Showing posts with label classics. Show all posts
Showing posts with label classics. Show all posts

2/04/2012

Melody Ranch (1940) Review

Melody Ranch (1940)
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This movie was a classic western musical. It had the talents of lovely Ann Miller, famous dancer, the fabulous comedy of Jimmy Durante and Gabby Hayes and of course the sweet voice of young Mary Lee. Gene, a radio star, returns to his home town of Torpedo as honorary sheriff for a day and winds up running for a permanent place as sheriff. The bad guys were ruling the town and Gene had to stop them. This was classed as a musical because of the many songs and dance routines, but it was also a classical Autry action movie as only he could make..If you have never been an Autry Fan or seen any of his movies this is the one to start with....Strangly enough, this is the very one that made this Autry collector fall in love with the life and legacy of Gene Autry and I have been collecting since that time....I highly recommend this movie!!!Give it a try and you'll become a fan of America Greatest Singing Cowboy!!

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Lawlessness runs rampant in Gene's hometown of Torpedo until themovie and radio cowboy returns as Honorary Sheriff for a Frontier Days celebration andcleans up the town! Featuring Jimmy Durante, Ann Miller (On the Town), and suchclassics like "We Never Dream the Same Dream Twice" and the title song, this musicalwas Gene's biggest theatrical production upon its release and remains one of his best- remembered big screen journeys!

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1/28/2012

Loretta Young Show:TV Series (1954) Review

Loretta Young Show:TV Series (1954)
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4 classic episodes from Loretta Young's classic anthology series. Young takes center-stage in stories that were always well-written and featured great supporting performances from a versatile cast. Perhaps more famous than the show itself was Young's grand entrance at the start of each episode, where she would magically twirl into the camera sporting a gorgeous designer gown (many people would tune in just to see what fabulous creation Loretta would appear in). Classic TV at it's height!
This DVD from Alpha contains 4 classic stories -
"Big Jim" - Loretta plays a woman with a shady past who comes back into the life of her now-teenaged son (played by Bobby Driscoll).
"600 Seconds" - Loretta plays a socialite who receives a mysterious telephone call about her husband. Her mind imagines all kinds of drastic scenarios centering on her husband's fidelity.
"Switch Blade" - Loretta plays kindly Sister Ann, whose hospital salary of 25 cents becomes the key to helping a friend in need.
"Cayuse" - Loretta plays a young girl who begs a handsome stranger to find her beloved pony Ginger.
"Switch Blade" is the only episode that features Young's entrance. The other three episodes are taken from syndication prints (under the LORETTA YOUNG THEATRE title) which omit Young's entrance. The Alpha logo appears in the corner of the screen for a few seconds at the beginning and end of the episodes for copyright/piracy reasons.

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Studio: Gotham (dba Alpha)Release Date: 06/28/2005

