Showing posts with label dickens. Show all posts
Showing posts with label dickens. Show all posts

1/23/2012

Great Expectations (Masterpiece Theatre, 1999) (1999) Review

Great Expectations (Masterpiece Theatre, 1999) (1999)
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This movie is excellent. I stumbled onto it on the Net accidentally because of the leading actor (Ioan Gruffudd) and his earlier portrayal of another classic character--Hornblower. Great Expectations is by far my favorite of Dickens and of all other classic literature, and this movie portrays the book wonderfully! Every scene--nearly every WORD can be found in some form in the book, from the younger Pip's nervous recital of Old Clem, to Orlick's reappearance and attempted revenge. As with all adaptations, there are a few drawbacks (and for this reason I would HIGHLY reccomend reading the book itself!). But I've seen very few movies adapted as accurately as this. Very very fine!

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Ioan Gruffudd, Justine Waddell and Charlotte Rampling star in this adaptation of Charles Dickens' enduring classic Great Expectations, the story of a young orphan named Pip who lives with his sister and her blacksmith husband, Joe.One day Pip is sent to play at the residence of Miss Havisham, a frightening, elderly woman who seems locked in the past. She wears ancient bridal attire and never moves from the dusty upper rooms of her home. Miss Havisham's beautiful but contemptuous ward, Estella, makes Pip feel appallingly inferior, creating in him a desire to better himself-changing his life forever. But despite his efforts to improve himself, the frustrated Pip seems destined to remain Joe's apprentice. Until one day a lawyer calls to inform Pip that he has "great expectations:" Pip is to be released form his apprenticeship and educated in London as a gentleman! The benefactor who has made this life transformation possible, however, wishes to remain anonymous.

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12/10/2011

Carl Davis - A Christmas Carol / Jeremy Kerridge, William Walker, Lorena Vidal, Royce Neagle, Steven Wheeler, John Pryce-Jones, Northern Ballet Theatre (2005) Review

Carl Davis - A Christmas Carol / Jeremy Kerridge, William Walker, Lorena Vidal, Royce Neagle, Steven Wheeler, John Pryce-Jones, Northern Ballet Theatre (2005)
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There have been many versions of Dickens' classic story of holiday redemption, "A Christmas Carol," but there are none quite as unique or as beautiful as this ballet version performed by the Northern Ballet Theatre. With dynamic music composed by Carl Davis, this wonderful dance piece recounts the already familiar tale of the miserly Ebenezer Scrooge and his reconnection to the world through the haunting visitations of various Christmas ghosts. From its opening chant of "Marley is dead" to the heart warming finale where Scrooge sees a final farewell from his spiritual rescuers, this event is a treat for the eye and ear. The sets are impressive, yet functional with even the set changes done in a balletic style. The costumes also are impressive. One such example is the Ghost of Chistmas Yet to Come who becomes a truly terrifying image with its skull face peering out of a black hood complete with huge dark angelic wings and scythe. The ensemble dance group do a beautiful job in interpreting Davis' music, as well as Dickens' powerful tale. Needless to say, this is an excellent production and well worth your time.

Click Here to see more reviews about: Carl Davis - A Christmas Carol / Jeremy Kerridge, William Walker, Lorena Vidal, Royce Neagle, Steven Wheeler, John Pryce-Jones, Northern Ballet Theatre (2005)



