Showing posts with label stephen dillane. Show all posts
Showing posts with label stephen dillane. Show all posts

2/26/2012

Christabel (1989) Review

Christabel (1989)
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While the edits in this DVD version of a 1989 miniseries aired on Masterpiece Theater in the US aren't blatant, to anyone familiar with the original version, they are striking by their absence. And the material that has been cut makes the plot much richer without detracting from the suspense of the plot.
The story hews closely to the biography of Christabel Bielenberg ( available as When I Was a German, 1934-1945: An Englishwoman in Nazi Germany or The Past is Myself, with a followup volume, The Road Ahead), an Englishwoman who marries a German lawyer and makes her home in Berlin in the early years of the Nazi regime. Her husband and their circle of friends deplore the Nazis (anti-Hitler conspirator Adam von Trott, later executed, is one of their circle) and the plot revolves around Christabel's growing recognition that it isn't possible to just live one's private life -- or leave -- when confronted with the kind of evil that the Nazis represent.
Even this edited version presents a kind of viewpoint that is rarely seen of 'ordinary' educated Germans facing the conundrum of how to react to evil and forces us to question how we would have fared in a similar situation. As Protestant pastor Martin Niemoller famously wrote, when the Nazis took away the communists, social democrats, trade unionists and Jews, people didn't speak up because they didn't fall into those categories. "Then," Niemoller wrote, "when they came for me, there was no one left to speak out." This film looks at a group of people who did speak out.
Dennis Potter's imaginative touches (such as the scene where Christabel imagines, in a nightmare, parachutists invading her home and bayoneting her elderly father) make this a rewarding movie to watch, while the recurring echoes of the song to which Christabel listens dressing for her wedding in the opening scenes recurs throughout, sometimes offering an odd or jarring commentary on the scene.
All in all, this is an excellent film of a little-known story. But it deserves to be seen in full, so for anyone who hasn't yet discarded their VHS player, I'd urge you to get the complete version.

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Based on a true story, an English girl marries a German lawyer in the 1930s and they try to live a normal life as they can in Hitler's Germany; when Allied bombs start falling on German cities, Christabel takers her two young sons to a village in the mountains. Then she learns that her husband and some of his friends have been arrested for plotting to assassinate Hitler. She travels to the prison where he is held; wondering if telling the commandant that she knows Winston Churchill will help her husband or seal his fate. Christabel Bielenberg's historical memoir, "The Past Is Myself", looking back on the years 1932-1945, was the source for this depiction of life in Germany during Hitler's rise. Daughter of middle-class English-Irish parents, Christabel became a German citizen in 1934 when she married German law student Peter Bielenberg of a prominent Hamburg family. The couple raised their two sons amid Germany's shifting political climate. I 1939, as the situation became acute; Peter joined a military organization planning to remove Hitler from power.

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10/28/2011

Masterpiece Theatre - The Cazalets Review

Masterpiece Theatre - The Cazalets
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This is the story of a large extended, relatively well-off British family from just before WWII up through the early years of the war. The film breaks off about half way through the war while the novels continue through until the end of the war. The way the film ends it feels as if the people making this intended to continue in another season, so it finishes with a lot of loose ends. Despite that fairly serious flaw, the superb character development and the rich range of very real individuals who range from young children to very elderly, from sleazy to incredibly noble and self-sacrificing, makes this something not to be missed. This is about the home front and is a bit more about the women than the men, but the male characters, I thought, were as well developed as the females. In the interest of not offending those who are more puritanical than I, I should mention that there is a very tender, very closeted lesbian relationship involving one family member. In addition, there is a male family member who is less than faithful to his wife. In neither case does much happen on camera. The Cazalet's are in the main generous and loving people. You will be glad you met them. If they had continued with the rest of the story line from the novels, I would have given this 5 stars as a first installment.

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In the shadows of WWII, one family is blessed with privilege, prestige and unspeakable secrets.It’s 1937 and the storm clouds of World War II gather across Europe. Tensions also simmer beneath the seemingly charmed lives of the Cazalet family. While this grand family saga commences during an idyllic summer at the Cazalet’s Sussex country estate, the years that follow will see birth, death, marriage, adultery, dementia, intrigue, and war play significant roles. Acclaimed for its richly detailed production, talented cast and brilliant character depictions, this vivid and poignant family portrait revolves around the wives, lovers, and children of the four Cazalet siblings:hard-working Hugh, womanizing Edward, spinster Rachel, and the artistic Rupert. Soon after Hitler enters Poland and England enters the war, the lives of three generations intertwine as devastating secrets explode like a blitzkrieg. Hardships invade with brutal reality, and slowly, the Cazalet’s decorum can no longer mask their problems. As both the country and family are splintered by war, the Cazalets must prove they have the strength to endure.Based on Elizabeth Jane Howard’s captivating family epic, The Cazalets stars Tony Award®-winner Stephen Dillane (The Real Thing), Hugh Bonneville (Madame Bovary), Paul Rhys (From Hell) and Emma Griffiths Malin (Mary Reilly)

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