King Lear Review

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(More customer reviews)Now a celebrity, courtesy of Bilbo Baggins (the keepcase to this King Lear DVD bills him as "of the Lord of the Rings"), Ian Holm was a great actor long before he was Bilbo. On this DVD he delivers a Lear on a par with the twentieth century's greatest, including Olivier's. But the excellence of this version results not just from one bravura performance, but from an intelligently conceived approach to the play, seamlessly executed by a competent, superbly chosen cast. Of innovative productions there is no end, but what a rarity, and what a joy, when innovation comes across as deeply authentic, rooted in the text and the humanity of the play, as if the new take had always been there, concealed in the text, waiting for centuries to be discovered. One can argue whether Lear should be presented as a "psychological" drama of broken family relationships, and I have mixed feelings about the approach; but if, as our leading Shakespeare critic maintains, Shakespeare "invented" our understanding of human nature, then surely this approach should be tried. And it works to perfection here. Goneril and Regan, the "bad daughters," evolve into monsters of pure evil, but along the way we see, via some remarkable facial expressions that play particularly well on the small screen, flashes of the agonizing pain and hurt that their overbearing father has inflicted on them. This is true also of Cordelia, the "good" daughter; all these daughters are visibly tormented in the presence of their father, though Cordelia overcomes her past through love and forgiveness. What keeps this from being the greatest Lear on video is that the text is heavily abridged. Those who know the play will have trouble escaping the occasional feeling that they are trapped in a "60 Second Lear" from Tom Stoppard or the Reduced Shakespeare Company. The greatest of Shakespeare's lines remain, but how much greater they are when they emerge from his larger linguistic context. At points the cutting even confuses the plot. One gets no hint from this version that the "bedlam" Edgar is only feigning madness; for awhile you would think he's actually gone bonkers.

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This spectacular film version of the award-winning Royal National Theatre production of King Lear stars the immensely celebrated actor Ian Holm. Critics used every superlative imaginable to acclaim Holm's performance in King Lear when it was first staged. The Sunday Times called his performance, "Timelessly classical, harrowingly modern and unforgettable," and The Evening Standard wrote: "Holm's triumph is indisputable total." The Royal National Theatre production of the Shakespeare classic has now won the award for Best Actor (Ian Holm) and Best Director (Richard Eyre) in the Evening Standard Awards, the London Theatre Critics Award and The Laurence Olivier Awards.Lear, King of Britain, has three daughters: Goneril, Regan and Cordelia. Intending to divide his kingdom among his daughters according to their affection for him, he asks them to say which loves him most. Goneril and Regan profess their extreme affection, and each receives one-third of the kingdom. Cordelia, disgusted with their hollow flattery, says she loves him according to her duty, no more or less. Infuriated with this reply, Lear divides her portion between Goneril and Regan. Eventually the two daughters reveal their true heartlessness and a tragic chain of events are set into motion.

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Henrik Ibsen Collection (Hedda Gabler / Ghosts / Little Eyolf / The Wild Duck / The Master Builder) (1963) Review

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(More customer reviews)Because one of the earlier posters asked, the titles included in the set are "Brand", "A Doll's House", "Hedda Gabler", "The Wild Duck", "Ghosts", "Little Eyolf", "An Enemy of the People", "The Lady from the Sea" and two versions of "The Master Builder." Also included are the following plays in radio versions: "Peer Gynt", "The Pretenders", "Emperor and Galilean", "The Pillars of Society", "Rosmersholm", "John Gabriel Borkman", "When We Dead Awaken" and "A Meeting in Rome" by Michael Meyer (a play about a meeting between Ibsen and August Strindberg).

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The Henrik Ibsen Collection features ten star-studded BBC productions of Ibsen's most famous plays, together in one six-disc box set. Considered the father of modern realistic drama, Henrik Ibsen is one of the most important playwrights of all time. His plays attacked the values of the Victorian society in which he lived and were considered scandalous during his lifetime. Yet many of his themes are thoroughly modern today. The Henrik Ibsen Collection features stellar casts in Ibsen's best-known works, including Ingrid Bergman and Michael Redgrave in Hedda Gabler, Judi Dench and Michael Gambon in Ghosts, Anthony Hopkins and Diana Rigg in Little Eyolf, Denholm Elliot in The Wild Duck, Sir Donald Wolfitt and Leo McKern respectively in two extraordinary productions of The Master Builder, and much more. It's a quintessential part of any theater lover's library.

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Seeing Red: Masterpiece Theatre (1999) Review

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(More customer reviews)I defy anyone to watch this drama, based on the life of a British TV actress who became a leading child care crusader, and firstly not cry, secondly not feel compelled to help as Coral Atkins did. Lancashire is perfect as the ballsy, party Girl who will stop at nothing to do right by her charges.
Inspirational and beautiful.