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12/02/2011

Bleak House (2005) Review

Bleak House (2005)
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For once, I am happy to find a remake of a fine old Masterpiece Theatre offering that is as good as the original. "Bleak House" is currently available on an DVD with Diana Rigg as the most familiar name; and except for some incomprehensible line readings by a young character named Joe, it is a very good account of the Dickens novel. Having already appeared on Public Television, the remake has Gillian Anderson (yes, the one from "X-Files") as Lady Dedlock, and a cast of 80 speaking roles, many of which are played by actors that will send you searching the cast listings that go by too quickly at the end of each episode.The eight parts will be shown so that the first and last will run two hours and the four in between an hour each. I found the complex plot actually easier to follow in this version than I did in the earlier one. And while I prefer Rigg to Anderson, I think I can easily recommend this new adaptation over the other.The story--lawyers will hate it--involves the infamous Court of Chancery in which disputes over estates can be buried for years until the lawyers' fees make further legalizing unnecessary. Against this background, the case of Jarndyce vs. Jarndyce being a major part of it, we have the story of John Jarndyce (Denis Lawson), his ward Ada (Carey Mulligan), her companion Esther (Anna Maxwell Martin), and Ada's beloved Richard (Patrick Kennedy).The latter becomes obsessed with the case, while Esther becomes involved in the mysterious past of Lady Dedlock, who happens to recognize the handwriting on some legal documents delivered by the utterly immoral family solicitor Tulkinghorn (Charles Dance). I will not reveal any more of the plot, lest it spoil your enjoyment. You will wind up guessing much of it, but it is a lot of fun--unless you are a lawyer.Peripheral to the plot are the usual cast of Dickens "characters": Krook the junkman (Johnny Vegas) who finds some incriminating letters (and dies the strangest death in all fiction), Smallweed the moneylender (Phil Davis) who cannot walk by himself and must be "shaken up" by his weird niece every few minutes and who gets the letters, and Miss Flite ( Pauline Collins) who looks forward to "judgment day" when her case will finally be settled and she can set her birds free.Most interesting of all is the policeman Bucket (Alun Armstong), the first real detective in English fiction. Although he looks like a toady for the rich, he does his job and does it well, solving a murder case and being considerate to a certain lady who would suffer if her connection with the case should come out.Of course, the arm of coincidence in Dickens is a long one; and while a good deal of the plot does strain credulity, the acting and period ambience are of the highest level. The only thing that annoyed me was the director segmenting his "establishing shots" (exterior views of buildings to let us know where we are) into two or three rapid cuts with some electronic "whoosh" for each one. Pretentious and irritating after the first dozen or so.


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Studio: Warner Home VideoRelease Date: 02/28/2006

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10/23/2011

Oliver Twist (Masterpiece Theatre, 1999) (2000) Review

Oliver Twist (Masterpiece Theatre, 1999) (2000)
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The poor reviews this movie has received (in both the DVD and VHS formats) I feel are totally unwarranted. This is my favorite put-to-film Dickens novel (except for the various "A Christmas Carol's" out there), and I am ecstatic that this version is finally available on DVD.
Now, in this adaption, I believe the prequel works very well. I think it makes this a much more comprehensive movie and gives the characters involved (especially Monks) much more depth. And, because of the length of this version that I am reviewing, it allows the viewer to get to know each character much deeper than the other filmed versions available. We get to know Oliver's parents and Aunt Rose up close, although it is done through liberties taken by the producer and not necessarily Dickens himself. I do feel, however, the great novelist would not particularly mind in this case.
The acting is as good, if not better, than pretty much most period epics I have seen. The actors play off of each other well - they match their roles perfectly. The costumes and sets are excellent. They have captured the early Victorian period so well - both the good and the bad - it's almost as if the viewer is peering through a looking glass into the past.
As for the story following Dickens' original novel...well, I have yet to see any movie follow a novel to a "T." It just doesn't happen, unfortunately, with virtually any put-to-film novel. But this follows the original, as a whole, much much closer than the other versions I have seen - definitely more than "Oliver," and infinitely more than the Disney version with Richard Dreyfuss, which was made into a totally different story than what Dickens had intended.
Don't let the nearly 6 hour length scare you off - there is no time during this whole version where one is bored (unless they are a child - definitely not a children's movie!). Being a fan of epic period movies, I found this to be as enticing as any other epic novels put to the screen.
Bravo to all involved!

Click Here to see more reviews about: Oliver Twist (Masterpiece Theatre, 1999) (2000)

In this extraordinary production, storyteller Alan Bleasdale broadens the scope of Charles Dickens' classic tale of an orphan in 19th century England-and the characters who influence his destiny.Oliver's mother, Agnes, struggles against the tragic circumstances that ultimately leave Oliver a penniless orphan. At the Parish Workhouse, he is forced by other boys to ask for more food, and as a result, is sold as an apprentice to a miserly undertaker. He runs away and is taken in by master thief Fagin, who is in league with a murderous pair determined to see that Oliver never inherits the fortune he deserves. Life twists and turns again and again for Oliver, landing him in alternately dangerous and hopeful circumstances.Oliver Twist is a drama of dark comedy, astonishing vivacity and soaring imagination, but ultimately, it is a story that celebrates the resilience and triumph of a little boy's spirit. Special DVD features include: materials and activities for educators; a link to the Masterpiece Theatre Web site; closed captions; and described video for the visually impaired.On three DVD5 discs.Region coding: All regions.Audio: Dolby stereo.Screen format: Letterboxed.

