Showing posts with label operetta. Show all posts
Showing posts with label operetta. Show all posts

2/24/2012

Gilbert & Sullivan's The Mikado / English National Opera Review

Gilbert and Sullivan's The Mikado / English National Opera
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This is it. The classic 1966-67 D'Oyly Carte Opera production of Gilbert and Sullivan's The Mikado. No other production holds a candle next to the superior performance of this movie. Back in the 60's, a talented cast of singers were performing all the classics of the Gilbert and Sullivan light operas under the direction of Bridget D'Oyly Carte and conductor Isodore Godfrey. They were John Reed, who performed all the comedic, fast-voiced baritone roles (Ko-Ko on here) Major General Stanley in Pirates of Penzance and Sir Joseph Porter in H.M.S. Pinafore, lyric tenor Phillip Potter, who was charming and romantic in a matinee idol sort of way (Nanki Poo on here, also sang Frederick in Pirates Of Penzance), Valerie Masterson, the coloratura and lyric soprano who played all the leading ladies (Yum Yum, Josephine in H.M.S. Pinafore, and Mabel in Pirates Of Penzance)
Donald Adams (The Mikado, The Pirate King) and Christene Palmer, who played all the mezzo soprano roles (Katisha, Buttercup and Ruth). These singers are at the top of their game on this film,
their voices are fresh and the performance is to die for. Phillip Potter is romantic as the minstrel son of the Mikado, Donald Adams is regial, Christene Palmer is an imperious and vengeful dragon lady, Valerie Masterson is sweet, youthful and charming as Yum-Yum. John Reed is as comical as ever.The Mikado is delivered here in the manner of Kabuki Japanese theatre. It really works. The authentic kimono wardrobe, music and poses from the actors gives the whole thing an artsy Japanese look. In addition, the camera does'nt move much, giving this a very staged and museum-style feel. Even if some say its campy, it does'nt diminish its value. It's a classic film that all Gilbert and Sullivan fans have to watch.

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2/12/2012

Lehar - Das Land des Lachelns / Kollo, Pitsch-Sarata, Koller, Zednik, Liewehr, Ebert, Stuttgart Opera (1974) Review

Lehar - Das Land des Lachelns / Kollo, Pitsch-Sarata, Koller, Zednik, Liewehr, Ebert, Stuttgart Opera (1974)
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A fine performance of a good operetta. The singing of Rene Kollo is especialy good, and he looks great, even in fake oriental makeup. His rendition of "Dein ist mein Ganzes Herz", the hit tune from the show, is far better than the version recorded by Giuseppe di Stefano. Dagmar Koller as Princess Mi is delightfuly athlethic, with some amusing and faintly erotic dance numbers. The rest of the cast is OK. Birgit Pitsch-Sarata looks fabulously Viennese as Lisa, but is not quite the singer she ought to be as the female lead.
The camera work is not quite up to the standards of US musical films of the era and the direction by Authur Maria Rabenault is occasionally awkward, but the photography is crisp and colorful and the setting in a pseudo-Siamese country is visually appealing, if not authentic either to the operetta or the period.
Lehar's story of the clash between oriental and western culture may have resonated with audiences of post-WWI Vienna, but today, it seems a bit dated. Still, much of the music is wonderful, and if you like this sort of thing, it is worthwhile just to hear Rene Kollo at his youthful best.

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2/07/2012

Topsy-Turvy Review

Topsy-Turvy
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Topsy-Turvy is the story of the creation of the Gilbert & Sullivan operetta, "The Mikado." It contains not just the story of the musical's creation but many scenes from Mikado and other G&S musicals. Long-time "G&S" (Gilbert & Sullivan) fans probably found this movie a long time ago. I am one of them, so first I'll say that I found the performance of the G&S material in this movie absolutely superb. I've never seen a Mikado as genuinely funning and eccentric as Tim Sprall's, or a Yum-Yum as winsomely self-centered as Shirley Hendersen's Leonora Branham.
Viewers who find musicals simplistic or shallow or generally silly should make an exception in the case of Topsy-Turvy. It is none of those things. In true Mike Leigh fashion, the actors inhabit their characters like second skin. No one is simple or shallow. Nor does Leigh avoid the seamier side of London theatrical life. I particularly liked Jim Broadbent's bitterly comic and misanthropic Gilbert, Martin Savage as the opium-addicted George Grossmith (the 'patter baritone' who rips through Gilbert's rapidfire lyrics like a rap song), and Lucy Manville as Gilbert's long-suffering wife.
Finally, the film is visually beautiful and detailed; wonderful costumes, lighting, and sets that seem faultless in their historical detail.
One of the best, if not the best, bio-pic ever made.

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See what critics and theater audiences are raving about in the most talked-about and critically acclaimed film of the year - Topsy-Turvy! Winner of two Academy Awards, this delightful film, filled with great music and outstanding performances, was chosen by 23 film critics as one of their Top 10 Films of 1999! Tensions abound and the music swells in the story about the famous musical team of Gilbert and Sullivan. The two men, who were extremely different in size and stature, were even more different in temperament and style. Yet, they still managed to create memorable theater. This is the story of the making of one of their most famous collaborations, The Mikado.

