Showing posts with label roger corman. Show all posts
Showing posts with label roger corman. Show all posts

9/27/2011

Theater of Blood (1973) Review

Theater of Blood  (1973)
Average Reviews:

(More customer reviews)
As incredibly good as this movie is, one must give pause before attempting to review it; after all, Vincent Price plays an actor who murders the critics who panned his performances and cost him the acting award he felt he deserved. I find it something of a relief to have nothing at all negative to say about this unusual, almost brilliant movie. This is essentially a slasher film, but it differs markedly from its modern counterparts by injecting the story with intelligence, culture, and actual feeling. Vincent Price plays Edward Lionheart, a Shakespearean actor who deigns to perform no dramas not penned by the Bard. There is no better actor, he truly believes, than himself, and thus he is slowly crushed by the stream of bad reviews the local critics hurl down upon his performance in one play after another. After facing humiliation at an annual awards banquet, he takes his own life-or at least so everyone thought at the time, despite the fact that his body was never found. Two years later, a literary critic dies mysteriously on the ides of March of multiple stab wounds. Then a second critic is killed and his body dragged through the streets behind a horse. As more critics die, it begins to become clear, even to the rather ineffectual police, that the murders are all patterned on the death scenes of Shakespearean dramas. After the fourth murder, where the culprit deviates from the script of The Merchant of Venice by literally taking a pound of flesh from the victim, the de facto leader of the critics knows that Lionheart is the murderer because "only he would have the temerity to rewrite Shakespeare." The deaths here range from the somewhat comical to the ludicrously horrid to the deliciously gruesome, with a few nice touches of 1973-style blood thrown in for good measure. Each murder is of course accentuated by a vainglorious dramatic performance by Lionheart. This imbues the movie with both maudlin comedy as well as academic pretentiousness. At the very end, even more unexpected emotions bubble up in the viewer, a phenomenon manifesting itself through a combination of Price's perfectly over-the-top acting and a wonderfully evocative soundtrack.
One actually gets something of a lesson in Shakespeare in this film. Lionheart doesn't base his revenge killings on Shakespeare's most famous plays-instead, he draws on several that I and probably many others are not intimately familiar with-yet the magic he breathes into each scene makes one anxious to delve into the Bard's original plays themselves. In total, the following Shakespearean plays serve as the basis of the murders: Julius Caesar, Troilus and Cressida, Cymbeline, The Merchant of Venice, Richard the Third, Romeo and Juliet, Othello, Henry the Sixth, part 1, Titus Andronicus, and King Lear. A little Hamlet is also thrown in for good measure. I must say that the cast is a great complement to the storyline, although even the lovely Diana Rigg of Avengers fame pales in the shadow of Price's mesmerizing aura as he brings to life a character seemingly written especially for him. Who else could have played such a convincing Shakespearean actor and ingeniously mad killer simultaneously? I must admit it is somewhat strange to watch Rigg play the role of Lionheart's fiercely loyal daughter, though, and I daresay that many Rigg devotees such as myself may not even recognize her when she first appears.
Theater of Blood is truly one of Vincent Price's most memorable performances. His ability to morph into and truly become different Shakespearean characters is superb, and the range of emotions he is able to express is pretty powerful, especially in the closing moments of the film. A couple of the killings are somewhat farcical, but most of them are rather ingenious and fascinating. Just wait until you see Price playing the role of a bushy-headed hairdresser. The best killing, without a doubt, involves a surgical gown, a scalpel, and a handsaw-I'll let you figure out what Lionheart does with these items. The idea for this movie may not be wholly original, but Theater of Blood works magnificently, and the combined talents of Price and Rigg make this a classic that really should find a home in the collection of all horror movie buffs.

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9/01/2011

Theatre of Blood (1973) Review

Theatre of Blood (1973)
Average Reviews:

(More customer reviews)
As incredibly good as this movie is, one must give pause before attempting to review it; after all, Vincent Price plays an actor who murders the critics who panned his performances and cost him the acting award he felt he deserved. I find it something of a relief to have nothing at all negative to say about this unusual, almost brilliant movie. This is essentially a slasher film, but it differs markedly from its modern counterparts by injecting the story with intelligence, culture, and actual feeling. Vincent Price plays Edward Lionheart, a Shakespearean actor who deigns to perform no dramas not penned by the Bard. There is no better actor, he truly believes, than himself, and thus he is slowly crushed by the stream of bad reviews the local critics hurl down upon his performance in one play after another. After facing humiliation at an annual awards banquet, he takes his own life-or at least so everyone thought at the time, despite the fact that his body was never found. Two years later, a literary critic dies mysteriously on the ides of March of multiple stab wounds. Then a second critic is killed and his body dragged through the streets behind a horse. As more critics die, it begins to become clear, even to the rather ineffectual police, that the murders are all patterned on the death scenes of Shakespearean dramas. After the fourth murder, where the culprit deviates from the script of The Merchant of Venice by literally taking a pound of flesh from the victim, the de facto leader of the critics knows that Lionheart is the murderer because "only he would have the temerity to rewrite Shakespeare." The deaths here range from the somewhat comical to the ludicrously horrid to the deliciously gruesome, with a few nice touches of 1973-style blood thrown in for good measure. Each murder is of course accentuated by a vainglorious dramatic performance by Lionheart. This imbues the movie with both maudlin comedy as well as academic pretentiousness. At the very end, even more unexpected emotions bubble up in the viewer, a phenomenon manifesting itself through a combination of Price's perfectly over-the-top acting and a wonderfully evocative soundtrack.
One actually gets something of a lesson in Shakespeare in this film. Lionheart doesn't base his revenge killings on Shakespeare's most famous plays-instead, he draws on several that I and probably many others are not intimately familiar with-yet the magic he breathes into each scene makes one anxious to delve into the Bard's original plays themselves. In total, the following Shakespearean plays serve as the basis of the murders: Julius Caesar, Troilus and Cressida, Cymbeline, The Merchant of Venice, Richard the Third, Romeo and Juliet, Othello, Henry the Sixth, part 1, Titus Andronicus, and King Lear. A little Hamlet is also thrown in for good measure. I must say that the cast is a great complement to the storyline, although even the lovely Diana Rigg of Avengers fame pales in the shadow of Price's mesmerizing aura as he brings to life a character seemingly written especially for him. Who else could have played such a convincing Shakespearean actor and ingeniously mad killer simultaneously? I must admit it is somewhat strange to watch Rigg play the role of Lionheart's fiercely loyal daughter, though, and I daresay that many Rigg devotees such as myself may not even recognize her when she first appears.
Theater of Blood is truly one of Vincent Price's most memorable performances. His ability to morph into and truly become different Shakespearean characters is superb, and the range of emotions he is able to express is pretty powerful, especially in the closing moments of the film. A couple of the killings are somewhat farcical, but most of them are rather ingenious and fascinating. Just wait until you see Price playing the role of a bushy-headed hairdresser. The best killing, without a doubt, involves a surgical gown, a scalpel, and a handsaw-I'll let you figure out what Lionheart does with these items. The idea for this movie may not be wholly original, but Theater of Blood works magnificently, and the combined talents of Price and Rigg make this a classic that really should find a home in the collection of all horror movie buffs.

