Agatha Christie: The Secret Adversary Review

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(More customer reviews)Part of a very hard to find series called PARTNERS IN CRIME, written by Agatha Christie, starring Francesca Annis, and James Warwick. The series is rich in production value, design and style set against the vintage background of England in the 1920's and 1930's. This series was the first complete VHS series released featuring Christie characters...before Miss Marple and Hercule Poirot were filmed and released! Beautifully done, humorous, the characters meld together as if born to do so. Tommy and Tuppence Beresford, having met during the war, reunite and propose to become adventurers, solving mysteries for pay. Begun as a lark, they soon stumble onto a bizarre international plot to overthrow the government of England. Who is this mysterious Mr Brown, the criminal mastermind that many witnesses have met, but cant describe, that frightens all who meet him? And where is the secret treaty thought to have been lost during the sinking of the Lusitania? Many plot twists and turns, a budding romance, and the quick wits and ingenuity displayed by Annis and Warwick make this one of the finest reproductions of Christie's written work seen. A must have for any mystery lover's collection.

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Part of a BBC Movie Collection called Partners in Crime, on VHS Video. The Secret Adversary was only the second book every written by Agatha Christie, and features Tommy and Tuppence, a duo of likeable upper-class detectives. International intrigue, secret treaties, disguises, and blackmail follow this roguishly charming 1920s couple in their globetrotting quest to unravel the riddle of their disappearing client, disappearing diplomatic papers, and a devious plot that goes back to the sinking of the Lusitania. DAME AGATHA CHRISTIE (1890-1976) wrote more than 80 books, and is the best-selling fiction writer of all time, with more than one billion copies in print in over 100 languages.

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Agatha Christie's Marple: Series 2 (2006) Review

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(More customer reviews)Sleeping Murder seems to refer mostly to what was done to the original book. Obviously considering Christie's mysteries too mannerly, the scriptwriters invented a troupe of actors who sleep around with each other, then changed the step-sister in the plot to a real sister so some incest could be added; by the time the heroine breaks off her engagement to her fiance, it is a mild denoument, but at least consistent.
In By the Pricking of My Thumbs, Miss Marple is injected into a plot where she is totally unncessary; and rather than the happy, intelligent couple we know from Christie's books, we are presented with Tommy as a bumbling, insensitive beaurocrat and Tuppence as a depressed boozer (with some unexpected company, since the local clergyman is also an alcoholic, of course).
The Moving Finger is much better in plot alignment, even though it opens showing the hero writhing in bed with various women (thankfully, only one at a time). But here the costume production details were messed up pretty badly: the (very) busty governess is about to explode from the low-cut cocktail dress she is wearing early in the morning as she oversees her young charges (in which any sudden movement would certainly have added graphically to their education); and when the hero's sister is shown seated at a formal dinner party eating with her gloves on, I laughed aloud; who made this episode, 21st century Americans?
All of this is a real shame, since a lot of thought and money obviously went into the period detail, and the acting is top-notch; but the representation of 1950's behavior is so unrealistic that it counteracts all the effort put into the visualization of the small towns and their surroundings. I've added an additional star from my earlier review, since the producers really did apparently try to give us 1952 England; but the production was forced to be so post-modern friendly, that they lost the originality and reality that would have made these episodes much better editions.
Had they considered a series focusing Miss Marple's sophisticated nephew, with new story lines, it might have been fascinating; but trying to hang onto some thin thread of the original plots, while taking all the chracters from 2006 and putting them into period settings, was not a convincing combination.

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As seen on the PBS Mystery! series Four all-new, full-length mysteries bring you a Miss Marple like no other. Geraldine McEwan (Vanity Fair, The Magdalene Sisters) returns as the spinster sleuth, as shrewd and sagacious as ever. Breathing new life into Agatha Christie’s novels, these intricately plotted and thoroughly engaging whodunits feature the richly detailed settings, lush cinematography, and imaginative screenplays that won Series 1 overwhelming critical acclaim and an Emmy® nomination. McEwan imbues Miss Marple with a kindly sparkle and sly wit that prove "irresistible," raves TV Guide. "Not your mother’s Miss Marple," says the Associated Press. Sterling supporting casts that include Anthony Andrews, Michael Brandon, James D’Arcy, Geraldine Chaplin, Timothy Dalton, Frances de la Tour, Sophia Myles, Ken Russell, and Greta Scacchi further enrich this 21st century celebration of Agatha Christie’s most beloved heroine.

