Showing posts with label southern discomfort. Show all posts
Showing posts with label southern discomfort. Show all posts

2/13/2012

Arkady Leokum's Enemies (Broadway Theatre Archive) Review

Arkady Leokum's Enemies (Broadway Theatre Archive)
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Enemies is a wonderful two character, one-act, 45 minute play from the Kultur Broadway Theatre Archives. The setting is a small restaurant in the Catskills, 1971. The two characters, well into their senior years have encountered one another for five years. Gittleman (Sam Jaffe) is a waiter who has to put up with the demanding, harsh and critical insults of customer Miller (Ned Glass), who makes his frequent visit, as he puts it, to eat before the riff raff comes in.
For five years, Miller criticizes the food, the hygiene, the coffee, the menu, the establishment and the final blow is to refer to Gittleman as a lowly waiter who Miller has had to train! Clearly Gittleman and Miller are not friends. Miller is a widowed man has merely enjoyed the pleasures of life that "discount hours" have brought him, clearly a lonely and less expensive existence. But he flaunts a different lifestyle filled with success and happiness. Gittleman is a hard-working family man.
It is the turn of events that makes this play a gem! The two veteran actors have starred in television and movies for years. Ned Glass is known also for his nasal voice while Sam Jaffe for his wild white hair. The two actors both died in 1984. Arkady Leokum is popular for his Tell Me Why: Answers to Hundreds of Questions Children Ask. If you care to see another great play by him, try Neighbors (Broadway Theatre Archive) ....Rizzo


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Arkady Leokum's short humorous play is based on theauthor's experience as a waiter at a Catskills resort. Sam Jaffe stas as a long-suffering waiter who finally turns the tables on an intolerable regular customer (Ned Glass).

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12/10/2011

Mark Twain Tonight (1967) Review

Mark Twain Tonight  (1967)
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Having seen Hal Holbrook perform live in Mark Twain Tonight, I was delighted to aquire the DVD of his 1967 television broadcast performance. I have long believed, and this DVD confirms that Mark Twain Tonight is easily one of the greatest treasures of the American stage in the last half of the 20th Century. That Mr. Holbrook has performed Mark Twain every year since 1954, in over 2000 shows, is nothing short of miraculous. This 90 minute performance brings the wisdom, humor and humanity of one of the most morally insightful men of the 19th century to life. His words continue to be as hilarious, poignant and relevent in the 21st century as they were in his own time.

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11/30/2011

Eccentricities of a Nightingale (Broadway Theatre Archive) (1976) Review

Eccentricities of a Nightingale (Broadway Theatre Archive)  (1976)
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Thank Heaven for Broadway Theatre Archive. For the past few years, the company has been releasing older television productions of great stage works, as well as a select number of theatrically staged videos (such as the Shakespeare-in-the-Park productions of "King Lear" with James Earl Jones and "The Pirates of Penzance" with Kevin Kline and Linda Ronstadt). Some of these television productions are truly legendary: Jason Robards in "The Iceman Cometh," and Robards and Colleen Dewhurst in the landmark production of "A Moon for the Misbegotten." The present DVD edition of Tennessee Williams' "Eccentricities of a Nightingale" deserves to join their ranks.
"Nightingale" is Williams' revision of 1948's "Summer and Smoke" (my favorite Williams play, incidentally). It tells essentially the same story of the spinsterish minister's daughter whose consuming love for her next-door neighbor remains unreciprocated. "Nightingale" is less allegorical than its predecessor and more tightly focused on the fascinating central character of Alma Winemiller, who Williams once claimed was his favorite character of all those that he had written.
All the roles in this production are in eminently capable hands, with particular pride of place among the supporting players going to Louise Latham as the mentally unbalanced Mrs. Winemiller, Tim O'Connor as Alma's well-intentioned but misguided father, and Neva Patterson as the two-faced Mrs. Buchanan, oozing both Southern charm and venom. As the object of Alma's affections, Frank Langella plays the most warm and romantic John Buchanan I have ever seen. Other Johns have seemed cocky or cold, but Langella seems to genuinely care about Alma rather than merely tolerating her. Played like this, it is quite easy to see how Alma could fall in love with him.
However, this is Alma's show, and in that role Blythe Danner is a raw, exposed nerve-ending, alternating between lyric melancholy and barely concealed hysteria. It is an exquisitely shaded performance, full of rich colors and nuance, and it is on a par with the sublime Geraldine Page's performance of the same role in the film version of "Summer and Smoke." Both actresses capture the character's need to burst forth from her own skin, of being strait-jacketed by the social mores of the period, and of being on the precipice of a dangerous emotional drop-off point. If Page owned the role of Alma in "Summer and Smoke," Danner clearly owns the Alma of "Eccentricities." She is simply stunning.
Don't expect stunning picture quality -- the production was filmed in 1976 on video, so it is roughly akin to watching a mid-1970's soap opera. However, the performances are what matter here, and they truly deliver. If you love Tennessee Williams, Blythe Danner, or if you simply enjoy great drama, don't let this one pass you by.