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1/13/2012

Sherlock Holmes - The Hound of the Baskervilles (1939) Review

Sherlock Holmes - The Hound of the Baskervilles (1939)
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With the release of this feature and "The Adventures of Sherlock Holmes," all 14 classic films by Basil Rathbone and Nigel Bruce will have finally been released in a quality DVD format. The UCLA Theatre Archives has done an outstanding job in restoring and thus preserving these great films from 35mm master copies into the digital format, sometimes literally being forced to piece together the celluloid remnants they found. It took the archivists years to complete the entire project, but is well worth the wait. The result is that the black and white images seem as fresh today as when the films were released to theatres more than 40 years ago. The archivists deserve a hearty thanks from all movie fans concerned with preserving America's classic cinema heritage for future generations to enjoy.
Atmospherically, "The Hound of the Baskervilles" is arguably the best of the 14 Holmes films, and the only one based specifically on a Conan Doyle story. It, and "The Adventures of Sherlock Holmes," are the only two "period" films in the series and run longer, the remainder taking place in then modern-day England and America of the late 30s and early 40s and run about 90 minutes each. In both "Hound" and "Adventures," Holmes dons his deerstalker cap, popularized by original Strand Magazine illustrator Sidney Paget who made the image synonymous with the great detective. It is interesting to note that in the first of the non-period films in the series, Holmes reaches for his handy deerstalker, but is stopped by Watson. "Holmes," Watson said, "you promised." Leaving the deerstalker on the peg, Holmes grabs a "modern" hat instead.
Rathbone is especially sharp in "Hound of the Baskervilles," and is partnered by Bruce, who plays a bumbling Watson throughout the 14 films that was not Conan Doyle's vision of the great
sleuth's biographical "Boswell." Nonetheless, the pairing is hugely entertaining and satisfying.
The creation of the moor, the sinister grimpen mire and truly terrifying hound remains fantastic and does much to engender this story as one of Conan Doyle's most popular with modern-day
readers and viewers alike.
The final scene represents the only reference any of the 14 films made to Holmes' "seven-percent" cocaine habit as Rathbone asks Bruce to retrieve "the needle." The scene, criticized as too risque by 1939 audiences, caused the film's producers to make a conscious decision to omit any additional mention of Holmes' recreational drug use in future outings.
I only wish that Rathbone and Bruce had lived to see their great work released to new audiences in this pristine DVD condition.

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The Hound Of The BaskervillesThe most celebrated tale of Sir Arthur Conan Doyle’s canon, ‘The Hound of the Baskervilles’ is set in the Victorian Age and was originally released by Twentieth Century-Fox in 1939.It is the first of fourteen Sherlock Holmes films starring Basil Rathbone and Nigel Bruce.When Sir Charles Baskerville is killed outside of Baskerville Hall, his good friend Dr. Mortimer (Lionel Atwill) fears that the curse of the Baskervilles has struck once again.Mortimer enlists the help of Sherlock Holmes (Basil Rathbone), before yet another Baskerville can succumb to the evil legend.Sir Henry Baskerville (Richard Greene) arrives in London to claim his inheritance.Mortimer takes Sir Henry to 221b Baker Street and expresses his fear for Sir Henry’s life.Baskerville soon learns that along with the grand mansion on the moor, comes a devilish curse, a curious butler (John Carradine) and a cast of bizarre neighbors.Holmes, pressed with "other business," sends Dr. Watson (Nigel Bruce) to accompany Sir Henry to the dreary moor to protect the young Baskerville from the legend of the wicked hound.Of course, with danger afoot, Sherlock Holmes may not be so far from the scene as is assumed.Special Features -Audio Commentary with David Stuart Davies -Selected Theatrical Trailers -Production Notes By Richard Valley -Photo Gallery Run Time- 80 minutes

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12/25/2011

Tale of Two Cities: Literary Masterpieces (1980) Review

Tale of Two Cities: Literary Masterpieces  (1980)
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. . .it was a good watch anyway. Chris Sarandon was outstanding in the roles he played of look-alikes Charles Darnay and Sydney Carton. He captured Carton's sardonic humor well, and evoked his melancholic fatalism and innate dignity with much pathos. A quite elderly Kenneth More put on a great performance as the officious but kindly banker, whose character provided much humorous dialogue. The character of Miss Pross, the sharp-eyed chaperone, was absolutely wonderful.

I never expect a movie to follow a novel very closely -- books and films are two completely different art forms and cannot be translated one to the other with good effect. As the movie begins we see the words "Based on the novel by Charles Dickens." With those words we are given fair warning that what is to follow is an interpretation of Dickens' vision.
What this film did was capture what is so wonderful about Dickens' novels -- the alternation between the humor and the darkness at the center of much human experience. The scenes were knit together flawlessly, so that a rather complicated plot taking part in two different places came together without confusion or awkward transitions. The pacing was artfully done, and the last 40 minutes or so were very suspenseful.
It's too bad the movie received so many bad reviews because it didn't follow the book. I've read the book and found it, like many of Dickens' works, to be wonderful, but also probably inaccessible to many readers. This film takes a good story and opens it up to those who may never open the book.