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The extraordinary true story of Coral Atkins--the '70s star who became a children's crusader.Sarah Lancashire stars as Coral Atkins, the ultimate '70s party girl and star of stage and screen, in this touching real-life drama.Beautiful and talented, Coral Atkins had fame, fortune and a life of luxury. One day, while appearing at a charity event, she witnessed the distress of a young child in foster care, and her life changed forever. Despite furious battles with authorities, and while pursuing a hectic career as the star of Family At War, Coral Atkins revolutionized the fostering system. Her determination to help children whom the system had failed led her to buy a rambling country house, which she transformed into the home where many children experience real affection for the first time. Highly disturbed and abused children found themselves in the often unruly, but never dull world of Coral Atkins. Hers is not only an exceptional story, but also a penetrating indictment of the social services.

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Body and Soul (1993) Review

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(More customer reviews)It is almost a rite of passage for beautiful actresses to portray a nun-Ingrid Bergman, Audrey Hepburn, Deborah Kerr, Jennifer Jones and Julie Andrews have all starred as women with religious vocations (and never have whimples been more flattering). Heart and Soul features beautiful Kristin Scott Thomas as the innocent yet sensual Sister Gabriel/Anna Gibson, a woman torn between the two worlds of a Welsh convent and a gritty English mill in a story based on Marcelle Bernstein's novel.
Sister Gabriel/Anna is already doubting her vocation when a family tragedy takes her back out into the world that she renounced 16 years ago. Believable character arcs, realistic sets and an excellent supporting cast make this a very satisfying five hour drama. A must see for Thomas fans. Very gripping-I had to make myself quit watching and go to bed!! Yeah BBC.



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Academy Award-nominee Kristin Scott Thomas (The English Patient, Four Weddings and a Funeral) shines in one of her earliest starring roles in this acclaimed miniseries based on Marcelle Bernstein's powerful novel. After sixteen years of poverty, chastity, and silent obedience in a secluded convent in Wales, Anna Gibson is beginning to doubt her vocation.When her brother dies tragically, Anna is forced to take charge of his young family, including his pregnant wife, Lynn, and her two sons, and the bankrupt textile mill he has left behind in the north of England. Anna finds herself in an alien and hostile modern world.For the first time in her life, she is confronted by her own identity as a woman, and she is forced to choose between two conflicting worlds. As seen on Masterpiece Theatre.

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Nicholas Nickleby (2002) Review

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(More customer reviews)I can honestly say that "Nicholas Nickleby" is my favorite of Dickens' works. His sinister villain, his earnest, upright, innocent hero, and the beautiful Kate and their plight for financial independence from their evil uncle Ralph have the foundation of a classic. I've seen several adaptations, including the more faithful Bravo version, but I like this one the best. I believe Douglas McGrath, who tastefully brought "Emma" to the silver screen, has taken an already impressive work and improved on it. The movie moves at a nice pace without becoming drenched in melodrama or lingering over the "darker" side of the story; but neither does it shy away from the meaner aspects of Dickens' characters. Uncle Ralph, if possible, is even more wicked than Dickens wrote him. It does this in a perfectly tasteful and intelligent manner and also incorporates much if the sardonic humor found in the books, something I've found the Bravo adaptation lacks.
In case you're unfamiliar with the story, the film revolves around the life of young Nicholas Nickleby and his sister Kate. Their father has died, leaving them in the hands of his older and much more financially-minded brother Ralph. Desiring to be rid of Nicholas, Ralph seeks him employment with Wackford Squeers, the owner of a boys' school in the north country. The institution puts on a good public face but is in reality a squalor where the boys are mistreated and abused while Squeers and his wife pocket what little income they can provide. While attempting to teach at this "school," Nicholas meets the crippled Smike, an orphan whom the Squeers keep on out of "the goodness of their hearts." Eventually his friendship with Smike will have a vast impact on not only his life, but that of his uncle Ralph as well.
The casting for this film is nothing short of exquisite. Douglas McGrath isn't afraid to cast British actor but American-unknown Charlie Hunnam in the lead. The young actor has a fluid intelligence in his performance and looks ideal in a period setting. Anne Hathaway ("The Princess Diaries") plays his love interest, and "Daniel Deronda's" Romola Garai is a beautiful and sweet Kate Nickleby. Throw in Christopher Plummer (whose snarling Uncle Ralph should have won an Oscar), Nicholas Rowe, Edward Fox, Jamie Bell, Nathan Lane, and Alan Cumming, and you have a well-rounded, top-notch cast. The roles are all performed with intelligence and insight, the costuming is lovely, and the script never lags.
From a family -- and indeed a Christian perspective -- I'm happy to report that McGrath's screenplay maintains the height of decency. Even when dealing with tedious and "offensive" elements, such as Sir Mulberry Hawke's pursuit of Kate, the film does its best to present the scenario in a way which won't offend mainstream audiences. There are some intense scenes at the Squeers' school, where children are flogged, but these scenes are kept to a minimum and never overly graphic. I particularly enjoyed seeing Nicholas defend the honor of Smike, Madeline, and his sister Kate. For those who haven't read the novel, the story ends with a surprising twist with little clues planted along the way to point you toward the truth. For those who do know the ending, it's handled beautifully and has great screen impact.
I was fortunate enough to see this on the big screen in a little theatre in the heart of the city while others were flocking to much bigger and less enthusiastic releases. I've looked forward to owning the DVD for a long time.

