2/29/2012

Waiting for Godot Review

Waiting for Godot
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"Nothing happens, nobody comes, nobody goes, it's awful!". That phrase, said by one of the main characters of "Waiting for Godot", somehow sums up the whole plot of this short tragicomedy in two acts. Strange??. You can bet on that!!!. So much that a well-known Irish critic said of it "nothing happens, twice".
The play starts with two men, Vladimir and Estragon, sitting on a lonely road. They are both waiting for Godot. They don't know why they are waiting for him, but they think that his arrival will change things for the better. The problem is that he doesn't come, although a kid does so and says Godot will eventually arrive. Pozzo and his servant Lucky, two other characters that pass by while our protagonists are waiting for Godot, add another bizarre touch to an already surreal story, in which nothing seems to happen and discussions between the characters don't make much sense.
However, maybe that is exactly the point that Samuel Beckett (1906-1989) wanted to make. He was one of the most accomplished exponents of the "Theatre of the Absurd", that wanted to highlight the lack of purpose and meaning in an universe without God. Does Godot, the person that Vladimir and Estragon endlessly wait, symbolize God?. According to an irascible Beckett, when hard-pressed to answer that question, "If I knew who Godot was, I would have said so in the play." So, we don't know. The result is a highly unusual play that poses many questions, but doesn't answer them.
Ripe with symbolism, "Waiting for Godot" is a play more or less open to different interpretations. Why more or less open?. Well, because in order to have an interpretation of your own, you have to finish the play, and that is something that not all readers can do. "Waiting for Godot" is neither too long nor too difficult, but it shows a lack of action and purpose in the characters that is likely to annoy many before they reach the final pages, leading them to abandon the book in a hurry. That is specially true if the reader is a student who thinks he is being barbarously tortured by a hateful teacher who told him to write a paper on "Waiting for Godot" :)
My advice, for what it is worth, is that you should persist in reading it. If it puts you to sleep, try reading it aloud with some friends, and discuss with them the implications of what happens with the characters. This play might not be thoroughly engaging, but it changed theatre and the possibilities opened before it forever. In a way, it provoked a blood-less revolution, and because of that it deserves at least a bit of our attention.
Belen Alcat


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Starring Zero Mostel and Burgess Meredith with Kurt Kaszner and Alvin Epstein and directed by Alan Schneider. A unique film of a remarkable performance of the single most important play of the last half-century.

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Sybil Danning's Adventure Theatre: Seven (1979) Review

Sybil Danning's Adventure Theatre: Seven (1979)
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B-movie veteran William Smith ("Invasion of the Bee Girls", "Grave of the Vampire") stars in this fast moving adventure as the leader of a small team of specialists assigned to break up a notorious Hawaiian crime syndicate.Amazonian action star Sybil Danning introduces the movie.Also starring Barbara Leigh, Art Metrano, Martin Kove, Susan Kiger, Guich Koock, and Richard Le Pore.Directed by Andy Sidaris ("Stacey!", "Malibu Express"). Great movie, must see advanture.

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2/28/2012

Carnival of Souls Review

Carnival of Souls
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The merits of this film are obvious enough to simply summarize: it is the one and only original shoestring budget classic. No, the plot isn't original, but that hasn't stopped others from picking it up and running with it, sometimes in different directions, and sometimes even more successfully (see "Jacob's Ladder" for a deeper, and darker, take). But I doubt that ANYone ANYwhere has made a better film for less money; as someone below wrote, ""Blair Witch", eat your heart out."
And then to have it released on a Criterion DVD, well, it just doesn't get any better than that! OK, we may not need TWO versions, .... And the second DVD isn't just a filler: you get anything and everything you could think of associated with the movie, including "now and then" visits to the film sites, a great hour-long tribute, a history of the film company, stills, probably more than all but the most compulsive fan would want but you won't feel as though you've gotten short-changed! As always, the real reason we love Criterion is the quality of their prints - they are simply THE BEST you are going to see. Anyone who has seen this film on one of its numerous cheapie incarnations on VHS will be ecstatic with this version - you won't believe how superior the picture quality is.
I have to say "get this now, before it's discontinued". This edition can NOT be bettered; you will NEVER EVER see a better version of this classic sleeper.
Now, Criterion, when are you going to release Robert Wise's "The Haunting", hmmmm?

