Virginia Creepers: The Horror Host Tradition of the Old Dominion Review

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(More customer reviews)If you grew up in Virginia in during the 1950's - 1990's this is a must have DVD. The disc covers essentially every local TV late night horror host frm the 1950's to the present.
It includes many interviews with the (in most cases) still living hosts including favorites of mine like Dr. Madbllod, Bowman Body and Count Gore DeVol. Also iterviewed are fans, stage crew, producers, other actors and many more. Quite a few humerous anecotes including the theft of a coffin prop in Hampton, VA in the 1960's that local teens "borrowed" and sold .50 chances to have your photo taken in the coffin.
The DVD includes many clips from these classic shows.
Brings back a lot of wonderful memories. My only regret is hat it's only two hours long! I hope they will make a Virignia Creepers Part 2 with more interviews clips.
You will enjoy this DVD and be nostalgic for the days when there was more local programing!

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For more than 50 years, the airwaves of the Commonwealth have been pleasantly haunted by some of the most creative, hilarious and enduring horror hosts in the country.Since 1958, kids in Virginia have been staying up late to catch characters like The Bowman Body, Dr. Madblood, Count Gore De Vol, Sir Graves Ghastly and Dr. Gruesome in the act of comic relief. And to this day, on TV and on the internet, horror hosting is still going strong in the Old Dominion.This documentary explores one of the nation's richest traditions with extensive interviews with dozens of hosts, actors and producers. It also features audio and video thought lost to time and even uncovers the history of four shows that were previously undocumented!The film is a full 120 minutes feature with a music video, mini-documentary and lots of additional footage in the deleted scenes.If you are tired of spending another weekend with no horror host to look forward to, this film is for you no matter where you grew up!

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Give 'em Hell, Harry (1975) Review

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(More customer reviews)This play has three criteria for success: a good script, a masterful performance by a talented actor who looks a great deal like the subject and excellent original material. In my opinion, Harry Truman was the second best president of the twentieth century, slightly behind Franklin Roosevelt. Incredibly courageous, self-confident and yet humble, he did more to win the cold war than anyone else.
I laughed a deep belly laugh at some of the jokes, but if you are not familiar with the history of the times, you might not understand them. There is also a great deal of passion in the play. Whitmore's rendition of the "conversation" between Truman and General Douglas Macarthur is intense and very close to historically accurate. I found myself picturing the look of astonishment that must have been on the General's face when the little man that he felt was so beneath him had the temerity to dress him down. I do not know if Truman really visited a Klan rally and denounced their bigotry, if he did he showed a good deal more courage than he did sense. But as theater, it is masterful drama and I found myself wishing that he was indeed foolish enough to do it.
This is one of the best plays that I have ever seen. It deals with a man and a segment of history that drastically altered the course of human events. While short, Truman was a giant of a man and here you see some of the feistiness that made him great. Historical dramatizations rarely move me, but this one did.

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David Copperfield (2000) Review

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(More customer reviews)A sumptuous, wonderful adaptation; unexpectedly and disarmingly excellent.
I was a little hesitant going into this: having read the novel a couple of times and declared it my own, I had long fondly imagined the scenes and characters without any need for assistance, thank you very much.
Consequently, I felt the way many Tolkien fans must have felt before those three recent movies came out: leery that my coveted imaginings would be sullied by what might prove to be a jarrring and irreversible contamination.
These fears were misplaced, however. The full vitality of Dickens's bittersweet classic -- all the heaping joys and sorrows of life -- comes through quite powerfully in this handsome BBC version. After about 25 minutes I was literally on the edge of my seat.
Oh, and speaking of this version: they spent some money on it, you'll be happy to know. It's not one of those innumerable stuffy BBC dramas that take place (for budget considerations if nothing else) in an intolerable series of drawing rooms and antechambers. No, they did this one right: the blokes went outside and built some proper sets, and it shows.
Yes, though fully prepared to dislike it, I find myself here with little ammunition for complaint. I wish Traddles hadn't suffered deletion; he is one character I have difficulty picturing and could have used some help. Also, the actress who played Dora was not exactly my conception of her . . . but this is nitpicking.

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The classic David Copperfield was not just Charles Dickens' favorite work. It has been the most popular of his books since it was first published 150 years ago. Micawber, Peggotty, Betsey Trotwood, Uriah Heep, Mr. Creakle, Mrs. Crupp, and Mr. Dick... never were so many of Dickens' famous and vest-loved characters gathered together in just one of his works.They are all brought to life by a world-class cast including Daniel Radcliffe (Harry Potter and the Sorcerer's Stone), Oscar-winner Maggie Smith (The Prime of Miss Jean Brodie), Bob Hoskins (Hook), Nicholas Lyndhurst (Bullshot) and Pauline Quirke (The Elephant Man) in this sparkling adaptation.The most autobiographical of Dickens' work, David Copperfield often echoes the writer's own life. It tells a moving story of David's journey from birth to maturity, a journey which inextricably links his life with some of Dickens' most colorful and extraordinary families.Special DVD features include: Cast list; Masterpiece Theatre poster gallery; access to David Copperfield Web site featuring production notes, interviews with the cast and crew, a Dickens timeline, a guide to the featured characters, and more; scene selection; English audiotrack; and closed captions.One one DVD9 disc.Region coding: All regions.Audio: Dolby stereo.Screen format: Widescreen (Anamorphic)

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I Love Lucy - The Complete Fifth Season (1951) Review