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I love Nicholas Nickleby! exclaims Roger Ebert of this vibrant tale of intrigue, passion and revenge. And what's not to love?Brisk, sparkling(Entertainment Weekly),marvelously acted(Time) and featuringas terrific an ensemble as we ve seen(The San Francisco Examiner), this Golden Globe-nominated* adaptation of Dickensmasterpiece is a timeless romantic adventure you'll treasure for years!When the Nickleby family is betrayed in their hour of need, young Nicholas (Charlie Hunnam) must save the day. Join him on a remarkable journey that critics unanimously praise as a joy to watch(Leonard Maltin)!

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Cranford: Return to Cranford Review

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(More customer reviews)I was able to watch this follow-up to Cranford thanks to a particular website and I promptly pre-ordered the DVD as I loved "Cranford" and its host of interesting and eccentric characters (and yes, I am a period drama fan, especially of BBC productions). This is actually a 2-part special that is not only inspired by the original Cranford, but also two other stories by author Elizabeth Gaskell, i.e. "The Moorland Cottage", and also "The Cage at Cranford", see Three Tales of Cranford: Cranford, The Cage at Cranford, and The Moorland Cottage. Besides the familiar and beloved cast of the original Cranford such as Miss Matty (Dame Judi Dench), Miss Pole (Imelda Staunton), Mrs Forrester (Julia McKenzie), Miss Tomkinson (Deborah Findlay), etc. several new characters are introduced, such as Lady Glenmire (played by Celia Imrie), and the conjuror Signor Brunoni(Tim Curry).
The first part is set in summer 1844 - it has been two years since dear Miss Matty (Dame Judi Dench in another luminous portrayal) lost her beloved sister Deborah, and a year since Sophy Hutton married Dr Harrison (these two characters are no longer in this show). Miss Matty seems content with the presence of her brother Peter (Nicholas Le Prevost) who is home from India, and helps look after Tilly, the baby of her maid Martha and carpenter Jem Hearne. The continuity from the original Cranford is seen in the railway project which still looms menacingly over the town. Things are also made more exciting with the arrival of Mr. Buxton, a wealthy widower who lives with his ward Erminia (Michelle Dockery) and his son William (Tom Hiddleston who is quite the eye candy). Life in Cranford is always full of surprises and when Lady Ludlow's long absent son Septimus (Rory Kinnear) arrives, things take unexpected turns, precipitated by a tragedy in the family. The old tensions are there - especially between those that are against the railroad project and those ,like Captain Brown and young William who feel that modernization is essential to Cranford's long-term survival. Miss Matty, in her usual subtle fashion, gets involved in some of these village proceedings, with some rather startling results.
The second part is set later in the year 1844, October up till Christmas - Miss Matty and her friends are predictably excited at the visit of Lady Glenmire (Celia Imrie) but when Mrs Jamieson (Barbara Flynn) feels no one amongst her peers is of suitably high rank to meet her, she and Lady Glenmire get snubbed by Matty and company and it is left to Lady Glenmire to set things right in a most memorable way. Matty also faces some challenges that involves a falling out amongst her circle of friends,a serious romance between William and a young woman deemed unsuitable by his father (which has Matty pondering the wisdom of her 'involvement' in bringing the pair together), and more tragedy on the horizon, affecting the citizens of Cranford.The magic of the original is still evident and this follow-up (of sorts - it's not strictly a sequel though some story arcs from the first Cranford get developed here) is still charming and engrossing. A fair note of warning, this particular installment in the Cranford franchise is much more subdued than the original and there's quite a fair bit of tragedy - there's death (involving a couple of familiar characters who were also in the original), grief, tension, family drama, imperiled friendships, the age-old battle between those opposed to change and those who embrace the challenges of modernization,etc., but there's also romance, lighthearted moments and even a bit of magic!The comic and the tragic are seamlessly blended into the story, resulting in an immensely satisfying viewing experience. I loved it though I can understand how this particular follow-up might disappoint purists who loved the original and how well it adhered to Gaskell's novel. As for the production qualities - they are excellent. The cinematography is gorgeous, capturing the beauty of the village surroundings as well as the period details, and the score complements the story perfectly. I wish I could be so lucky as to live in a place like Cranford!

