Mystery Science Theater 3000, Vol. XVIII (Lost Continent / Crash of the Moons / The Beast of Yucca Flats / Jack Frost) Review

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(More customer reviews)This set features two episodes hosted by Joel Hodgson and two hosted by Mike Nelson. Three are from the Comedy Central era of the show and one is from the Sci-Fi Channel era.

- Episode 208- LOST CONTINENT ("Rock climbing, Joel.")
This 1951 black-and-white Robert Lippert production is directed by Sam Newfield and stars Cesar Romero, Hillary Brooke, Sid Melton, Acquanetta, Whit Bissel and Hugh Beaumont. The main cast comprises a scientific team charged with recovering an off course test rocket. The cast of fairly well-known actors does little to stem the pain of the film's padding accomplished through endless rock climbing sequences, but those elements did elevate this episode to a kind of cult status both within the show and among the MST3K fan base early on. References to rock climbing and other elements of this film abound throughout later episodes of MST3K for years to come. Every fan of the show should see this episode for that reason alone, but don't let me forget to mention that it's absolutely hilarious. Stop motion dinosaurs and lizards posing as monsters make occasional appearances in the film. And did I mention rock climbing?

- Episode 417- CRASH OF THE MOONS with short, "General Hospital"-Segment 3
Rocky Jones (Richard Crane) and his crew comprising Winky (Scotty Beckett of Our Gang/Little Rascals shorts), Bobby, Vena and Professor Newton are back for another adventure from this short-lived 1954 TV show. So is the evil dictator, Cleolanta (Patsy Parsons), who in this episode is scheming to destroy another inhabited "moon" before it collides with her own planet. The wayward moon is ruled by the affable Bavarro, played by John Banner, later of Hogan's Heroes fame. As with the previous Manhunt In Space, this episode of Rocky Jones, Space Ranger features a rather silly, low-budget, but earnestly presented view of mankind's space-faring future. The Rocky Jones episode itself is entertaining fun and this episode is really funny. Regarding the General Hospital short, once again MST3K turns dreary and dull footage into comedy well worth watching.

- Episode 621- THE BEAST OF YUCCA FLATS with shorts: "Money Talks!" & "Progress Island, U.S.A."
This 1961 turkey from Coleman Francis stars none other than Tor Johnson of Plan 9 From Outer Space fame. Tor also appeared in other movies used on MST3K, including Bride Of The Monster and The Unearthly. This movie often makes lists of worst movies ever made and rightly so, the story and dialogue are at times nonsensical and mind-boggling even for a low-budget science fiction movie. A Russian scientist played by Tor defects to the US and is turned into an atomic mutant by a nuclear blast. As is often the case in Coleman Francis films you can find Tony Cardoza among the cast delivering his usual level of performance. This episode also features two shorts that will please any MST3K fan. Another must-see movie and episode.

- Episode 813- JACK FROST
This 1964 color film was originally titled "Morozko" by the Soviet film makers, but was retitled "Jack Frost" for US release. As with the other Russo-Finnish movies used on MST3K, this film is both beautiful and goofy at the same time and that makes for a strong episode and a fan favorite. The lush color, decent production values and incredibly bizarre fantasy nature of the film rendered even more bizarre by the editing and dubbing for English make a wonderful blend of quality and weirdness that provided great comedic fuel for MST3K. Many classic Slavic fairy tale elements combine in this story of two children who have strange adventures as they encounter a sorcerous Mushroom Pixie, the evil witch Baba Yaga, and other mythical weirdness. Jack Frost himself eventually appears somewhat late in the film.

The actual DVD quality of previous Shout! Factory releases has been generally terrific with good picture and sound and few anomalies. Extra features just announced by Shout! Factory include special introductions by Frank Conniff and Kevin Murphy, original Mystery Science Theater Hour wraps, a look back at The Beast of Yucca Flats featurettes, original trailers & promos and more.

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The Mads of Deep 13 and the loyal yet helpless crew of the Satellite of Love, including Joel, Mike, Tom Servo, Crow T. Robot and Gypsy, cordially invite you to join them as they pay tribute to some of the finest-quality cheesefests this side of Gouda! This 18th laugh-filled edition of Mystery Science Theater 3000 promises to keep you as entertained as ever with four episodes never before available on DVD! Films Include: Lost Continent, Crash Of The Moons, The Beast Of Yucca Flats & Jack FrostBonus Features: * Special Introductions by Frank Conniff and Kevin Murphy* Original Mystery Science Theater Hour Wraps* A Look Back at The Beast Of Yucca Flats* Original Trailers & Promos* 4 Exclusive MST3K Mini-Posters by Artist Steve Vance

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Mystery Science Theater 3000: 20th Anniversary Edition Review

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(More customer reviews)This set is apparently the DVD-only version of the 20th Anniversary set from Shout Factory. That means that it does not include the tin case, plastic Crow figurine or episode lobby cards. It does contain four great episodes of everyone's favorite cow-town puppet show.
This set features one episode with Joel Hodgson as host and three with Mike Nelson hosting. Two episodes are from the Comedy Central years while two are from the Sci-Fi Channel shows.
211- First Spaceship on Venus
Originally called Der Schweigende Stern and made in 1960, this international cast film about the first astronauts to land on Venus is a hoot. Filled with wonderful ideas about international cooperation, yet strangely dated in its science even for when it was made, this movie's vision of the future is fun, action-filled and nearly breaks the goofy meter! The jokes are endless, non-stop and really top-notch from the MST3K crew. "What's a herring weigh? Oh, about a pound." "Everything's better in the crawler copter." Just the endless jokes about the robot in the film, Omega, will keep you laughing throughout. The host segments are just awesomely funny. When the planet has it's "brown explosion" near the end you'll be rolling with laughter and the jokes fly really fast at that point. This is a sometimes overlooked, underrated classic that is too funny to describe. I love it and never get tired of watching it no matter how many times I see it.
706- Laserblast
This 1978 feature comprises the final episode from Comedy Central and is an odd little feature that received 2.5 stars from Leonard Maltin, a fact that is the source of endless wonderful wisecracks as the credits roll. Hilarious throughout in spite of the fact that everyone working on the show knew it might be their last one ever. The host segment wrap-up with great 2001: A Space Odyssey references is terrific.
904- Werewolf
This 1996 feature with Richard Lynch is even more ridiculous than most stories based on lycanthropy. The goofy meter breaks in the first reel of this film and never gets repaired. An archaeologist gets cut by the skeleton of a werewolf and so, predictably, becomes one. The acting, bad foreign accents, and other low-budget silliness in this film are hammered mercilessly by MST3K. The host segment where Mike and the 'Bots are a girl group singing a teen tragedy song, a sort of like "Leader of the Pack" type number, is absolutely killer funny.
1004- Future War
This 1997 video feature is so bad it is beyond words. The huge headed Robert Zdar appears in his second film done on MST3K (the other was Soultaker) and his acting is just as stiff as in the other movie. The film features terrible looking rubber dinosaurs, mediocre martial arts-style action sequences, a hackneyed formulaic plot and acting so bland that calling it wooden would be a compliment! Fortunately, it has enough movement and scene changes to at least fuel a barrage of great jokes from MST3K. It's fun, but only thanks to the MST3K treatment. By itself, this film would be unwatchable.
The extra features on the DVD discs include the 3-part history of MST3K and a video of the reunion panel from Comic-Con 2008. These are very informative and entertaining, even for long-time fans. Great stuff all around.