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12/02/2011

Lady Killer (1933) Review

Lady Killer (1933)
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James Cagney stars as a conman that winds up a Hollywood star trying to escape his shady past. The story begins with Cagney first getting conned by a group of con artists, then joining them and moving them on to much bigger games. When they turn on him, Cagney ends up in Los Angeles, where he works his way up the "extra" ladder to becoming a top star. Of course, his criminal "friends" want the bigger game that he can now bring them, possibly bringing an end to the life he has made for himself. This is the perfect kind of role for the young Cagney. It allows him to display the cocky attitude, intelligence, aggressiveness, and humour that made him the immortal screen character he became. The two elements of the story mix well. The con game aspect is fun to watch as people cross and double cross each other. But it's also fun watching the fish-out-of-water Cagney adjusting to life in movies, giving us a glimpse of life behind the camera in 1930's Hollywood. Margaret Lindsay is competent as usual as Cagney's actress-girlfriend, while Mae Clarke is fun as one of his partners in the con games. Once again, Clarke gets pushed around (and pulled by the hair!) in a Cagney film, providing some of the film's highlights. Like most of the Warner Brothers films directed by Roy Del Ruth in the 1930's, Lady Killer moves along quickly, with plenty of in-your-face action and laughs, giving you a prime look at vintage Cagney.

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When a movie theater usher is fired, he takes up with criminals and finds himself quite adept at various illegal activities. Eventually though, the police catch up with him, and he runs to hide out in Los Angeles. There he stumbles into the movie business and soon rises to stardom. He has gone straight, but his newfound success arouses the interest of his old criminal associates, who are not above blackmail...

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Adventure Theater - Double Feature: Indian Paint/African Safari (1965) Review

Adventure Theater - Double Feature: Indian Paint/African Safari (1965)
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I had seen it when i was VERY young. Most of the scenes I remember as vividly as things i have seen an hour ago. DO not miss it!!!

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Indian PaintA heart-warming story about an Indian boy who raises a wild colt becoming extraordinarily close o the animal.When- in the course of their many perilous adventures- the boy and the colt become separated from the tribe months pass before they return to the home campfires forcing the boy to learn lessons of survival love and life.African SafariA true story this engrossing intriguing look at the exciting and sometimes hair-raising adventures of animal collector Ron Shanin as he travels through Central and Eastern Africa.System Requirements:Running Time: Approximately 189 MinutesFormat: DVD MOVIE Genre:DRAMA Rating:NR UPC:787364715893

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11/17/2011

Vaudeville (1997) Review

Vaudeville (1997)
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This is a case of documentarians thinking that you'd rather hear them pontificate that actually see what they're talking about. The packaging for this DVD claims you'll see 80 vaudeville acts. And you will, for about 12 seconds each... not one performance is complete. Which is a big shame, given the wealth of footage the filmmakers apparently had access to. The writer of this presentation should have stepped well out of the way, and let the performances speak. To make it that much more frustrating , much of the running time goes to interviews with non-vaudevillians such as present-day filmaker Robert Townsend, and clips of vaudeville-influenced stuff like the Muppet Show. It kills you sit through this stuff knowing that the filmmakers are holding back rare footage of performances by houdini, w.c. fields, you name it. Buy this if you know nothing about vaudeville... and want to hear some old-timers doing a remember-when. If you want to see some old routines, get some of the variety films (international house, stand up and cheer, (this list is huge) from the early thirties and you'll be much better off.