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(More customer reviews)Over 50 years ago during the early years of broadcast television, the very inspired talents of Lucille Ball (1911-1989) and her then husband Desi Arnaz (1917-1986) were showcased on their hilarious television show "I Love Lucy". TV execs had initially rejected the plausibility of the show because of Desi and because they intended to tape the shows. However, thanks to the tireless efforts of Lucille Ball and Desi's obvious talents, the show first aired in 1951 and quickly became one of the most successful TV shows during all six of its regular seasons. As Lucy and Ricky Ricardo on "I Love Lucy", Lucille Ball and Desi Arnaz were joined by William Frawley (1877-1966) and Viviane Vance (1909-1979) as their best-friends/apartment landlords of Fred and Ethel Mertz.
The fifth season of "I Love Lucy" that aired between 1955 and 1956 has 26 memorable episodes:
1. "Lucy Visits Grauman's": With Ethel's help, Lucy steals John Wayne's footprints from Grauman's Chinese Theater.
2. "Lucy and John Wayne": Lucy and Ethel try to return the footprints that they stole, but they break; so Ricky enlists the help from John Wayne (himself) to make a new set. More than one may be needed.
3. "Lucy and the Dummy": After Ricky backs out of a party where Lucy wants her big break, Lucy makes a dummy of Ricky to dance with at the party.
4. "Ricky Sells the Car": After Ricky sells the car, Fred & Ethel think they'll have to ride a motorcycle back to NYC; but Ricky buys train tickets for all.
5. "The Great Train Robbery": Thinking there's a jewel thief on board the train to NYC, Lucy can't stop pulling the emergency brake cord. (Train conductor played by Frank Nelson, 1911-1986.)
6. "Homecoming": Upon returning to NYC, Ricky is a big star, but Lucy initially doesn't share in everyone's worship of him.
7. "The Ricardos Are Interviewed": Ricky & Lucy consider moving and Ricky is to be interviewed on a prestigious show.
8. "Lucy Goes to a Rodeo": After Ricky can't help Fred with a rodeo-themed show for his lodge, Lucy & Ethel volunteer to help.
9. "Nursery School": After Lucy's fear of Little Ricky getting sick at nursery school comes to pass, she is determined to stay with him at the hospital.
10. "Ricky's European Booking": When Ricky can't afford to take Lucy on his European tour, she & Ethel dream up a raffle to help the "Ladies Overseas Aid", which they think is themselves.
11. "The Passports": Lucy can't find her birth certificate so that she can get her passport.
12. "Staten Island Ferry": To help Fred overcome seasickness, Lucy takes him onto the Staten Island Ferry; but she gets seasick herself and may be late to the passport office. (Passport clerk played by Charles Lane.)
13. "Bon Voyage": When the ship leaves port for Europe, Lucy is inadvertently left behind; so she'll have to get to ship via a helicopter. One of the best fifth-season episodes!
14. "Second Honeymoon": Lucy wants the Atlantic cruise to be a second honeymoon, but Ricky is too busy with the band.
15. "Lucy Meets the Queen": After Lucy misses seeing the queen at Buckingham Palace, Ricky gets invited to met the queen, but not Lucy. Of course, when has "no" ever stopped Lucy?
16. "The Fox Hunt": Bragging that she can ride, Lucy gets to show how well she can actually ride a horse in a fox hunt.
17. "Lucy Goes to Scotland": Lucy wants to travel to Scotland to meet her distant McGillicuddy relatives. The dream sequence that unfolds is unforgettable.
18. "Paris at Last": Not having any French currency, Lucy, Ethel & Fred exchange money with a so-called French artist (Shepard Menken, 1921-1999), who turns out to be a counterfeiter. The translation sequence is priceless, as is Lucy's introduction to escargot!
19. "Lucy Meets Charles Boyer": Lucy & Ethel are star-struck when they encounter Charles Boyer (himself) at a sidewalk cafe.
20. "Lucy Gets a Paris Gown": When Lucy goes on hunger strike to force Ricky to buy her an expensive French-designed dress, Ricky & Fred have dresses custom-made out of burlap. (A fantastic episode!)
21. "Lucy in the Swiss Alps": Lucy, Ricky, Fred & Ethel get trapped in an avalanche while mountain climbing until they here "La Cucaracha" being played.
22. "Lucy Gets Homesick in Italy": In this heart-warming episode, Lucy misses Little Ricky during his birthday, so a little Italian shoeshine boy (Bart Bradley) and his friends get to celebrate with her.
23. "Lucy's Italian Movie": In one of the best episodes of all time, Lucy takes "getting some local color" a little literally when she travels to an old-fashioned Italian winery to press grapes to impress an Italian film director. (Italian wine stomper played by Theresa Tirelli, 1907-1989).
24. "Lucy's Bicycle Trip": Lucy has trouble crossing back into France when she can't find her passport.
25. "Lucy Goes to Monte Carlo": When Lucy picks up a chip in a Monte Carlo casino, she inadvertently wins thousands of French franks.
26. "Return Home From Europe": To sneak home a 30-pound cheese, Lucy dresses it up as baby to fly home to NYC; but the passenger (Mary Jane Croft, 1916-1999) next to her flips out when the cheese disappears.
Paramount Home Video's superb job of packaging all 30 episodes of the fourth season of "I Love Lucy" onto 5 DVD's is a good indication as to how they will similarly package the fifth season onto 4. Overall, for superb packaging and a great price, I rate the "I Love Lucy: The Complete Fifth Season" DVD box set with an anticipatory 5 out of 5 stars and highly recommend it!