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12/02/2011

Leonard Bernstein's Candide (Great Performances) (2005) Review

Leonard Bernstein's Candide (Great Performances) (2005)
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This is a splendid performance of Candide. But before you go any further, you should realise that this is a concert performance, not a full scale operatic staging of the work. That said, the singing is glorious and the acting, despite this being a concert performance is outstanding. It is driven to milk all the comic elements out of the play. It all works delightfully. It is so brimful of joie de vivre, it leaves you smiling and humming all day. I must disagree with a previous reviewer who said, Bernstein wouldn't be amused. This is precisely what he would have wanted to achieve.
Sir Thomas Allen is superb as Dr. Pangloss who doubles as the narrator of the concert. Paul Groves and Patti LuPone are both excellent. But the star of this Candide is surely the lovely Kristin Chenoweth as Cunegonde, who in addition to having a magnificient voice shows that she is a natural comedienne and actress. This recording of Candide immediately goes to the top of the list. Now, if only we could have Bernstein's own production of Candide recorded live at the Barbican Theatre in London. That recording under the Deutsche Grammophon label is yet to appear on DVD.
I should comment on the camerawork which received criticism from a previous reviewer. It is a mark of the electric quality of this bravura performance that most viewers don't even notice the occasionally almost amateurish shakiness of the camera. The cameraman was shaky at times and faces occasionally went in and out of focus but a large part of what I initially attributed to poor camerawork was in fact artificially introduced motion artifacts. This is a problem with the DVD encoding and not the camera. These cause apparent jumps in the picture. But this is present only in DVD players with low end video processors. Switching to a better DVD player or processor solves the problem.
The DVD by Image Entertainment is in 1.78:1 widescreen (anamorphic enhancement). Picture quality is very good, clear, sharp and with rich natural colors. The picture is flawless provided you play it on a good DVD player. It comes with 3 audio tracks, DTS 5.1, Dolby Surround 5.1 and Dolby Stereo. Excellent immersive sound. It would have been good if they had included an uncompressed PCM track as well but I suppose that's asking a bit much. All in all, an outstanding concert and one to be forever treasured.Technical note: As noted above I noticed a strange problem with this particular DVD. It seems to play quite flawlessly on certain systems, yet throw up irritating problems on others. On one set-up I noticed numerous motion artifacts and lots of combing issues. Motion appears jerky and horizontal scan lines appear whenever fast movements occur or rapid scene changes take place. I'm not quite sure why they should be there but I attibute it to faulty encoding or improper flagging. No other DVD exhibits these errors on this particular system. I believe what one of the previous reviewers complained about could be due to this. The problem goes away when switching to an alternate system with a better deinterlacer / video processor. However that does not absolve Image Entertainment from responsibility for producing a sub-standard DVD which requires high end equipment to compensate for its deficiencies.
P.S. Bernstein's Candide can be interpreted in many ways. Some approach it as serious opera, others as light operetta, still others as a Broadway musical or even farce. Liking or disliking a particular production is very subjective. If you adhere to Bernstein's final vision of this work, enshrined in his by now legendary Barbican performance (Final, revised edition, first premiered 1988 by Scottish Opera and later performed with the LSO at the Barbican in 1989 with high powered opera stars singing all the roles), then you will tend to view this more as Opera and consequently your attitude to any performance that detracts from that operatic image (like this one) will be very negative. But you must remember that for many years, and for most Americans, Candide was considered a Broadway musical and at most a comic operetta. The two contrasting visions are equally valid and are a testament to Bernstein's genius and Candide's status as a true masterpiece.

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Leonard Bernstein's brilliant comic operetta comes to dazzling new life under theguidance of director Lonny Price (A Class Act). Based on the classic Voltaire tale of an innocent young man's journey through a life filled with colorful characters and unexpected life lessons, this tune-filled frolic features Tony Award©-winners Patti LuPone and Kristin Chenoweth heading a dazzling cast with Paul Groves, Stanford Olsen, Sir Thomas Allen and the Westminster Symphonic Choir. The impeccable score (with lyrics by luminaries including Lillian Hellman, Dorothy Parker, Stephen Sondheim, Richard Wilbur and John La Touche) includes a host of delightful songs such as "Life Is Happiness Indeed," "It Must Be So," "You Were Dead, You Know" and "Make Our Garden Grow." Now enjoy this all-new production of a musical comedy favorite with Broadway's top stars!

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9/21/2011

The Mikado- Gilbert And Sullivan / Australian Opera (2008) Review

The Mikado- Gilbert And Sullivan / Australian Opera (2008)
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This is possible the least spectacular of the Opera Australia Gilbert & Sullivan DVDs, possibly due to the fact that it is over 20 years old and now rather dated. Having said that, it is still a polished and enjoyable performance and ranks well compared to productions by most other companies, as indeed do all the Opera Australia Gilbert & Sullivan DVDs.
The cast do a great job, both in their singing and acting. Anne-Maree McDonald is one of the most convincing Yum Yums I have seen, cleverly letting us see the conceit of the character that is all but hidden under the sweet frame. The highlight performance for me, however, is Heather Begg's portrayal of Katisha. Heather gives a powerful and dynamic performance that captures the essence of the character perfectly.
Some "contemporary" use of humour is used during the Pooh-Bah & Nanki-Poo exchange concerning Pooh-Bah's various roles that makes references to the Australian political scene that existed at that time (1987). Some of this humour may be lost to non-Australians or even younger Australians that were not familiar with the era. It is otherwise, fairly loyal to the original script.
On the downside, the sets are a little bit flat and unimaginative, but one can generally overlook these things when presented with such polished performances. All in all, another great performance by Opera Australia.

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The Australian Opera's colorful production of The Mikado is an experience designed to seduce the eye, charm the ear and tickle the rib.
Wit, ingenuity, and a veritable riot of colourful and restless spectaclecontinue to make The Australian Opera production of The Mikado an experience designed to seduce the eye, charm the ear, and tickle the rib... THESYDNEY MORNING HERALD
The sets are breathtakingly oriental and full of surprises. The costumes are a masterpiece of eccentricity, weaving together traditional Japanese andtraditional London City . THE DAILY MIRRORAnne-Maree McDonald Peter Cousens Heather BeggGraeme Ewer Gregory YurisichRobert Eddie Jennifer Bermingham

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