2/29/2012

Waiting for Godot Review

Waiting for Godot
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"Nothing happens, nobody comes, nobody goes, it's awful!". That phrase, said by one of the main characters of "Waiting for Godot", somehow sums up the whole plot of this short tragicomedy in two acts. Strange??. You can bet on that!!!. So much that a well-known Irish critic said of it "nothing happens, twice".
The play starts with two men, Vladimir and Estragon, sitting on a lonely road. They are both waiting for Godot. They don't know why they are waiting for him, but they think that his arrival will change things for the better. The problem is that he doesn't come, although a kid does so and says Godot will eventually arrive. Pozzo and his servant Lucky, two other characters that pass by while our protagonists are waiting for Godot, add another bizarre touch to an already surreal story, in which nothing seems to happen and discussions between the characters don't make much sense.
However, maybe that is exactly the point that Samuel Beckett (1906-1989) wanted to make. He was one of the most accomplished exponents of the "Theatre of the Absurd", that wanted to highlight the lack of purpose and meaning in an universe without God. Does Godot, the person that Vladimir and Estragon endlessly wait, symbolize God?. According to an irascible Beckett, when hard-pressed to answer that question, "If I knew who Godot was, I would have said so in the play." So, we don't know. The result is a highly unusual play that poses many questions, but doesn't answer them.
Ripe with symbolism, "Waiting for Godot" is a play more or less open to different interpretations. Why more or less open?. Well, because in order to have an interpretation of your own, you have to finish the play, and that is something that not all readers can do. "Waiting for Godot" is neither too long nor too difficult, but it shows a lack of action and purpose in the characters that is likely to annoy many before they reach the final pages, leading them to abandon the book in a hurry. That is specially true if the reader is a student who thinks he is being barbarously tortured by a hateful teacher who told him to write a paper on "Waiting for Godot" :)
My advice, for what it is worth, is that you should persist in reading it. If it puts you to sleep, try reading it aloud with some friends, and discuss with them the implications of what happens with the characters. This play might not be thoroughly engaging, but it changed theatre and the possibilities opened before it forever. In a way, it provoked a blood-less revolution, and because of that it deserves at least a bit of our attention.
Belen Alcat


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Starring Zero Mostel and Burgess Meredith with Kurt Kaszner and Alvin Epstein and directed by Alan Schneider. A unique film of a remarkable performance of the single most important play of the last half-century.

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Sybil Danning's Adventure Theatre: Seven (1979) Review

Sybil Danning's Adventure Theatre: Seven (1979)
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B-movie veteran William Smith ("Invasion of the Bee Girls", "Grave of the Vampire") stars in this fast moving adventure as the leader of a small team of specialists assigned to break up a notorious Hawaiian crime syndicate.Amazonian action star Sybil Danning introduces the movie.Also starring Barbara Leigh, Art Metrano, Martin Kove, Susan Kiger, Guich Koock, and Richard Le Pore.Directed by Andy Sidaris ("Stacey!", "Malibu Express"). Great movie, must see advanture.

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2/28/2012

Carnival of Souls Review

Carnival of Souls
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The merits of this film are obvious enough to simply summarize: it is the one and only original shoestring budget classic. No, the plot isn't original, but that hasn't stopped others from picking it up and running with it, sometimes in different directions, and sometimes even more successfully (see "Jacob's Ladder" for a deeper, and darker, take). But I doubt that ANYone ANYwhere has made a better film for less money; as someone below wrote, ""Blair Witch", eat your heart out."
And then to have it released on a Criterion DVD, well, it just doesn't get any better than that! OK, we may not need TWO versions, .... And the second DVD isn't just a filler: you get anything and everything you could think of associated with the movie, including "now and then" visits to the film sites, a great hour-long tribute, a history of the film company, stills, probably more than all but the most compulsive fan would want but you won't feel as though you've gotten short-changed! As always, the real reason we love Criterion is the quality of their prints - they are simply THE BEST you are going to see. Anyone who has seen this film on one of its numerous cheapie incarnations on VHS will be ecstatic with this version - you won't believe how superior the picture quality is.
I have to say "get this now, before it's discontinued". This edition can NOT be bettered; you will NEVER EVER see a better version of this classic sleeper.
Now, Criterion, when are you going to release Robert Wise's "The Haunting", hmmmm?

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This classic horror tale is now restored and in color for the first time, complete with an irreverent bonus commentary from Mike Nelson of "Mystery Science Theater 3000" fame.

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Faerie Tale Theatre - Rumpelstiltskin (1982) Review

Faerie Tale Theatre - Rumpelstiltskin (1982)
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RUMPELSTILTSKIN is an average entry in the FAERIE TALE THEATRE series. Shelley Duvall, host and creator of the series, takes center stage as the winsome Miller's Daughter.
The Miller (Paul Dooley) is constantly telling tall tales, but his latest lie just might result in the death of his daughter (Shelley Duvall). When the Miller tells the King (Ned Beatty) that his daughter can spin straw into gold, the King orders she be brought to the palace to work her miracle.
Imprisoned in the palace, the Miller's Daughter is visited upon by a strange little man (Herve Villechaize) who helps her out of her dilemma. But will the price be more than the Miller's Daughter can pay?...
This is only the second episode in the series, and features fine acting from Duvall and Villechaize. A real charmer.