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It\'s I Love Lucy\'s fifth hilarious season, as Lucy manages to find trouble in Hollywood, Manhattan, Paris, London, Rome, and everywhere in between. Before leaving Tinseltown, Lucy bags the ultimate souvenir—John Wayne\'s cement footprints from Grauman\'s Chinese Theatre! Then, on board the train back to New York, Lucy can\'t resist adding a few unscheduled stops—courtesy of the train\'s all-too-convenient emergency brake cord. Next, Lucy goes to extremes to catch a luxury ocean liner when it sets sail for Europe with Ricky and the Mertzes aboard—but with Lucy still on the dock. On the Continent, Lucy\'s madcap escapades include getting thrown in a Parisian jail, modeling a French "designer" potato sack, causing an Alpine avalanche, hitting an accidental jackpot in Monte Carlo, and—in one of TV\'s funniest scenes ever—soaking up a whole lot of "local color" in an Italian grape-stomping vat!

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Discovering Hamlet Review

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(More customer reviews)For anyone interested in a behind the scenes look at how a play proceeds through production this video is for you. The Birmingham Repertory Theater is the setting for this production directed by Derek Jacobi with Kenneth Branagh taking the lead as Hamlet. Narration is provided by Patrick Stewart to guide viewers through the production process. Interspersed between scenes of the rehearsals are interviews with the various actors discussing their characters. I would have like a longer interview with the director, Derek Jacobi, discussing his vision of Hamlet but all in all this is quite a good video.

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Two of Britain\'s greatest actors stage Shakespeare\'s greatest tragedy
A behind-the-scenes look at Shakespearean theatre
In 1988, rising star Kenneth Branagh tackled the role of Shakespeare\'s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi, considered "the best Hamlet of his generation" (The New York Times). Narrated by Patrick Stewart, this hour-long film documents how these two intelligent, passionate men found new depths in Shakespeare\'s classic drama.
Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night. Interviews with principal actors--as well as the set designer, costume supervisor, text advisor, and others--reveal how each member of the company meets the production\'s challenges. In all, Discovering Hamlet offers an intimate, behind-the-scenes look at the process of staging Shakespeare\'s most demanding tragedy.
An Emmy®-winning star of stage and screen, Derek Jacobi (I, Claudius) has played some of the Bard\'s most challenging parts in his 50-year career, including Hamlet, Prospero, Macbeth, and Lear.
Four-time Oscar® nominee Kenneth Branagh is a versatile actor, director, and writer famed for bringing Shakespeare to the silver screen in Hamlet, Henry V, and other films.

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Rendez-Vous Review

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(More customer reviews)Notice how the jackets of just about every video, especially the French ones, SHOUT how SEXY the movie is. In Krzysztof Kieslowski's "Blue," par example, Juliette Binoche and the film are touted as being so, so sexy. But it wasn't, and neither was she. However in "Rendez-Vous" you will see a Juliette Binoche with enough sexual power to awaken a dead man-not to say that this movie is as good as Kieslowski's "Blue." It isn't, but it's not bad.
Binoche is full of energy as a provincial French girl with a flair for the stage new to the lights of gay Paree. She plays fast and loose (and natural) with the men she meets, and dodges some serious trouble before working it out with the man she really wants. Characteristically, Director André Téchiné leads us close to the dark side of sex without really offending our sensibilities.
Jean-Louis Trintignant appears in a small role that anticipates his triumphant creation as the admiring older man in Kieslowski's "Trois Couleurs: Rouge" nine years later.

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In her first major screen role, Academy Award®-winner Juliette Binoche (The English Patient) gives a raw and electrifying performance as sexual free-spirit Nina, who moves to Paris to become an actress. She has a profound impact on three men. Paulot (Wadeck Stanczak) is a timid real estate clerk infatuated with her. His roommate, Quentin (Lambert Wilson), is an emotionally scarred actor who performs in live sex shows. Scrutzler (screen legend Jean-Louis Trintignant) is a stage director who casts Nina in his production of Romeo and Juliet. Co-written by Olivier Assayas (Irma Vep), Rendez-vous is a mesmerizing study of love, loss, and redemption that earned director Andre Techine (Wild Reeds) Best Director honors at the Cannes Film Festival.

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Love for Lydia (1979) Review

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(More customer reviews)From September 23 to December 9 in 1979, watchers of Masterpiece Theatre were all excited over a dramatization of H.E. Bates' jazz-age novel, "Love for Lydia." The title character, played flawlessly by Mel Martin, was an utterly self-centered young girl, who was brought to live with two aged aunts (Rachel Kempson and Beatrix Lehmann) and their parasitic brother (a great characterization by Michael Aldridge). She wanted only to have men cater to her every whim ("I will hate you if you don't") and enjoy herself to the fullest.
For several evenings, I have been watching the DVD release of this 13-part series, now available from Acorn Media in a boxed set of 4 discs (AMP-8648) with a running time of 650 minutes. So vivid were the characters that my wife and I fell into a disagreement as to how likable several of them were. (I voted that some man would have done her a favor by telling her to get stuffed--as one of them finally does but too politely; my spouse thought she was a very sad character who deserved pity.) Such was the quality of the acting.
There is little plot but a good deal of character interaction. A would-be writer Edward Richardson (played by Christopher Blake) is a sullen creature, always misunderstanding motives, is jealously in love with Lydia and cannot see how much he is loved by the farm girl Nancy (Sherrie Hewson, looking very much like Shelley Winters in "A Place in the Sun"). Her brother Tom (Peter Davison) and Richardson's best friend Alex (Jeremy Irons) are drawn to Lydia, as is the seemingly anti-social but actually terribly shy taxi-driver Blackie (Ralph Arliss). Her enjoyment of being vied for leads to the death of one of them, possibly another by indirection, and her own bout with near death towards the end.
Mel Martin was quoted as saying, "She was an innocent, untutored in the ways of the world [and] behaved instinctively." I have yet to read the book to see how closely it follows the novel, but the scriptwriter, Julian Bond, pointed out that given 13 episodes, he had 50 minutes to devote to every 17 pages of the original. (In the Penguin paperback, the novel runs 301 pages, making that 23 pages per episode.) So there is lots of time for lingering on the English countryside, the 1920s dresses, the dances and music, and most of all the complex characters.
Grab this one as soon as you can and hold "Lydia" parties to see and discuss it all with your friends.

