David Copperfield (2000) Review

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(More customer reviews)A sumptuous, wonderful adaptation; unexpectedly and disarmingly excellent.
I was a little hesitant going into this: having read the novel a couple of times and declared it my own, I had long fondly imagined the scenes and characters without any need for assistance, thank you very much.
Consequently, I felt the way many Tolkien fans must have felt before those three recent movies came out: leery that my coveted imaginings would be sullied by what might prove to be a jarrring and irreversible contamination.
These fears were misplaced, however. The full vitality of Dickens's bittersweet classic -- all the heaping joys and sorrows of life -- comes through quite powerfully in this handsome BBC version. After about 25 minutes I was literally on the edge of my seat.
Oh, and speaking of this version: they spent some money on it, you'll be happy to know. It's not one of those innumerable stuffy BBC dramas that take place (for budget considerations if nothing else) in an intolerable series of drawing rooms and antechambers. No, they did this one right: the blokes went outside and built some proper sets, and it shows.
Yes, though fully prepared to dislike it, I find myself here with little ammunition for complaint. I wish Traddles hadn't suffered deletion; he is one character I have difficulty picturing and could have used some help. Also, the actress who played Dora was not exactly my conception of her . . . but this is nitpicking.

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The classic David Copperfield was not just Charles Dickens' favorite work. It has been the most popular of his books since it was first published 150 years ago. Micawber, Peggotty, Betsey Trotwood, Uriah Heep, Mr. Creakle, Mrs. Crupp, and Mr. Dick... never were so many of Dickens' famous and vest-loved characters gathered together in just one of his works.They are all brought to life by a world-class cast including Daniel Radcliffe (Harry Potter and the Sorcerer's Stone), Oscar-winner Maggie Smith (The Prime of Miss Jean Brodie), Bob Hoskins (Hook), Nicholas Lyndhurst (Bullshot) and Pauline Quirke (The Elephant Man) in this sparkling adaptation.The most autobiographical of Dickens' work, David Copperfield often echoes the writer's own life. It tells a moving story of David's journey from birth to maturity, a journey which inextricably links his life with some of Dickens' most colorful and extraordinary families.Special DVD features include: Cast list; Masterpiece Theatre poster gallery; access to David Copperfield Web site featuring production notes, interviews with the cast and crew, a Dickens timeline, a guide to the featured characters, and more; scene selection; English audiotrack; and closed captions.One one DVD9 disc.Region coding: All regions.Audio: Dolby stereo.Screen format: Widescreen (Anamorphic)

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Faerie Tale Theatre - Hansel and Gretel (1983) Review

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(More customer reviews)HANSEL AND GRETEL is one of the best in the FAERIE TALE THEATRE series, with lush costume and set designs based on the classic storybook illustrations of Arthur Rackham.
Young Hansel and Gretel (Rick Schroder and Bridgette Andersen) are abandoned in the forest by their cruel stepmother (Joan Collins). The children happen across a magical cottage entirely made of gingerbread and sweets, which is owned by an evil witch...
Joan Collins plays the dual-roles of the stepmother and the witch, and gives a fantastic performance as both characters. Paul Dooley plays the children's well-meaning father.
One of the best of FAERIE TALE THEATRE's earlier episodes.

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A brother and sister are abandoned in the forest by their wicked stepmother where they come across a witch who decides to make them part of her dinner.

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Cinema Paradiso (Two-Disc Deluxe Edition) (1990) Review

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(More customer reviews)Cinema Paradiso is one of my favorite movies.I finally found the new version available for rent through Netflix when I couldn't find it in any Blockbuster.
For those who have already seen Cinema Paradiso it needs no introduction. For everybody else, it won the Academy Award for Foreign Language Film in 1989 and features one of the most nostalgic treatments of the role of movies in people's lives. Ennio Morricone's theme song has also been recycled in countless commercials and movie montages and trailers.
What's good about the Director's Cut or "New Version" DVD is that one can view the director's cut with added scenes on one DVD side and the originally released version on the other.
For those of us who wanted some kind of closure to Toto and Elena's relationship, the Director's Cut has it-- there's about an hour more of footage of their relationship. The new version also more footage of Toto's military service and his adulthood. The added scenes somewhat mute the focus of the movie, so I could see why they were originally cut out. But, at the same time, the added scenes fill in the blanks that originally made a lot of us think, "Hey-- What about...?" And although Toto's childhood scenes are, as far as I can tell, unchanged from the original version, we also find out more about Alfredo.
After finishing the New Version I appreciated the original version better. I highly recommend the new version not because it makes Cinema Paradiso more of a masterpiece, but because it adds more characterization to what, arguably, is a masterpiece. The added scenes can be a bit superfluous, but they show how important editorial decisions are to shaping the structure and momentum of a movie.