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This classic horror tale is now restored and in color for the first time, complete with an irreverent bonus commentary from Mike Nelson of "Mystery Science Theater 3000" fame.

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Faerie Tale Theatre - Rumpelstiltskin (1982) Review

Faerie Tale Theatre - Rumpelstiltskin (1982)
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RUMPELSTILTSKIN is an average entry in the FAERIE TALE THEATRE series. Shelley Duvall, host and creator of the series, takes center stage as the winsome Miller's Daughter.
The Miller (Paul Dooley) is constantly telling tall tales, but his latest lie just might result in the death of his daughter (Shelley Duvall). When the Miller tells the King (Ned Beatty) that his daughter can spin straw into gold, the King orders she be brought to the palace to work her miracle.
Imprisoned in the palace, the Miller's Daughter is visited upon by a strange little man (Herve Villechaize) who helps her out of her dilemma. But will the price be more than the Miller's Daughter can pay?...
This is only the second episode in the series, and features fine acting from Duvall and Villechaize. A real charmer.

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A young woman must figure out a strange old man's name in order to keep the first born child she promised him in exchange for the ability to spin straw into gold.

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Puma Man Review

Puma Man
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The 4 stars are for being such an ridiculously bad film you can't help but laugh your hinder off, whether it's the MST3K version or the "unadulterated" version. Donald Plesance is the villain that looks like an earlier version of Dr. Evil. He steals an Aztec mask from a sacred cave (from Pumaland, no doubt), A hulking Aztec named Vadinho, journeys to England to find the Puma Man. Why is this Puma Man in England, where nothing resembling a Puma has ever been noted. Oh well, the movie tells us he's there so I'll play along. So how do you find a Puma Man? Yellow Pages, Personal Ad, perhaps stake out a lamb in an open field? Nah. Just throw out some poor shmoe from a high rise building and if he doesn't go splat, you get yer man (no joke)!
After a few noted failures to fill the Puma Man position, a paleontologist named Tony is found an acceptable applicant. Tony has the disposition of a 3 year old; whiny and annoying. After much cajoling and bullying, Vadinho convinces Tony to take on our villain bent on World domination (again Dr. Evil-esque). The other reviewers have already noted his unorthodox method of flying (Pumas can fly?!?), so nuf ced about that.

Of course every Puma Man has to have a ditzy blonde bimbo girlfriend with a penchant for wearing WWI fighter pilot cap minus the goggles- doesn't every super hero? If this chick has more than 5 brain cells, then Michael Jackson is normal.
Every aspect of this film, is laugh-out-loud bad! Of the Sci-Fi era Mystery Science Theater episodes, this is one of the best. Rhino must release Werewolf, Jack Frost and Puma Man on DVD. Classics must be preserved.