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LOVE FOR LYDIA - DVD Movie

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Bleak House (2005) Review

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(More customer reviews)For once, I am happy to find a remake of a fine old Masterpiece Theatre offering that is as good as the original. "Bleak House" is currently available on an DVD with Diana Rigg as the most familiar name; and except for some incomprehensible line readings by a young character named Joe, it is a very good account of the Dickens novel. Having already appeared on Public Television, the remake has Gillian Anderson (yes, the one from "X-Files") as Lady Dedlock, and a cast of 80 speaking roles, many of which are played by actors that will send you searching the cast listings that go by too quickly at the end of each episode.The eight parts will be shown so that the first and last will run two hours and the four in between an hour each. I found the complex plot actually easier to follow in this version than I did in the earlier one. And while I prefer Rigg to Anderson, I think I can easily recommend this new adaptation over the other.The story--lawyers will hate it--involves the infamous Court of Chancery in which disputes over estates can be buried for years until the lawyers' fees make further legalizing unnecessary. Against this background, the case of Jarndyce vs. Jarndyce being a major part of it, we have the story of John Jarndyce (Denis Lawson), his ward Ada (Carey Mulligan), her companion Esther (Anna Maxwell Martin), and Ada's beloved Richard (Patrick Kennedy).The latter becomes obsessed with the case, while Esther becomes involved in the mysterious past of Lady Dedlock, who happens to recognize the handwriting on some legal documents delivered by the utterly immoral family solicitor Tulkinghorn (Charles Dance). I will not reveal any more of the plot, lest it spoil your enjoyment. You will wind up guessing much of it, but it is a lot of fun--unless you are a lawyer.Peripheral to the plot are the usual cast of Dickens "characters": Krook the junkman (Johnny Vegas) who finds some incriminating letters (and dies the strangest death in all fiction), Smallweed the moneylender (Phil Davis) who cannot walk by himself and must be "shaken up" by his weird niece every few minutes and who gets the letters, and Miss Flite ( Pauline Collins) who looks forward to "judgment day" when her case will finally be settled and she can set her birds free.Most interesting of all is the policeman Bucket (Alun Armstong), the first real detective in English fiction. Although he looks like a toady for the rich, he does his job and does it well, solving a murder case and being considerate to a certain lady who would suffer if her connection with the case should come out.Of course, the arm of coincidence in Dickens is a long one; and while a good deal of the plot does strain credulity, the acting and period ambience are of the highest level. The only thing that annoyed me was the director segmenting his "establishing shots" (exterior views of buildings to let us know where we are) into two or three rapid cuts with some electronic "whoosh" for each one. Pretentious and irritating after the first dozen or so.


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Studio: Warner Home VideoRelease Date: 02/28/2006

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Eugene O'Neill's Beyond the Horizon (Broadway Theatre Archive) (1975) Review

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(More customer reviews)This play seems to be about the choices we make in our lives and how they affect us and those around us in the long run. Also familiar are "the grass is always greener on the other side" scenarios as Ruth decides first that she loves Andy, then Rob, then, after marrying Rob and making his life miserable, decides that she really loved Andy after all. Typically tragic Eugene O'Neill, who does misery so desperately well.
The question arises: should we indeed sacrifice our dreams for love? Is it worth the price? And is it really love at all to expect someone to do so?
The only true love in this play was between the two brothers, who supported each other choices unconditionally and experienced the die-hard grief in death that only those who love each other truly can.Splendor in the Grass

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Eugene O'Neill's Pulitzer Prize-winning tragedy unsparingly presents the story of two brothers in love with the same girl. The tale unfolds with the girl's rejection of one brother and marriage to the other, setting the stage for discontent and disillusionment. Originally produced on Broadway in 1920, O'Neill's first full-length play captures the powerful, perilous emotional currents swirling below the surface of everyday life.

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Fellini's Roma (1972) Review