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Mystery Science Theater 3000 celebrates its 20th anniversary with a specially packaged DVD set housed in a limited-edition tin box featuring4 custom lobby cards and a figurine of Crow T. Robot! Features four of the show's most-requested episodes--First Spaceship on Venus (1960), Laserblast (1978), Werewolf (1996), and Future War (1997).
The Emmy-nominated and Peabody Award-winning TV show Mystery Science Theater 3000 became a pop culture landmark in the '90s by poking fun at horrible movies of every genre and time period, and letting us listen in. They made the unwatchable essential viewing.

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Noises Off... (1992) Review

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(More customer reviews)Noises Off is a treasure of a movie buried in the comedy section of the video store. And after viewing it as a chance discovery, I would rank it as one of the funniest movies I've ever seen ' bar none! There is no message, no lingering camera work and precious little plot actually, but the sight gags and interaction of the characters make this movie an absolute laugh riot.
The premise of this film deals with the rehearsals and pre-Broadway tour of a play that aspires to be a classic British sex farce. Michael Caine plays the beleaguered director, with Julie Hagerty as his stage manager, trying to corral a collection of stage and movie actors on both sides of the career loop. Carol Burnett, John Ritter, Christopher Reeve, Denholm Elliott, Marilu Henner and Nicolette Sheridan make up the onstage ensemble, with the able support of Mark Linn-Baker. Throughout early rehearsals and performances the cast conspires with and against each other in matters of romance, revenge and profession expression ' all to hilarious effect.
It all culminates in a fateful performance that we view/hear primarily from backstage as conflicts of love and stage presence boil over in mid-show. It just might be the funniest thing ever filmed that didn't involve the genius of Mel Brooks.

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This hilariously sexy, all-star comedy promises to be an entertaining treat you're sure to love! Featuring some of today's biggest comedy favorites, including Carol Burnett (TV's THE CAROL BURNETT SHOW), John Ritter (BAD SANTA), Michael Caine (THE CIDER HOUSE RULES), and Christopher Reeve (SUPERMAN) -- NOISES OFF! is an outrageously funny look at the love, lies, and deceit that take place behind the scenes as a group of ridiculously inept stage actors rehearse a Broadway-bound play! Just when members of this chaotic cast finally get their performances right, everything starts going wrong!

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The Mystery Science Theater 3000 Collection, Vol. 7 (The Killer Shrews / Hercules Against the Moon Men / Hercules Unchained / Prince of Space) Review

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(More customer reviews)MST3K Volume 7 has some truly terrific and hilarious episodes that are among some of my personal favorites. The movies themselves are some of the more entertaining ones used on the show. Each one is described in turn below. The first three are from the Comedy Central years and the last is from the Sci-Fi Channel episodes:
Episode 407- THE KILLER SHREWS (with short: JUNIOR RODEO DAREDEVILS)
Killer Shrews is a classic B-grade b/w SF film from 1959 with James Best (Dukes of Hazard) and Ken Curtis (Gunsmoke). The melodrama and the endless drinking and standing around punctuated by panic as the main characters are preyed upon by small dogs dressed up as "killer shrews" is hysterically funny all on it's own. Then, the MST3K crew raises the level of humor several notches more. The short, Junior Rodeo Daredevils, is a classic MST3K bit that is referred to in many later episodes of the show (e.g., "old timer Billy Slater" is mentioned for years after this episode was made). Don't miss this!
Episode 408- HERCULES UNCHAINED
The 1959 Italian classic sequel to Hercules, also with Steve Reeves, the first and in some ways best muscleman-turned-actor, opened the door for endless "sword and sandal" epics with his two Hercules films. This sequel is slower and inferior to the first Reeves film, but the crew of the SOL makes it a special treat. The host segment where the 'Bots try and get Joel to explain what Hercules and the "nice lady" do all day as if they were kids asking a parent about a sexual situation is drop-dead hilarious, yet as always it is handled so that kids can watch the show, enjoy it, and yet have no idea what they've missed in the way of adult-level jokes.
Episode 410- HERCULES AGAINST THE MOON MEN
This is one of the funniest episodes ever ("sandstorm!"). Comments like, "This movie is equipped with airbags." at the sight of a voluptuous woman in a low-cut dress will have you howling with laughter. "I hate movies where the men wear shorter skirts than the women." says Crow. "Sandstorm, saaannnndstoooorrrrmm..." say the Mad Scientists. This film is actually a "Maciste" movie, but like most of the Italian films starring that character, the name was changed to one more marketable in the USA.
This episode has always been an absolute favorite for me. The sheer goofiness of the story, the costumes, and the fun action in the first part of the film, which is inexplicably followed by an endless scene of people struggling through a sandstorm near what should be the big climax, render this film a bit messy but loads of fun to watch. Wait till you see "Woodsy Owl." "Why is he wearing oven mitts?" asks Crow. You won't care; you'll be laughing too hard.
Episode 816- PRINCE OF SPACE
This show from the Sci-Fi Channel years is a 1959 b/w Japanese children's story about a guy in tights who runs around saving the world from some really terrible actors, whoops I mean aliens, who are clad in equally silly outfits. The film, also known as Starman, is absolutely dreadful even if judged strictly as children's fare. It's slow, nonsensical, poorly dubbed, and offers little suspense even for junior members of the audience. Of course, these qualities make it great fodder for MST3K. You will "like it very much!"
One bonus feature in the set is the inclusion of a shorts collection previously only available on VHS directly from the MST3K Info Club. The most notable short in the collection is ASSIGNMENT: VENEZUELA, originally "MSTed" for a CD-ROM project that was never completed; it was never shown on television and until the tape was released, was never seen except at the second MST3K convention put on the by show's creators back in 1996. The collection also includes the shorts CENTURY 21 CALLING and A CASE OF SPRING FEVER.
Be sure to buy this set as soon as possible. You won't be disappointed. Everything in this set is worth watching many times over as the comedy is very dense and unending till the credits finish rolling. Rhino Video, thank you for this set and please keep them coming! How about Rocketship X-M, King Dinosaur, Lost Continent, Wild Rebels and Monster A-Go-Go for starters! Publish it and we'll buy it!


