Ipi Ntombi: An African Dance Celebration (1998) Review

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(More customer reviews)I have audio cassettes for Ntombi Marhumbhini. My friend gave them to me when I was in Malawi. When I came to the US, I wanted if I could find a VHS for the audio cassettes I have only to find Ipi Ntombi. I read the reviews, and I did not hesistate to buy it.
This movie is great. The way they sing and dance depicts African originality. Their voices are so sharp that I do not see it boring throughout. If you haven't watched this movie, please try to. You will not regret like I am not regretting having bought it. If you have watched Namu Lwanga from Uganda, it is almost at par. Namu Lwanga holds shows in colleges and universities all around United States.
Finally, I would advise to look for this movie and see for yourself.

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Originally created by mother/daughter team Bertha Egnos and Gail Laiker, IPI NTOMBI (pronounced Ippy-Intombee and meaning "where are the girls") opened in Johannesburg, South Africa, in 1974 and then played to standing ovations all over the world for the next six years. Now, more than 20 years later, this new, updated version sizzles with its return to the stage, blending the traditional rhythms of Africa with the modern heartbeat of its people. The company of 50, some of whom are direct descendants of the original cast members, dance the story of the Johannesburg mine worker, who sings of his love for the girl back home and his sense of separation from his tribal roots. The show has restyled the musical's most popular numbers and added some new ones, including the exhilarating "Four Important Porters from Potgietersrus."

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The Trojan Women (1971) Review

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(More customer reviews)Ancient Greek plays with all their dramatic devices and often an emphasis on static speeches by the actors and the chorus often do not translate well to the screen. Euripides' "The Trojan Women," however, is an exception to the rule. What makes this production work is the fine acting by most of the performers as well as the beautiful language, though in translation, of Euripides.
The plot is simple and straight forward. Queen Hecuba (Katharine Hepburn), her now crazed daughter Cassandra (Genevieve Bujold), her daughter-in-law Andromache (Vanessa Redgrave) and a host of other Trojan women are now at the mercy of the Greek victors. The play builds as one catastrophe after another befalls these women. Cassanda will be the wife of Agammemnon, Andromache will go with the son of Achilles, and Hecuba will become the slave of Odysseus-- or as Hecuba so aptly puts it, "Anguish heaped upon anguish."
The Greek chorus-- or in this instance I suppose we must call them the "Trojan Chorus" works well. Irene Papas plays a different sort of Helen than we see through other writers' eyes. Here she is unbowed, even as she awaits her fate from the hands of her wronged husband Menelaus. In a quite wonderful scene, after Helen has made her pitch to him to spare her life, Hecuba delivers the great lines: "Kill her, Menelaus." Ms. Hepburn has a lot of such passages. I remember from having seen the movie when it was released in 1971 her lines: "Kindness unwanted is unkindness."
The theme is obvious. Wars always hurt the women and children most-- Andromache's son almost steals the movie, by the way-- and while the weaponry and locales may change, war in 2005 is not that much different than it ever was, a sad, sobering thought.

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All the King's Men: Masterpiece Theatre (2000) Review

