), just back from an extended leave, must come to terms with his own past and with his partner in the investigation, Senior Investigating Officer Ann Stallwood (Kate Ashfield) if he has any hope of untangling the carnage and understanding what caused the accident that threw so many lives together, for better or for worse. By focusing on the how the individuals involved in the crash spent their days leading up to the crash, Tolin and Stallwood uncover much more than just the cause of the accident. Together, they must somehow find a way to continue their investigation once the suit against the Met is dropped if they are to have any hope of solving crimes from smuggling to murder even genocide.

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11/02/2011

The Vagina Monologues (2002) Review

The Vagina Monologues (2002)
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Eve Ensler produced, wrote, and performed "The Vagina Monologues" that debuted in 1996. Since then, this off-Broadway one-person play has since been featured in many parts of the world. Her words give women the power to be more open about their vaginas, an organ that some unfortunately call taboo to express. This fearless performer offers humor, wit, and serious to certain issues, all in the correct areas. She gives new meaning to issues beyond the vagina with more than just her words. Her vocal expressions empower them tremendously. She also expresses great pride to the female orgasm, masturbation, lesbianism, and reclaiming certain offensive words. Amazingly, she performs the entire piece sitting down. Most performers don't do that.
Each individual monologue tells its individual story beautifully and expressively. The featured interviews give multiple perspectives to each issue. Whether they are humorous (looking "down there", sex, orgasmic sounds) or touching (rape, witnessing birth), all have the empowering impact that forces audiences to look beyond themselves. Therefore, "The Vagina Monologues" is recommended for everyone. Though nothing beats the live experience, this DVD recollects this piece beautifully. This will surely be an unforgettable and educating experience for many.

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The Vagina Monologues, created and performed by Eve Ensler, debuted off-off-Broadway in 1996.This controversial work soon rode a wave of national acclaim and continues to be performed in North America and around the world.It has been translated into 14 different languages and performed in over 30 different countries.Now the intimacy of Eve Ensler's original show has been lovingly brought to the screen.The Vagina Monologues captures Eve's unique performance of her work and travels beyond the stage.She explores the creative impetus behind the monologues and conducts a series of new and revealing interviews as inspiring as those that brought about the original work.

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8/24/2011

Masterpiece Theatre: Elizabeth I - The Virgin Queen (2005) Review

Masterpiece Theatre: Elizabeth I - The Virgin Queen (2005)
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This is a very interesting programme, produced in Britain and originally shown on the PBS series, Masterpiece Theatre.
This miniseries was directed by Coky Giedroyc, a veteran of television productions in Britain, including another royal-themed miniseries, 'William and Mary', in 2003. Giedroyc brings an interesting modern twist to the series - rather than filming things in majestic, sweeping camera pans with classical music as a background, and rather than having the dialogue (and acting) be in a stilted, falsely formal style, Giedroyc incorporates modern music with medieval and Celtic flavouring to it (both of which have experienced a renaissance of sorts in the past decade), and the situations are decidedly modern without being out of place in their own times.
This presents the life of Elizabeth from her young adulthood under Queen Mary, as a supposed participant in intrigues against the Catholic Queen, through to her death after serving decades on the throne of England as the Virgin Queen, the queen who never married. In fact, the miniseries plays a tantalising game with Elizabeth's virginity, showing her desires (as well as those around her) without ever giving up the game of 'was she or wasn't she?' Anne-Marie Duff plays the part of Elizabeth, and does a remarkably able job for such a complex figure. Duff won the Irish Television award and was nominated for the BAFTA award for best actress in a television drama in another series, 'Shameless', last year.
Duff is joined by Tom Hardy, who plays the role of Robert Dudley, the favourite of Queen Elizabeth. Dudley is also an extraordinarily complex role, as he played several sides in the political struggles during Elizabeth's early reign, and was part of a family well experienced in regal intrigue - Robert Dudley's family had tried to manage the reign of Elizabeth's brother Edward, engineer the accession of Lady Jane Grey (placing Guildford Dudley on the throne with her), and is sometimes referred to as 'the uncrowned kings of England'. In fact, perhaps the most stunning single scene in this miniseries is after Elizabeth has elevated Robert Dudley to the earldom of Leicester, and during her illness, he sits upon the throne as the protector of the realm. Hardy is well suited to this role, and plays it with skill.
The sets are appropriate to their time period, neither too ornate nor too medieval; the costumes also have a touch of modernity to them, but are still primarily of the period. The situations presented give good insight into the overall pattern of Elizabeth's reign and some of the principal concerns during that time period, although to compress such a long reign into such a short time frame as a four-hour miniseries by necessity means that the history has had to be selectively chosen. Elizabeth faced problems from without and within, many of which were far more complex and pressing than her marriage issue. In the end, Elizabeth made the right decision for the time, if not for the future.
This is a great production for television, and holds up well against other major productions featuring the Virgin Queen Elizabeth of a few years ago.

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As The Virgin Queen begins, a young Elizabeth is imprisoned in the Tower of London by Queen Mary, charged with conspiracy and treason. Both women are daughters of the ruthless and oft-married Henry VIII, who plunged England into turmoil by breaking with the Roman Catholic Church. Mary wants to reunite with Rome, while Elizabeth is determined to stand by her Protestant faith--a potentially fatal choice. But Elizabeth’s life takes an unexpected turn when Mary dies, leaving no heir to the throne. As the new queen, Elizabeth discovers the harsh realities of ruling a religiously divided nation and must learn to outwit her enemies and charm those who conspire to their own ends.Soon under pressure to secure a politically advantageous marriage, the coquettish Elizabeth rejects a string of eligible royal bachelors from abroad, openly preferring the burning affections of her childhood playmate, the athletic, handsome--and married--Robert Dudley. But is she toying with him as she is with her other suitors?Starring Anne-Marie Duff (The Aristocrats, The Magdalene Sisters) as the shrewd and captivating queen who defended her throne amidst an atmosphere of plotting and intrigue, torture and murder, The Virgin Queen is a riveting drama that explores the fascinating 44-year reign of Elizabeth I.

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