Showing posts with label film noir. Show all posts
Showing posts with label film noir. Show all posts

12/27/2011

Martha Graham Dance on Film - (The Criterion Collection) Review

Martha Graham Dance on Film - (The Criterion Collection)
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This DVD was absolutely outstanding for me (unfamiliar with modern dance) and exceeded my wife's expectations (very knowledgeable and familiar with modern dance). The reasons for this very positive impression were: Martha herself narrates and explains the whole DVD, the film producer also provides insights into Martha's life and personality, and original dancers performing the original productions.
Very enjoyable either as an expert or as a beginner.

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One of the great artistic forces of the twentieth century, performer, choreographer, and teacher Martha Graham influenced dance worldwide. Criterion presents a sampling of her stunning craft, all collaborations with television arts-programming pioneer Nathan Kroll. A Dancer’s World (1957), narrated by Graham herself, is a glimpse into her class work and methodology. Appalachian Spring (1959) and Night Journey (1961) are two complete Graham ballets, the first a celebration of the American pioneer spirit, scored by Aaron Copland, the second a powerfully physical rendering of the Oedipus myth. These are signature Graham works and tributes to the art of the human body.

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11/01/2011

Dillinger (1945) Review

Dillinger (1945)
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This review is for the 2005 Warner Brothers DVD.
This film is about the real life bank robber John Dillinger who is arguably the most notorious robber in the history of American and earned the nickname "Public Enemy #1". From my brief research on the internet, the movie appears to be relatively true to form. From the early `30s until his death in 1934, Dillinger wreaked havoc across America with his brutal bank robberies and daring prison escapes.
The film itself moves fast, but is only 70 minutes long. There is little character development and the action is continuous and rarely dull. Lawrence Tierney stars as John Dillinger. This was his screen acting debut and he does little to set the acting world on fire. Even in scenes of major confrontation, Tierney seems expressionless and lacks emotional body language. Perhaps this was by design by the director. But if you are fan of vintage gangster films, I'm confident that you will be entertained and pleased with action and drama.
The DVD was remastered but not restored and unfortunately there was a significant amount of film damage. There were five or six scenes with at least 3 or 4 seconds of severely damaged footage. The remastering helped make the picture look sharp but tiny specs of deterioration were still prevalent throughout the film, but that wasn't a major deal compared to the noticeably larger scratches. Warner has historically been one of the better studios for film restoration and they obviously decided to not fix up this film. Due to the limited market of a DVD like this, I'm sure the payoff wasn't there to restore an entire movie, but if they would have at least fixed the severely damaged frames, that would have been sufficient for me.
PLEASE NOTE: Before buying this DVD, consider buying the Film Noir Classic Collection, Vol. 2 which contains this movie plus four other highly recommended movies at a very reasonable price.Movie: B-
DVD Quality: C

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Willie Sutton robbed banks during the Depression because, he explained, "That's where the money is." Former Indiana farmboy John Dillinger also knew where the money was. And his string of early-1930s heists, murders and daring jailbreaks were so bold and notorious he became Public Enemy #1. Dillinger, Oscar-nominated* for its screenplay, is the bullet-paced story of the man whose crimes captivated and terrified the nation. Lawrence Tierney plays the title role, breaking free of screen anonymity and moving into a 50-year tough-guy career that would include 1947's Born to Kill and 1992's Reservoir Dogs. Perhaps it was a brutal early prison stretch that turned Dillinger from kid to killer. Perhaps he was a murderous thug to his core. Either way, Dillinger presents his story with film-noir style and lets you decide.

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