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(More customer reviews)It is unusual in the history of warfare for entire units to disappear without a trace and when it does occur, such occurrences are usually the result of serious mistakes that lead to the annihilation of one's command. In American history, Custer and the 7th Cavalry come to mind. Further back, the disappearance of the entire Roman 9th Hispana Legion in Scotland is another example. In the British-made movie entitled "All the King's Men," a more recent occurrence of such an incident is portrayed. On August 12, 1915 at Gallipoli, over 300 British soldiers of the 1/5th Norfolk Battalion attacked into a morning mist and where never seen again. Few of the bodies were ever found and none returned from Turkish prisons after the war. Winston Churchill no less, called it one of the great-unsolved mysteries of the 20th Century.
This film focuses on the "Sandringham Company," formed mostly from servants, gardeners and other workers on King George V's estate of that name, which were part of the 1/5th Norfolk Battalion. Virtually none of these men were ever seen again and the Royal family made great efforts during and after the war to ascertain their fate. The main characters in this film are Captain Frank Beck (David Jason), his two nephews who are lieutenants in the company, a Sergeant Grimes, King George V and Queen Alexandra. Beck is the main focus, as the fifty-plus estate manager who organizes and prepares the unit for war; rather than appearing as an odious "Colonel Blimp" type character, Jason wonderfully portrays Beck as a trusted father figure in the unit, respected by both the King and the troops. Much of the early part of the film focuses on the lives of the men while on the estate, and Beck's efforts to go to war with them despite his age. Eventually, Queen Alexandra lends her support to his martial ambitions and Beck is allowed to lead his men off to Gallipoli.
Unfortunately, the film bogs down a bit once the unit gets to Gallipoli. In reality, the 1/5th Norfolk landed at Suvla Bay on 10 August and was lost two days later, but in the film these two days seem to drag. The fact that the British were making a major effort to break out of the Suvla Bay enclave is missed here, because the film shows the men of the company lounging about and engaging in mundane camp activities. Some patrol activity against Turkish snipers is shown, but this has little relevance. On 12 August, as part of a minor preliminary operation to clear the way for a larger attack on the next day, the 1/5th Norfolks and several other units are sent forward to clear out Turkish outposts. At this point in the film, when the unit disappears in the mists, the director begins to switch back and forth between post-war investigations into the disappearance and a hypothetical depiction of what actually occurred on that day.
Historically, the film is a bit disappointing in recounting the fate of the "Sandringham Company" because it fails to put the day in perspective. The Sandringham company is shown in total isolation from the rest of the British army. The participation of other units or even the rest of the battalion is not depicted in this film, nor is even the audience told what their mission was. In fact, Captain Frank Beck did not lead the attack; it was his superior Colonel Beauchamp (Beck is never shown interacting with his superiors), who also died. The 1/5th Norfolk lost 372 men that day, of which the Sandringham men were only 2/3rds of the casualties. Even more glaring is that the British suffered about 18,000 casualties in less than a week at Suvla Bay during the period of the Sandringham company's brief involvement in the campaign; the disappearance of a few hundred troops in the midst of such slaughter and confusion might have made more sense given these facts.
Obviously the men were all killed, since none ever returned, but the exact nature of their fate remained a mystery. This film depicts the Sandringham's as punching through the thin Turkish line in a glorious charge, but are then overwhelmed once they become surrounded behind enemy lines. The Turks execute all the captured survivors, including Beck. While this theory has merit, it is not the only possibility. The film depicts the mist as obscuring the battlefield, but fails to show the heavy scrub brush and small trees that hindered the British advance and made it difficult for the officers to maintain control. Another plausible theory, not suggested by the film, is that the 1/5th Norfolk lost cohesion in the rough terrain and the battle-hardened Turks destroyed the untried unit piece-meal. While there is little doubt that the Turks were not taking prisoners that day, there is no evidence to suggest that the "Sandringham's" went down in a blaze of glory as depicted in this film (although certainly such a depiction is preferred to anything that suggests an ignominious end). Perhaps they did, but the loss of the entire unit is more indicative of incompetence than competence.
Despite these historical reservations, the film is very well done and provides a poignant example of the enthusiasm of men to go off to war in the early days of the First World War. Although some minor characters, including a conscientious objector and a shell-shock casualty, temper the glorious view of war to some extent, the film remains committed to a patriotic depiction of martial duty. The cost of such devotion is apparent by the end of the film, but the meaning of such sacrifice is left ambiguous. Contrast this British-made ambivalence about the sacrifices of the First World War with the current American films that glorify the sacrifices of the Second World War.

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The true story of England's vanished regiment is revealed. It is one of the most compelling and curious legends of the First World War. Led by Captain Frank Beck (David Jason), a favorite agent of King George V (David Troughton), Sandringham Company was comprised entirely of servants, grooms and gardeners from the King's Norfolk Estate. On August 12, 1915, the unit marched into battle against the Turks in Gallipoli and simply vanished, never to be heard from again.All the King's Men brings the details of what really happened in 1915 to the screen for the first time. it tells the story of these amateur soldiers, the idyllic life and loves they left behind in the quintessential English country estate and the horrors of an ill-prepared campaign to which they were subjected.

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Masterpiece Theatre: All the King's Men (2000) Review