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Join Joel, Mike and their "Robot Friends" as they are forced to watch the worst movies ever made. To endure, these crazy characters make hilarious jokes at the expense of those bad movies. Includes the following episodes:
Episode 407- THE KILLER SHREWS (with short: JUNIOR RODEO DAREDEVILS)Episode 408- HERCULES UNCHAINEDEpisode 410- HERCULES AGAINST THE MOON MENEpisode 816- PRINCE OF SPACE

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Cranford: Return to Cranford Review

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(More customer reviews)I was able to watch this follow-up to Cranford thanks to a particular website and I promptly pre-ordered the DVD as I loved "Cranford" and its host of interesting and eccentric characters (and yes, I am a period drama fan, especially of BBC productions). This is actually a 2-part special that is not only inspired by the original Cranford, but also two other stories by author Elizabeth Gaskell, i.e. "The Moorland Cottage", and also "The Cage at Cranford", see Three Tales of Cranford: Cranford, The Cage at Cranford, and The Moorland Cottage. Besides the familiar and beloved cast of the original Cranford such as Miss Matty (Dame Judi Dench), Miss Pole (Imelda Staunton), Mrs Forrester (Julia McKenzie), Miss Tomkinson (Deborah Findlay), etc. several new characters are introduced, such as Lady Glenmire (played by Celia Imrie), and the conjuror Signor Brunoni(Tim Curry).
The first part is set in summer 1844 - it has been two years since dear Miss Matty (Dame Judi Dench in another luminous portrayal) lost her beloved sister Deborah, and a year since Sophy Hutton married Dr Harrison (these two characters are no longer in this show). Miss Matty seems content with the presence of her brother Peter (Nicholas Le Prevost) who is home from India, and helps look after Tilly, the baby of her maid Martha and carpenter Jem Hearne. The continuity from the original Cranford is seen in the railway project which still looms menacingly over the town. Things are also made more exciting with the arrival of Mr. Buxton, a wealthy widower who lives with his ward Erminia (Michelle Dockery) and his son William (Tom Hiddleston who is quite the eye candy). Life in Cranford is always full of surprises and when Lady Ludlow's long absent son Septimus (Rory Kinnear) arrives, things take unexpected turns, precipitated by a tragedy in the family. The old tensions are there - especially between those that are against the railroad project and those ,like Captain Brown and young William who feel that modernization is essential to Cranford's long-term survival. Miss Matty, in her usual subtle fashion, gets involved in some of these village proceedings, with some rather startling results.
The second part is set later in the year 1844, October up till Christmas - Miss Matty and her friends are predictably excited at the visit of Lady Glenmire (Celia Imrie) but when Mrs Jamieson (Barbara Flynn) feels no one amongst her peers is of suitably high rank to meet her, she and Lady Glenmire get snubbed by Matty and company and it is left to Lady Glenmire to set things right in a most memorable way. Matty also faces some challenges that involves a falling out amongst her circle of friends,a serious romance between William and a young woman deemed unsuitable by his father (which has Matty pondering the wisdom of her 'involvement' in bringing the pair together), and more tragedy on the horizon, affecting the citizens of Cranford.The magic of the original is still evident and this follow-up (of sorts - it's not strictly a sequel though some story arcs from the first Cranford get developed here) is still charming and engrossing. A fair note of warning, this particular installment in the Cranford franchise is much more subdued than the original and there's quite a fair bit of tragedy - there's death (involving a couple of familiar characters who were also in the original), grief, tension, family drama, imperiled friendships, the age-old battle between those opposed to change and those who embrace the challenges of modernization,etc., but there's also romance, lighthearted moments and even a bit of magic!The comic and the tragic are seamlessly blended into the story, resulting in an immensely satisfying viewing experience. I loved it though I can understand how this particular follow-up might disappoint purists who loved the original and how well it adhered to Gaskell's novel. As for the production qualities - they are excellent. The cinematography is gorgeous, capturing the beauty of the village surroundings as well as the period details, and the score complements the story perfectly. I wish I could be so lucky as to live in a place like Cranford!

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Welcome to Cranford, where all changes and all remains the same. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realised in the birth of Tilly, daughter of her maid Martha and carpenter Jem. The shadow of the railway still looms but, to the relief of Matty and the Amazons, the line has been halted five miles outside of Cranford because of Lady Ludlow's refusal to sell her land. Elsewhere Miss Matty\'s friend Mr Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty decides to introduce them to Peggy Bell, a young woman who lives in an isolated cottage with her mother and domineering brother, Edward, in the hope of building friendships. But, when tragedy strikes, she comes to believe that she has opened Pandora's box and fears Cranford will never recover.