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(More customer reviews)Opening narration: "The film you are about to see does not have a story in the traditional sense with a neat plot and characterss that you can follow from the beginning to the end. This pictures tells another kind of story--the story of a city." And Fellini gives a loving, sometimes poking playful commentary, at times tragic portrait of Rome from his time as a boy in Fascist Italy to 1972, when this film was made.
Rome. As in Romulus and Remus, the river Tiber, Julius Caesar, the Colisseum, it's a city steeped in history as a great empire that rose and fell, and the film starts with Caesar and the crossing of the Rubicon, and how he is still revered in school. There is even a statue of Caesar in his town: "apart from his usefulness to the pigeons, he was a common meeting place for the town."
Speaking of common meeting places, there are two scenes where that aspect is emphasized. Fellini recalls of the apartment block where he stayed for a while, agog at the various characters, crying children, scolding mothers, etc. Eating was taken seriously, and who ate? Kids, mothers, fathers, aunts, uncles, grandparents, great-grandparents, friends, friends of friends... there must have been at least a hundred or so people at the dinner feast. As one woman tells him, "They say eat alone, the devil cheers. Eat with friends, the devil jeers." The table is rife with complaints, insults, greetings, even a little girl who sings an obscene song, eliciting laughter and scandalized looks. Similarly, there is the Festa De Noantri, the Festival Of Ourselves, where the Romans celebrate themselves, and the celebrants are either long-time residents or people who thought they were passing by and stayed forever. The term "carnival-of-life" has been used to describe Fellini's movies, and this is very true here.
Fellini's film unit visually "describe[s] the entry into thecity via the ring of motorways that surrounds her [Rome] like a Saturn of rings." The scene of the modern super highway speaks of the tragic toll industrialization has taken, and the raining deluge adds to the misery. Hitchhikers, prostitutes, cement trucks, even a tank and a guy pushing a cart, highway patrol, communist student protesters, insane bumper to bumper traffic, and the most tragic scene, an overturned and burning truck-trailer, dead cows littering the road, firefighters fighting the blaze. Yet history does rear its head. Plans to make a Roman subway is halted and delayed because of the unpredictable Roman subsoil. "Every 100 yards, you come across something of historical importance." The workers have to learn speleology and archaeology as a result. And when will the subway be done? Who knows?
At a wartime variety show, an intellectual-looking member of the audience remarks, "We are seeing basic humanity here. Vaudeville is the arena of mass aggressiveness, a combination circus and brothel." Given the rowdiness of certain coarse members of the audience who heckle at comics or whistle at the girls, that's true enough. But might that not also be a commentary on Rome and maybe any large city?
There's also the pleasant enough handsome Peter Gonzalez portraying the young Fellini and we see the look of 1930's Rome through his eyes. Interesting images and characters underpoint any Fellini film and this is no different. The huge hulk of a man at the theatre who has a wet rag thrown at his face, a religious fashion show that becomes garish, and the various prostitutes at the brothel are just some of them. Interesting commentary on brothels and churches: "an invitation to sin, one that could be confessed to the next day."
So what is Rome, in the end? A city that has died and been resurrected so many times, that it's fitting to witness the coming end of civilization from there as Gore Vidal says? The vestal virgin and she-wolf, an aristocrat and tramp, a somber buffoon? The unflattering latter is given to actress Anna Magnani, whom Fellini calls the living symbol of Rome--(she died a year after this brief appearance). In the end, I'd say all these things and more.

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Acclaimed director Federico Fellini (Fellini's Satyricon, La Dolce Vita, 81/2) brilliantly demonstrates why he is regarded as "the last of the greatepic filmmakers," delivering "a thrilling personal memoir" (Newsweek) with this monumental and outlandish tribute to his beloved RomeThe Eternal City.This lavish autobiography, full of "lush fantasy sequences and monumental pageantry," (Los Angeles Times) begins with Fellini as a youngster living in the Italian countryside. In school he studies the eclectic but parochial history of ancient Rome and then is introduced as a young man to the real thingarriving in this strange new city on the outbreak of World War II. Here, through a series of "visually stunning" (Los Angeles Times) vignettes brimming with satire and spark, the filmmaker comes to grips with a "sprawling, boisterous, bursting-at-the-seams portrait of Rome" (Interview), reinterpreting with his inimitable style an Italian history full of "rich sensual imagery and extravagant perception" (Playboy).

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South Pacific (1958) Review

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(More customer reviews)I first saw South Pacific when it was released in 1958 at the age of 10, and remember being totally overwhelmed by the orchestrations, performances and photography. Over the years I have regularly heard the film trashed by critics and many members of the public, so I was curious to see how I would respond to it now when I recently bought the video. Well, maybe it's just me, but I found the film as thrilling and beautiful as I did forty years ago. I agree with everyone else that it was a mistake to use those colored filters in many of the sequences, but the film still packs a heck of an emotional whallop, and I think along with The King and I stands out as the most successful of the Rogers and Hammerstein shows put on film. The weakest of the cast is John Kerr, who is somewhat wooden; however, Juanita Hall is magnificent as Bloody Mary (she will never be surpassed in the role she createwd on Braodway), Rossano Brazzi is thoroghly convincing as Emille DeBeque (even if he was dubbed by Giorgio Tozzi), and Mitzi Gaynor gives an unforgettable performance as Nelly Forbrush. Of all of the criticism one hears of South Pacific, to me the most puzzling is the bashing of Mitzi Gaynor, who to me is not only excellent but perfection in the role. I realize a lot of this probably stems from anger that Mary Martin didn't get the role and is basically sour grapes, but the fact is Ms. Martin was too old to be convincing in 1958. The scenes in which Ms. Gaynor struggles with her small-town prejudices are moving and very real, and when Bloody Mary brings Liat to her to find Lieutenant Cable, who has been killed, it breaks one's heart. Anyway, the movie still knocks me out, even if that makes me, as Nelly Forbrush calls herself, a "knucklehead." The incredible photography, gorgeous music, and theme of the need to triumph over bigotry which is still so relevant even today, makes this film a 5-star winner in my book. As trite as it sounds, "They don't make 'em like that anymore!"