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(More customer reviews)It is unusual in the history of warfare for entire units to disappear without a trace and when it does occur, such occurrences are usually the result of serious mistakes that lead to the annihilation of one's command. In American history, Custer and the 7th Cavalry come to mind. Further back, the disappearance of the entire Roman 9th Hispana Legion in Scotland is another example. In the British-made movie entitled "All the King's Men," a more recent occurrence of such an incident is portrayed. On August 12, 1915 at Gallipoli, over 300 British soldiers of the 1/5th Norfolk Battalion attacked into a morning mist and where never seen again. Few of the bodies were ever found and none returned from Turkish prisons after the war. Winston Churchill no less, called it one of the great-unsolved mysteries of the 20th Century.
This film focuses on the "Sandringham Company," formed mostly from servants, gardeners and other workers on King George V's estate of that name, which were part of the 1/5th Norfolk Battalion. Virtually none of these men were ever seen again and the Royal family made great efforts during and after the war to ascertain their fate. The main characters in this film are Captain Frank Beck (David Jason), his two nephews who are lieutenants in the company, a Sergeant Grimes, King George V and Queen Alexandra. Beck is the main focus, as the fifty-plus estate manager who organizes and prepares the unit for war; rather than appearing as an odious "Colonel Blimp" type character, Jason wonderfully portrays Beck as a trusted father figure in the unit, respected by both the King and the troops. Much of the early part of the film focuses on the lives of the men while on the estate, and Beck's efforts to go to war with them despite his age. Eventually, Queen Alexandra lends her support to his martial ambitions and Beck is allowed to lead his men off to Gallipoli.
Unfortunately, the film bogs down a bit once the unit gets to Gallipoli. In reality, the 1/5th Norfolk landed at Suvla Bay on 10 August and was lost two days later, but in the film these two days seem to drag. The fact that the British were making a major effort to break out of the Suvla Bay enclave is missed here, because the film shows the men of the company lounging about and engaging in mundane camp activities. Some patrol activity against Turkish snipers is shown, but this has little relevance. On 12 August, as part of a minor preliminary operation to clear the way for a larger attack on the next day, the 1/5th Norfolks and several other units are sent forward to clear out Turkish outposts. At this point in the film, when the unit disappears in the mists, the director begins to switch back and forth between post-war investigations into the disappearance and a hypothetical depiction of what actually occurred on that day.
Historically, the film is a bit disappointing in recounting the fate of the "Sandringham Company" because it fails to put the day in perspective. The Sandringham company is shown in total isolation from the rest of the British army. The participation of other units or even the rest of the battalion is not depicted in this film, nor is even the audience told what their mission was. In fact, Captain Frank Beck did not lead the attack; it was his superior Colonel Beauchamp (Beck is never shown interacting with his superiors), who also died. The 1/5th Norfolk lost 372 men that day, of which the Sandringham men were only 2/3rds of the casualties. Even more glaring is that the British suffered about 18,000 casualties in less than a week at Suvla Bay during the period of the Sandringham company's brief involvement in the campaign; the disappearance of a few hundred troops in the midst of such slaughter and confusion might have made more sense given these facts.
Obviously the men were all killed, since none ever returned, but the exact nature of their fate remained a mystery. This film depicts the Sandringham's as punching through the thin Turkish line in a glorious charge, but are then overwhelmed once they become surrounded behind enemy lines. The Turks execute all the captured survivors, including Beck. While this theory has merit, it is not the only possibility. The film depicts the mist as obscuring the battlefield, but fails to show the heavy scrub brush and small trees that hindered the British advance and made it difficult for the officers to maintain control. Another plausible theory, not suggested by the film, is that the 1/5th Norfolk lost cohesion in the rough terrain and the battle-hardened Turks destroyed the untried unit piece-meal. While there is little doubt that the Turks were not taking prisoners that day, there is no evidence to suggest that the "Sandringham's" went down in a blaze of glory as depicted in this film (although certainly such a depiction is preferred to anything that suggests an ignominious end). Perhaps they did, but the loss of the entire unit is more indicative of incompetence than competence.
Despite these historical reservations, the film is very well done and provides a poignant example of the enthusiasm of men to go off to war in the early days of the First World War. Although some minor characters, including a conscientious objector and a shell-shock casualty, temper the glorious view of war to some extent, the film remains committed to a patriotic depiction of martial duty. The cost of such devotion is apparent by the end of the film, but the meaning of such sacrifice is left ambiguous. Contrast this British-made ambivalence about the sacrifices of the First World War with the current American films that glorify the sacrifices of the Second World War.

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The true story of England's vanished regiment is revealed. It is one of the most compelling and curious legends of the First World War. Led by Captain Frank Beck (David Jason), a favorite agent of King George V (David Troughton, Madame Bovary), Sandringham Company was comprised entirely of servants, grooms and gardeners from the King's Norfolk Estate. On August 12, 1915 the unit marched into battle against the Turks in Gallipoli and simply vanished, never to be heard from again. Queen Alexandra, played by Dame Maggie Smith (Harry Potter and the Sorcerer's Stone, A Room with a View), was the driving force behind the investigation into the real fate of the battalion. But despite her extensive inquires, no trace of the men was ever discovered. Now, All the King's Men brings the details of what really happened in 1915 to the screen for the first time. It tells the story of these amateur soldiers, the idyllic life and loves they left behind in the quintessential English country estate and the horrors of an ill-prepared campaign to which they were subjected.