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Madea's Big Happy Family: The Play Review

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(More customer reviews)I have seen this Play live in Kansas City and I must agree. I laughed, cried, was angry, sad and happy. But thank god for the majority I was laughing. :)
It involved every emotion that we experience in life, and not to be dissapointed had quiet a few lessons in it.
As with every good comedy, you take someones hardship and make fun of it' a lot of people will laugh, because they can relate. The cast was the best he has had yet. Very talented all the way through and I had my favorites of course. "Yaaaa Trick!!!" lol
I have seen all of Tyler Perry's Plays, watched all of his movies. But with this one I wasnt even out of the Sprint Center and asked if they had the play on DVD. But was told I had to wait until november. :( sniff.
I have never ever in 40 years waited on any movie or play ...on anything for that matter for 6 month,
but for this I did.
Thank You Tyler for opening my eyes on a few things and making me laugh while you are sharing your experience and pain.
Buy it, trust me you will not regret it, it's worth every penny!
(Oh and this is my first ever review. Can you tell? lol)

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Shirley has important news for her family, but she has five grown children with different lifestyles and finds it difficult to get them and the kids all together. So in steps Madea, the Matriarch General, to put the family's life in perspective with a hilarious twist on financial difficulties, drugs and, most important, family secrets. The next generation has a lot to learn. In her own way, Madea expresses how deliverance won\'t change you to be someone else, but will allow you to be who you really are. Ain\'t nothing like family!

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Alvin Ailey American Dance Theater: Beyond the Steps (2007) Review

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(More customer reviews)Judith Jamison, Rennie Harris and Robert Battle are awesome choreographers in the moving ballet "Love Stories" past, present,and future. "Visually Spectacular"! and the Alvin Ailey dancers are nothing short of extraordinary, they are the best, see them in various interviews, then watch them rehearse and deliver a tour de force performance! This documentary is shot in New York and Russia, and gives you a litte history on Alvin Ailey and his legacy as well as the classy Judith Jamison and what she has done to continue that legacy. Whether you are a fan of modern dance or not, I dare you to catch the Alvin Ailey Dance Company live on tour and /or order your copy of "Beyond the Steps" today....you will really be glad you did!

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This dazzling cinema verité documentary follows the extraordinary dancers and renowned choreographers of the Alvin Ailey Dance Theater as they do everything it takes to keep American modern dance fresh and a legacy alive.Award-winning filmmaker Phil Bertelsen offers a rare backstage look at one of America s oldest modern dance companies at a defining moment in its history--as it settles into its own permanent home and training facility in New York City. Set against the construction of the new dance center and the creation of a new dance, every bit of passion, talent, and hard work that goes into keeping a company running is on display. The troupe seamlessly weaves from rehearsal to a triumphant tour in Russia, back to their new dream-come-true digs in Manhattan. BEYOND THE STEPS intertwines the dancersindividual tragedies and triumphs with breathtaking performance footage from their journey, shining a spotlight on the story of one of America s most beloved cultural institutions. Visually stunning and emotionally poignant, the film provides a rare glimpse into the fascinating world of modern dance.DVD Features: Love Stories: A Ballet

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Mystery Science Theater 3000 - The Crawling Hand (1991) Review

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(More customer reviews)Joel Hodgson has always been embarrassed by his early work. After a few seasons on Comedy Central MST and CO asked that their first year work not be rerun or used for all day marathons. They are the best judges of their work, and if you're not a huge MST3K fan I'd recommend taking their advice.
However, I personally enjoy the early years of MST3K. My personal collection includes taped episodes of the original KTMA channel 23 episodes where Joel and Co got their start.
The jokes are spontaneous, by not having a heavily scripted show one can almost relax a little bit, and see for themselves the .... in all its glory. "The Crawling Hand" is also one of my favorites from the first season due to the epic amount of word play and puns. There are several solid groups of bellyaching laughter when one pun after another after another are delivered by Servo and Crow. I also like the more homey feeling of the visual aspects of the film. I grew up watching MST3K on television with poorer picture quality and I get a bit nostalgic. But like I said earlier, Joel is the best judge of his own work, and if he is unhappy with the earlier episodes, I recommend you take his advice

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MST3K: THE CRAWLING HAND - DVD Movie

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Tess of the d'Urbervilles (2009) Review