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The Inspector Lynley Mysteries - Series 6 (2007) Review

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(More customer reviews)I mentioned when writing about season five that this delicately etched and excellently acted series on PBS's "Mystery" was my favorite. It still is. I truly believe it is the finest show on television. Nathaniel Parker's Inspector Thomas Lynley and Sharon Small's Barbara Havers are eagerly awaited with passion each season by this viewer like nothing else on television.
Based on Elizabeth George's characters, the BBC show has grown and matured into something really special. The mysteries are always well-written and the lead characters have been allowed to let life and what each brings to the table change both themselves and how they view each other. Parker and Small are a fabulous duo who balance each other out.
The dashing Lynley was originally paired with Havers because it was taken for granted he would not be distracted by her in a romantic way. But the two quickly found there was more to each other than their reputations, and proved a great team. They also became quite close, their deep friendship and affection for each other rarely dwelled upon but always there beneath the surface.
Havers has given the dashing Lynley depth and complexity while he has given her a softer appearance over time. Small really looked terrific in season five with her hair down. Though some griped it was a deviation from the books, it is this intelligent lack of stagnation which has kept things fresh.
Season five ended tragically as Lynley's world changed in the blink of an eye when his beloved Helen was killed. One of the most poignant moments of the series found Havers sitting with Lynley after her funeral to make the world wait a few moments. It is intelligent and very real moments such as that which make this show tower head and shoulders above everything else out there.
It is for that reason that a massive campaign is being waged to persuade the BBC to continue to produce the show so that PBS fans in America can enjoy these richly mature and intelligent mysteries. The carefully nuanced performances of Nathaniel Parker and Sharon Small as Lynley and Havers would be harder to live without than Lynley's beloved Bristol.
Until that happens, we can at least enjoy the two episodes here on season six. In "Limbo," first aired in Australia, the remains of Lynley's godson are discovered twelve years after he was reported missing. Lynley becomes deeply involved with the deceased's sister and will become the prime suspect in a second murder. In "Know Thine Enemy" one young schoolgirl kills herself to escape captivity and Lynley and Havers try to find another before tragedy strikes twice.
The Inspector Lynley series is smart and atmospheric, Debbie Wiseman's opening music setting the tone for each intriguing installment. Fans cherish this show and hopefully this won't be the last we see of our favorite detectives.

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Lord Peter Wimsey - Clouds of Witness (1973) Review

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(More customer reviews)I am so glad to see this on DVD, and those who have it on VHS will be surprised--it looks fantastic! You'd never know this was done in 1972.
The picture is crisp and clear, even when switching from video to film (a common practice in those days--film outdoors, and videotape indoors). The sound level is a bit low, but it is not a problem--turning up the volume does not distort the sound in any way.
Lord Peter Wimsey (Ian Carmichael) must find the evidence to clear his older brother, Gerald, the Duke of Denver (David Langton) from the charge of murder. The victim is the fiancé of Gerald and Peter's sister, Lady Mary Wimsey (Rachel Herbert).
There is much conflicting testimony amongst the witnesses, and Lord Peter, ably assisted by his faithful manservant Bunter (Glyn Houston) and Inspector Parker (Mark Eden), does his best to save his brother.
The script is well written, and well paced. We get to see a trial in the House of Lords, something most viewers have perhaps heard of, but never have witnessed. We see the Wimsey family (Lord Peter, the Dowager Duchess, Lady Mary, and the Duke of Denver), and their friends (the Arbuthnots and others), in an excellent adaptation of what life was life in the upper-crust families after World War I.
The cast is first rate, as is the story and the quality of the DVD. There are extras (an interview with Ian Carmichael from September of 2000, information on Dorothy L.Sayers, a trivia quiz, and filmographies of the principal players) that make a nice addition to this slipcovered two-DVD set. Acorn Media has done a splendid job--highly recommended!