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A famous film director returns home to a Sicilian village for the first time after almost 30 years.He reminisces about his childhood at the Cinema Paradiso here Alfredo, the projectionist, first brought about his love of films.He is also reminded of his lost teenage love, Elena, ho he had to leave before he left for Rome. Cinema Paradiso is one of the most beloved Foreign films of all time!Winner ofthe 1990 Oscar for Best Foreign Film!

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Masterpiece Theater: Oliver Twist (2000) Review

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(More customer reviews)The poor reviews this movie has received (in both the DVD and VHS formats) I feel are totally unwarranted. This is my favorite put-to-film Dickens novel (except for the various "A Christmas Carol's" out there), and I am ecstatic that this version is finally available on DVD.
Now, in this adaption, I believe the prequel works very well. I think it makes this a much more comprehensive movie and gives the characters involved (especially Monks) much more depth. And, because of the length of this version that I am reviewing, it allows the viewer to get to know each character much deeper than the other filmed versions available. We get to know Oliver's parents and Aunt Rose up close, although it is done through liberties taken by the producer and not necessarily Dickens himself. I do feel, however, the great novelist would not particularly mind in this case.
The acting is as good, if not better, than pretty much most period epics I have seen. The actors play off of each other well - they match their roles perfectly. The costumes and sets are excellent. They have captured the early Victorian period so well - both the good and the bad - it's almost as if the viewer is peering through a looking glass into the past.
As for the story following Dickens' original novel...well, I have yet to see any movie follow a novel to a "T." It just doesn't happen, unfortunately, with virtually any put-to-film novel. But this follows the original, as a whole, much much closer than the other versions I have seen - definitely more than "Oliver," and infinitely more than the Disney version with Richard Dreyfuss, which was made into a totally different story than what Dickens had intended.
Don't let the nearly 6 hour length scare you off - there is no time during this whole version where one is bored (unless they are a child - definitely not a children's movie!). Being a fan of epic period movies, I found this to be as enticing as any other epic novels put to the screen.
Bravo to all involved!

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In this extraordinary production, storyteller Alan Bleasdale broadens the scope of Charles Dickens' classic tale of an orphan in 19th century England and the characters who influence his destiny.Oliver Twist is a drama of dark comedy, astonishing vivacity and soaring imagination, but ultimately, a story that celebrates the resilience and triumph of a little boy's spirit.

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My Uncle Silas - Series 2 (2001) Review

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(More customer reviews)My Uncle Silas series 2 staring Albert Finney is a great look at the relationship that can develop between a young boy and his older although not especially wiser great uncle. As Uncle Silas, Finney is excellent at showing his great nephew Edward, played wonderfully by Joe Prospero, the way not to carry on as a proper gentleman. Although set in England in the time before World War 1 the stories and the lessons that they teach are timeless. Take the time and sit back and relax and enjoy the delightful tales that playout in this series.

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No Description Available.Genre: Feature Film-DramaRating: NRRelease Date: 28-JAN-2003Media Type: DVD

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Masterpiece Theatre: My Family and Other Animals (2006) Review