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Tony Award-winning actress, Blythe Danner, portrays the sensitive spinster Alma Winemiller in Tennessee Williams' 1948 drama. Frustrated with longing for the socially prominent young doctor next door, the eccentric, highly emotional minister's daughter decides to settle for one night with him in a rented hotel room. The Washington Post wrote: "Blythe Danner's Alma is as much of a television event as Katharine Hepburn's Amanda in The Glass Menagerie. Frank Langella is such a warm, dreamy-eyed Dr. Buchanan that the role is reimbursed for the loss of its cynical edge with a smooth romanticism that complements Danner's determined honesty splendidly." "How many different emotions do you expect in two hours?" --The New York Daily News. With Tim O'Connor, Louise Latham, and Neva Patterson.

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11/16/2011

Tennessee Williams' Dragon Country (Broadway Theatre Archive) Review

Tennessee Williams' Dragon Country (Broadway Theatre Archive)
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Once again Kim Stanley is breathtaking to watch. Oh to have seen her in her hey day on Broadway. Female Brando: The Legend of Kim Stanley

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Producer-director Glenn Jordan brought together two Tennessee Williams plays, written twenty years apart, that examine the theme of isolation with searching clarity. The joint presentation, entitled "Dragon Country," features the world premiere of "I Can't Imagine Tomorrow," starring Kim Stanley and William Redfield, and a much earlier work, "Talk to Me Like the Rain and Let Me Listen," starring Lois Smith and Alan Mixon. Together, the dramas delve into "a land of endured but unendurable pain, where each one is so absorbed, deafened, blinded by his own journey across it, he sees, he looks for, no one else crawling across it with him."

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10/30/2011

Eccentricities of a Nightingale (Broadway Theatre Archive) (1976) Review

Eccentricities of a Nightingale (Broadway Theatre Archive) (1976)
Average Reviews:

(More customer reviews)
Thank Heaven for Broadway Theatre Archive. For the past few years, the company has been releasing older television productions of great stage works, as well as a select number of theatrically staged videos (such as the Shakespeare-in-the-Park productions of "King Lear" with James Earl Jones and "The Pirates of Penzance" with Kevin Kline and Linda Ronstadt). Some of these television productions are truly legendary: Jason Robards in "The Iceman Cometh," and Robards and Colleen Dewhurst in the landmark production of "A Moon for the Misbegotten." The present DVD edition of Tennessee Williams' "Eccentricities of a Nightingale" deserves to join their ranks.
"Nightingale" is Williams' revision of 1948's "Summer and Smoke" (my favorite Williams play, incidentally). It tells essentially the same story of the spinsterish minister's daughter whose consuming love for her next-door neighbor remains unreciprocated. "Nightingale" is less allegorical than its predecessor and more tightly focused on the fascinating central character of Alma Winemiller, who Williams once claimed was his favorite character of all those that he had written.
All the roles in this production are in eminently capable hands, with particular pride of place among the supporting players going to Louise Latham as the mentally unbalanced Mrs. Winemiller, Tim O'Connor as Alma's well-intentioned but misguided father, and Neva Patterson as the two-faced Mrs. Buchanan, oozing both Southern charm and venom. As the object of Alma's affections, Frank Langella plays the most warm and romantic John Buchanan I have ever seen. Other Johns have seemed cocky or cold, but Langella seems to genuinely care about Alma rather than merely tolerating her. Played like this, it is quite easy to see how Alma could fall in love with him.
However, this is Alma's show, and in that role Blythe Danner is a raw, exposed nerve-ending, alternating between lyric melancholy and barely concealed hysteria. It is an exquisitely shaded performance, full of rich colors and nuance, and it is on a par with the sublime Geraldine Page's performance of the same role in the film version of "Summer and Smoke." Both actresses capture the character's need to burst forth from her own skin, of being strait-jacketed by the social mores of the period, and of being on the precipice of a dangerous emotional drop-off point. If Page owned the role of Alma in "Summer and Smoke," Danner clearly owns the Alma of "Eccentricities." She is simply stunning.
Don't expect stunning picture quality -- the production was filmed in 1976 on video, so it is roughly akin to watching a mid-1970's soap opera. However, the performances are what matter here, and they truly deliver. If you love Tennessee Williams, Blythe Danner, or if you simply enjoy great drama, don't let this one pass you by.

Click Here to see more reviews about: Eccentricities of a Nightingale (Broadway Theatre Archive) (1976)

ECCENTRICITIES OF A NIGHTINGALE - DVD Movie

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10/04/2011

Tennessee Williams' Dragon Country (Broadway Theatre Archive) (1980) Review

Tennessee Williams' Dragon Country (Broadway Theatre Archive) (1980)
Average Reviews:

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Once again Kim Stanley is breathtaking to watch. Oh to have seen her in her hey day on Broadway. Female Brando: The Legend of Kim Stanley

Click Here to see more reviews about: Tennessee Williams' Dragon Country (Broadway Theatre Archive) (1980)

This production pairs together two Tennessee Williams plays, written twenty years apart, each examining the theme of isolation with searing clarity. The joint presentation features the world premiere of "I Can't Imagine Tomorrow," starring two-time Oscar nominee Kim Stanley (The Right Stuff) and William Redfield (One Flew Over the Cuckoo's Nest), and a much earlier work, "Talk to Me Like the Rain and Let Me Listen," starring Lois Smith (Five Easy Pieces)and Alan Mixon. Together, the dramas delve into "A land of endured but unendurable pain," said Williams, "where each one is so absorbed, deafened, blinded by his own journey across it, he sees, he looks for, no one else crawling across it with him."

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Click here for more information about Tennessee Williams' Dragon Country (Broadway Theatre Archive) (1980)