Me & Mrs. Jones (2003) Review

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(More customer reviews)First aired on Masterpiece Theatre, this charming TV-movie stars Robson Green (Touching Evil, Reckless) and Caroline Goodall (The Mists of Avalon). Set in England, Green plays a tabloid reporter writing under the name "Mrs. Jones," who is assigned by his boss to try to get some dirt on the prime minister, Goodall. Ingratiating himself into her re-election campaign, he finds himself drawn to her, and must weigh his feelings against his assignment, while dodging the scrutiny of her staff.
It's a lovely, romantic movie, not to be taken too seriously. This point should be stressed as much occurs in the movie which takes a great deal of disbelief. Think of it as a modern fairy tale that sometimes surprises you. Well-acted by all, as I've come to expect from these productions, and Green and Goodall have nice chemistry together. In summary, it's fluff, but it's intelligent fluff.
[As a film note, both Keeley Hawes and Peter Firth (MI-5/Spooks television series actors) appear in this movie, although never in the same scenes.)

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Love and politics don’t mix. Prepare for an explosive romance.Politics makes for strange bedfellows, indeed. Robson Green (Reckless, Touching Evil) portrays a Fleet Street tabloid writer who earns his keep airing the private doings of public figures. His next story is going to take him right to the top. The snooping columnist, who writes under the pseudonym Mrs. Jones, secretly infiltrates 10 Downing Street in an effort to reveal the Prime Minister’s intimate personal details and deflate her re-election campaign. But once inside, he finds not scandal but true love–with the married Prime Minister herself. This secret affair may end both his career and the PM’s political hopes, but the heart doesn’t always listen to logic.Caroline Goodall (Schindler’s List, The Princess Diaries) co-stars as the British Prime Minister in Me and Mrs. Jones, a winning romantic drama propelled by gossip, scandal, and outrage, as well as powerhouse performances from two of today’s top talents.

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An Awfully Big Adventure (1995) Review

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(More customer reviews)This is an excellent film, moving, sad, even tragic. It is NOT a "warm hearted comedy," as it says on the back of the DVD. And it certainly is not "hilarious". The blurb on the cover is quite possibly the most misleading I have ever come across. Despite that, it is a lovely film. It is a solid, serious British drama, with an excellent all round cast. The humour where present is decidedly low key. Its predominant mood is one of sadness and loss, there is warmth to be sure, but certainly not what is projected on the cover or in the trailer. One wonders why the publicists chose to so misrepresent such a fine film. Was it because they were worried its serious and even dark nature would put off the popcorn munchers? Perhaps it would have been better if they had. Then we wouldn't have been saddled with so many negative reviews from viewers who naturally felt short-changed. Then again, this is not a movie that American audiences would readily take to.
Set in 1947, it tells the story of a 16 year old girl, Stella (Georgina Cates), abandoned at birth by a wayward mother and brought up by her aunt and uncle, who aspires to join the Theatre. Into this milieu she willingly plunges herself. She encounters sordid seedy characters. She takes on menial tasks without pay. She embraces all with a gushing eager naivete. She falls for the stage director (Hugh Grant) who in her young innocence she doesn't realise actually has a preference for boys. She then latches on to an aging Lothario (Alan Rickman) who does appreciate young girls. In this darkness in which she finds herself, past and present intersect. The absent mother she faithfully places a call to everyday, the same mother who gave her away years ago, becomes the silent confidant of her hopes and fears. The aging Rickman character constantly pines for his own past even as he happily deflowers the young girl. The stage director's sordid history of seducing and then spurning young men finally comes to a head. All combine to create an air of loss and decay. A nice touch was the use of a lone flute playing "The Last Rose Of Summer" whenever the Rickman character thinks back to his lost love. If you know the song, it perfectly encapsulates the mood of this movie. And yes there is a twist at the end, but if you have been paying attention, it won't come as too much of a shock. Although the prudes and the self-righteous will as usual recoil in moral outrage.
New Line Entertainment has given us a fine if bare-bones DVD. The film is transferred in it's original theatrical aspect ratio of 1.85:1 (enhanced for widescreen TV). Picure quality is good, clean and clear with natural warm colors. Black levels are just right. Audio includes the original stereo plus both DTS and Dolby 5.1 remixes. Excellent presentation. There are even optional English subtitles for people who can't get round the British accents. Thank goodness not everybody makes sanitized, Hollywood dross.

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Hugh Grant and Alan Rickman star in director Mike Newell's (Four Weddings And A Funeral) engaging comedy about a star-struck young girl lured into the grown-up world of the theater. From a crush on the company's heartless director to her first sexual encounter with the show's biggest star, young Stella Bradshaw quickly discovers what it takes to make it in the theater.
An intriguing blend of comedy and passion this provocative story is a hilarious look at what really goes on when the lights go down.

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