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(More customer reviews)Readers of "My Family and Other Animals" might approach this BBC adaptation with some reluctance. How could the producers ever hope to convey the wisdom and humor of Gerald Durrell's book into 90 minutes? An ideal adaptation should probably be at least four hours, if not more but this film does not do badly.
The casting was well done with Imelda Stauton (who starred in Vera Drake) being a perfect choice for as Mrs. Durrell. Spiro and Theo appear exactly as I would picture them as are Larry's impossible friends. Gerald is well cast and his curiosity in nature is brought to the film but there is no time to deal with the animals individually. We can see that Gerald has an owl but we don't get any details about him. The scene with the scorpions is in the film and nicely brought off and the Rose-Beetle Man is perfectly done. The actor's have done a remarkable job in capturing the personalities of the Durrell family and the magical beauty of Corfu is nicely conveyed as Gerald investigates the island with his dog Roger.
There are so many humorous episodes for the writers to choose from that I am sure some viewers will be somewhat dismayed that their favorite was not select. The magpies have their five minutes in the film but their antics are not as clearly drawn as they are in the book. They do raid Larry's room but we do not learn about how Larry was trying to keep them out, and we do not get to see them calling after Spiro as he sets out on yet another errand.
So, I found this version of "My Family and Other Animals" to be a delight but I wish it was longer. I could not help but recalling episodes that were not included or cut short. I do recommend the film as it captures the essence of Gerald Durrell's book; it is just a slice of the book but a fairly good helping.


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When the dreary English weather of 1935 gets to be too much for the eccentric Durrell family, they set off for the rustic, sun-drenched Greek island of Corfu, and the unknown. The lively clan is headed by Mrs. Durrell, a middle-aged widow who gives in to the whims of her children and who patiently tolerates their adventures. Her eldest son Larry, a budding avant-garde writer with wild friends, has no regard for his mother, while her second son, Leslie, is a gun-obsessed sportsman who shoots at everything in sight. Her only daughter, Margot, is a teen beauty who changes boyfriends as quickly as she does bathing suits. But her youngest son, 12-year-old Gerald, is the heart and soul of this lively saga. Filling his family°¶s villa with an impressive menagerie of animals and insects, Gerald discovers his life°¶s vocation in nature and animals, as well as his own voice as an author. Based on Gerald Durrell°¶s childhood memoir, Academy Award-nominee Imelda Staunton (Vera Drake), Matthew Goode (Match Point), and Eugene Simon (Casanova) bring My Family and Other Animals humorously to life.

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Tom Brown's Schooldays (1973) Review

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(More customer reviews)I was excited to see this title being released on DVD, as I have fond memories of watching it as an 11-year-old with my father when it first aired on "Masterpiece Theatre" in 1973. I was also concerned about how well it would hold up, having been frequently disappointed upon revisiting some of my favorite childhood films as an adult. Well, this one held up just fine, not only for me but for my own 11- and 9-year-old children.
The story is your average Victorian potboiler: young Tom foils the nefarious doings of a wealthy landowner, who tasks his son Gerald Flashman (a schoolmate of Tom's) with obtaining revenge by any means necessary. A parallel and related plot thread deals with the reform efforts of new school headmaster Dr. Arnold, who earns Tom's trust. My kids enjoyed, as I did on that long-ago first viewing, finding out whether Tom would triumph over the bully Flashman, and insisted on watching all five episodes in one day. (As avid "Harry Potter" fans, they found parallels between the characters and relationships of Tom/Flashman/Dr. Arnold and Harry/Draco/Professor Dumbledore. I have to agree that J.K. Rowling might have read Tom Brown once or twice.) I focused more this time on the production values, the performances (young Anthony Murphy won a deserved Emmy as Tom), and of course the memories that were brought back to me.
On the downside, some of the other child performances are pretty awful, and the back-and-forth jumps between film (for exterior scenes) and videotape (for interiors), which was common to "Masterpiece Theatre," are irritating. Still, this miniseries is highly recommended, particularly if you're a sucker for British period pieces (as I am).


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In an upper-class Victorian boarding school, a loveable schoolboy suffers at the hands of a vicious bully and is inspired by a forward-thinking headmaster. This Masterpiece Theatre classic is a fascinating portrait of the times and a heartwarming story of courage and friendship. Though a son of privilege in a rigidly class-conscious society, Tom Brown is a born egalitarian. What he learns at the famous Rugby School is that breeding really does determine character and scoundrels exist in every part of society. Based on the semi-autobiographical novel by Thomas Hughes, who studied at Rugby in the 1830s under the educational reformer Dr. Thomas Arnold, this family drama stars Anthony Murphy in an Emmy®-winning debut as Tom with Iain Cuthbertson (Gorillas in the Mist) as Dr. Arnold.