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11/01/2011

Dillinger (1945) Review

Dillinger (1945)
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This review is for the 2005 Warner Brothers DVD.
This film is about the real life bank robber John Dillinger who is arguably the most notorious robber in the history of American and earned the nickname "Public Enemy #1". From my brief research on the internet, the movie appears to be relatively true to form. From the early `30s until his death in 1934, Dillinger wreaked havoc across America with his brutal bank robberies and daring prison escapes.
The film itself moves fast, but is only 70 minutes long. There is little character development and the action is continuous and rarely dull. Lawrence Tierney stars as John Dillinger. This was his screen acting debut and he does little to set the acting world on fire. Even in scenes of major confrontation, Tierney seems expressionless and lacks emotional body language. Perhaps this was by design by the director. But if you are fan of vintage gangster films, I'm confident that you will be entertained and pleased with action and drama.
The DVD was remastered but not restored and unfortunately there was a significant amount of film damage. There were five or six scenes with at least 3 or 4 seconds of severely damaged footage. The remastering helped make the picture look sharp but tiny specs of deterioration were still prevalent throughout the film, but that wasn't a major deal compared to the noticeably larger scratches. Warner has historically been one of the better studios for film restoration and they obviously decided to not fix up this film. Due to the limited market of a DVD like this, I'm sure the payoff wasn't there to restore an entire movie, but if they would have at least fixed the severely damaged frames, that would have been sufficient for me.
PLEASE NOTE: Before buying this DVD, consider buying the Film Noir Classic Collection, Vol. 2 which contains this movie plus four other highly recommended movies at a very reasonable price.Movie: B-
DVD Quality: C

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Willie Sutton robbed banks during the Depression because, he explained, "That's where the money is." Former Indiana farmboy John Dillinger also knew where the money was. And his string of early-1930s heists, murders and daring jailbreaks were so bold and notorious he became Public Enemy #1. Dillinger, Oscar-nominated* for its screenplay, is the bullet-paced story of the man whose crimes captivated and terrified the nation. Lawrence Tierney plays the title role, breaking free of screen anonymity and moving into a 50-year tough-guy career that would include 1947's Born to Kill and 1992's Reservoir Dogs. Perhaps it was a brutal early prison stretch that turned Dillinger from kid to killer. Perhaps he was a murderous thug to his core. Either way, Dillinger presents his story with film-noir style and lets you decide.

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Midsummer Night's Dream (1968) Review

Midsummer Night's Dream  (1968)
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It's first of all, Midsummer Night's Dream, always a winner. But also, this film is full of some magnificent stars when they were young.. Diana Rigg -- if she were all ya got, that would be enough. However, you get Ian Holm, who was the android in the first Aliens movie and also in Branagh's Henry V, and many other wonderful shows. Then, a young Dame Judi Dench.. a great performance and she's nearly nude to boot!!
And if you're a fan of the british comedy Keeping Up Appearances, you get a treat of watching a young Clive Swift (Richard in KUA).
This is fun, campy, and well deserving to be a keeper. Someone complained about the quality.. yes, this transfer of film to video has a couple of old-age problems, but they are way too few to notice by the discriminating eye.

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10/31/2011

The Tender Trap (1955) Review

The Tender Trap (1955)
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Boy, the reviewers here are pretty harsh on this movie. Calling it dated is like calling Snow White or Cinderella unrealistic. It's a frothy funny well-written & well-acted film with one of Sinatra's most engaging performances & some great support from Debbie Reynolds, David Wayne & Celeste Holm. Plus one hilarious set-piece scene about a hung-over morning after.
Directed by the mostly unsung Charles Walters who started off as a fine dancer & great choreographer. Well-worth watching.
By the way, Robert Preston starred in the original Broadway version the year before.

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The future is no mystery to Julie Gillis. She has her life mapped out in details that fall just shy of where the wedding portrait will hang and the number of goldfish swimming in the bowl. Julie even knows she’ll be married next March 12. She just doesn’t know to whom. But it’s a cinch he’ll have blue eyes. Frank Sinatra headlines this ring-a-ding-ding delight with the title tune that became a Sinatra standard. Debbie Reynolds plays Julie, who sets her marital sights on a Manhattan talent agent (Sinatra) dedicated to life, liberty and the happiness of pursuit. Love is indeed The Tender Trap. And with Sinatra, Reynolds and comedy experts Celeste Holm, David Wayne and Carolyn Jones on call, it’s an entertainment gotcha!