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The Six Wives of Henry VIII (1970) Review

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(More customer reviews)This review refers to DVD Complete Set(BBC/BFS Video) of "The Six Wives of Henry VIII"(3 discs).....
This classic BBC television series from 1970 is an outstanding production of 6 plays, all by different authors, depiciting the relationship Henry VIII had with each of his 6 wives.It's an entertaining and enlighting look at the monarch, played exquisitely from his youth to his sickly old age by Keith Michell.The six very different women, most of whom meet with a tragic ending are also portrayed brillantly by the actresses and will draw you into their joys and fears at being the Queen of England.
Catherine of Aragon(Annette Crosbie), Ann Boleyn(Dorothy Tutin), Jane Seymour(Anne Stallybrass), Anne of Cleves(Elvi Hale),Catherine Howard(Anglea Pleasence) and Catherine Parr(Rosalie Crutchley),were all picked to serve a purpose for the Royal Court. Some served useful in forming political alliances, and some in gaining favors for social climbers in the court. But to Henry....They were there to provide him with sons..heirs to the throne..and God help them if they didn't.
The production is wonderful. The costumes, make up, each play beautifully written, and the majestic performances will have you enthralled with each story and hanging on every word.The authentic look at this Royal soap opera is one any student of European history, or anyone who loves stories about Kings and Queens would be thrilled with.It is a five star performance.
The DVD did not get the kingly treatment it deserved.Although there is nothing about it that will interfere with your enjoyment of this treasure, it is very dated. The costumes and magnificent jewelry need to be brightned up, the outdoor scenes are a bit grainy, and the sound(although clear and distinguishable) is a very low recording.The price is a little high considering what this could look and sound like on DVD with a restoration.So 4 stars for the package.
It is absolutly worth the view and worth owning though.Unless a new edition comes along(this edition was released July, 2000), I would suggest to check with the sellers here, the prices seem much more reasonable.(I got a great deal at about half the price).
You may lose your head over this one.....enjoy...Laurie
also recommended:
Edward the Seventh(PAL edition)
or
Edward the King(region 1)

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SIX WIVES OF HENRY VIII - DVD Movie

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Lord Mountbatten - The Last Viceroy (2006) Review

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(More customer reviews)This is a splendid 6 part mini-series centering around the end of British rule in India and Lord Mountbatten's role in it. It's a superb production which successfully evokes the splendour of the last days of the British Raj followed by the turmoil and bloodbath of post-independence India. The splendour was deliberate. Mountbatten was adamant that the British would not just slink away. He saw what a monumental occasion this was. As he summed up in a private toast with his wife, this was about "the birth of India and the death of the British Empire."
The series covers the year immediately preceeding Independence and the year after, effectively Mountbatten's tenure on the sub-continent, as the last Viceroy and then the first Governor-General of India (1946-1948). There is an excellent all-round cast, even with non-Indians playing the major roles - Ian Richardson painted brown as Nehru and a similarly tanned Vladek Sheybal, a Pole by birth, as his arch nemesis Jinnah. History is decidedly seen from the British, or more precisely Mountbatten's, perspective. He and Nehru were close, his wife and Nehru closer still. That intimacy is alluded to very pointedly here. The villain of the piece, as the Amazon reviewer has stated, is clearly Muhammad Ali Jinnah, head of the Muslim League and the founder of Pakistan. Jinnah was someone Mountbatten couldn't get close to and didn't trust and he is portrayed here as a slithery snake who schemed and slimed his way towards the painful partition of India and the forced migration of some 14 million people, plus the deaths of up to a million Hindus and Muslims who had to flee to "their" side of the border - ethnic cleansing the likes of which dwarf that seen during the more recent Balkans conflict.
Such was their friendship that Nehru extended a personal invitation for Mountbatten to stay on as the First Governor-General of independant India. Jinnah on his part immediately installed himself as Governor-General of Pakistan. The series paints Jinnah as the instigator and behind-the-scenes manipulator of the Kashmir conflict which sparked off 2 full scale wars and remains unresolved to this day.
The series devotes equal time to both pre and post Independence India, the first 3 episodes revolving around the negotiations with the various factions (Hindus, Muslims, Sikhs and the Princely States) preceeding Independence, and the last 3 episodes chronicling the bloodbath that followed partition and the short-lived Dominion of India with Mountbatten as Governor-General before it achieved full republic status in 1950. The series ends with Mountbatten's farewell to India in 1948, including Nehru's touching farewell speech in which he makes plain his love for Lady Mountbatten and his final toast, "We will remember you... forever." As a reward for the successful transition to Indian independence, Mountbatten was finally granted an Earldom. He was made 1st Earl Mountbatten of Burma, a title that was passed on to his eldest daughter upon his death in 1979. This was also in recompense for his having renounced his royal titles (he was the grandson of Queen Victoria and he was born Prince Louis of Battenberg) at the request of the Royal Family during the anti-German hysteria of the First World War.
Mention should also be made of the score written by John Scott, especially of the stirring opening theme which is very reminiscent of Elgar's Pomp and Circumstance Marches (the Fourth March in particular), which capture in music the splendour that was once the British Empire.
What a shame that this series has been released by Acorn Media. Acorn has a checkered history with regards to DVD quality, their transfers of newer productions looking pretty good but with older series fairing rather poorly. Unfortunately Mountbatten falls into the latter category. Your heart sinks at the opening credits, as the blurry looking Union Jack flutters under the orange glow of the setting sun. It looks like a mediocre VHS tape recording. The picture is soft and blurry, the colours which should have been resplendent (the brilliant crimsons of the Imperial troops, the lush greenery of the countryside) all look drab, dingy and lifeless. Quality improves slightly as the film progresses but not by much. Thankfully the later episodes do improve quite a bit especially at the end. By and large it's a disappointing transfer. It's hard to believe that this production actually dates from 1985. There are 1960s sitcoms that look in better shape than this. One can only hope that another company buys the rights to this series and gives it the proper restoration and remastering that it deserves.