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Welcome to Cranford, where all changes and all remains the same. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realised in the birth of Tilly, daughter of her maid Martha and carpenter Jem. The shadow of the railway still looms but, to the relief of Matty and the Amazons, the line has been halted five miles outside of Cranford because of Lady Ludlow's refusal to sell her land. Elsewhere Miss Matty\'s friend Mr Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty decides to introduce them to Peggy Bell, a young woman who lives in an isolated cottage with her mother and domineering brother, Edward, in the hope of building friendships. But, when tragedy strikes, she comes to believe that she has opened Pandora's box and fears Cranford will never recover.

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Cranford (2007) Review

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(More customer reviews)I ordered this from Amazon UK to be able to view this prior to its release date. I was not disappointed! Sadly, I had to watch it by myself because my husband didn't think he'd like it. He would have been wrong, by the way. It was exquisite in every way.
I watched it over 2 nights. It's a 5 hour miniseries and it is broken up into five 1 hour-long episodes.
The first 3 hours were very very good. Excellent, even. But the last 2 hours were absolutely perfect.
In Cranford, we meet many of its residents with most of the focus on 2 spinster sisters and their surrounding friends and relatives. Everyone is kind here and look out for their neighbors and generally want to live correctly and do the right thing. Their village has been like this for ages and the citizens have all known eachother since birth. It is an idyllic place and a happy place. They welcome new residents, too, with every bit of friendliness.
Cranford has existed in the same way for years, even though times are changing. A railroad may come through the town and most residents are against this type of change. For with the positive changes-- such as information, goods, and knowledge, there would also be negative changes-- more transients, less safety, etc.
The intertwined story lines here involve the two sisters, class distinctions, entitlements and expectations, a very funny love triangle, and accepting change and modernity.
One of the best stories involves the young son of a poacher (one who kills animals on others' land). The manager of the aristocrat's large estate takes the young boy under his wing and wants to teach him to read and write. The aristocratic Lady finds out and believes that those of this underclass should not attempt to learn skills outside their "class". Maybe worse, the boy's father finds out of the boy's desire to read and also disapproves. We find out later that the Lady isn't cold-hearted. On the contrary. She's kind-hearted and full of pain, yet it's difficult for her to recognize the times are changing and that some of her ways must change, too.
When a new handsome doctor moves to town, he immediately falls for Sophy. Sophy returns his admiration, yet so do 2 others who misunderstand his general kindness for more romantic intentions. This culminates in expected confusion, but the outcome is happy at the end.
Those watching Cranford from the beginning may take it to be an old-fashioned chick-flick. It's really not, though. It does focus on the women of Cranford more than the men, but the stories depicted cross gender lines. Change-- industrialization-- is the antagonist here, along with fear of change. However, as new medical practices save several lives, and a member of the trade class saves a member of the Upper class, it's also obvious that change, by itself, isn't bad. It can be positive for everyone involved.
This is a fantastic series. The only disappointment was that it was only five hours! I definitely could have watched another few episodes with the same interest these five held. Beautifully acted, filmed, and scored. The entire film was thoroughly enjoyable.


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The BBC drama series adapted from Elizabeth Gaskell's classic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change… For spinsters Deborah Jenkyns, the arbiter of correctness in Cranford, and Matty, her demurring sister, the town is a hub of intrigue - a handsome new doctor Frank Harrison from London has arrived; a retired Captain and his daughters have moved in to a house opposite and the preparations for Lady Ludlows garden party are underway. Everyone - from charming rogue Dr Marshland to mean Mrs Jamieson and her lap dog talks, and is talked about, behind closed doors. The town also has its secrets which it slowly reveals: Mattys encounter with an old flame at the garden party; Lady Ludlows gardener, Mr Carter, teaching a gypsy lad to read and write; the wild expectations of the May Day celebrations and - news that shakes the town when it is revealed - a railway line from Manchester is coming to Cranford.