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(More customer reviews)That haunting song has been stuck in my head ever since I saw this four-part BBC miniseries. It was a stroke of genius to incorporate this folk tune into the soundtrack (composed by Rob Lane), which sums up the mood and aura of this tragic tale of a young woman wronged so unjustly by two men. Gemma Arterton is wonderful as Tess Durbeyfield, probably Thomas Hardy's most well-loved heroine, exploited by her ignorant parents into claiming noble heritage and discarded by 19th century society. Hans Matheson is Alec Stoke-d'Urberville, the wealthy cad who violates her, unknowingly impregnates her with a child who doesn't survive babyhood and later comes back into her life as a supposedly reformed preacher. Eddie Redmayne is Angel Clare, the seemingly kind-hearted and tolerant parson's son who wins Tess's love but proves to be just as hypocritical as his religious family and his actions bring Tess to despair. As in most Hardy tales, tragedy looms a large shadow over the lives of his characters.
Arterton's Tess is matched perfectly by Matheson's Alec, who is given more depth than any of the earlier film adaptations. The dark and tormented essence gives you the sense how doomed these two characters really are - their actions and words toward each other leads to their downfall. Unfortunately, the same cannot be applied to Redmayne's Angel, who looks befuddled and lost more than half the time. There is a rushed directorial pace in the second installment that hurts the romantic appeal between Tess and Angel, and the love story element seems a bit forced as a result. Because of that, I didn't get the appeal of Angel in this one, or why Tess and her fellow dairymaids were in love with him, or why Tess takes the desperate course of action in order to get him back. Some of the modern dialogue used did take away from the affect of the story, and Redmayne seemed to have a hard time keeping up with Arterton performance-wise. Redmayne redeemed himself somewhat in the final episode but for the most part I was unimpressed with him. However, director David Blair must take some of the criticism, as the hurried scenes to establish the "romance" seemed to skim over the parts of the novel that gave the lovers the attachment to one another that eventually leads Angel to see the error of his ways and beg his wife's forgiveness. I was anticipating Alec's return so much that I found myself not really caring if Angel came back for Tess or not. In sharp contrast, the 1998 A&E/London Weekend Television production had me rooting for Tess and Angel's reunion even though I was aware of the outcome. I was so taken by Angel in that one, whereas here I found nothing in him to be slightly attractive or romantic. I sympathized with Tess completely and neither man deserved her, but at least in the other version and the novel I could see why she loved Angel and longed for him to return to her. I found myself almost rooting for Alec (I never thought I'd say that), because Matheson was so compelling and magnetic and he and Arterton generated such electricity, I couldn't take my eyes off them. Alec's fleeting conversion to Christianity and his sermon in the tent that Tess stumbles upon is foreshadowing of the path these two ill-fated characters will end up on. The moment he lays eyes on her again, his fatal attraction and twisted love for her resurfaces and consumes him, and Tess finds herself increasingly helpless to refuse his help after her father dies and her family is left destitute. Alec's wealth is the only way he can possess her and he is aware of that, but he is willing to get her the only way he can, only to discover that fate does indeed play a vengeful hand. It was also nice to see Tess revisiting her child's grave and placing fresh flowers upon it; her deeply felt sense of loss and rejection by both the church and her village is searingly devastating because it becomes all the more clear that she is victim of both society (in which women had few advantages) and fate. Having said that, Tess and Angel's reunion did not have the emotional impact it should have had, the sex scene was unnecessary, but the Stonehedge sequence was an emotional powerhouse for Arterton, as was the climax of her walking off to her fate with her signature tune heard wistfully in the background. The supporting cast was in top form, and while the cinematography was lovely, it could have emphasized far more considering how important landscape is in Hardy's work, as both the 1998 two part program and Roman Polanski's 1979 film have demonstrated. As a four-part miniseries, it had the opportunity to include more scenes from the novel and insight into character, particularly Angel, which would have helped the plot a great deal. However, it was good to see the mausoleum scene and the ending was heartbreaking and moving, although my tears were for Tess, her sister Liza-Lu, and, dare I say it, even Alec, but I felt nothing for Angel (although Redmayne's tearful breakdown was by far his best moment).
On the whole, this was a very good presentation, my second favorite version and very much worth seeing. Arterton and Matheson give tour-de-force portrayals; it would be great if they would co-star again, some have suggested as Cathy and Heathcliff in "Wuthering Heights" - I could definitely see that. And that song will linger on in your memory long after the final credits have rolled, as will the rest of the score.


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A passionate, sensual and very modern version of Thomas Hardy's infamous novel, combining young, upcoming acting talent with recognisable and much-loved faces. When the beautiful and innocent Tess Durbeyfield is driven by family poverty to claim kinship with the wealthy D'Urbervilles and seek a portion of their family fortune, meeting the manipulative Alec proves to be her downfall. Starring Gemma Arterton (James Bond: Quantum of Solace), Eddie Redmayne (The Other Boleyn Girl) and Hans Matheson (The Tudors).

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Unstoppable (2010) Review

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(More customer reviews)Chris Pine has really become quite the actor. I saw him first as Captain Kirk in Star Trek, and since then, I have gone back to watch a couple of his earlier movies along with the lower-budget Sci-Fi flick, "Carriers." In "Unstoppable," he really turns on the heat, and side-by-side with good ol' Denzel, he shines.
Here was a movie that, while viewing the trailers, I was thinking, "Really? An entire movie about a runaway train?" Well, the resounding answer is, "YES!" An excellent back-story, along with a perfect amount of character-building to get us to really like these people, made for a foundation on which to build one heck of an over-the-top mountain of suspense! In addition to Chris, Denzel Washington was excellent, as always, and the rest of the acting crew, especially Rosario Dawson, were perfectly cast and on top of their game as well. The main character was more than just a menace, though, it was downright deadly...THE TRAIN!
A review I read on another site said that this movie started slow, but by the time Chris and Denzel's characters got in on the action it was non-stop fun. Well, I'm here to tell you that this movie gets rolling within the first five minutes...literally...rolling. The action and suspense builds by leaps and bounds, second-by-second. On more than one occasion, "Unstoppable" gets you to hold your breath in anticipation of the next scene, or simply steals it altogether. This one comes highly recommended.
This is now one of Tony Scott's masterpieces. Great work to all! Five stars! *****

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Hang on for the ride of your life as Oscar Winner Denzel Washington and Chris Pine (Star Trek) team up for the year\'s most electrifying action-thriller. A runaway train, transporting deadly, toxic chemicals, is barreling down on Scranton, Pennsylvania, and only two men can stop it: a veteran engineer (Washington) and a young conductor (Pine). Thousands of lives hang in the balance as these ordinary heroes attempt to chase down one million tons of hurtling steel and prevent an epic disaster. Helmed by visionary director Tony Scott (Man on Fire), this story inspired by true events delivers excitement and suspense that are — unstoppable!