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A great grandson of Queen Victoria, nephew of the Tsar, and cousin of the Prince of Wales, Lord Louis Mountbatten had proven his mettle as Supreme Allied Commander in Southeast Asia during World War II. But his toughest mission came after the war, when British Prime Minister Attlee tapped Mountbatten to oversee India’s transition to self-rule. This Emmy®-winning Masterpiece Theatre classic portrays the human drama behind the history. As blood runs in the streets, Mountbatten (Nicol Williamson) becomes the go-between for the charismatic leaders at the heart of the struggle: the Congress Party’s Pandit Nehru (Ian Richardson) and Sardar Patel (A.K. Hangal), the Muslim League’s Ali Jinnah (Vladek Sheybal), and the father of independent India, Mahatma Gandhi (Sam Dastor). The task is daunting, but the blue-blooded Englishman and his compassionate wife (Janet Suzman) soldier on, ending 200 years of British rule in India.

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Edward & Mrs. Simpson (1980) Review

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(More customer reviews)This production, in my view, is one of the glories of Masterpiece Theater. The acting is excellent, from the leads to the extras. The story is fascinating, especially if you like peeking at the lives of royalty and the upper crust. Every pound Thames Television put into the show is visible; the settings are authentic or look it; the costumes appear bespoke, as they say; and everyone's manners are immaculate, even if what they do isn't.
It's the story of the affair between Edward, Prince of Wales, later Edward VIII, and Wallis Warfield Simpson, an American twice-married divorcee. It starts just before he meets her and ends shortly after he abdicates the British throne to marry "the woman I love." He became the Duke of Windsor and she his Duchess. It was probably the biggest story of its time. The program runs for six 60 minute installments. Because of the style, the acting and the story of these two people, who are so self-indulgent and so obtuse (on his part) and so calculating and brittle (on her part), it never seems boring.
Edward, played by Edward Fox, is a man of great charm and handsome appearance, a man girls swoon over and men wish to be like. He's also privileged, unselfconsciously selfish and not really too bright. He's a man who seems most comfortable with older women, women who can cosset and coo over him. His mistresses have all been older and married. Edward Fox, a fine actor, is wonderful in the part. (For those who might not recognize his name, he was the Jackal in The Day of the Jackal). Wallis, played by Cynthia Harris, is a woman who can seem hard and even scheming, but who also has some vulnerability about her that makes her at least somewhat sympathetic.
Among the fine cast is Nigel Hawthorne as Walter Monckton, one of Edward's loyal but realistic counsellors; Cherie Lunghi as Lady Thelma Furness, a mistress Edward casts off by simply telling his switchboard not to accept anymore of her calls; David Waller as Stanley Baldwin, the shrewd prime minister; and Jessie Mathews as Wallis' Aunt Bessie Merryman, all pink and plump and powdered...and keen-eyed. (Mathews in the Thirties was the toast of the London stage, singing and dancing in a number of musicals. She introduced Rodgers and Hart's "Dancing on the Ceiling.")
If you like Masterpiece Theater or similar shows, I think you'll like this program very much. The DVD picture is very good. Unfortunately, there is only one extra, A&E's Biography of Wallis Simpson. Not even any cast bios.