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Masterpiece Classic: Any Human Heart Review

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(More customer reviews)As every review on Amazon for the PBS Masterpiece Classic presentation of "Any Human Heart" wants to challenge the editing of the film--I feel compelled to leap into the fray with the definitive answer. There is no denying that the show was broadcast for American audiences to fit the current format and timeslot of the network which resulted in unfortunate editing. However, what that has to do with the DVD release is absolutely nothing. Condemn PBS Broadcasting, if you must, for the televised end product--but any amount of investigation will confirm that the DVD offered for sale is absolutely intact with the full United Kingdom version. First, all you have to do is click on the DVD image above to read the bold print "Original UK Edition" and I have further confirmed the details through the PBS website. So, by all means, can we please just judge the full program and refrain from insinuating that this is a nefariously tampered with version?
Complete DVD specs:
Disc#1 - Episode 1 (RT: 1:17), and Episode (RT: 1:06)
Disc#2 - Episode 3 (RT: 1:10), and Episode 4 (RT: 1:07)
Bonus Content (approximately 48 minutes) includes)
(Interviews with actors, producers, directors, writer - all subtitled)
- In Oxford with Sam Clafin
- Matthew MacFayden on location in Spain
- Interview with Jim Broadbent
- Kim Cattral on "Gloria"
- Gillian Anderson and Tom Hollander on playing the Duke and Duchess of Windsor
- Hayley Atwell on "Freya"
- On the Set of "Any Human Heart"
- From Paper to Screen - William Boyd Discusses "Any Human Heart"
- Deleted Scenes (about 7 minutes of 11 clips - not subtitled)
This DVD is the original and unedited UK version
The following program contains mature content. Viewer discretion is advised.
This DVD features subtitles in English (SDH)Masterpiece Classic has certainly been serving up some sophisticated entertainment of late. This production headlined by an impressive international cast including Jim Broadbent, Matthew Macfadyen, Gillian Anderson, Tom Hollander, Kim Cattrall, Richard Schiff and Hayley Atwell seems, on the surface, to be one of its most promising entries. Following the recollections of author Logan Mountstuart as he tries to assimilate the pieces of his life, this biographical journey traverses approximately six decades with four actors of varying range portraying the novelist. It's an exciting idea and a fascinating trip with tales of success, stories of romance, bits of intrigue, and moments of struggle. This sometimes melancholy look at the vignettes that make up a life story is held together by Broadbent (as the eldest Mountstuart) while sorting through the memorabilia of the passing years.
While a child Mountstuart is featured in fantasy sequences, the tale really begins with the college aged version (Sam Claflin). Claflin is an appealing and engaging actor, and the youthful Mountstuart is depicted with energy and much humor. The bulk of the story is handled by the middle aged Mountstuart (MacFadyen)--this includes two marriages, infidelity, children, a foray into espionage, literary success, and waning literary success. And the late-in-life Mountstuart (Broadbent) is left to adapt to the ever changing world. MacFadyen, as I mentioned, carries much of the narrative and Mountstuart rubs elbows with everyone from Hemingway to Ian Fleming to the Duke and Duchess of Windsor (terrifically played by Hollander and Anderson). The film veers from slapstick to maudlin with little warning and its tone tends to be all over the place!
In truth, I didn't love "Any Human Heart" in the way I expected. I admired its effort, production values, and performances--but the film lacks a bit of heart. Mountstuart is never a particularly likable creation and, at various stages, he is displayed with a chilly emotional detachment. He all but abandons his first wife and child to start a family he dotes on--and never once does the screenplay challenge him to feel regret. Through infidelities, deception, and selfishness, the film never confronts the darker aspects of its own storytelling. I didn't mind the negative qualities that made Mountstuart whole--I just never felt there was a desire to portray him in totality. We're meant to like him at any cost. The end result was that I felt like I never got to know him very well--and since I spent a lifetime with him, that was a bit of an issue for me. Definitely recommended but it is one Masterpiece Classic I probably won't choose to revisit with frequency. KGHarris, 3/11.


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The Wizard of Oz (Three-Disc Collector's Edition) (1939) Review

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(More customer reviews)Like most baby boomers, I've watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc ... but I had never actually SEEN "The Wizard of Oz" until this newly restored DVD came out. It's an amazing transfer. The sepia-tone Kansas sequences are startlingly sharp and clear, and the Technicolored world "Over the Rainbow" is truly dazzling. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow's field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen's uniforms. Incredibly, even the individual grains of red sand in the Witch's hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the story, and the music.
The DVD extras are a mind-boggling embarrassment of riches. The "Making Of" documentary hosted by the incomparable Angela Lansbury is worth the price of the DVD alone, but there's so much more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There's enough material to keep even the most casual viewer fascinated for hours, and a true Oz buff will be occupied for days!
If you only bought a DVD player to watch this one disc, it would well be worth the expense. Treat yourself, and fall in love with this classic film again ... for the first time.