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This classic mystery just keeps getting better. A top-seller on VHS, it's now available for the first time on a feature-rich DVD. Ian Carmichael stars as Dorothy L. Sayers' aristocratic sleuth taking on his most personal case ever. When his sister's fianci is murdered during a family gathering, Wimsey's brother, the Duke of Denver, is charged with the crime. Wimsey must race the clock and risk his own life to exonerate him.

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Lord Peter Wimsey - The Unpleasantness at the Bellona Club (1973) Review

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(More customer reviews)As many of us that were eternally grateful to Acorn Media for reissuing after too many decades the Lord Peter Wismey "Clouds of Witness," just so many and perhaps more can welcome back with the incomparable Ian Carmichael whose idea it was to film the series in the first place and who almost did not get the part!
Like the other four in this series, this is a low budget, shot mostly in the studio, affair; but it is impeccably "period" in décor, dress, and even idiom. The plot involves at first not a "who done it?" but a "when was it done?" Since the vast inheritance depends on the timing of the deaths of an elderly brother and sister, the hour if not the very minute of the former's demise is the Big Question. Surprisingly, that mystery is revealed half way through the story; but by then we have a murderer to find and...well, I will not spoil things for you and urge you to see for yourself.
Carmichael's Wimsey is ever the aristocrat, here ready to quote W.S. Gilbert and W. Shakespeare (though not nearly as frequently as Rumpole will quote his favorite poets), even though he must apologize now and then for being over the heads of some of his less well-educated acquaintances. In this story the grinding poverty of one of the interested parties is shown in striking contrast to Wimsey's luxurious accommodations and ability to be very generous with his money (which after all was never earned by any workaday sweat of his brow exept when he posed as an employee of an advertizing agency).
As with all of this series, the minor characters are extremely well drawn, right down to a patron of a tea shop who becomes all flustered in meeting "a lord." While the two opposing lawyers might border on the Dickensian, they are both shown to be intelligent and honestly working for the good of their clients. And even the villain is basically a very Good Person in all other respects! But such is the universe created by Dorothy Sayers and it is treated with respect and intelligence in this fine series.
Now we can only hope that Acorn Media will accelerate the releases of "Murder Must Advertise," "Five Red Herrings," and "The Nine Tailors."
Oh by the way, they are releasing at the same time some of the Poirots that have been butchered by A&E to make room for their insultingly frequent and overlong piggyback commercials. See the webpages for those. And by the way again, a comparison of Poirot and Wimsey would make a fascinating study.

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Lord Peter Wimsey - The Complete Collection (1973) Review

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(More customer reviews)Finally, finally, the full set of this series is on DVD. (Individual titles have been trickling onto the market for years.) These engrossing, spirited productions are the major detective-fiction product from a distinct period and style of British productions that gave the world some enduring classics: Upstairs Downstairs, its sequel The Duchess of Duke Street, Poldark, Danger: UXB, and of course (by informal consensus the best TV series ever made), All Creatures Great and Small. These 1970s productions share a look and feel that is quickly recognizable (with videotaped interior and filmed outdoor scenes, and a pool of outstanding actors, in the British tradition, many of them famous in higher-budget theatrical films also). They all aired in the US when they were new and occasionally later, and captivated audiences, who have looked eagerly for them since. (And who were, therefore, all the more disappointed with a later, 1990s re-make of some of Sayers's Wimsey stories, slick but without the heart and energy of this 1970s classic series with Ian Carmichael.) The original stories by Sayers are themselves very entertaining; she was one of the most intellectual, and certainly the most hard-working, of the British detective-fiction writers who flourished between the wars. (One of her stories turns on the gender of a definite article in French; another, relying on details of architecture, sent her studying the subject for six months so that she would know what she was talking about -- modern best-seller writers, please note.) Her fondness for and knowledge of the Church of England informs a number of the dramatizations, especially The Nine Tailors, thought by many people (including me) to be best of them -- certainly its plot is a lollapalooza. But they are all very good.

