Showing posts with label royalty. Show all posts
Showing posts with label royalty. Show all posts

1/17/2012

All the King's Men: Masterpiece Theatre (2000) Review

All the King's Men: Masterpiece Theatre  (2000)
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It is unusual in the history of warfare for entire units to disappear without a trace and when it does occur, such occurrences are usually the result of serious mistakes that lead to the annihilation of one's command. In American history, Custer and the 7th Cavalry come to mind. Further back, the disappearance of the entire Roman 9th Hispana Legion in Scotland is another example. In the British-made movie entitled "All the King's Men," a more recent occurrence of such an incident is portrayed. On August 12, 1915 at Gallipoli, over 300 British soldiers of the 1/5th Norfolk Battalion attacked into a morning mist and where never seen again. Few of the bodies were ever found and none returned from Turkish prisons after the war. Winston Churchill no less, called it one of the great-unsolved mysteries of the 20th Century.
This film focuses on the "Sandringham Company," formed mostly from servants, gardeners and other workers on King George V's estate of that name, which were part of the 1/5th Norfolk Battalion. Virtually none of these men were ever seen again and the Royal family made great efforts during and after the war to ascertain their fate. The main characters in this film are Captain Frank Beck (David Jason), his two nephews who are lieutenants in the company, a Sergeant Grimes, King George V and Queen Alexandra. Beck is the main focus, as the fifty-plus estate manager who organizes and prepares the unit for war; rather than appearing as an odious "Colonel Blimp" type character, Jason wonderfully portrays Beck as a trusted father figure in the unit, respected by both the King and the troops. Much of the early part of the film focuses on the lives of the men while on the estate, and Beck's efforts to go to war with them despite his age. Eventually, Queen Alexandra lends her support to his martial ambitions and Beck is allowed to lead his men off to Gallipoli.
Unfortunately, the film bogs down a bit once the unit gets to Gallipoli. In reality, the 1/5th Norfolk landed at Suvla Bay on 10 August and was lost two days later, but in the film these two days seem to drag. The fact that the British were making a major effort to break out of the Suvla Bay enclave is missed here, because the film shows the men of the company lounging about and engaging in mundane camp activities. Some patrol activity against Turkish snipers is shown, but this has little relevance. On 12 August, as part of a minor preliminary operation to clear the way for a larger attack on the next day, the 1/5th Norfolks and several other units are sent forward to clear out Turkish outposts. At this point in the film, when the unit disappears in the mists, the director begins to switch back and forth between post-war investigations into the disappearance and a hypothetical depiction of what actually occurred on that day.
Historically, the film is a bit disappointing in recounting the fate of the "Sandringham Company" because it fails to put the day in perspective. The Sandringham company is shown in total isolation from the rest of the British army. The participation of other units or even the rest of the battalion is not depicted in this film, nor is even the audience told what their mission was. In fact, Captain Frank Beck did not lead the attack; it was his superior Colonel Beauchamp (Beck is never shown interacting with his superiors), who also died. The 1/5th Norfolk lost 372 men that day, of which the Sandringham men were only 2/3rds of the casualties. Even more glaring is that the British suffered about 18,000 casualties in less than a week at Suvla Bay during the period of the Sandringham company's brief involvement in the campaign; the disappearance of a few hundred troops in the midst of such slaughter and confusion might have made more sense given these facts.
Obviously the men were all killed, since none ever returned, but the exact nature of their fate remained a mystery. This film depicts the Sandringham's as punching through the thin Turkish line in a glorious charge, but are then overwhelmed once they become surrounded behind enemy lines. The Turks execute all the captured survivors, including Beck. While this theory has merit, it is not the only possibility. The film depicts the mist as obscuring the battlefield, but fails to show the heavy scrub brush and small trees that hindered the British advance and made it difficult for the officers to maintain control. Another plausible theory, not suggested by the film, is that the 1/5th Norfolk lost cohesion in the rough terrain and the battle-hardened Turks destroyed the untried unit piece-meal. While there is little doubt that the Turks were not taking prisoners that day, there is no evidence to suggest that the "Sandringham's" went down in a blaze of glory as depicted in this film (although certainly such a depiction is preferred to anything that suggests an ignominious end). Perhaps they did, but the loss of the entire unit is more indicative of incompetence than competence.
Despite these historical reservations, the film is very well done and provides a poignant example of the enthusiasm of men to go off to war in the early days of the First World War. Although some minor characters, including a conscientious objector and a shell-shock casualty, temper the glorious view of war to some extent, the film remains committed to a patriotic depiction of martial duty. The cost of such devotion is apparent by the end of the film, but the meaning of such sacrifice is left ambiguous. Contrast this British-made ambivalence about the sacrifices of the First World War with the current American films that glorify the sacrifices of the Second World War.