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10/27/2011

To Be or Not to Be (1942) Review

To Be or Not to Be (1942)
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"To Be or Not to Be" has the distinction of being the last movie starring Carole Lombard before her tragic death in an airplane crash in 1942 and is also remembered as having Jack Benny's finest film performance. But beyond the qualities of the stars Ernst Lubitsch's film deserves to be singled out for its anti-Nazis position, a distinction shared with Charlie Chaplin's "The Great Dictator" and few other films. Keep in mind that the film was released on February 15, 1942, not only a month after Lombard's death but only two months after Pearl Harbor, which means it was in the works before the United States entered World War II.
Lubitsch and Melchior Lengyel came up with the story, which was turned into a screenplay by Edwin Justus Mayer. The story of "To Be or Not to Be" is of a Polish theatrical company that is in Warsaw preparing to perform an anti-Nazi melodrama on the eve of World War II. In the leading roles are the husband and wife team of Maria (Lombard) and Joseph Tura (Benny), who are trained in Shakespeare. However, the production is canceled by the Polish government because they are afraid Germany will attack the country is a play critical of the Nazis goes on (you know how touchy Hitler can be). So the Turas put on "Hamlet" instead and while Joseph does Hamlet's "To be or not to be" soliloquy, Maria is visited backstage by Lieutenant Stanislav Sobinski (Robert Stack), a young pilot in the Polish Air Force. Then the war breaks out, Sobinski makes it to London to fight with the RAF, and the Turas remain in occupied Warsaw.
While in London Sobinski meets with Professor Siletsky (Stanley Ridges), a Nazi agent posing as a Polish patriot, who gets the names of friends and relatives from the pilots. Sobinski becomes suspicious and is sent to Warsaw to recover the list from Siletsky before he gives it to the Nazis. In Warsaw Maria helps Sobinski, but then she is arrested by the Gestapo as Siletsky tries to get her to join the Third Reich. To rescue his wife Joseph and the other actors masquerade as Nazi soldiers and end up with one of them (Tom Duggan) dressing up as Hitler to help in the great escape.
This is a comedy, but it is not a broad comedy in which the whole thing descends into slapstick, otherwise the overt attempts at anti-Nazi propaganda would not work. There is a similarity between "To Be or Not to Be" and the television situation comedy "Hogan's Heroes," in terms of presenting the Nazis as incompetent buffoons, personified by Sig Ruman as Colonel Ehrhardt. The difference is that Lubitsch still manages to work in the idea that the Nazis are also killer clowns. However, the biggest joke is that these actors, less than inspiring on the stage in Shakespeare, are so convincing playing Nazis. Meanwhile, Joseph cannot quite bring himself to belief that Maria is actually cheating on him.
Keep in mind that when this film was made "concentration camps" did not mean what they mean today; the terms was used by the United States to describe the camps in which Japanese-Americans were interred during the war. But then when you see Jack Benny walk in as a Nazi you know this is a different time and place. The humor is pretty coarse for a film from the early Forties (e.g., Ehrhardt recalls Joseph's performance of "Hamlet" and declares, "What he did to Shakespeare we are doing to Poland"), but then keep in mind who is being made fun of here and you have to admire the bite that they put into some of these bits. Benny is pretty much perfect for this part and Lombard sparkles throughout. As is usually the case, the original is much better than the 1983 remake with the husband and wife team of Mel Brooks and Anne Bancroft.

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A POLISH THEATRE TROUP IS PUT OUT OF BUSINESS BY THE NAZIS UNTILTHEY BECOME INVOLVED IN ESPIONAGE AND FIND THEIR SKILLS BEING PUT TO THE ULTIMATE TEST.