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Lord Peter Wimsey - Five Red Herrings (1976) Review

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(More customer reviews)I was delighted to see Acorn Media re-release Five Red Herrings. This is one of the best British mysteries ever by the greatest British mystery writer ever (in my opinion). While the DVD version is excellent, the print quality, as other reviewers have said, is not the greatest. BBC, in the mid 70s, used videotape for a lot of their productions instead of film with the result the picture quality suffered. But, this is a small point. The Wimsey series, first broadcast between 1974-77 in America and Canada on PBS Masterpiece Theatre, has been too long unavailable. Ian Carmichael is a perfect Wimsey and the Scottish countryside around Kirkcudbright makes this period piece a real charmer.
In most of Sayers novels, the villain rarely gets served up justice by the police as he/she/they do in Agatha Christie. Five Red Herrings is an exception, but suicide or some tragic cicumstance usually settles the score as it does in the other three released Wimsey series (to date). Not the hangman's noose for Dorothy's villains. Wimsey is a remarkable creation, very similar to Wodehouse's Wooster, but Sayers put Wimsey (and Bunter) through the hell of the Great War with the result there is a deeper side to the appearance of the "foppish Lord Peter". Five Red Herrings is a finely crafted story brought to the screen to perfection in this DVD
Top marks to Amazon and Acorn and I hope the creme de la creme of the 5 productions, The Nine Tailors, is soon to be released. The Nine Tailors is Sayers' finest work and, I think, the finest mystery novel ever written. The BBC production is outstanding and of five star quality. My recommendation to fellow viewers is to ask Amazon to complete the set and if you think the videos/DVDs are great, the novels are even better. Sayers was a classical scholar of international reputation who translated Dante's Inferno (still in print) and one of the finest writers of the early 20th century and nowhere is this talent better illustrated in The Nine Tailors and the other novels represented by this outstanding BBC series. "I say, well done Bunter!!"

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Ian Carmichael stars in this BBC adaption of Dorothy L. Sayers classic detective novel. Wimsey's fishing holiday in Scotland becomes a sport of a different nature when he is called to catch more than trout after a local artist is found dead. With six likely suspects, Wimsey must use his prize skills to determine the five red herrings and expose the murderer.

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Lord Peter Wimsey - The Nine Tailors (1975) Review

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(More customer reviews)With cross and candle and bell-knelling....More than one of the characters in THE NINE TAILORS is haunted. Lord Peter Wimsey and his valet Bunter are haunted by their recent experiences in France, where they spent too many weeks in the trenches. Other characters are haunted by events that transpired before WWI. The nine tailors are a set of very old and large bells that hang in the tower of a church in East Anglia. Each of the bells was specially cast and each has a name. On high holy days in the Anglican Church, such as the Feast of the Epiphany, the bells are rung by a group of men. Wimsey takes part in the change ringing and it is glorious. Dorothy Sayers was intrigued with Anglican theology, and in her later years she abandoned mystery writing for the study of theology. Every chapter of THE NINE TAILORS is preceded by a quotation involving instructions to clergy, change-ringing, and the like. Each is a clue. I believe Sayers was haunted -- like P.D. James -- by East Anglia, that odd part of England with a long violent history. THE NINE TAILORS is the best mystery I've ever read. It will appeal to those who like a literal case, but it will also appeal to those who sense that life itself is a mystery, and that even the greatest sleuth cannot solve it. I read the book, saw the original dramatization of the story, and then haunted by this incredible story, I traveled in East Anglia searching for the church. It does exist, and it contains one of the most beautifully carved interiors in England. Ultimately, the church provides Wimsey with many of the clues he needs to solve several mysteries. For there are several mysteries involving the theft of priceless jewels, betrayal, and murder. The question as always is whether or not these mysteries are related, and whether or not the same individual is responsible for all the evil deeds. I have been waiting a long time for the DVD and I am so glad ACORN finally is ready to release it.