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Wuthering Heights Review

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(More customer reviews)Director Coky Giedroyc provides the newly thrice-spliced Masterpiece Theatre with a two and a half-hour remake of Emily Bronte's Gothic classic, "Wuthering Heights (Signet Classics)" that adequately depicts the passionate love/hate relationship made famous by Catherine Earnshaw and Heathcliff for readers since 1847.
I have not had the pleasure of rereading the novel for a few years, but this adaptation seems remarkably true to the overall spirit of the story. It includes the two generations of Earnshaws and Lintons most noticeably removed from the 1939 film version starring Lawrence Olivier as Heathcliff and Merle Oberon as Catherine (Wuthering Heights 1939 Classic Black and White with Original Theatrical Trailer (Import, All-Region)). The non-linear time sequencing of the film's plot mirrors the timeline of the novel; the only real difference here is the absence of the novel's first person narrators, Mr. Lockwood (Heathcliff's tenant) and Nellie (housekeeper of both Wuthering Heights and Thrushcross Grange). Giedroyc's version employs a third person technique in both the flashback and present day storyline to retell the Earnshaw/Linton history rather than rely on the biased comments of Bronte's storytellers.
Lockwood's absence also means the sequence of events revolving around the apparition of Catherine's ghost does not move the plotline. Instead the opening scene treats us to a vengeful Heathcliff, manipulating his sickly son Linton's marriage to the second generation Catherine, daughter of Edgar and his love. In fact, the entire aspect of the supernatural is not touched upon in the film as intensely as in the novel. Heathcliff yearns for his dead companion, and participates in a ghoulish digging up of Catherine's corpse. In a fantastic feat of cinematography the audience is privy to two vantage points: Heathcliff's vision of her--young and fully fleshed as if alive--and then the gruesome reality seen from behind Heathcliff's back--Catherine's decomposing skull. This film emphasizes the real and the gritty rather than the ethereal.
Similarly, it includes some passionate and psychologically intense moments that add carnality to the overall telling of the story that fits well with and enhances the wild emotions portrayed by Bronte. Heathcliff and his Catherine consummate their love on the moors; Edgar desperately makes love to Catherine in their marriage bed and Heathcliff commands that his wife not look at him as he takes her after their impromptu elopement. Somehow these moments add drama and needed adult content and motivation to what the other adaptations skirted around. When Heathcliff realizes that his woman has slept with Edgar, his anger boils over with helpless indignation. He wants revenge and after witnessing his closeness to Catherine, the audience sees him more as a jilted second choice despite his accomplishment; the face of the gypsy orphan still stares back at him.
Not that actor Tom Hardy resembles a gypsy in any way. His incontrollable mop of dark brown hair flops annoyingly onto his face; it definitely could use a trim or a ribbon holding it away. Nevertheless, he does the character of Heathcliff and the Byronic hero justice; he most decidedly reigns supreme in the scenes in which he participates. His passion seems almost Pilate-controlled from a steel core that is both practical and functional within the constraints of his world. However, like the novel's character, he loses himself frequently with a cynic's paranoia that lashes out with the intent to destroy whatever is in its path.
Cathy, on the other hand, as portrayed by Charlotte Riley has a feral beauty that aptly suggests the novel's heroine. However, Riley's Catherine has been "de-bratted"; the novel depicts Cathy with a nasty selfish streak while this Masterpiece Presentation shows us a confused child/woman that indeed does what she chooses but then seems at odds with the results.
Isolation plays a big part in Bronte's novel. However, this film fills the screen with an assemblage of others that makes the entire presentation more real. Rather than just the dire foursome and their progeny, villagers, church-goers, barroom card players and fighting children add authenticity to the period and in comparison more starkness to the actual footage shot on the moors.
Bottom Line? The 2009 presentation of "Wuthering Heights" created for Masterpiece Theatre Classics smolders with a raw sexuality and practical strength that will probably not please most purists. Nevertheless, the film's team put together a good adaptation that brings the feel of the novel to life without imitating other film presentations of the past. Recommended.
Diana Faillace Von Behren
"reneofc"


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Dream Theater - Live at Budokan (2004) Review

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(More customer reviews)this DVD show Dream Theater (DT) live at the historical japanese avenue, the Budokan, at their finest. i think DT have taken their music at another highest after having Rudess on keys, he is much more than just a keyboardist, combining speed, technique, musicality, together with Petrucci, Portnoy and Myung, they expanded their musical level to somewhere that no one had done before. and this DVD show what the best the fivesome can probably do (not the last one, Metropolis 2000, though that feature Rudess as well but the whole DVD is badly produced).
the concert footage consist of 18 songs, 5 from the lastest ablum "Train of Thought" (As I Am, This Dying Soul, Endless Sacrifice, Stream of Consciousness and In the Name of God), and some old stuff, also a new "Instrumedley", a combination of some their highly technically instrumental medley from their old songs, neck-breaking solo, breathe-taking unison, head-turning drum works, what else can i say about this... i really can't find one second from the performance that's not satisfying, their performance is no doubt at their finest.
and on disc 2, you'll be amazed that they are much more that a player/musician, they have so much knowledge on their instrument, Rudess's "turnable" keyboard setup is mind blowing, he even considered about the emergency power supply, and Petrucci's guitar setup is just as stunning, he take care of his instrument to a very subtle detail, not to mention Portnoy monster drumkit and his drum solo......
DT is no doubt one of the most influential band nowadays, not only because their superb music and musicianship, but also on their devotion on their instruments, fans and the business as well... this DVD will become one of the classic live DVD of all time, don't miss it!!

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Fortunes of War (1987) Review