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Sweeney Todd (1982) Review

Sweeney Todd  (1982)
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I have been watching this 1982 production of "Sweeney Todd: The Demon Barber of Fleet Street" for almost twenty years on videotape, so releasing it on DVD would be greatly appreciated. The cast features three of the original stars of the 1979 Broadway production: Angela Lansbury in her Tony Award winning role as Mrs. Lovett, Edmund Lyndeck as Judge Turpin, and Ken Jennings as Tobias Ragg. Well, you can also add to this list Cris Groenendaal and Betsy Joslyn, who play the young lovers Anthony Hope and Johanna, since they were members of the original company. Len Cariou had been replaced in the title role by George Hearn, who was still two years away from winning the Tony Award for his performance in "La Cage aux Folles." On Broadway Hearn played opposite Dorothy Louden before teaming up with Lansbury for the show's touring company and eventually this Showtime production of the musical.
Stephen Sondheim has said that if people insist on putting "Sweeney Todd" into a category it would be black comic operetta, which is as good a way as any of defining its uniqueness. If you are going to have a barber who slits the throats of his customer team up with a woman who bakes the corpses into meat pies, then black comedy would be the way to go. But what makes "Sweeney Todd" so marvelous is that it mixes the dark comedy with chilling horror. For the most part the comedy is carried by Lansbury's Mrs. Lovett, starting with "The Worst Pies in Lond," while Hearn's Todd provides the chills, beginning with the hauntingly beautiful "My Friends," sung to his razors. Of course, it is "A Little Priest" that brings these two elements together, but while it is no doubt the show's signature piece it is not the supreme dramatic moment. That comes right before that glorious end to Act I when Hearn signs "Epiphany," which for me remains the song I would most like to be able to do on Broadway, although I can forget about matching Hearn's tour-de-force performance.
When you consider that the last three songs of Act I are "Pretty Women," "Epiphany," and "A Little Priest," it is difficult to imagine a show having a stronger ending before Intermission. There is a sense in which Act II does not measure up, but that is become the bloody climax to "Sweeney Todd" rests more on action than songs. I can still remember watching it for the first time, in live performance fortunately, and thinking that they were reaching the point where things were going too far and the tragedy was about to become too complete. The only real complaint about this video production is that unlike the original cast album or what you are subjected to in live performance, the steam whistle that accompanies each slash across a victim's throat does not make your nervous system explode.

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Stephen Sondheim's musical thriller Sweeney Todd: The Demon Barber of Fleet Street was filmed in 1982 before a live audience at the Dorothy Chandler Pavilion in Los Angeles during the national tour.Starring Angela Lansbury, George Hearn, Cris Groenendaal, Betsy Joslyn, Edmund Lyndeck, Calvin Remsberg, Ken Jennings, and Sara Woods.

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Faerie Tale Theatre - The Boy Who Left Home to Find out About the Shivers (1982) Review

Faerie Tale Theatre - The Boy Who Left Home to Find out About the Shivers  (1982)
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THE BOY WHO LEFT HOME TO FIND OUT ABOUT THE SHIVERS is one of the scarier entries in the FAERIE TALE THEATRE series and thus may not be suitable for younger children, though older viewers will be captivated.
Martin (Peter MacNicol) sets out on a journey to discover the feeling of being scared. He meets an old King (Christopher Lee) who lets Martin stay in his haunted castle for 3 nights. If he makes it through the 3 nights without being scared away, he'll be rewarded with his own kingdom and a beautiful princess.
Dana Hill, David Warner and Frank Zappa co-star in this fabulous TALE. Highly-recommended.

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2/27/2012

Pilobolus Dance Theatre's Dance in America: Monkshood's Farewell, Ocellus, Ciona, & Untitled (1997) Review

Pilobolus Dance Theatre's Dance in America: Monkshood's Farewell, Ocellus, Ciona, and Untitled  (1997)
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I have yet to see Pilobolus live, but I know from their video alone that they are one of my favorite dance companies. Supple, flowing bodies doing things you never knew were possible... tricks on the eye.... gorgeous soundscapes... interviews with the dancers themselves... if you like modern dance which is stunningly original yet crowd-pleasing, rich in athleticism AND thought-provoking, never pretentious, and just weird and wild, buy this video.