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Lord Peter Wimsey - Murder Must Advertise (1973) Review

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(More customer reviews)It took only a quarter century to catch up with and I am eternally grateful to Acorn Media for making it available, along with "Clouds of Witness" and "The Unpleasantness at the Bellona Club."
Yes, "Five Red Herrings" and "The Nine Tailors" are due soon.Having read the book several times, I can say that the dramatization is not only faithful to the plot but also to the comic tone of the original. Sayers herself did work in an advertising agency and she perfectly catches the chaos, the frustrations, and the high spirits that pervade such an establishment.
Even more on video than in the novel is each character fully realized. When Wimsey (working under an alias) first enters the secretaries' room, the more flamboyant of the women (played by Fiona Walker) is found coffee cup high in the air and sheet of advertising copy low in hand, thereby establishing her character perfectly. She can also quote Latin tags and Shakespeare with colloquial ease. The stuffy head of the firm, Mr. Pym, is played by Peter Pratt, well known to Gilbert & Sullivan buffs as the comic lead at the D'Oyly Carte several generations ago.The ubiquitous Peter Bowles plays the villainous Major Milligan as a dope dealer to the "bright young things" who still knows when to apologize for rudeness. Mark Eden continues his role as Chief Inspector Parker, now Wimsey's brother-in-law since marrying into the family after the "Clouds of Witness" case. If I cannot warm up to Lady Mary (Rachel Herbert), it is perhaps because of her smugness that tries to be charming but (for me) just misses.
Possibly the best realized character is Bridget Armstrong's Dian de Momerie, the fading sexpot who knows she is doomed by her associates, her drug taking, and the ravages of time. Armstrong turns what could have been an utterly cliched role into a sympathetic and believable one.
And of course, Ian Carmichael is the same bubbling amateur sleuth of the first two mysteries, always ready to apologize for forgetting he has advantages over most of the others.The plot combines a simple whodunit with a complex howsitdun; and if you pay close attention to the most seemingly inconsequential lines in the first reels, you will appreciate all the more the solution in the last one. I will reveal none of the plot here, except to say it is a lot of fun.
The production budget is below that of the Poriot series, but the period feel is just as good. By the way, when Wimsey (in disguise) is compared with Bertie Wooster, the script writer might be indulging in an inside joke: Ian Carmichael did play Wooster in a series on British TV and that association nearly cost him getting Wimsey after he himself suggested it to the powers that be!