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(More customer reviews)I was so pleased when "Fortunes of War" was released on DVD! When I first saw this splendid BBC television series, I rushed to the nearest bookstore (in Rome at the time) and bought Olivia Manning's mammoth Balkan and Levant trilogies, which I have since devoured at least three times (so much so that the paperback editions are falling apart). Reading, however, in no way lessens, but, instead, enhances one's enjoyment of "Fortunes of War," which preserves the essence of Manning's novels. Visually stunning, the film recreates Bucharest and Athens on the brink of World War II, and then Cairo and Alexandria, as well as Damascus and Jerusalem, the outposts of the British Empire in the Levant. One step ahead of the advancing Nazi armies, Guy and Harriet Pringle, the film's central characters, are constantly uprooted and forced to be on the move.
Guy, acted with affable understatement by Kenneth Brannagh, epitomizes the type of academic who constantly puts the wants of his students first. Friend to all the world, Guy Pringle remains totally oblivious to the needs of his newly-married bride. Harriet, played with a dry and subtle irony by Emma Thompson, must cope with setting up house, first, in a city that is about to fall to the juggernaut of the Third Reich; next, in a series of hotel rooms, each more seedy than the last; and finally, sharing digs in Cairo with an odd assortment of British expatriates (and their even odder friends and acquaintances who continually drift in and out of the premises). Guy simply cannot understand that Harriet might be miffed at his heedlessness. For example, after Guy offers her the female title role in Shakespeare's "Troilus and Cressida," she suddenly discovers that he has taken the part away without telling her and has given it to Sophie, a Rumanian professional student and troublemaker who resents Harriet's presence, both in Bucharest and in Guy's life. It is not that Guy Pringle does not love his "little monkey's paws," Harriet; he simply takes her for granted.
Among the outstanding ensemble cast, two performances are memorable: those of Ronald Pickup and Alan Bennett.
Pickup plays the incorrigible Prince Yakimov, a displaced Anglo-Russian aristocrat, long-since fallen on hard times. Pickup's performance is so poignantly nuanced that the viewer is moved from loathing, to laughing--first at him and then with him--and finally to loving him. "Poor Yaki" resembles a spoiled but irrepressibly sweet and helpless child. Not even the much-imposed-upon Harriet can remain angry at a man who appears before her wearing one brown and one black shoe and then explains that he has another pair just like them at home.
Alan Bennett plays the insufferably fussy Cambridge don, Professor Lord Pinkrose, who is always on the verge of giving his renowned lecture on Byron but who, for one reason or another, is always prevented from doing so. Bennett's performance does not make one love Pinkrose (nor should it); it does, however, make one recognize him (He often sits on dissertation committees!). With his smarmy herd of acolytes (including the odious Toby Lush and the insidious Dubidat), Pinkrose, who always darts a baneful glance in Harriet's direction, causes Guy so much trouble that the viewer is tempted to cheer when the Lord Professor finally gets his just desserts. Every film ought to have a character that one loves to hate, and Alan Bennett plays this one to perfection.
The viewer seeking the wartime thrills of dogfighting Messerschmidts, exploding bombs, and action packed battle sequences should go watch "Saving Private Ryan" or a John Wayne movie. Even though the conflict in "Fortunes of War" is omnipresent, it is always just over the horizon. It nevertheless exerts a profound impact on the characters, both major and minor. It exerts an equally profound impact on the audience. For the discerning viewer, who appreciates exceptional acting and remarkable characterization, "Fortunes of War" represents the epitome of cinematic storytelling.
For Kenneth Brannagh and Emma Thompson, who acted together for the first time, this film represented "the start of a beautiful friendship," both on film and in real life. Unfortunately, it was not to last, but "Fortunes of War" at least allows us to glimpse the brilliant start, and to be glad that their joint venture in film lasted as long as it did!

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The Baltics, 1939. British professor Guy Pringle (Kenneth Branagh) arrives in Romania with his new bride, Harriet (Emma Thompson) and becomes enmeshed in the politics of anti-fascism. Despite Harriet's serious misgivings, Guy's social circle soon includes members of the British Secret Service who want to involve him in dangerous missions, and a downtrodden prince who zeroes in on Guy's generous nature and winds up living with the Pringles. Thus the stage is set for this mesmerizing story of marriage tested by accidental betrayal, callous insensitivity, and a world in upheaval. Based upon the autobiographical novels of best-selling author Olivia Manning, and set in places as far-flung as Bucharest, Athens and Cairo, Fortunes of War is majestic in both its scope and its vision.

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Born to Be Wild - The Leading Men of American Ballet Theatre Review

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(More customer reviews)I must admit to some disappointment in this DVD; not because of the quality of the content but rather the content itself. Also, this disc is short, very short...only 54 minutes in fact
This DVD features four of the male stars of todays American Ballet Theatre: That being, Jose Manuel Carreno (Cuba), Angel Corella (Spain), Vladimir Malakhov (Russia) and Ethan Stiefel (USA).
I'd expected some extended video of each of the dancers actually dancing, but instead the bulk of the video is more of less a mini biography of each of the dancers with brief snippets of each of them from previous shows they were in.
There is also an extended section showing them rehearsing a dance, a pas de quatre, danced to Scubert's piano quintet; the finished work is about 7 minutes long and shown at the very end of the disc. This was well done and performed before a live audience.
I think the highlight of this disc, to me, was a short segment of each of them on a trampoline, with a single photograph frame capturing some spectacular aerial pose at the apex of their leaps. Unbelievable height and agility.
All in all, not quite what I expected when I purchased this DVD. That is not to say that I didn't enjoy it, I did, (getting some insight on the lives of these fabulously talented individual was very interesting, but it's just not something that I'd probably watch more than once. And watching some of my favorite choreographed dances is something that I do watch on a regular and repeated basis.

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This DANCE IN AMERICA performance/documentary explores the lives of the ABT's four lead male dancers: Cuba's Jose Manual Carreno, Spain's Angel Corella, Ukraine's Vladimir Malakhov, and the U.S.'s Ethan Stiefel. Concludes with the four dancers performing.

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Pollyanna (2004) Review

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(More customer reviews)Georgina Terry plays Pollyanna with a sweet faced, ever-happy style that suits the plot. It's pretty faithful to the original plot of the missionary's daughter, orphaned and coming to live with a strict aunt. As Pollyanna plays her "Glad Game" and teaches it to the problem characters, the villagers' lives are transformed. Everyone from the reclusive misanthrope to the chronically ill to the town doctor find new ways of looking at life from interacting with the little girl.
The very name Pollyanna is now synonymous for unreasoning optimism due to this book. I loved this story when I read it as a child and am glad they treated it well in this remake.
The costumes and setting fit very well (although the original book was not English) and have the usual high quality of a Masterpiece Theater production.
I had to knock off a star because sometimes the actors spoke too fast or breathlessly so some of the dialogue is lost.

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A young girl reveals how a little positive thinking can make a big difference.Every dark cloud has a silver lining-and young Pollyanna knows how to find it. Newcomer Georgina Terry makes a stirring debut as Pollyanna in this heartwarming tale of a little girl whose effortless charm captures the hearts of family, friends, and strangers alike. After the death of her father, Pollyanna moves in with her downcast, embittered aunt (Amanda Burton, Silent Witness). Soon, Pollyanna charms everyone in the beautiful English village she now calls home-except her cold-hearted aunt who refuses to see the brighter side of life. Aunt Polly, despite her vast wealth, impressive estate, and numerous servants, treats young Pollyanna more like an stranger than a relative, but when tragedy strikes, Pollyanna’s sunny outlook persuades her aunt to confront past ghosts and embrace the promise of happiness.Based on the classic novel by Eleanor H. Porter, Pollyanna is a treat sure to be treasured by the entire family.

