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(More customer reviews)"Masterpiece Theater" has long been a benchmark in bringing quality British TV to American viewers. With a prestigious history, some legendary programs--including "Upstairs, Downstairs" and "I, Claudius"--have found acclaim, awards, and international audiences. Of late, "Masterpiece Theater" has been showcasing some ambitious literary adaptations with mixed results. Last season's high point, and a must for any lover of film, was the flawless adaptation of Charles Dickens' "Bleak House." A triumph in every regard, and featuring Emmy nominated turns by Charles Dance and Gillian Anderson, this program should be essential viewing for those that value literate, classy and wildly entertaining TV. This season's offerings have included "To The Ends Of The Earth" (an adaptation of William Golding's seafaring trilogy--'Rites Of Passage,' 'Close Quarters' and 'Fire Down Below'), a robust new version of Charlotte Bronte's "Jane Eyre," a reimagining of Bram Stoker's "Dracula," and the swan song of Helen Mirren's Jane Tennison in "Prime Suspect 7."
What can one say about "Jane Eyre" that hasn't been said before? Being familiar with the novel and countless prior adaptations, I'll admit that I wasn't all that excited to revisit what I consider to be a very familiar tale. However, I diligently sat down to watch the latest 2 part "Masterpiece Theater" production. And, boy, am I ever glad that I did. While there are some liberties taken with the source material, that's to be expected. Anyone who envisions every adaptation of a novel to be a literal translation is denying the power of the film medium to create new and enduring art. In fact, it often annoys me when people carp on how something is different in lieu of accepting the merits of the interpretation. This "Jane Eyre" succeeds so well due to the credible romantic relationship, the intelligent screenplay, and the genuinely haunting quality of the central mystery.
While this version breezes past Jane's difficult childhood, it effectively settles into the heart of the story--when Jane takes a position at Thornfield Hall. Jane becomes fascinated by her new employer, Mr. Rochester. The two interact believably, and as Jane gets past Rochester's gruff exterior and erratic mood swings--she starts to have feelings for the man. Part One of this miniseries details the evolving, but chaste, relationship. In addition, the mysterious goings-on at Thornfield are excellently depicted. I was riveted by everything in this first part--particularly the intelligent banter between the two leads and the underlying sense of dread that exists in the manor. Easily 5 stars, the first half of this miniseries is flawless. In Part Two, physical romance blossoms and secrets are revealed in a very satisfying way. However, as "Jane" fans know--there are still plenty of obstacles in the way of true love. As the story wanders away from Thornfield, the program loses some of its momentum and its magic. It's still a good adaptation--but when the leads are separated, it loses a bit of its spark.
In case you haven't guessed, I was thoroughly impressed by Ruth Wilson and Toby Stephens, as Jane and Rochester respectively. Wilson is the perfect Jane--intelligent and appealing. It's hard to imagine someone not falling in love with her, she's so sensible and caring. Stephens does a terrific job, as well. Playing the tortured Rochester, he is a trapped soul that's yearning, but unable, to escape. While referred to in the dialogue as ugly (which he's not), it is also easy to see why this man would be a challenge for and an equal to Jane. A wonderful combination, Wilson and Stephens make this "Jane Eyre" sing. Even if you've fallen in love with other versions, there is a vital romanticism that distinguishes this lovely film. KGHarris, 02/07.
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Jane Eyre (Masterpiece Theatre, 2006) (2007)After a wretched childhood, orphaned Jane Eyre yearns for new experiences. She accepts a governess position at Thornfield Hall, where she tutors a lively French girl named Adele. She soon finds herself falling in love with the brooding master of the house - the passionate Mr. Rochester. Jane gradually wins his heart, but they must overcome the dark secrets of the past before they can find happiness. When Jane saves Rochester from an eerie fire, she begins to suspect that there are many mysteries behind the walls of Thornfield Hall. Her fears are confirmed when Rochester's secret past is revealed, destroying her chance for happiness, and forcing Jane to flee Thornfield. Penniless and hungry, she finds shelter and friendship in the shape of a kind clergyman and his family. But she is soon shocked to uncover the deeply hidden truth of her own past. This lavish and sensual new version of Charlotte Bronte’s classic novel is modern and moody, timeless and romantic. Starring Toby Stephens as Mr. Rochester, Ruth Wilson as Jane, and Francesca Annis as Lady Ingram.
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