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Wuthering Heights Review

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(More customer reviews)Director Coky Giedroyc provides the newly thrice-spliced Masterpiece Theatre with a two and a half-hour remake of Emily Bronte's Gothic classic, "Wuthering Heights (Signet Classics)" that adequately depicts the passionate love/hate relationship made famous by Catherine Earnshaw and Heathcliff for readers since 1847.
I have not had the pleasure of rereading the novel for a few years, but this adaptation seems remarkably true to the overall spirit of the story. It includes the two generations of Earnshaws and Lintons most noticeably removed from the 1939 film version starring Lawrence Olivier as Heathcliff and Merle Oberon as Catherine (Wuthering Heights 1939 Classic Black and White with Original Theatrical Trailer (Import, All-Region)). The non-linear time sequencing of the film's plot mirrors the timeline of the novel; the only real difference here is the absence of the novel's first person narrators, Mr. Lockwood (Heathcliff's tenant) and Nellie (housekeeper of both Wuthering Heights and Thrushcross Grange). Giedroyc's version employs a third person technique in both the flashback and present day storyline to retell the Earnshaw/Linton history rather than rely on the biased comments of Bronte's storytellers.
Lockwood's absence also means the sequence of events revolving around the apparition of Catherine's ghost does not move the plotline. Instead the opening scene treats us to a vengeful Heathcliff, manipulating his sickly son Linton's marriage to the second generation Catherine, daughter of Edgar and his love. In fact, the entire aspect of the supernatural is not touched upon in the film as intensely as in the novel. Heathcliff yearns for his dead companion, and participates in a ghoulish digging up of Catherine's corpse. In a fantastic feat of cinematography the audience is privy to two vantage points: Heathcliff's vision of her--young and fully fleshed as if alive--and then the gruesome reality seen from behind Heathcliff's back--Catherine's decomposing skull. This film emphasizes the real and the gritty rather than the ethereal.
Similarly, it includes some passionate and psychologically intense moments that add carnality to the overall telling of the story that fits well with and enhances the wild emotions portrayed by Bronte. Heathcliff and his Catherine consummate their love on the moors; Edgar desperately makes love to Catherine in their marriage bed and Heathcliff commands that his wife not look at him as he takes her after their impromptu elopement. Somehow these moments add drama and needed adult content and motivation to what the other adaptations skirted around. When Heathcliff realizes that his woman has slept with Edgar, his anger boils over with helpless indignation. He wants revenge and after witnessing his closeness to Catherine, the audience sees him more as a jilted second choice despite his accomplishment; the face of the gypsy orphan still stares back at him.
Not that actor Tom Hardy resembles a gypsy in any way. His incontrollable mop of dark brown hair flops annoyingly onto his face; it definitely could use a trim or a ribbon holding it away. Nevertheless, he does the character of Heathcliff and the Byronic hero justice; he most decidedly reigns supreme in the scenes in which he participates. His passion seems almost Pilate-controlled from a steel core that is both practical and functional within the constraints of his world. However, like the novel's character, he loses himself frequently with a cynic's paranoia that lashes out with the intent to destroy whatever is in its path.
Cathy, on the other hand, as portrayed by Charlotte Riley has a feral beauty that aptly suggests the novel's heroine. However, Riley's Catherine has been "de-bratted"; the novel depicts Cathy with a nasty selfish streak while this Masterpiece Presentation shows us a confused child/woman that indeed does what she chooses but then seems at odds with the results.
Isolation plays a big part in Bronte's novel. However, this film fills the screen with an assemblage of others that makes the entire presentation more real. Rather than just the dire foursome and their progeny, villagers, church-goers, barroom card players and fighting children add authenticity to the period and in comparison more starkness to the actual footage shot on the moors.
Bottom Line? The 2009 presentation of "Wuthering Heights" created for Masterpiece Theatre Classics smolders with a raw sexuality and practical strength that will probably not please most purists. Nevertheless, the film's team put together a good adaptation that brings the feel of the novel to life without imitating other film presentations of the past. Recommended.
Diana Faillace Von Behren
"reneofc"


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Poirot - Classic Crimes Collection (The Mystery of the Blue Train / After the Funeral / Cards on the Table / Taken at the Flood) (1990) Review

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(More customer reviews)This latest in the long-running Hercule Poirot television series, with Poirot played by David Suchet, has been released on DVD with the cumbersome title Agatha Christie Poirot: Classic Crimes Collection. This series 12, from 2005-06, and series 11, from 2003-04 and released as Agatha Christie Poirot: The New Mysteries Collection, is a somewhat different look at Poirot than we've been used to.
Although the time period is approximately the same, the mid-to-late Thirties, Hercule Poirot is noticeably older and stouter. Suchet, who was 43 when he began Poirot in 1989, is now 60. No longer part of the stories are Captain Hastings, Miss Lemon and Inspector Japp. Captain Hastings and Miss Lemon gave Poirot opportunities to express affection and gentle amusement. They in turn, by their devotion to him, gave us a chance to see him through their eyes as not simply a person confident about his little grey cells, but as a somewhat eccentric individual we could like. Japp showed us how the police could come to respect and even defer to this brilliant, prim and unselfconsciously egotistic little foreigner. Poirot, now with no friends, seems at times a lonely figure. The mysteries remain intricate, but they sometimes lack warmth and a friendly insouciance. There is a heavy-handedness about the production which takes some getting used to.
As usual, Poirot spends much of his time catching murderers among Britain's upper crust, which gives us many opportunities to see how our betters live, behave and dress. His deep outrage over privileged people who believe murder is simply a way to deal with life's inconveniences remains strong. With little opportunity for small touches of humanity and friendship, however, the series now seems a bit glum. The trademark conclusion to each Poirot mystery, where all the suspects gather together (usually in a drawing room) and listen while Poirot dissects the case, explains the implacability of his logic and then one by one rules out the innocent until only the guilty party is left squirming, is still an effective dramatic device.
The new Poirot mysteries work as elegant puzzles. They may be a bit rougher at times with strong language now and then and some sexually-motivated plots, but they are well-written and well-acted. David Suchet is still a wonder at being Poirot; he inhabits the role and is great fun to watch. But perhaps this older, more serious Poirot is just a little too self-contained. He needs a friend or two.
The mysteries in this collection include murder on an elegant train, murder in an elegant country home, murder in another elegant country home and murder in an elegant town house. Amongst the characters working with Poirot to solve the town house murder is one played by Zoe Wanamaker. She's a first-rate actress and her pungent performance gives Suchet some real competition.
The DVDs all have great looking transfers. Each of the four mysteries runs approximately 1' 40" on separate discs. The extras include biographies of Agatha Christie and David Suchet.