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Faerie Tale Theatre - Thumbelina (1982) Review

Faerie Tale Theatre - Thumbelina  (1982)
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"Thumbelina" is a fantastic retelling of the classic Hans Christian Andersen fairy tale, "Little Thumb".
Produced in 1983 (and released the following year), as part of Shelley Duvall's charming live-action "Faerie Tale Theatre", the narrative is told with good humour, imagination, and a great sense of fun. The magnificent cast adds much colour and warmth to the proceedings. In particular, Carrie Fisher, in the title role, delivers a captivating performance. She makes an extremely attractive heroine, not to mention one who's "more than just another pretty face". She's an absolute delight, adding her unique qualities to the role. Not only is she pint-sized in real life (although not quite as tiny as a thumb!), she has a lovely, deep voice that is quite at odds with her diminutive stature. When she sings, it is a beautiful and rewarding experience. Indeed, she sings with "an angel's voice". (This is also a highlight for any Carrie Fisher fan, as she began her career as a singer, and yet she only sings briefly in "Hannah and Her Sisters", 1986, and in the Walt Disney live-action comedy, "Sunday Drive", also released in 1986.)
Carrie Fisher is supported by equally delightful character actors. The late Burgess Meredith is in top form as Mr Mole, the second would-be husband of Thumbelina. Likewise, William Katt makes a very positive impression as the Prince of the Flower Angels.
This wonderful fairy tale is further enhanced by excellent production values, including great music, atmospheric sets, and good costumes and creatures like Mother Toad, her hapless son, Herman, the Fieldmouse, and the Swallow.
The script faithfully follows the original story, although the gender of the Fieldmouse has been changed, making for a more convincing friendship with Mr Mole to exist, as well as creating a heartfelt guardianship of Thumbelina along strictly platonic lines.
This well-written and perceptive tale ("I'm always the bride, but never the bridesmaid") makes for enchanting family entertainment. "Thumbelina" delivers a great message, too, but above all, it's storytelling at it's most memorable.
I applaud executive producer Shelley Duvall, and all involved, for giving such a wonderful gift. It's up there with Jim Henson's equally engaging "Storyteller" anthology series, produced in the late 1980s, and the "The Doll", an Emmy Award winning episode of "Amazing Stories" (of the same era).
For me, it's an extra special treat because Carrie Fisher became much more than just Princess Leia with this performance. Besides, she continues to melt me every time she smiles as the Ultimate Flower Angel! Let's hope that this "Faerie Tale Theatre" production, along with my other favourites like "Beauty and the Beast", are re-released soon. Preservation on DVD for future generations is highly recommended.

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Faerie Tale Theatre - Princess and the Pea (1984) Review

Faerie Tale Theatre - Princess and the Pea  (1984)
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THE PRINCESS AND THE PEA is one of the all-time great FAERIE TALE THEATRE episodes. Featuring a talented cast and brilliant costumes and sets, it's totally adorable.
Prince Richard (Tom Conti) leads a boring and eventless life under the thumb of his controlling mother Queen Veronica (Beatrice Straight). Until, one stormy night, in whirls the vivacious Princess Alecia (Liza Minnelli). But is she really a princess? Queen Veronica is skeptical, so employs a method to test her royalty: she places a tiny pea under 20 mattresses and quilts. If Alecia can feel the pea it will prove beyond any doubt her royal blood.
Will Alecia pass the test? And if she does, will she choose to marry Richard? You'll find out in THE PRINCESS AND THE PEA. Co-starring Jane Alden and Nancy Allen.

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Faerie Tale Theatre - The Dancing Princesses (1982) Review

Faerie Tale Theatre - The Dancing Princesses  (1982)
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THE DANCING PRINCESSES surely ranks as one of the finer entries in the FAERIE TALE THEATRE series. It features the beautiful Lesley Ann Warren as well as a sweeping and delightful musical score.
The story is about the daughters of a widowed King (Roy Dotrice) who somehow wear out their dance-slippers every night despite being locked in their room until morning. The secret is not discovered until a crafty soldier (Peter Weller) follows them and finds that they go dancing in a fairy-kingdom under the ground.
This must surely be my favourite, because its everything a fairytale should be; romantic, funny, sad and incredibly-entertaining. Lesley Ann Warren looks luminous and has a remarkable chemistry with Peter Weller.
The story also features Sachi Parker (the beautiful and talented daughter of Shirley MacLaine) as the comical youngest princess; as well as Zelda Rubinstein (Tangina from the POLTERGEIST trilogy).
Most FAERIE TALE THEATRE fans single out this episode as their all-time favourite (with TALE OF THE FROG PRINCE coming a close second). This was actually the final episode ever made of FTT.