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9/30/2011

Nicholas Nickleby (2002) Review

Nicholas Nickleby (2002)
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I can honestly say that "Nicholas Nickleby" is my favorite of Dickens' works. His sinister villain, his earnest, upright, innocent hero, and the beautiful Kate and their plight for financial independence from their evil uncle Ralph have the foundation of a classic. I've seen several adaptations, including the more faithful Bravo version, but I like this one the best. I believe Douglas McGrath, who tastefully brought "Emma" to the silver screen, has taken an already impressive work and improved on it. The movie moves at a nice pace without becoming drenched in melodrama or lingering over the "darker" side of the story; but neither does it shy away from the meaner aspects of Dickens' characters. Uncle Ralph, if possible, is even more wicked than Dickens wrote him. It does this in a perfectly tasteful and intelligent manner and also incorporates much if the sardonic humor found in the books, something I've found the Bravo adaptation lacks.
In case you're unfamiliar with the story, the film revolves around the life of young Nicholas Nickleby and his sister Kate. Their father has died, leaving them in the hands of his older and much more financially-minded brother Ralph. Desiring to be rid of Nicholas, Ralph seeks him employment with Wackford Squeers, the owner of a boys' school in the north country. The institution puts on a good public face but is in reality a squalor where the boys are mistreated and abused while Squeers and his wife pocket what little income they can provide. While attempting to teach at this "school," Nicholas meets the crippled Smike, an orphan whom the Squeers keep on out of "the goodness of their hearts." Eventually his friendship with Smike will have a vast impact on not only his life, but that of his uncle Ralph as well.
The casting for this film is nothing short of exquisite. Douglas McGrath isn't afraid to cast British actor but American-unknown Charlie Hunnam in the lead. The young actor has a fluid intelligence in his performance and looks ideal in a period setting. Anne Hathaway ("The Princess Diaries") plays his love interest, and "Daniel Deronda's" Romola Garai is a beautiful and sweet Kate Nickleby. Throw in Christopher Plummer (whose snarling Uncle Ralph should have won an Oscar), Nicholas Rowe, Edward Fox, Jamie Bell, Nathan Lane, and Alan Cumming, and you have a well-rounded, top-notch cast. The roles are all performed with intelligence and insight, the costuming is lovely, and the script never lags.
From a family -- and indeed a Christian perspective -- I'm happy to report that McGrath's screenplay maintains the height of decency. Even when dealing with tedious and "offensive" elements, such as Sir Mulberry Hawke's pursuit of Kate, the film does its best to present the scenario in a way which won't offend mainstream audiences. There are some intense scenes at the Squeers' school, where children are flogged, but these scenes are kept to a minimum and never overly graphic. I particularly enjoyed seeing Nicholas defend the honor of Smike, Madeline, and his sister Kate. For those who haven't read the novel, the story ends with a surprising twist with little clues planted along the way to point you toward the truth. For those who do know the ending, it's handled beautifully and has great screen impact.
I was fortunate enough to see this on the big screen in a little theatre in the heart of the city while others were flocking to much bigger and less enthusiastic releases. I've looked forward to owning the DVD for a long time.

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I love Nicholas Nickleby! exclaims Roger Ebert of this vibrant tale of intrigue, passion and revenge. And what's not to love?Brisk, sparkling(Entertainment Weekly),marvelously acted(Time) and featuringas terrific an ensemble as we ve seen(The San Francisco Examiner), this Golden Globe-nominated* adaptation of Dickensmasterpiece is a timeless romantic adventure you'll treasure for years!When the Nickleby family is betrayed in their hour of need, young Nicholas (Charlie Hunnam) must save the day. Join him on a remarkable journey that critics unanimously praise as a joy to watch(Leonard Maltin)!

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9/12/2011

The Charles Dickens Collection, Vol. 1 (Oliver Twist / Martin Chuzzlewit / Bleak House / Hard Times / Great Expectations / Our Mutual Friend) (1999) Review

The Charles Dickens Collection, Vol. 1 (Oliver Twist / Martin Chuzzlewit / Bleak House / Hard Times / Great Expectations / Our Mutual Friend) (1999)
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This DVD set is a great entertainment value. Unfortunately, the set advertises closed captions but my new JVC television with closed caption ability shows no closed captions for any of the titles. The BBC productions really need subtitles for the hearing impaired. For some reason they don't have a policy of adding this enhancement to their DVDs'.

