Showing posts with label claire bloom. Show all posts
Showing posts with label claire bloom. Show all posts

2/16/2012

Separate Tables - Two one-act plays by Terence Rattigan Review

Separate Tables - Two one-act plays by Terence Rattigan
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Director John Schlesinger, long celebrated for his work in big movies, wisely resisted the impulse to imitate the 1958 big-screen version of Sir Terence Rattigan's "Separate Tables" (starring David Niven and Deborah Kerr.) By choosing to give it the intimacy of a stage production, Schlesinger's film deftly captures the claustrophobic atmosphere of the Beauregard Hotel and the quiet desperation of its elderly residents.
Schlesinger also assembled a distinguished cast of chamber music perfection. Julie Christie, Alan Bates, and Claire Bloom turn in powerful performances of the major roles. The supporting players, from Irene Worth's portrayal of the insufferable Mrs. Railton-Bell, to Liz Smith's batty Miss Meachum, are pitch-perfect.
Having Schubert's Impromptu in G Flat as the only music is another masterstroke; aside from its being a beautiful piece, it's just the sort of music that would bring a smile to the face of Sylvia Barter's Lady Matheson. In contrast, the score for the 1958 movie is typical of the day -- the sort of over-produced, intrusive noise Bette Davis detested.
Perhaps the tortured relationship of Miss Shankland and John Malcolm is the stuff of the 1950s, and the offenses of Major Pollock wouldn't make the papers now, but there will always be people like Miss Cooper, Mr. Fowler, and Miss Meachum. I can't imagine why this film has not been released on DVD. At least the VHS version is still available.

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Two one-act plays explore love and loneliness. In "Table by the Window" an aging fashion model contrives a reunion with her ex-husband, a politician ruined by scandal, and their passion is rekindled. In "Table Number Seven" a meek woman harbors a secret love for a man accused of fraud and sex offenses, forcing her to take a stand for the first time in her life.

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1/21/2012

Richard III (1956) Review

Richard III  (1956)
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Those who criticize Laurence Olivier and Alan Dent -- co-authors of the screenplay -- for taking certain liberties with Shakespeare's play should also criticize Shakespeare for taking certain liberties with the historical material on which he often relied so heavily. In this instance, Holinshed's Chronicles of England, Scotland and Ireland, Vol. 6, and various Tudor Historians. In my opinion, such quibbling is a fool's errand. This much we do know about the historical Richard III. He was born in 1452 in Fotheringay Castle, Northamptonshire, the youngest son of Richard, Duke of York. He was created Duke of Gloucester by his brother, Edward IV, in 1461, accompanied him into exile (1470), and played a key role in his restoration (1471). Rewarded with part of the Neville inheritance, he exercised vice regal powers, and in 1482 re-captured Berwick-upon-Tweed from the Scots. When Edward died (1483) and was succeeded by his under-age son, Edward V, Richard acted first as protector, but within three months, he had overthrown the Woodvilles (relations of Edward IV's queen), arranged for the execution of Lord Hastings (c.1430-83), and had himself proclaimed and crowned as the rightful king. Young Edward and his brother were probably murdered in the Tower on Richard's orders, although not all historians agree. He tried to stabilize his position but failed to win broad-based support. His rival Henry Tudor (later Henry VII), confronted him in battle at Bosworth Field (August 22, 1485), when Richard died fighting bravely against heavy odds. Though ruthless, he was not the absolute monster Tudor historians portrayed him to be, nor is there proof he was a hunchback.
Cleverly, this film begins with the final scene of Henry IV, Part III, the coronation of Edward IV (Cedric Hardwicke). Locating himself at a strategic distance from the throne, the Duke of Gloucester (Olivier) carefully observes those around him. He shares with those who see this film or read the play his most private thoughts and feelings, many of which are as deformed as his body. Gloucester's "winter of discontent" will soon end. With a systematic tenacity unsurpassed by any other of Shakespeare's villains, Gloucester's coronation as Richard III (his own "glorious summer") will be the fulfillment of his royal ambition. The acting throughout the cast is outstanding. I do not recall another film in which Olivier, John Gielgud (George. Duke of Clarence), and Ralph Richardson (Henry Stafford, Duke of Buckingham) all appeared together, joined by Claire Bloom (Lady Anne Neville) and Stanley Baker (Henry Tudor). Special note should also be made of Otto Heller's cinematography which is integrated seamlessly with their performances. It is a pleasure to have this film now available in a DVD format, one which offers much sharper images and much clearer sound. Other special features of this DVD version include high-definition digital transfer; newly discovered footage; a commentary by playwright and stage director Russell Lees and John Wilder, former Governor of the Royal Shakespeare Company; 1966 BBC interview with Olivier hosted by Kenneth Tynan; a 12-minute television trailer; a theatrical trailer; and an essay by film historian Bruce Eder.