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The Lost Prince (2005) Review

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(More customer reviews)Now that I have finally seen both episodes of The Lost Prince I can say confidently that it is one of the best Masterpiece Theater presentations in many years. As the story of Prince John, the youngest child of King George V and Queen Mary of Great Britain, it is heartbreakingly evocative of the tragedy of one child and of the loss of an entire world.
The first episode opens with Prince John at about the age of three or four. He is epileptic and probably autistic, handicaps which no one knew how to deal with effectively at the time and which were especially difficult to handle for a Royal on public display much of the time. His family is fond of him but emotionally distant, and the only real love John receives is from his nurse Lalla and his next older brother Georgie. Most of the time John is kept out of sight, though occasionally he gets to watch Royal occasions like the visit of the Russian Imperial Family to England (among the most beautiful of the scenes in this film, the Grand Duchesses and the Empress being elegant and charming) and the funeral of his grandfather Edward VII. His parents are so bound up with their royal duties and conscious of their dignity that they can't unbend enough to risk being with Johnnie too often. (With Queen Mary we are given an explanation for her apparent unfeelingness when we are shown glimpses of her own difficult and embarrassing childhood as the daughter of a very large and very undignified Princess.) Johnnie's handicaps make him refreshingly natural and spontaneous, which embarrasses his family when, for example, he repeats some unflattering comments he has overheard the Prime Minister make about the Royals. The first episode ends with the outbreak of World War I and Johnnie's removal to the countryside.
In the second episode Johnnie is safely ensconced at a farm near Sandringham with Lalla and a small retinue of servants. He rarely sees his family, who are busier with royal duties than ever. His main source of news and information is Georgie, who is a miserable cadet at the Royal Naval College. Georgie witnesses Britain's conversion to a war footing and the development of chauvinistic super-patriotic anti-German feelings. These lead to the Royal Family coming under attack for its German origins, and to the dynasty's renaming itself the House of Windsor. We also see the fate of the Romanovs after the fall of the Russian monarchy in 1917. Although the British government at first agreed to accept the Romanovs as exiles, rising anti-monarchical sentiment in Britain so alarmed George V that he prevailed on his government to rescind the invitation. This led to the eventual execution of the Romanovs and lifelong remorse by the King.
During these war years Johnnie lived a quiet life, roaming the countryside and planting gardens. His parents saw him rarely and were as distant as ever. Eventually, Lalla prevailed on the King and Queen to hear Johnnie give a recital. One of the happiest parts of The Lost Prince comes when the King and Queen find themselves listening to and enjoying the company of their youngest son, gradually unbending and smiling as he plays the trumpet and kicks a football. Johnnie lived only a short time after the end of World War I, but the King and Queen carried his memory with them for the rest of their lives. By the way, it may be of interest to know that his brother Georgie, to whom Johnnie gave the courage to pursue his own artistic interests, had difficulties of his own in his twenties and thirties with drug addiction and sundry other problems, finally dying in a plane crash in 1942. This Georgie was not King George VI, the father of the present Queen. George VI's original name was Albert (Bertie) and he appears only as an extra in this film.
The Lost Prince is a beautiful production. Extreme royal aficionados will notice a few missteps (the Romanovs may have been Russian Royals, but they didn't have Russian accents the way this film portrayed them. If anything, Nicholas and Alexandra and their children had British accents!) but these are mere fumbles in the delivery of a beautiful and evocative series.

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LOST PRINCE - DVD Movie

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Railway Children: Masterpiece Theatre (2000) Review

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(More customer reviews)This PBS version of "The Railway Children" is nowhere near as
charming as the original 1970 movie. If you saw this TV version and liked it, you owe it to yourself to see the young Jenny Agutter in the earlier film. In my opinion, the PBS remake lacks the warmth and civility of the original.

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Three resourceful children save the day with their family is thrown into distress by the mysterious disappearance of their father. Based on E. Nesbit's beloved novel, first published in 1906, and starring Jenny Agutter, Michael Kitchen, and Richard Attenborough.

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