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Mystery Science Theater 3000 - Cave Dwellers (1988) Review

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(More customer reviews)MY MY MY! This is one of the best MST3K episodes I have ever seen! From the bad acting, the plot that Tolken couldn't follow, and the first major plot point occuring 35 minutes into the movie, this piece of trash tops the list of bad movies! This movie abounds with bad puppetrs (a veluer snake and a spider with fishing lines), a hubcap called a sheild, and Ator (our "Dude looks like a lady" hero) putting together a hanglider in about 5 minutes (killed a deer, tanned the hide, made an anadized aluminum pole, welded, etc...) and flying it over a large city (modern), not to mention the bombs he puts together in mid air. Let me tell you, if that doesn't make you wretch watch Crow's analyzation of the continuity problems at the end! All in all, buy this and you won't be dissappointed! And remember, Stay Frosty!

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Mystery Science Theater 3000: Vol. XIX Review

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(More customer reviews)This set features two shows with Joel Hodgson as host from the Comedy Central era and two with Mike Nelson from the Sci-Fi Channel era. MST3K always worked especially well when the films used were in the sci-fi/horror genre and this set is packed with four such episodes.
Episode 107- ROBOT MONSTER (with shorts: COMMANDO CODY Parts 4 and 5)
This 1953 black and white film is extremely low budget, so much so that the eponymous "robot monster" costume consists of a cheap gorilla suit topped off with an even cheaper deep-sea diving style helmet. It is one of those movies that is so incompetent it is fun all on its own and it's perfect fodder for MST3K. A family survives the destruction of most of humanity by the evil Ro-Man, who hunts them mercilessly yet has trouble finding them though he is living nearly next door! The family has managed to elude Ro-Man through the scientific genius of the older parents and their attractive adult daughter, Alice, and here fiance. Even their young, pre-adolescent children are mental giant compared to the incompetent Ro-Man. As if he didn't have enough difficulties, Ro-Man has a "thing" for Alice, which causes him problems with completing his murderous mission. The movie at times is incomprehensible in its editing, with inexplicable shots of lizards impersonating dinosaurs and other weirdness inserted to pad out the film. There's also lots of shots of George Barrows as Ro-Man stalking about Bronson Canyon. This is a strong Season One MST3K episode and the inclusion of the Commando Cody Radar Men From The Moon shorts just adds to the low budget fun. This one has been a favorite of mine for years and I'm quite pleased to see it in commercial release.
Episode 423- BRIDE OF THE MONSTER (with short: HIRED!, Part 1)
This 1955 Ed Wood film stars Bela Lugosi and Tor Johnson, two of Wood's favorite actors. The pairing is great fun and the movie is everything fans have come to expect from Ed Wood, with cheap monsters, continuity issues, and Lugosi playing a mad scientist assisted by his lumbering, hulking side-kick, Lobo, played by Johnson. Johnson played essentially the same character with the same name in The Unearthly, a movie also used on MST3K. Bride Of The Monster is a quintessential Ed Wood film and belongs right up there next to Plan 9 From Outer Space. The jokes from the MST3K crew come fast and furious and it seems obvious that they had a great, almost too easy time writing jokes for this one. This movie also features Harvey B. Dunn who played "Grampa" in Teenagers From Outer Space. The short, Hired! Part One is also fun and inspires a whole host segment, "Hired, The Musical". Another episode highlight is the host segment where Joel and the 'Bots play out the end of the film with the help of Cambot.

Episode 818- DEVIL DOLL
A 1964 black and white film about a ventroliquist/hypnotist with an evil dummy named, Hugo. The ventroliquist is after the fortune of an heiress, which creates a love triangle since he already has a mistress. Tragedy of course, ensues, but it's all comedy for the viewers of this MST3K version. The movie is atmospheric to a degree, but is also slow and ponderous at times and the slowly pulsating soundtrack delivers as much monotony as it does tension. Nevertheless, there are some good highlights in this episode, most notably Mike Nelson impersonating Hugo and there are plenty of good "riffs" during the movie.

Episode 911- DEVIL FISH
Italy produces many "psychotronic" movies and this 1984 color production keeps that tradition alive. Directed by Lamberto Bava, son of the great Mario Bava, this is silly and fun B-grade monster movie stuff all the way. Years before the upcoming Roger Corman movie, "Sharktopus", this film features a marine biologist, a dolphin trainer, a research scientist, and a local sheriff attempting to hunt down a hybrid monster comprising shark and octopus traits. Filmed on location in Florida, it's another bad "don't go in the water" type follow on to the success of Jaws in 1976. Silly monster movies always worked well on MST3K and this one is no exception. Not one of the best episodes ever, but fairly consistent and enjoyable fun throughout.
Extra features include:
* This Limited Edition version of the set comes with a collectible Gypsy figurine similar to the Tom Servo and Crow figurines sold in earlier Shout! Factory sets.
* A new introduction to the film Robot Monster by J. Elvis Weinstein
* Joel Hodgson's Inventing the "Invention Exchange"
* The Puppet Master: Richard Gordon on Devil Doll
* MST3K: Origins and Beyond at CONvergence 2009
* Exclusive Mini-posters by artist Steve Vance
* Cult Filmmaker Larry Blamire Geeks Out on Robot Monster
* Citizen Wood: Making `The Bride,' Unmaking `The Legend'
* Original Theatrical Trailers

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You are cordially invited to step aboard the stranded Satellite of Love as its crew continues its ongoing assignment of viewing (and mocking) the most . . . ahem . . . misunderstood . . . films of all time! Join hosts Joel Hodgson and Mike Nelson as they celebrate the very first and only 19th DVD box set of the hilarious cult phenomenon Mystery Science Theater 3000 with their loyal, albeit morally misguided, crew Tom Servo, Crow T. Robot and, of course, Gypsy! Episodes include: Robot Monster, Bride of the Monster, Devil Doll, and Devil Fish.

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