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An All-New Wizard of Oz With State of The Art Ultra-Resolution Picture Quality and Over 10 Hours of Bonus Extras.DVD Features:Audio Commentary:Commentary by John Fricke and multiple cast and crew members.Biographies:We Haven't Really Met Properly - includes 9 orginal cast biographiesDeleted Scenes:If I Only Had a Brain; If I Only Had a Heart; Triumphal Return to Emerald City; Over the Rainbow; The JitterbugDocumentaries:L. Frank Baum: The Man Behind the Curtain; Memories of Oz -2001 TCM documentaryFeaturette:The Wonderful Wizard of Oz Storybook; Prettier Than Ever: The Restoration of Oz; The Art of Imagination: A Tribute to Oz; Because of the Wonderful Things it Does: The Legacy of OzMusic Clips:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We're Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and moreMusic Only Track:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We're Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and moreNewsreel:Cavalcade of the Academy Awards Excerpt - 1939 newsreelOther:The Wizard of Oz - 1910 short; The Magic Cloak of Oz - 1914 short; His Majesty, The Scarecrow of Oz - 1914 feature; The Wizard of Oz - 1925 feature; The Wizard of Oz - 1933 animated short; and morePhoto gallery:Oz on Broadway; Pre-MGM; Sketches and Storyboards; Costume and Make-up Tests; Richard Thorpe's Oz; Buddy Ebsen; Oz Comes to Life; Behind the Scenes; Portraits; Special Effects; Post Production; Deleted Scenes; Original PublicityTV Special:The Wonderful Wizard of Oz: The Making of a Movie Classic - 1990 TV specialTheatrical Trailer:1939 What is Oz? Teaser; 1940 Loews Cairo Theater Trailer; 1949 Re-issue Trailer; 1949 Grownup Re-issue Trailer; 1970 Children's Matinee Re-issue Trailer; 1998 Warner Bros. Re-issue Trailer; Texas Contest Winners [1939 trailer]

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Upstairs Downstairs - The Premiere Season (1974) Review

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(More customer reviews)This British series is in a "class" by itself. It's characters are unforgettable, the acting inspired and the backdrop evocative - Edwardian England from 1904 into the 1930s. The story evolves around the aristocractic Bellamy family "Upstairs" and their servants "Downstairs," but it is not a soap opera. It is as genuine, real and honest as any period production, or for that matter, any production, that I have ever seen. The characters grapple with the same struggles that we continue to confront in mordern-day America: love, loss, coming of age, morality, prejudice, death, economics, social responsibility, freedom and the search for life's ultimate meaning - concluding with the horrendous effects of a World War and its devastating aftermath. This unflinching look at history as well as a truly timeless, engaging saga is not to be missed. I genuinely rejoice that such a remarkable treasure is finally available on DVD. Originally broadcast on PBS's Masterpiece Theatre.

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For the first time ever, all 13 episodes from the first season of the landmark series, including the extremely rare black-and-white shows, come to video in this collector's set.Drama.Collector's boxed set of 7 videos, approx.mins. each.

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The Wizard of Oz (Two-Disc Special Edition) (1939) Review

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(More customer reviews)Like most baby boomers, I've watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc ... but I had never actually SEEN "The Wizard of Oz" until this newly restored DVD came out. It's an amazing transfer. The sepia-tone Kansas sequences are startlingly sharp and clear, and the Technicolored world "Over the Rainbow" is truly dazzling. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow's field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen's uniforms. Incredibly, even the individual grains of red sand in the Witch's hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the story, and the music.
The DVD extras are a mind-boggling embarrassment of riches. The "Making Of" documentary hosted by the incomparable Angela Lansbury is worth the price of the DVD alone, but there's so much more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There's enough material to keep even the most casual viewer fascinated for hours, and a true Oz buff will be occupied for days!
If you only bought a DVD player to watch this one disc, it would well be worth the expense. Treat yourself, and fall in love with this classic film again ... for the first time.

Click Here to see more reviews about: The Wizard of Oz (Two-Disc Special Edition) (1939)

An All-New Wizard of Oz With State of The Art Ultra-Resolution Picture Quality and Over 10 Hours of Bonus Extras.DVD Features:Audio Commentary:Commentary by John Fricke and multiple cast and crew members.Biographies:We Haven't Really Met Properly - includes 9 orginal cast biographiesDeleted Scenes:If I Only Had a Brain; If I Only Had a Heart; Triumphal Return to Emerald City; Over the Rainbow; The Jitterbug Documentary:Memories of Oz -2001 TCM documentaryFeaturette:The Wonderful Wizard of Oz Storybook; Prettier Than Ever: The Restoration of Oz; The Art of Imagination: A Tribute to Oz; Because of the Wonderful Things it Does: The Legacy of Oz Music Clips:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We?re Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and moreMusic Only TrackNewsreel:Cavalcade of the Academy Awards Excerpt - 1939 newsreelOther:Another Romance of Celluloid: Electrical Power - 1938 MGM short; Leo Is on the Air Radio Promo; Good News of 1939 Radio Show; 12/25/1950 Lux Radio Theater BroadcastPhoto gallery:Oz on Broadway; Pre-MGM; Sketches and Storyboards; Costume and Make-up Tests; Richard Thorpe's Oz; Buddy Ebsen; Oz Comes to Life; Behind the Scenes; Portraits; Special Effects; Post Production; Deleted Scenes; Original PublicityTV Special:The Wonderful Wizard of Oz: The Making of a Movie Classic - 1990 TV specialTheatrical Trailer:1939 What is Oz? Teaser; 1940 Loews Cairo Theater Trailer; 1949 Re-issue Trailer; 1949 Grownup Re-issue Trailer; 1970 Children's Matinee Re-issue Trailer; 1998 Warner Bros. Re-issue Trailer; Texas Contest Winners [1939 trailer]

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The Nutcracker / Baryshnikov, Kirkland, Charmoli (1977) Review