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10/01/2011

I, Claudius (1976) Review

I, Claudius (1976)
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Many important scenes have been cut (censored?) from the original Masterpiece Theater version including the contest between Claudius' wife and the prostitute, Caligula's horse Incitatus being made senator, and others. These omissions sacrifice the overall continuity and flow. These omissions are unnecessary and unforgivable given the DVD format. A general disappointment for those who remember the original version. Other than the above this is highly enjoyable.

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Roman history comes alive in this magnificent 13-part series. I, Claudius ranks among the most acclaimed productions in television history. Tracing the lives of the last of the Roman emperors, it's an epic of ruthless ambition, shocking debauchery and murderous intrigue set in one of history's most fascinating eras. Bearing witness to the saga is Claudius, whose stutter and limp have marked him a fool--yet whom prophesies have foretold will one day rule Rome. This collector's edition set includes a unique documentary feature, The Epic That Never Was (1965, 71 min.), a remarkable behind-the-scenes look at Alexander Korda's ill-fated 1937 screen adaptation of I, Claudius. Starring Merle Oberon and Charles Laughton, the chronicle of this uncompleted masterpieces is an unforgettable coda to one of the greatest stories ever told.

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9/06/2011

The Classic Sci-Fi Ultimate Collection, Vols. 1 & 2 Review

The Classic Sci-Fi Ultimate Collection, Vols. 1 and 2
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Universal has finally seen the folly of their ways in selling this set exclusively via Best Buy and is re-releasing both volumes 1 & 2 in one set. Included are all ten films in the original sets, but once again there will be no extra features - just the films themselves and some trailers. If you love the great campy horror films of the 1950's you'll love this set. The following is from the press release on the new combined set:
Tarantula (1955, 81 min.)
An experiment to create a growth formula that could end starvation evolves into a nightmare when a contaminated spider grows gargantuan - with an appetite to match!
The Mole People (1956, 78 min.)
Deep below the surface of the earth, three scientists stumble upon a tyrannical tribe of albinos who have enslaved a mutant - and dangerous - race of mole people.
The Incredible Shrinking Man (1957, 81 min.)
After encountering a mysterious radioactive mist, an ordinary businessman finds his physical size diminishing as his ordinary household becomes a terrifying trap of doom. By the way, who keeps a cat in the house with a six inch tall husband around?
The Monolith Monsters (1957, 76 min.)
In a desperate race against time and nature, a geologist and a scientist must find a way to stop effects of killer outer-space rocks that are literally petrifying people with fear!
Monster on the Campus (1958, 76 min)
Terror sweeps a college campus after the discovery of a prehistoric fish that turns animals and humans that come into contact with it into bloodthirsty monsters.
Dr. Cyclops (1940, 78 min) in COLOR!
A brilliant but deranged physicist shrinks his enemies to one-fifth of their normal size when they begin to challenge his unconventional experiments.
Cult of the Cobra (1955, 80 min)
Vengeance is sworn against six American GI's after they witness a clandestine ceremony worshiping beautiful women who can change into serpents.
The Land Unknown (1957, 79 min)
When a navy expedition crash-lands in a crater thousands of miles below sea level, they encounter a hot, tropical landscape of prehistoric terror filled with ferocious dinosaurs.
The Deadly Mantis (1957, 79 min)
A paleontologist teams up with the military to battle a huge praying mantis when it goes on the attack in metropolitan cities after being released from an Arctic iceberg.
The Leech Woman (1960, 77 min)
Determined to recapture her beauty, a woman discovers a compound that will restore youth - but only when it's combined with fluid taken from bodies of the newly dead.

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Prepare to be blown away with 10 out-of-this-world adventures from the golden age of Hollywood in The Classic Sci-Fi Ultimate Collection: Volumes 1& 2! Loaded with innovative special effects and captivating storylines, these timeless tales will take you into the strange and shocking worlds of Tarantula, The Mole People, The Incredible Shrinking Man, The Monolith Monsters, Monster on the Campus, Dr. Cyclops, Cult of the Cobra, The Land Unknown, The Deadly Mantis and The Leech Woman. You can run and you can hide, but you won't want to miss a minute of the fun in this amazing sci-fi showcase!