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Widely acclaimed as his crowning Shakespearean film performance, Laurence Olivier's Richard III is the notorious tale of Richard of Gloucester.This deformed king connives, backstabs, and woos his way to the top of the royal heap, but his treachery eventually lands him on the fields of Bosworth, dying and screaming "A horse! a horse! my kingdom for a horse!" Olivier, who loved the role for "its bloodcurdling spurts of malevolence" and "smoldering sexuality," gives a performance that will define Richard III for years to come.A cast replete with Britain's acting royalty give a command performance of the highest order.Restored to its original widescreen version, the film blazes with vivid color, while William Walton's musical score stirs and rouses the emotions.

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10/14/2011

BBC Shakespeare Tragedies DVD Giftbox (1980) Review

BBC Shakespeare Tragedies DVD Giftbox (1980)
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This is an update of this review.....This is the BBC series marketed by Ambrose Video that many colleges and libraries have purchased (see ambrosevideo.com). These DVD packages are a very good deal because the original videos are prohibitively expensive (although I broke down and purchased several of the plays that are simply not available on any other media - when was the last theater run you saw of Cymbeline, Henry VIII, or Troilus And Cressida?). The 37 play VHS series is still >$2,500, the DVD series ~$3,000, selected 5 play sets on DVD $150, and individual plays around $100. The series was remarkable in that it actually included all 37 plays in full with a solid set of players (many famous) who worked hard at maintaining as much historical accuracy as possible, but especially with the verbiage.
This set has selected some of the best ones, so it is well worth the expense. The problem is that many of the scenes are less than sparkling....it's very much like watching the filming of the series of plays instead of watching a movie or TV version.....even the Bard himself would have struggled to keep the life in them with no audience. Sometimes the effort for accuracy actually shows in some of the acting. You have to give the various troups credit for sticking to the goals of the series, but realize that it is done with some sacrifices to the thrill and magic at some points.
This set makes a total of 15 of the plays now available at reasonable cost on DVD. There are 3 five play DVDs now available as follows:
Tragedies
Romeo & Juliet
Hamlet
Macbeth
Julius Caesar
Othello
Histories
Henry V
Richard II
Richard III
Henry IV, Part I
Henry IV, Part II
Comedies
As You Like It
The Taming of the Shrew
The Tempest
A Midsummer Night's Dream
The Merchant of Venice
The Tragedies Series has some of the best, so it is well worth the expense. The problem is that many of the scenes are less than sparkling....it's very much like watching the filming of the series of plays instead of watching a movie or TV version.....even the Bard himself would have struggled to keep the life in them with no audience. Sometimes the effort for accuracy actually shows in some of the acting. You have to give the various troups credit for sticking to the goals of the series, but realize that it is done with some sacrifices to the thrill and magic at some points.
What I like about the BBC series is the hard-to-find plays.....like All's Well That Ends Well, Coriolanus, Cymbeline, Measure For Measure, Henry VI, Henry VIII....it's nice to see the whole Wars Of The Roses historical series with the same troup.
Here is the information on each play in this series (as given by Ambrose Video):
OTHELLO
Perhaps his greatest triumph as a stage play. When the evil Iago plants the seeds of doubt in Othello''s mind about Desdemona''s fidelity, audiences around the world have been held spellbound. Starring Anthony Hopkins as Othello and Bob Hoskins as Iago. A play about relationships, filled with manipulation, deception, jealousy and finally self-understanding. Running Time: 208 minutes
JULIUS CAESAR
Breaking all conventional rules of drama, Shakespeare creates neither a clear-cut hero nor a Villain. Instead, this great tragedy presents complicated human beings in agonizing conflict with one another, and themselves. Starring Richard Pasco, Keith Michell and Charles Gray as Caesar. Running Time: 161 minutes
MACBETH
This savage tragedy is one of Shakespeare''s most enduringly popular. Told by a trio of witches that he is fated to become King of Scotland, the warrior Macbeth, aided by his wife, in his quest for power murders his king and assumes the throne. The two embark on a guilt-ridden reign of terror. Starring Nicol Williamson and Jane Lapotire. Running Time: 148 minutes
ROMEO AND JULIET
One of the great love stories of all time and a ""hit "" for over 400 years. Full of passion and exquisite language, it expresses love in its infinite variety more than any other work in the English language. Stars Sir John Gielgud, Rebecca Saire, Patrick Ryecart. Running Time: 167 minutes
HAMLET
In this richly costumed production, the greatest tragedy ever written maintains all the tension of a murder mystery as it examines the fundamental issues of justice, guilt and death. The director''s innovative film technique creates an intimate performance that succeeds extremely well on small as well as large screen. Hamlet, the most complex of all Shakespeare''s characters is considered the greatest challenge for an actor. Derek Jacobi is a superb choice in the rigorous tradition of Shakespearian acting. Stars Derek Jacobi, Patrick Stewart, Eric Porter and Claire Bloom. Running Time: 222 minutes.