Click Here to see more reviews about: The Charles Dickens Collection, Vol. 1 (Oliver Twist / Martin Chuzzlewit / Bleak House / Hard Times / Great Expectations / Our Mutual Friend) (1999)

In these six acclaimed adaptations of his classics we enter Dickens's vibrant Victorian London encountering the outsized comic characters social commentary epic love stories and dark murder mysteries that have made these stories so timeless.System Requirements:Length: 1920 minsFormat: DVD MOVIE Genre:DRAMA UPC:794051234421

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9/07/2011

A Tale of Two Cities (Masterpiece Theatre, 1989) Review

A Tale of Two Cities (Masterpiece Theatre, 1989)
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This film version of A Tale of Two Cities is a masterpiece -- it faithful adapts Dickens' classic novel while holding out as a worthwhile movie in its own right through incredible performances from its lead actors. The plot of the novel has not been touched -- in filming Dickens' most tightly-plotted novel, a good decision. The acting is uncommonly good. Sydney Carton is fabulously done; James Wilby is to be commended for a wonderful and nuanced performance. I also found Madame Defarge particularly well-done; the actress playing her is SCARY! Considering Mme. Defarge's character in the book, I think her almost insane bitterness and sharp purpose is well-portrayed.
A couple of unique things about this film include its use of French actors to play French characters and British actors to play British characters. No contrived accents, and people actually look their nationality -- both important in such a highly political story. I also strongly support the decision to have Carton and Darnay played by different people; yes, they're supposed to look alike, but not identical. And having different actors play them facilitates the portrayal of their very contrasted characters.
I am admittedly coming from the perspective of one who read and loved the book years before seeing the movie; I can't judge what this film would be like to someone who has never read the novel. But I found it an accurate and sensitive adaptation of the book I know and love, and I imagine that the beauty of the story would appeal just as easily to someone experiencing the story for the first time.

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Studio: Bfs Ent & Multimedia LimiRelease Date: 10/02/2001Run time: 208 minutes

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8/24/2011

Little Dorrit (2009) Review

Little Dorrit (2009)
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I will always be a tremendous fan of the two part film version with Derek Jacobi and Sir Alec Guiness, now generally only found on used video tape. This wonderful new miniseries does however acquit itself very nicely. Shown earlier in the UK, the acting by Matthew Macfadyn (of Pride and Prejudice fame) captures the well-intentioned and kind hearted Arthur Clennam perfectly. Equally impressive is Claire Foy as the courageous and decent Little (Amy) Dorrit. Still the best may be the character portrayed by Tom Courtenay, William Dorrit, "the father of the Marshalsea" the famous debtors' prison. The series is full of very strong supporting performances, it would take far too long to list the many wonderful actors and actresses who are found in every scene.
The show follows a very typical Dickens plot of slowly developing mysteries and strangely interwoven relationships. Little Dorrit was born inside a debtors' prison and has lived her entire life working unendingly and without complaint to make her father's decades long imprisonment there more bearable. She is the first child born there; this fact and his former stature as a gentleman gives him an informal social superiority inside that he enjoys and uses as possible to his personal benefit. The arrival in London of Arthur Clennam from China to share with his mother the news of his father's death, pushes an already moving story into many surprising turns. Rich and poor, good and bad, people of all social circles find themselves pulled into confronting their changing fortunes. Some who find themselves well-off deal with their new situation far less well than those dealing with adversity.
Dickens is telling a story far too near to his own with the theme of these families forced to see many generations live behind prison walls for the want of a few pounds. The story is one of his strongest and this series tells it honestly and with an incredible strength of cast and script.

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Acclaimed screenwriter Andrew Davies (Pride and Prejudice, Bleak House) brings to DVD an all new Dickens adaptation starring Academy Award Nominee Tom Courtenay (The Golden Compass), Matthew Macfadyen (MI-5, Pride and Prejudice) and newcomer Claire Foy (Being Human). This gripping new series brings to life Dickens's powerful story of struggle and hardship in 1820s London. When Arthur Clennam (Macfadyen) returns to England after many years abroad, his curiosity is piqued by the presence in his mother's house of a young seamstress, Amy Dorrit (Foy). His quest to discover the truth about "Little Dorrit" takes him to the Marshalsea Debtors Prison, where he discovers that the dark shadows of debt stretch far and wide. Filled with humorous yet tragic characters, Little Dorrit is a stirring rags to riches to rags story, exposing the underbelly of nineteenth century British society as only Charles Dickens can.

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