Oscar Wilde's Salome / Steven Berkoff Review

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(More customer reviews)You have to accept Steven Berkoff's premise at the start, namely to sweep Oscar Wilde's prescribed Victoriana off the stage and let his opulent prose stand on its own. It's not the ONLY way to do Salome, but it is an enthralling one, and the job is carried off to near perfection. The use of piano music (by Roger Doyle) is inspired, thickening the pantomimic stage action with extra dimension, and creating a genre somewhere between cinema and opera. And Myriam Cyr is simply the SEXIEST Salome ever acted -- another positive fallout of a spare abstract stage: her sexuality flashes out sharp as a laser. By an irony of ironies, however, the biggest acting disappointment is Steven Berkoff himself, the directorial genius behind the production, who plays Herod. He speaks his lines with a cutesy-wootseyness that attempts to spotlight Herod's effeteness, but in doing so he lurches instead, and annoyingly, into high-school slapstick. Far from titillating, these Herodic histrionics are the dullest, draggiest moments of the production. Everything Berkoff says in his Special Features interview about his rationale for the face paint, the spare staging, the absence of props, the "Kabuki look," rings true and is eloquently borne out in action -- save for his own jokey-baroquey performance as Herod, which runs afoul of his own canons of spareness. But a bigger caveat is that THIS DVD SHOULD HAVE COME WITH AN ENGLISH SUBTITLE TRACK. Wilde's intricate script, the boomy miking (no clip-on mikes), a big echoey stage, and several mushy choral passages all make for moments of blurred text. English subtitles would have given clarity at a click. Shame on Kultur, the otherwise excellent production company which brought out this DVD, for shirking this small extra expense.

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A drama-poem, Salome was written by Oscar Wilde mostly in 1891 stirred by his attraction to Lord Alfred Douglas. Taken from the New Testament tale, Herod is so infatuated with his step-daughter Salome that he promises her on oath up to half his kingdom in return for a favor; a libidinous dance. The favor she demands is the head of John the Baptist on a plate. The play moves to Herod's battle to break his oath and Salome's unforgettable scene with the Baptist's head. This program also includes a special interview with director Steven Berkoff discussing his interpretation of the play.

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Lillie (1978) Review

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(More customer reviews)Quite simply, one of the best BBC Classic TV Miniseries ever produced. Filmed in 1978 and to be released in a four-disc DVD set, the miniseries stars the brilliant Francesca Annis (Tommy and Tuppence, etc.) as Lillie Langtry, one of the most famous and infamous courtesans/ladies of the Victorian age.
In an era when women were to be seen and not heard, the unforgettable Lillie broke every taboo without a backward glance. The series chronicles her long life, and in so doing presents one of the best portraits of Victorian England ever filmed.
We watch Lillie as a young tomboy, grow to an awkward adolescent, a stunning woman, and a beautiful old woman. Each stage of her life is portrayed perfectly by Annis, the makeup transforming her body while her awesome talent transforms her character development as Lillie.
Lillie is one-of-a-kind, a calculating woman of immense presence, grace and substance. Unfortunately, she becomes trapped in a loveless marriage, but she devises her own way to cope.
Taking full advantage of her beauty, Lillie deliberately attracts as many as a dozen lovers and admirers including the married Prince of Wales and notorious Oscar Wilde.
As her husband slowly drinks himself to death, she relies on her looks, wiles and self-assurance in the London Society of the 1870s to embark upon a sensational career as a marginally talented actress.
With guile, Lillie creates a truly unique life of the courtesan, eventually gaining prestige by going on the stage and touring America many times over.
Throughout her life she endures financial ruin and scandal, yet maintains her celebrated lifestyle. Because Lillie lives to be a very old woman, viewers are given an honest glimpse of the Victoria Era through the span of her life.
As with every BBC miniseries dealing with period stories, the acting, staging, filming and music is all well above top notch.

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As seen on Masterpiece Theatre "Sparkling" -The Washington Post "Captivating" -The New York Times Walt Whitman called Lillie Langtry "the essence of poetry." James Whistler confessed that even he couldn't capture her beauty in a painting. And George Bernard Shaw declared her "intelligent, daring, and independent." In a BAFTA-winning performance hailed by critics, the incandescently beautiful Francesca Annis (Madame Bovary, Reckless, The Libertine) portrays the acclaimed British actress and courtesan from the blush of youth to the blight of old age.At a time when society expected women to be docile and demure, Lillie posed for celebrity endorsements, conducted her own business affairs, and paid her first husband to keep his distance. Even more scandalously, she openly entertained a string of lovers among Europe’s elite, including the very married Prince of Wales-all while managing to win the respect and admiration of his wife. With its splendid cast and exquisite production elements, Lillie vividly captures the complex woman who became one of the most infamous figures of the Victorian age.DVD SPECIAL FEATURES INCLUDE essay about Lillie Langtry's impact on pop culture and cast filmographies.

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