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Shakespeare is rightly considered the world's greatest playwright for the soaring beauty of his language, for his profound insight into human nature, for the truths he dramatized and for the realism of the characters he created. He was, and remains, a superb entertainer.
These BBC and Time-Life film productions feature some of Britain's most distinguished theatrical talent (Anthony Hopkins, Sir John Gielgud, Patrick Stewart, Derek Jacobi, Claire Bloom and more), these DVD's now are the number-one choice for continuing personal enjoyment.
This special Drama DVD Giftbox Set contains 5 of Shakespeare's most popular tragedies: Romeo and JulietOne of the great love stories of all time and a hit for over 400 years. Full of passion and exquisite language, it expresses love in its infinite variety more than any other work in the English language. Stars Sir John Gielgud, Rebecca Saire, Patrick Ryecart.Running Time: 167 minutes
Hamlet The greatest tragedy ever written maintains all the tension of a murder mystery as it examines the fundamental issues of justice, guilt and death. Hamlet, the most complex of all Shakespeare's characters is considered the greatest challenge for an actor. Derek Jacobi is a superb choice in the rigorous tradition of Shakespearian acting. Stars Derek Jacobi, Patrick Stewart, Eric Porter and Claire Bloom.Running Time: 215 minutes.
Macbeth This savage tragedy is one of Shakespeare's most enduringly popular. Told by a trio of witches that he is fated to become King of Scotland, the warrior Macbeth, aided by his wife, in his quest for power murders his king and assumes the throne. Starring Nicol Williamson and Jane Lapotire.Running Time: 148 minutes
Julius CaesarBreaking all conventional rules of drama, Shakespeare creates neither a clear-cut hero nor a Villain. Instead, this great tragedy presents complicated human beings in agonizing conflict with one another, and themselves. Starring Richard Pasco, Keith Michell and Charles Gray as Caesar.Running Time: 161 minutes
Othello When the evil Iago plants the seeds of doubt in Othello's mind about Desdemona's fidelity, audiences around the world have been held spellbound. Starring Anthony Hopkins as Othello and Bob Hoskins as Iago.Running Time: 203 minutes
The Plays contain subtitles in English that can be turned on or off.

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