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On the evening of December 11, 1936, England's King Edward VIII formally broadcast his farewell to a nation. Torn between duty and love, he had decided to follow his heart. A powerful fairytale made all the more compelling because it actually happened, EDWARD & MRS. SIMPSON captures the unforgettable romance that develops between the Prince of Wales and an extraordinary American woman named Wallis Simpson. That she is already married and believed to have had previous affairs ruffles more than a few feathers. The scandal heats up when the Prince becomes King and declares his intention to marry his mistress, who has since divorced and become quite available. A critically acclaimed British mini-series from 1978 finally available on DVD, EDWARD & MRS. SIMPSON features seven episodes shot in sumptuous period detail and stars Edward Fox (Gandhi, A Passage to India) and Cynthia Harris (Mad About You, Three Men and a Baby). DVD Features: "Wallis Simpson" Episode From A&E's Award-Winning Series BIOGRAPHY; Interactive Menus; Scene Selection

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The Duchess of Duke Street - The Complete Collection Review

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(More customer reviews)The Duchess of Duke Street is based on the real life of Rosa Lewis, Gemma Jones portrays Louisa Leyton Trotter. Cockney Louisa Leyton wants to better her position from scullery maid and decides to do that by becoming a top cook and feeding the rich and famous.
Series One (15 Episodes) - Sees Louisa take a position as a scullery maid in an upper class house. She quickly finds out that there is only one way improve her life and that is to learn how to be a great cook. Along the way she becomes London's premier hostess and owner of Bentinck's. But even with all this sucess, she cannot have the man she loves.
Series Two (16 Episodes) - Louisa continues her success through the great war and into the the Roaring Twenties. But Louisa's kind heart (during the war she opens Bentinck's to soldiers but never cashes their checks) brings her to the brink of financial ruin.
Gemma Jones gives a fantastic performance and the series is worth watching just for this. But this show is superbly written and directed. Series was created by Upstairs, Downstairs producer John Hawkesworth.
But when you watch it, plan on spending the entire weekend infront of you TV with a running time of over 27 hours!!
DVD EXTRAS - Bio of Rosa Lewis, Edwardian period background, photo gallery and cast filmographies.

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An inspiring story of triumph and loss, love and laughter Born into the servant class, Louisa Leyton rises from the scullery to become the best chef in Edwardian London and manager of the most elegant -- and discreet -- hotel in town. She learns the rules of high society from powerful men captivated by her beauty, but she never sheds her Cockney accent or attitude. Even in the throes of World War I, Louisa proves she can take whatever life dishes out and remain in a class all her own.Based on the true story of Rosa Lewis, a culinary genius and owner of London’s venerable Cavendish Hotel, this acclaimed BBC series dramatizes the life of an indomitable woman in stories full of humor and heart. Created by John Hawkesworth (Upstairs, Downstairs) and starring Gemma Jones (Bridget Jones’s Diary, Sense and Sensibility) as Louisa and Christopher Cazenove (A Knight’s Tale, TV’s Dynasty) as Charlie, the dashing love of her life. As seen on Masterpiece Theatre DVD SPECIAL FEATURES INCLUDE a biography of Rosa Lewis, Edwardian period background, photo gallery, and cast filmographies.