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Adam: Giselle (American Ballet Theatre) Review

Adam: Giselle (American Ballet Theatre)
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This is an amazing version of Giselle - and my favorite. It was taped live in NY in 1977, with Baryshnikov & Makarova, Martine van Hamel as Myrta, Frank Smith as Hilarion, Marianna Tcherkassky and Kirk Peterson in the peasant pas de deux, Jolanda Menendez & Nannette Glushak as Moyna & Zulma. Baryshnivov is amazing to watch, not only because of his technique, but also because of his artistry. Makarova is every bit as good as he is and together they are simply stunning both in the technical aspects of their performance and in their ability to project the emotional power of the story. It's wonderful to see two such talented artists at the height of their powers, so totally commited to their artistry. The whole cast is excellent.This has been out of print for a long time, grab it if you can find it

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2/26/2012

Blondie Review

Blondie
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I really enjoyed this dvd, I was looking for a live show of Blondie from the 70's. I agree with the last reviewer, its well worth getting if your a Blondie fan. The quality is perfect and Debbie Harry looks beautiful. Its great to see them in their early years when they still had a punk edge, I wish they would release more footage like this.

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Fronted by the formidable Debbie Harry, New York's finest New Wave punk band catapulted to fame in the late '70s with their innovative style and groundbreaking sound. Filmed live at the peak of Blondie's success, this program showcases the band performing their utterly contagious classics at Glasgow's Apollo Theatre. Songs include: Dreaming, Slow Motion, Shayla, Union City Blue, Atomic, Eat to the Beat, Picture This, Pretty Baby, Heart of Glass, Hanging on the Telephone, Sunday Girl.

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Christabel (1989) Review

Christabel (1989)
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While the edits in this DVD version of a 1989 miniseries aired on Masterpiece Theater in the US aren't blatant, to anyone familiar with the original version, they are striking by their absence. And the material that has been cut makes the plot much richer without detracting from the suspense of the plot.
The story hews closely to the biography of Christabel Bielenberg ( available as When I Was a German, 1934-1945: An Englishwoman in Nazi Germany or The Past is Myself, with a followup volume, The Road Ahead), an Englishwoman who marries a German lawyer and makes her home in Berlin in the early years of the Nazi regime. Her husband and their circle of friends deplore the Nazis (anti-Hitler conspirator Adam von Trott, later executed, is one of their circle) and the plot revolves around Christabel's growing recognition that it isn't possible to just live one's private life -- or leave -- when confronted with the kind of evil that the Nazis represent.
Even this edited version presents a kind of viewpoint that is rarely seen of 'ordinary' educated Germans facing the conundrum of how to react to evil and forces us to question how we would have fared in a similar situation. As Protestant pastor Martin Niemoller famously wrote, when the Nazis took away the communists, social democrats, trade unionists and Jews, people didn't speak up because they didn't fall into those categories. "Then," Niemoller wrote, "when they came for me, there was no one left to speak out." This film looks at a group of people who did speak out.
Dennis Potter's imaginative touches (such as the scene where Christabel imagines, in a nightmare, parachutists invading her home and bayoneting her elderly father) make this a rewarding movie to watch, while the recurring echoes of the song to which Christabel listens dressing for her wedding in the opening scenes recurs throughout, sometimes offering an odd or jarring commentary on the scene.
All in all, this is an excellent film of a little-known story. But it deserves to be seen in full, so for anyone who hasn't yet discarded their VHS player, I'd urge you to get the complete version.