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(More customer reviews)I'm not a dancer, former dancer, or big ballet fan -- just a musician who's seen several different "Nutcrackers" and, frankly, not been thrilled by any of them. But this one is thrilling to me, and to my three-year-old daughter!
I've always found "The Nutcracker" boring and syrupy in plot, though I enjoyed much of the music and some of the dancing. Yes, this ABT version has an "adult" theme (or several) -- but I find this enriches the ballet for me and it's interesting to try to figure out who's who and what's what among the characters. (I've really enjoyed reading other reviewers' interpretations!)
Meantime, my three-year-old daughter is enjoying the story from her new-to-ballet point of view. The "adult stuff" goes right over her head. She's interested in the silly people dressed up like mice, the "big machine that makes fog" (the cannon), the Christmas tree that grows, etc. She gets out one pretty dress after another from her closet and tries them all out as "dance suits" as she twirls around the diningroom imitating the dancers' dramatic arm movements.
I find Baryshnikov's choreography fresh, free, and full of life. And full of surprises -- for example, I love the dance where Clara is gracefully tossed from one male dancer, or pair of male dancers, to another. I've read that Baryshnikov felt stifled by the strict classical choreography of the Soviet ballet, and in this "Nutcracker" I see him breaking free of that stifling tradition and creating a beautiful, thought-provoking, and -- yes -- provocative (for adults) new dance.
Baryshnikov's dancing is spectacular -- his strength, form, precision -- and rich in feeling. Kirkland's dancing is near perfection and her portrayal of her awakening feelings for her prince is excellent. The choreography is, again, rich in feeling and meaning and just plain rich, rich, rich.
I'm sure my daughter and I will watch this "Nutcracker" hundreds of times over the years and it will continue to be a rich and fulfilling and inspiring experience.
I say, if you've ever been bored by a "Nutcracker", try this one!



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The Nutcracker marked the initial choreographic effort of Baryshnikov, universally hailed as one of the world’s greatest dancers. Under Baryshnikov’s inventive direction, the traditionally lighthearted story of a small girl’s dream on Christmas Eve is transformed into a more complex theatrical experience. Broadcast regularly on PBS, this American Ballet Theatre performance (directed in the studio by Tony Charmoli) stars Gelsey Kirkland as Clara and Mikhail Baryshnikov at the peak of his artistic ability as the Prince/Nutcracker.

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Faerie Tale Theatre: Princess Tales (1982) Review

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(More customer reviews)Collected here are four of the all-time great princess-themed episodes from Faerie Tale Theatre.
CINDERELLA:
Cinderella (Jennifer Beals) leads a life of drudgery and unhappiness at the hands of her wicked stepmother (Eve Arden) and her stepsisters Arlene and Bertha (Jane Alden and Edie McClurg). When the dashing Prince Henry (Matthew Broderick) invites all the eligible maidens in the kingdom to the Autumn Ball, Cinderella naturally wishes to go too. Too bad she's dressed in rags and doesn't have a coach. But she does have a Fairy Godmother (Jean Stapleton) who'll see that Cinderella's every dream comes true...
THE LITTLE MERMAID:
Pearl (Pam Dawber) is a beautiful young mermaid who lives with her father King Neptune (Brian Dennehy) and her sisters Coral and Anemonie (Donna McKechnie and Laraine Newman) in a kingdom at the bottom of the ocean. When Pearl comes of age and is allowed a brief glimpse of the world above the sea, she falls in love with a handsome Prince (Treat Williams) whom she saves from drowning when his ship has a fatal explosion. Pearl makes a bargain with the Sea Witch (Karen Black): her voice in exchange for a pair of legs and hopefully the love of the Prince. Once on land Pearl quickly returns to the Prince, though he only has eyes for the lovely Princess Emilia (Helen Mirren)...
THE DANCING PRINCESSES:
Lesley Ann Warren and Sachi Parker star in an enchanting story about the daughters of a widowed King (Roy Dotrice) who somehow wear out their dance-slippers every night despite being locked in their room until morning. The secret is not discovered until a crafty soldier (Peter Weller) follows them and finds that they go dancing in a fairy-kingdom under the ground.
THE PRINCESS AND THE PEA:
Prince Richard (Tom Conti) leads a boring and eventless life under the thumb of his controlling mother Queen Veronica (Beatrice Straight). Until, one stormy night, in whirls the vivacious Princess Alecia (Liza Minnelli). But is she really a princess? Queen Veronica is skeptical, so employs a method to test her royalty: she places a tiny pea under 20 mattresses and quilts. If Alecia can feel the pea it will prove beyond any doubt her royal blood. Will Alecia pass the test? And if she does, will she choose to marry Richard?
Perfect entertainment for the little princess in your family!

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Includes Four Magical Episodes from Shelley Duvall's Faerie Tale Theatre Digitally Restored and Re-mastered!
Wicked stepsisters, dancing princesses, evil sea witches, beautiful mermaids and more fill this 4-episode collection from the award-winning series. Some of the most treasured tales of princesses and their charming princes are brought to life with glorious productions and magnificent costumes that will leave you enchanted… happily ever after.
CINDERELLA Cinderella (Jennifer Beals) is a slave to her wicked stepmother (Eve Arden) and her selfish stepsisters (Jane Alden and Edie McClurg) – until her Fairy Godmother (Jean Stapleton) arrives and turns her into a radiant princess.
THE LITTLE MERMAID When a young mermaid (Pam Dawber) falls in love with a human being, she makes a deal with the all-knowing Sea Witch (Karen Black) and sacrifices everything to be with him.
THE DANCING PRINCESSES After an over-protective king (Roy Dotrice) discovers that his daughters\' dancing shoes are worn out every night, he offers to let anyone who can solve the mystery choose any of the princesses to have as his bride.
THE PRINCESS AND THE PEA A bored prince (Tom Conti) decides that the best way to cheer himself up is to get married. As he goes through his mother\'s list of eligible princesses, an outspoken young lady (Liza Minnelli) appears at the castle, claiming to be a real princess.

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