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Studio: A&e Home VideoRelease Date: 05/30/2006

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The Tenant of Wildfell Hall (1997) Review

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(More customer reviews)While not wholly faithful to Anne Bronte's novel of the same name, this BBC adaptation has much to commend it. Excellent cinematography, as well as strong performances by the entire cast, makes this a must see production for all lovers of period pieces.
An intriguing widow woman of mystery, Helen Graham (Tara Fitzgerald), moves into a crumbling residence known as Wildfell Hall. There, she sets up house with her very young son. Plain spoken, independent, and seeming to lack charm, she rebuffs the initial, friendly overtures of the local townsfolk and manages to alienate most of them. Gilbert Markham (Toby Stephens), a young and handsome yeoman farmer, is not put off by her manner, however, and being smitten by her, pursues her, hoping to gain her affections. Soon, however, the townsfolk begin gossiping about her supposed assignations with a wealthy, local gentleman, Mr. Lawrence (James Purefoy), the owner of Wildfell Hall. There comes a point where even the steadfast Mr. Markham wavers in his belief in her. It is then that Mrs. Graham tells him the true nature of her relationship with Mr. Lawrence and reveals her dark past.
Rupert Graves steals the show as Arthur Huntingdon, the charming rake who captures and seduces Helen's young, romantic heart. Once married to her, however, he reveals himself to be a brutish, dissolute, and depraved philanderer, who causes her to flee their home with their young son. The role of Huntingdon is, undoubtedly, the juiciest. The film uses the narrative contrivance of flashbacks in order to explain the events that led Helen to take the extraordinary measures that she did. It tells the viewer of the sad story that brought Helen and her son to this sorry pass. Ultimately, Helen takes the high road, when an event occurs that causes her past to collide with her present. In that decision, however, lies the key to her future.
Toby Stephens is wonderful as the yeoman farmer, whose tender heart is captured by the beautiful Helen. Tara Fitsgerald, while indeed beautiful, plays the role of Helen a tad too harshly, which, while serving to alenate the townsfolk, serves also to alienate the viewer somewhat. Even though the flashbacks serve to explain her present manner, and the viewer sees her in happier days, Helen is still not as simpatico a character as she could or should be. Still, this is a handsome, though somewhat dark and somber production that those who love period pieces will appreciate and enjoy.

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Rupert Graves, Toby Stephens and Tara Fitzgerald star in this Peabody Award and BAFTA winning BBC Adaptation of the Anne Brontë novel. Powerful, haunting and disturbing, The Tenant of Wildfell Hall is as powerful a story as those of Brontë’s more famous sisters. In a remote village on the Yorkshire moors, a beautiful widow and her son move into the near-derelict Wildfell Hall. Befriended by a handsome young farmer, she remains mysteriously silent about her past and why she is afraid – until she becomes the focus of malicious village gossip.

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