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A young woman must figure out a strange old man's name in order to keep the first born child she promised him in exchange for the ability to spin straw into gold.

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Puma Man Review

Puma Man
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The 4 stars are for being such an ridiculously bad film you can't help but laugh your hinder off, whether it's the MST3K version or the "unadulterated" version. Donald Plesance is the villain that looks like an earlier version of Dr. Evil. He steals an Aztec mask from a sacred cave (from Pumaland, no doubt), A hulking Aztec named Vadinho, journeys to England to find the Puma Man. Why is this Puma Man in England, where nothing resembling a Puma has ever been noted. Oh well, the movie tells us he's there so I'll play along. So how do you find a Puma Man? Yellow Pages, Personal Ad, perhaps stake out a lamb in an open field? Nah. Just throw out some poor shmoe from a high rise building and if he doesn't go splat, you get yer man (no joke)!
After a few noted failures to fill the Puma Man position, a paleontologist named Tony is found an acceptable applicant. Tony has the disposition of a 3 year old; whiny and annoying. After much cajoling and bullying, Vadinho convinces Tony to take on our villain bent on World domination (again Dr. Evil-esque). The other reviewers have already noted his unorthodox method of flying (Pumas can fly?!?), so nuf ced about that.

Of course every Puma Man has to have a ditzy blonde bimbo girlfriend with a penchant for wearing WWI fighter pilot cap minus the goggles- doesn't every super hero? If this chick has more than 5 brain cells, then Michael Jackson is normal.
Every aspect of this film, is laugh-out-loud bad! Of the Sci-Fi era Mystery Science Theater episodes, this is one of the best. Rhino must release Werewolf, Jack Frost and Puma Man on DVD. Classics must be preserved.

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Sweeney Todd (1982) Review

Sweeney Todd  (1982)
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I have been watching this 1982 production of "Sweeney Todd: The Demon Barber of Fleet Street" for almost twenty years on videotape, so releasing it on DVD would be greatly appreciated. The cast features three of the original stars of the 1979 Broadway production: Angela Lansbury in her Tony Award winning role as Mrs. Lovett, Edmund Lyndeck as Judge Turpin, and Ken Jennings as Tobias Ragg. Well, you can also add to this list Cris Groenendaal and Betsy Joslyn, who play the young lovers Anthony Hope and Johanna, since they were members of the original company. Len Cariou had been replaced in the title role by George Hearn, who was still two years away from winning the Tony Award for his performance in "La Cage aux Folles." On Broadway Hearn played opposite Dorothy Louden before teaming up with Lansbury for the show's touring company and eventually this Showtime production of the musical.
Stephen Sondheim has said that if people insist on putting "Sweeney Todd" into a category it would be black comic operetta, which is as good a way as any of defining its uniqueness. If you are going to have a barber who slits the throats of his customer team up with a woman who bakes the corpses into meat pies, then black comedy would be the way to go. But what makes "Sweeney Todd" so marvelous is that it mixes the dark comedy with chilling horror. For the most part the comedy is carried by Lansbury's Mrs. Lovett, starting with "The Worst Pies in Lond," while Hearn's Todd provides the chills, beginning with the hauntingly beautiful "My Friends," sung to his razors. Of course, it is "A Little Priest" that brings these two elements together, but while it is no doubt the show's signature piece it is not the supreme dramatic moment. That comes right before that glorious end to Act I when Hearn signs "Epiphany," which for me remains the song I would most like to be able to do on Broadway, although I can forget about matching Hearn's tour-de-force performance.
When you consider that the last three songs of Act I are "Pretty Women," "Epiphany," and "A Little Priest," it is difficult to imagine a show having a stronger ending before Intermission. There is a sense in which Act II does not measure up, but that is become the bloody climax to "Sweeney Todd" rests more on action than songs. I can still remember watching it for the first time, in live performance fortunately, and thinking that they were reaching the point where things were going too far and the tragedy was about to become too complete. The only real complaint about this video production is that unlike the original cast album or what you are subjected to in live performance, the steam whistle that accompanies each slash across a victim's throat does not make your nervous system explode.

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Stephen Sondheim's musical thriller Sweeney Todd: The Demon Barber of Fleet Street was filmed in 1982 before a live audience at the Dorothy Chandler Pavilion in Los Angeles during the national tour.Starring Angela Lansbury, George Hearn, Cris Groenendaal, Betsy Joslyn, Edmund Lyndeck, Calvin Remsberg, Ken Jennings, and Sara Woods.

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Faerie Tale Theatre - The Boy Who Left Home to Find out About the Shivers (1982) Review

Faerie Tale Theatre - The Boy Who Left Home to Find out About the Shivers  (1982)
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THE BOY WHO LEFT HOME TO FIND OUT ABOUT THE SHIVERS is one of the scarier entries in the FAERIE TALE THEATRE series and thus may not be suitable for younger children, though older viewers will be captivated.
Martin (Peter MacNicol) sets out on a journey to discover the feeling of being scared. He meets an old King (Christopher Lee) who lets Martin stay in his haunted castle for 3 nights. If he makes it through the 3 nights without being scared away, he'll be rewarded with his own kingdom and a beautiful princess.
Dana Hill, David Warner and Frank Zappa co-star in this fabulous TALE. Highly-recommended.

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