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8/24/2011

Vincent Price: MGM Scream Legends Collection (The Abominable Dr. Phibes / Tales of Terror / Theater of Blood / Madhouse / Witchfinder General / Dr. Phibes Rises Again / Twice Told Tales) (1973) Review

Vincent Price: MGM Scream Legends Collection (The Abominable Dr. Phibes / Tales of Terror / Theater of Blood / Madhouse / Witchfinder General / Dr. Phibes Rises Again / Twice Told Tales) (1973)
Average Reviews:

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This set will contain seven of Vincent Price's better horror films of the 1960's and 1970's and even includes a bonus disc of extra features. MGM is no Warner Home Video when it comes to DVD boxed sets and extra features, but this one shows progress in that direction. The following are the details on the included films and extra features.
Abominable Dr. Phibes: Price gives a campy performance in one of the few horror films which successfully and intentionally joins comedy and horror. Joseph Cotten and Terry-Thomas are just two of the victims on whom Price seeks vengeance for his disfigurement and his wife's death. The Art Deco sets give the film a stylish look and the British deadpan delivery of many of the jokes helps immensely.
Dr. Phibes Rises Again: The disfigured madman (Price) is back as he and his deceased wife go boating down the Underground River of the Dead in this sequel to The Abominable Dr. Phibes. Once again, everybody is in it for the laughs including the set designer.
Tales of Terror - Three stories adapted very loosely from the work of Edgar Allen Poe - "Morella", "The Black Cat" and "The (Facts in the) Case of M. Valdemar", each roughly one half-hour in length.
Twice Told Tales - This is a compilation of three short films based on Nathaniel Hawthorne works - Heidegger's Experiment, Rappaccini's Daughter and The House of Seven Gables. In both this film and "Tales of Terror", the idea is not so much to be true to the original story, as it is to use the foundation of the story to the advantage of Cormen's ability to make scary movies and in Price's ability to star in them.
Theater of Blood: An entertaining horror film about a demented Shakespearean actor (Price) who takes a bloody revenge against the eight theatre critics who gave his performances bad reviews. To me this one of Price's often forgotten and most underrated films. He really hams it up and it works perfectly.
Madhouse: Price stars as an actor who returns to the screen to reprise his role as a killer a few years after his wife-to-be was decapitated by a killer nobody caught. Price is good as always, but it just seems a little tired and more like a tribute to his past and better films.
Witchfinder General (aka Conqueror Worm): In 17th-century England during the struggle between Cromwell and the Crown, Matthew Hopkins (Vincent Price) and his associates seek out and persecute those thought to practice sorcery as well as anyone else who incurs their wrath. When Hopkins executes the priest of a small town for being a warlock, he and his partner find themselves the target of a young soldier who leaves his post in Cromwell's army to hunt down and kill the pair. The movie captures this period in English history very well for a low-budget production. Price is at his menacing, sadistic best without the intentional camp that he injects in so many of his other horror films.
An extras disc will contain a documentary ("Vincent Price: Renaissance Man") and two featurettes ("The Art of Fear" and "Working with Vincent Price"). The set will be available on September 11th.

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Disc 1 Side A: Abominable Dr. Phibes WSDisc 1 Side B: Dr. Phibes Rises Again WSDisc 2 Side A: Tales of Terror WS Disc 2 Side B: Twice Told Tales WS Disc 3 Side A: Theater of Blood WS Disc 3 Side B: Madhouse WSDisc 4: Witchfinder General (aka Conqueror Worm) WSDisc 5: Bonus Disc **"Vincent Price: Renaissance Man" - Documentary **"The Art of Fear" - Featurette **"Working with Vincent Price" - Featurette

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Click here for more information about Vincent Price: MGM Scream Legends Collection (The Abominable Dr. Phibes / Tales of Terror / Theater of Blood / Madhouse / Witchfinder General / Dr. Phibes Rises Again / Twice Told Tales) (1973)