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The true story of England's vanished regiment is revealed. It is one of the most compelling and curious legends of the First World War. Led by Captain Frank Beck (David Jason), a favorite agent of King George V (David Troughton), Sandringham Company was comprised entirely of servants, grooms and gardeners from the King's Norfolk Estate. On August 12, 1915, the unit marched into battle against the Turks in Gallipoli and simply vanished, never to be heard from again.All the King's Men brings the details of what really happened in 1915 to the screen for the first time. it tells the story of these amateur soldiers, the idyllic life and loves they left behind in the quintessential English country estate and the horrors of an ill-prepared campaign to which they were subjected.

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10/04/2011

The Lost Prince (2005) Review

The Lost Prince (2005)
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Now that I have finally seen both episodes of The Lost Prince I can say confidently that it is one of the best Masterpiece Theater presentations in many years. As the story of Prince John, the youngest child of King George V and Queen Mary of Great Britain, it is heartbreakingly evocative of the tragedy of one child and of the loss of an entire world.
The first episode opens with Prince John at about the age of three or four. He is epileptic and probably autistic, handicaps which no one knew how to deal with effectively at the time and which were especially difficult to handle for a Royal on public display much of the time. His family is fond of him but emotionally distant, and the only real love John receives is from his nurse Lalla and his next older brother Georgie. Most of the time John is kept out of sight, though occasionally he gets to watch Royal occasions like the visit of the Russian Imperial Family to England (among the most beautiful of the scenes in this film, the Grand Duchesses and the Empress being elegant and charming) and the funeral of his grandfather Edward VII. His parents are so bound up with their royal duties and conscious of their dignity that they can't unbend enough to risk being with Johnnie too often. (With Queen Mary we are given an explanation for her apparent unfeelingness when we are shown glimpses of her own difficult and embarrassing childhood as the daughter of a very large and very undignified Princess.) Johnnie's handicaps make him refreshingly natural and spontaneous, which embarrasses his family when, for example, he repeats some unflattering comments he has overheard the Prime Minister make about the Royals. The first episode ends with the outbreak of World War I and Johnnie's removal to the countryside.
In the second episode Johnnie is safely ensconced at a farm near Sandringham with Lalla and a small retinue of servants. He rarely sees his family, who are busier with royal duties than ever. His main source of news and information is Georgie, who is a miserable cadet at the Royal Naval College. Georgie witnesses Britain's conversion to a war footing and the development of chauvinistic super-patriotic anti-German feelings. These lead to the Royal Family coming under attack for its German origins, and to the dynasty's renaming itself the House of Windsor. We also see the fate of the Romanovs after the fall of the Russian monarchy in 1917. Although the British government at first agreed to accept the Romanovs as exiles, rising anti-monarchical sentiment in Britain so alarmed George V that he prevailed on his government to rescind the invitation. This led to the eventual execution of the Romanovs and lifelong remorse by the King.
During these war years Johnnie lived a quiet life, roaming the countryside and planting gardens. His parents saw him rarely and were as distant as ever. Eventually, Lalla prevailed on the King and Queen to hear Johnnie give a recital. One of the happiest parts of The Lost Prince comes when the King and Queen find themselves listening to and enjoying the company of their youngest son, gradually unbending and smiling as he plays the trumpet and kicks a football. Johnnie lived only a short time after the end of World War I, but the King and Queen carried his memory with them for the rest of their lives. By the way, it may be of interest to know that his brother Georgie, to whom Johnnie gave the courage to pursue his own artistic interests, had difficulties of his own in his twenties and thirties with drug addiction and sundry other problems, finally dying in a plane crash in 1942. This Georgie was not King George VI, the father of the present Queen. George VI's original name was Albert (Bertie) and he appears only as an extra in this film.
The Lost Prince is a beautiful production. Extreme royal aficionados will notice a few missteps (the Romanovs may have been Russian Royals, but they didn't have Russian accents the way this film portrayed them. If anything, Nicholas and Alexandra and their children had British accents!) but these are mere fumbles in the delivery of a beautiful and evocative series.

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