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8/24/2011

Vincent Price: MGM Scream Legends Collection (The Abominable Dr. Phibes / Tales of Terror / Theater of Blood / Madhouse / Witchfinder General / Dr. Phibes Rises Again / Twice Told Tales) (1973) Review

Vincent Price: MGM Scream Legends Collection (The Abominable Dr. Phibes / Tales of Terror / Theater of Blood / Madhouse / Witchfinder General / Dr. Phibes Rises Again / Twice Told Tales) (1973)
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This set will contain seven of Vincent Price's better horror films of the 1960's and 1970's and even includes a bonus disc of extra features. MGM is no Warner Home Video when it comes to DVD boxed sets and extra features, but this one shows progress in that direction. The following are the details on the included films and extra features.
Abominable Dr. Phibes: Price gives a campy performance in one of the few horror films which successfully and intentionally joins comedy and horror. Joseph Cotten and Terry-Thomas are just two of the victims on whom Price seeks vengeance for his disfigurement and his wife's death. The Art Deco sets give the film a stylish look and the British deadpan delivery of many of the jokes helps immensely.
Dr. Phibes Rises Again: The disfigured madman (Price) is back as he and his deceased wife go boating down the Underground River of the Dead in this sequel to The Abominable Dr. Phibes. Once again, everybody is in it for the laughs including the set designer.
Tales of Terror - Three stories adapted very loosely from the work of Edgar Allen Poe - "Morella", "The Black Cat" and "The (Facts in the) Case of M. Valdemar", each roughly one half-hour in length.
Twice Told Tales - This is a compilation of three short films based on Nathaniel Hawthorne works - Heidegger's Experiment, Rappaccini's Daughter and The House of Seven Gables. In both this film and "Tales of Terror", the idea is not so much to be true to the original story, as it is to use the foundation of the story to the advantage of Cormen's ability to make scary movies and in Price's ability to star in them.
Theater of Blood: An entertaining horror film about a demented Shakespearean actor (Price) who takes a bloody revenge against the eight theatre critics who gave his performances bad reviews. To me this one of Price's often forgotten and most underrated films. He really hams it up and it works perfectly.
Madhouse: Price stars as an actor who returns to the screen to reprise his role as a killer a few years after his wife-to-be was decapitated by a killer nobody caught. Price is good as always, but it just seems a little tired and more like a tribute to his past and better films.
Witchfinder General (aka Conqueror Worm): In 17th-century England during the struggle between Cromwell and the Crown, Matthew Hopkins (Vincent Price) and his associates seek out and persecute those thought to practice sorcery as well as anyone else who incurs their wrath. When Hopkins executes the priest of a small town for being a warlock, he and his partner find themselves the target of a young soldier who leaves his post in Cromwell's army to hunt down and kill the pair. The movie captures this period in English history very well for a low-budget production. Price is at his menacing, sadistic best without the intentional camp that he injects in so many of his other horror films.
An extras disc will contain a documentary ("Vincent Price: Renaissance Man") and two featurettes ("The Art of Fear" and "Working with Vincent Price"). The set will be available on September 11th.

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Disc 1 Side A: Abominable Dr. Phibes WSDisc 1 Side B: Dr. Phibes Rises Again WSDisc 2 Side A: Tales of Terror WS Disc 2 Side B: Twice Told Tales WS Disc 3 Side A: Theater of Blood WS Disc 3 Side B: Madhouse WSDisc 4: Witchfinder General (aka Conqueror Worm) WSDisc 5: Bonus Disc **"Vincent Price: Renaissance Man" - Documentary **"The Art of Fear" - Featurette **"Working with Vincent Price" - Featurette

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