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Fall of Eagles Review

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(More customer reviews)Fall of Eagles is another of those wonderful BBC serial dramas from the 1970s, with elaborate costumes, highly literate scripts, and an attention to detail which is rarely found in these less patient times. In 13 episodes, this is the story of the last sixty years or so of the great Hapsburg, Hohenzollern, and Romanov dynasties. There is a large cast which includes many faces familiar to fans of Masterpiece Theater in the 1970s and early 1980s. This series was first shown on the BBC in 1974, then on PBS in the late 1970s, and then in severely edited form on TBS and Bravo in the 1980s. The episodes tend to be heavy on dialogue and light on action, but the scripts draw heavily from speeches, conversations, letters and diary entries of the various characters, providing an abundance of rich historical detail.
Since it has been so long since the series has been seen in its entirety, here is a brief summary of each episode:
1. Death Waltz. Dealing with the early years of the marriage of Emperor Franz Josef of Austria and his beautiful young wife Elisabeth, this episode provides a good contrast between the absolutism of the Austrian court and the rise of European liberalism and the growing nationalism of ethnic groups like the Hungarians.
2. The English Princess. This chronicles the difficulties faced by Victoria, Princess Royal of England. The eldest daughter of Queen Victoria and Prince Albert, Vicky had been raised by her father to be a voice for constitutional government and liberalism. After Vicky married Frederick, Crown Prince of Prussia in 1858, she clashed repeatedly with the Prussian government over its plans to force the unification of Germany as an absolute monarchy. Very good performance by Curt Jurgens as Otto von Bismarck.
3.The Honest Broker. Continuing the German story line, this episode focusses on Bismarck after his successful unification efforts, particularly on his alienation of Vicky and Fritz's son Willy from his parents. After Willy becomes Kaiser William II, he then turns the tables on Bismarck and fires him, allowing for a very nice "I told you so" scene between Vicky and Bismarck at the end.
4. Requiem for a Crown Prince. Returning to Austria, this is the story of the Mayerling tragedy, in which Crown Prince Rudolf first murdered his teenage mistress and then shot himself. This episode is filmed as a crime drama, with dates and times repeatedly flashing on the screen as we see the murder/suicide first discovered, then covered up.
5. The Last Tsar. Here we have the story of Nicholas II as a playboy tsarevich who cavorts with a ballerina while courting a shy German princess named Alix. Nicholas finally convinces Alix to accept his proposals and change her religion to Orthodoxy and her name to Alexandra. This episode contains one of my favorite lines: When one of Queen Victoria's granddaughters asks if it is a good idea for first cousins to marry each other, the old Queen regally proclaims "The same blood only adds to the strength!" (This is a verbatim quote from one of the Queen's letters, by the way.) This episode ends with the death of Tsar Alexander III, Nicholas' father.
6. Absolute Beginners. This is the least "royal" episode. It concentrates on Lenin's rise to power within the Russian Marxist movement and his creation of the Bolshevik party. Some of the discussions drag a bit, and its not really clear what divides Bolshevik from Menshevik from Social Democrat from Social Revolutionary, but this episode does give a good idea of Lenin's energy, charm, and utter ruthlessness.
7. Dearest Nicky. Kaiser William II bombards Nicholas II with endless letters of advice and appallingly ugly paintings during the first years of the Tsar's reign. We get a good picture of Nicholas' fatalism and lack of initiative, and of Empress Alexandra's resolve to maintain the absolute monarchy and block any reforms within Russia. The scenes showing Nicholas and Alexandra's misery over their son and heir's hemophilia are particularly well done.
8. The Appointment. Another Russian story, set in the period after the 1905 Revolution and the establishment of a semi-constitutional monarchy. The main character is a double agent who simultaneously deals with the revolutionaries and the Tsar and the Empress, weakening reform efforts and increasing the instability. There's a particularly fine scene showing Alexandra interviewing the double agent while an orchestra plays "I am a Courtier" from Gilbert and Sullivan.
9. Dress Rehearsal. This deals with the Balkan Crisis of 1908, which nearly started World War I six years early. The diplomatic machinations and double crosses are well portrayed. There are some nice scenes showing King Edward VII of England visiting Nicholas and Alexandra and otherwise playing a pivotal part in helping to prevent conflict.
10. Indian Summer of an Emperor. The least well done episode, focussing on Franz Josef in the summer of 1914. This mainly consists of a series of discussions before and after the Sarajevo assassinations and is meant to illustrate the diplomatic missteps which led to war, but it tends to be tedious. There are some charming scenes showing Franz Josef with his platonic lady friend Katharina von Schratt, whom he visited every morning for coffee and conversation.
11. Tell the King the Sky is Falling. The best episode, depicting Russia during World War I as the few competent leaders try to convince Nicholas to make reforms before its too late. Gregory Rasputin is well played both as lecher and as holy man. There's a particularly strong performance by Rosalie Crutchley as Grand Duchess Marie Pavlovna, aunt of the Tsar and the most domineering of all the Romanovs.
12. The Secret War. Here we see the February Revolution that overthrows the Tsar and the subsequent negotiations between various Russian revolutionary/Marxist groups and the German government, leading to Lenin's triumphant return to Russia and his seizure of power in the October Revolution. Kaiser William II is allowed to be uncharacteristically cautious in warning his ministers not to trust the Bolsheviks.
13. End Game. The final episode, concentrating on the fall of the German monarchy and the last months of World War I. The increasing desperation of the German High Command is well depicted. My favorite scene shows the Kaiser with his wife, talking about their now estranged/dead British and Russian relations, with the German Empress breaking into tears when talking about the Tsar and Empress, saying "Why did they shoot the children? They didn't have to shoot the children!" over and over.
This is a fine series with some excellent moments. If you're not familiar with late nineteenth century/early twentieth century royal European history some of the episodes might be confusing, but history buffs and royal aficionados will enjoy it immensely.

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In the latter half of the 19th century, three ruling houses dominated Europe: the Hapsburgs of Austria-Hungary, the Romanovs of Russia and Hohenzollerns of Germany. Centuries of despotism, a continued lack of social reform and the advent of the devastating First World War caused the vultures of revolution to start circling. This 13-part epic drama features an all-star cast including Patrick Stewart, Gemma Jones, John Rhys-Davies, Gayle Hunnicutt and more!

