Average Reviews:
(More customer reviews)I remember seeing the original film of The Producers in a virtually deserted theatre and loving it. I still think it is one of Mel Brooks' best films. So I was a bit apprehensive when I heard it was being turned into a Broadway musical and then that musical was being made into a film. But, on the whole, I have to admit to enjoying it much more than I thought I would.
Much of the credit must go to Susan Stroman's stagey and somewhat campy direction, which suits the material perfectly. Even more credit belongs to the incredible Nathan Lane for managing to equal Zero Mostel's original Max Bialystock and even, once or twice, surpassing it. He is, quite rightly, the heart and soul, of the film. The rest of the cast is not bad either. Uma Thurman is a pleasant surprise, the double act of Gary Beach and Roger Bart are pure politically-incorrect joy, and even Will Farrell is good. Which leaves Matthew Broderick. He certainly comes to life when singing and dancing, much more so than I would have expected. But his characterisation of Leo Bloom seems just a bit too bland. I know Leo is supposed to a personality-deficient accountant, but I really miss Gene Wilder's manic edge. With Broderick, there's not even a hint in the eyes that he really needs that blue blanket.
It was fun spotting all the lines of dialogue from the original and seeing how the story and characters were altered (I could understand LSD not fitting into the new concept but the playing of Hitler first by Hans, then by DeBris seemed a tad awkward). But, this being a musical version, the show is going to rise or fall on its musical numbers. In general, the staging was clever and often laugh out loud funny. The songs, it must be said, are not the most memorable ever heard on Broadway. But the energy and enthusiasm with which they are performed more than make up for that. Strange then that some of them are edited. The opening number ends so abruptly - I'm grateful that the DVD has the entire number as an extra. I can see no real reason why it was cut short (unless someone felt it was too Jewish). Surely, running times are not the crucial factor they used to be. But many delights survive including a chorus line of grannies with walking frames, beautiful girls dressed only in pearls, and Uma Thurman doing a quite good Cyd Charisse impersonation with her seemingly endless legs. In fact, the only real musical disappointment for me was the notorious Springtime For Hitler number which seemed to lack the punch, fizz and open-mouth shock quality of the original. Maybe it's the passage of time or just knowing that it was coming. But Nathan Lane's Betrayed number was soooo good that I had to rewind for an instant encore.
All in all, it's nice to see that someone can still do a good old-fashioned musical.
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Nathan Lane and Matthew Broderick return to their award-winning roles in the hilariously funny film of the record-breaking Broadway smash-hit. Scheming producer Max Bialystock (Lane) and his mousy accountant, Leo Bloom (Broderick), discover that under the right circumstances they could make more money by producing a Broadway flop than they can with a hit. But what will they do when their sure-to-offend musical becomes a surprise sensation? Co-starring sexy Uma Thurman and comedy genius Will Ferrell, The Producers is a fun-filled, side-splitting comedy.