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Based on a true story, an English girl marries a German lawyer in the 1930s and they try to live a normal life as they can in Hitler's Germany; when Allied bombs start falling on German cities, Christabel takers her two young sons to a village in the mountains. Then she learns that her husband and some of his friends have been arrested for plotting to assassinate Hitler. She travels to the prison where he is held; wondering if telling the commandant that she knows Winston Churchill will help her husband or seal his fate. Christabel Bielenberg's historical memoir, "The Past Is Myself", looking back on the years 1932-1945, was the source for this depiction of life in Germany during Hitler's rise. Daughter of middle-class English-Irish parents, Christabel became a German citizen in 1934 when she married German law student Peter Bielenberg of a prominent Hamburg family. The couple raised their two sons amid Germany's shifting political climate. I 1939, as the situation became acute; Peter joined a military organization planning to remove Hitler from power.

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Follow Your Dreams: The Bessie Coleman Story (The First African-American Female Pilot) Review

Follow Your Dreams: The Bessie Coleman Story (The First African-American Female Pilot)
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The presentation is very inspiring. The message is educational, positive, encouraging and inspirational message for all. The film tells the story, and it also inspires you to follow your dream no matter what obstacles appears to be in the way, persevere! I can't wait to share with others on how you can...do it. I plan to share this film with the youth group in my church. Thank you for such an inspiring message! I am waiting for the DVD! Great film for all!

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Elizabeth "Bessie" Coleman (January 26, 1892 - April 30, 1926) was an American civil aviator. She was the first African American female pilot and the first person of African American descent to hold an international pilot license. Many obstacles were faced in order to achieve her dreams of flight. In 1995 she was inducted posthumously into the International Women in Aviation Organization's Pioneer Aviators Hall of Fame.

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Girls Town (1959) Review

Girls Town  (1959)
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Was this bad-girls-in-reform-school flick made in an attempt to cash in on the Academy Award-winning "Boys' Town" or did the studio just happen to have a few dozen nun's habits in their wardrobe department? Tubby, dewlapped crooner Mel Torme frames busty bottle-blonde bombshell bad-girl Silver Morgan (Mamie Van Doren, the poor man's Jane Mansfield) for the over-a-cliff murder of her attempted rapist in this manipulative, cloying 1959 teen-sploitation flick. The cops don't have a thing on Silver but the dead punk's dad commands the usual White Male Reality political pull, sending her to a convent-slash-reform-school "Girls' Town" chock-full-o' tough-as-nails nuns, teen gangs played by 35-year old actors, an "Ave Maria"-singing Paul Anka, a no-hands drag race ending in the usual expected laughably "tragic" result, the Platters, badly-choreographed catfights consistently broken up by beefy security nuns, way too much embarrassingly fake teen slang, and Charlie Chaplin, Jr. (?) Watch out for Silver's creepy reform-school pal Seraphina, a spooky obsessive fan stalking a vaguely stupefied young Paul Anka; look carefully in the drive-in scene to spot the reflections of the director and camera crew in the windows of the cars. "The Sound of Music" this ain't. If you're like me, you saw this given the "Mystery Science Theater 3000" treatment, and were all the better for it...it's even funnier that way, and at least *intentionally* funny.

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Ray Bradbury's Electric Grandmother Review

Ray Bradbury's Electric Grandmother
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Ever see a happy ending that makes you force tears back? Well, Electric Grandmother is that movie that does it for me. I don't know what buttons are being pushed but pushed they are. I even watch this movie quite a few years ago to prove to myself that I wouldn't shed movie-tears. Dismal failure. With that said, this is an excellent movie that really does justice to the written fiction of Ray Bradbury translated to the screen. Highly recommended!

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Plot Summary for Electric Grandmother, The (1982) (TV) To a family whose children are traumatized by the death of their mother, help comes in a most bizarre way. They receive three pieces, that when joined together, give a recording for an offer for an electric grandmother. They go to a bizarre factory, where they customize their new grandmother, and within a short time, she arrives. The android is equipped with everything needed as a parent and the boys are charmed. The daughter, however, still misses her mother and she bears no welcome for this interloper...

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