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Elizabeth R (1972) Review

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(More customer reviews)This is a superb BBC miniseries, or "cycle of six plays", with extraordinary acting and most of all, a script that is a marvel, which uses original documents and the writings of Queen Elizabeth I as its source, making the story, so full of intrigue and drama, for the most part very accurate.
My favorites are the monologues, spoken with such power by Glenda Jackson, whose performance is a treasure. The cast that surrounds her is also wonderful, and often having a physical similarity to the historical character (with kudos to the make-up department).
There are so many reasons to buy this fantastic DVD package, which may seem expensive but is actually an excellent value. For historians this is a must, and anyone who appreciates great English theater will be delighted. The quality of the film is also exceptional, with an exceedingly clear picture and audio.
I bought it to prepare for a portrait of Queen Bess, and was enthralled by the detail of the costuming; what amazed me was how the fashion changed during the queen's forty-four year reign. It was a time rich with culture and style, with the emergence of Shakespeare and other great writers, and the queen loved clothes and jewelry, and surely set the trends.
The music by David Munro also adds to the atmosphere, and the sets have an authentic feel.
This is a brilliant production, and total running time is 540 minutes.
The DVD "extras" are terrific, are the entire content of the 4th disc, and should perhaps be viewed before the film, for full appreciation of the history. The "extras" are:
1: A lengthy interview with Glenda Jackson
2: An interview with historian Alison Weir
3: "Elizabeth I", an A&E documentary with commentary by various authors and historians, and marvelous imagery to illustrate it.
4, A: Glenda Jackson reads documents. B: Portrait Gallery (there is an error here, where the portrait of Robert Dudley is actually one of Sir Francis Drake). C: Historical Sites, including the queen's tomb, palaces, etc.
5: Behind the scenes, with a Who's Who of the cast.


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Episodes: The Lion's Cub, The Marriage Game, Shadow of the Sun, Horrible Conspiracies, The Enterprise of England, Sweet England's Pride. This magnificent 6-volume collection recounts the epic life and times of the remarkable Elizabeth I in a cycle of 6 plays. Won multiple Emmy Awards.DVD Features:Audio CommentaryInterviewsPhoto gallery

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Emperor of the Seas (Discovery HD Theater) (2008) Review

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(More customer reviews)The Emperor of the Seas video is what I have found to be a rare account of the ancient Chinese Treasure Fleet. The video was enlightening entertainment not only suitable viewing but cultural and history knowledge expanding for the entire family.
Western ancient historians have, in my judgment, neglect the ancient Chinese influence on culture and human ancient history. The account of the Treasure Fleet is very well done in this film and raises new historic questions in my mind.
The possible historic parallels between the ancient Chinese Treasure Fleet and the modern day (1968-1972) United States Apollo fleet that travelled to the moon is what drew me into this aspect of Chinese history. Nonetheless, for whatever reason I was drawn to the DVD Blue-ray, I am very pleased to know have the knowledge of it.
AGAIN, this is a MUST for any DVD Library of the 21st Century. I highly recommend it.

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Between 1405 and 1433, the Ming government sponsored a series of seven naval expeditions led by Zheng He and the greatest armada the world had ever seen. Emperor Yongle designed them to establish a Chinese presence, impose imperial control over trade and impress foreign countries.With a many as 300 ships and 28,000 crewman, Zheng He s ships traveled to Southeast Asia, the Persian Gulf and as far as Africa, liberally dispensing gifts of Chinese porcelain and silk and in return receiving rich gifts from his hosts.Now, six centuries later, the truth about Zheng He s voyages are finally being told. Who is this extraordinary man who led seven voyages around the world eight decades before Columbus discovered America? And what was the true purpose of his voyages?

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A Foreign Field (1993) Review

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(More customer reviews)It is truly a shame that this movie is largely unknown, because it is one of the finer movies I have ever watched. The acting is amazing, and the characters play off of each other brilliantly. I have told others about the movie, and have to warn them that if they are looking for lots of explosions, blood, and guts, that this is not the movie for them. Unfortunately, we have come to expect and even crave that in a war movie. What makes A Foreign Field so great is the fact that the noise and bloodshed are long over, and the movie focuses instead on the memories and core emotions that veterans and their loved ones feel when reflecting on a different time. It is a great movie to watch on Veteran's Day or Memorial Day every year.

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Two British war vets (Alec Guinness and Leo McKern) meet an American vet (John Randolph) when all three return to Normandy on the 50th anniversary of D-Day. Old rivalries resurface, particularly when two of the men discover they are searching for the same lost love (Jeanne Moreau). A lonely woman (Lauren Bacall) with her own painful but mysterious memories joins the group, while the American vet’s petulant daughter (Geraldine Chaplin) and bumbling son-in-law (Edward Herrmann) struggle to keep up with the exploits of their elders. This disparate band of survivors eventually finds common ground in the memory of what they lost on that fateful day in 1944. As seen on Masterpiece Theatre.

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