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Cranford: The Collection (Cranford / Return to Cranford) Review

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(More customer reviews)Cranford Collection
Cranford (2008)
Cranford aka the Cranford Chronicles, based on Elizabeth Gaskell's story is a stellar production. It is a lush period drama and is very authentic in its portrayal of people living in a little hamlet called Cranford. The sets are beautiful as are the costumes, and of course the production is elevated to a level of excellence by its impeccable casting. Writer Heidi Thomas does a wonderful job of adapting Elizabeth Gaskell's story [purportedly based on Gaskell's own hometown] and though liberties are taken, the stellar cast more than makes up for whatever deficiencies there may be in the faithfulness of the adaptation. Dame Eileen Atkins [Miss Deborah Jenkins] and Dame Judi Dench [Miss Matty Jenkins] portray two spinster sisters in 1842 who live in the little town of Cranford. Far from being a quiet little hamlet, this little town hums with activity and village gossips, especially a Miss Pole [Imelda Staunton]who flits around from one hearsay to another, avidly passing on any little nuggets of gossip to the other inhabitants.
Cranford is set aflutter by the arrival of a new doctor, Dr Harrison [Simon Woods] who is young, handsome, single and very much into trying new methods of treatment, to the initial consternation of the townspeople. Dr Harrison finds himself attracted to a beautiful local lass, Sophy [Kimberly Nixon] though he inadvertently attracts the romantic affections of other single women in Cranford. But the story does not merely focus on romance, as there are other more serious themes underlying the series. For one, there is talk of a railroad being built that would go through Cranford, and disrupt the idyllic life in the village, giving rise to the inevitable battle between modernization and the desire for things to remain unchanged. The local rich lady, Lady Ludlow portrayed by Francesca Annis is very much opposed to change, and not only opposes the railroad but also any form of societal change, such as literacy amongst the lower classes [she refuses to hire a maid who is literate, saying the girl's parents did her a disservice by teaching her to read].
There is also the theme of lost love, death and grief. Miss Matty Jenkins[ Judi Dench] finds herself recounting the tale of her lost love [played by Michael Gambon]. This is what makes Cranford such an engaging viewing experience - the absurd [the story of the cat swallowing an antique lace and how the lace is retrieved] is interlaced with tales of poignancy and everything unfolds leisurely. It is a tale that we wish will never end, and hope to revisit again and again.
Return to Cranford (2009)
This is not really a sequel (though some story arcs from the original do get developed here), but a 2-part special that is inspired in part by Cranford, and also two other stories by author Elizabeth Gaskell, i.e. "The Moorland Cottage", and also "The Cage at Cranford", see Three Tales of Cranford: Cranford, The Cage at Cranford, and The Moorland Cottage. Besides the familiar and beloved cast of the original Cranford such as Miss Matty (Dame Judi Dench), Miss Pole (Imelda Staunton), Mrs Forrester (Julia McKenzie), Miss Tomkinson (Deborah Findlay), etc. several new characters are introduced, such as Lady Glenmire (played by Celia Imrie), and the conjuror Signor Brunoni(Tim Curry).
The first part is set in summer 1844 - it has been two years since dear Miss Matty (Dame Judi Dench in another luminous portrayal) lost her beloved sister Deborah, and a year since Sophy Hutton married Dr Harrison (these two characters are no longer in this show). Miss Matty seems content with the presence of her brother Peter (Nicholas Le Prevost) who is home from India, and helps look after Tilly, the baby of her maid Martha and carpenter Jem Hearne. The continuity from the original Cranford is seen in the railway project which still looms menacingly over the town. Things are also made more exciting with the arrival of Mr. Buxton, a wealthy widower who lives with his ward Erminia (Michelle Dockery) and his son William (Tom Hiddleston who is quite the eye candy). Life in Cranford is always full of surprises and when Lady Ludlow's long absent son Septimus (Rory Kinnear) arrives, things take unexpected turns, precipitated by a tragedy in the family. The old tensions are there - especially between those that are against the railroad project and those ,like Captain Brown and young William who feel that modernization is essential to Cranford's long-term survival. Miss Matty, in her usual subtle fashion, gets involved in some of these village proceedings, with some rather startling results.
The second part is set later in the year 1844, October up till Christmas - Miss Matty and her friends are predictably excited at the visit of Lady Glenmire (Celia Imrie) but when Mrs Jamieson (Barbara Flynn) feels no one amongst her peers is of suitably high rank to meet her, she and Lady Glenmire get snubbed by Matty and company and it is left to Lady Glenmire to set things right in a most memorable way. Matty also faces some challenges that involves a falling out amongst her circle of friends,a serious romance between William and a young woman deemed unsuitable by his father (which has Matty pondering the wisdom of her 'involvement' in bringing the pair together), and more tragedy on the horizon, affecting the citizens of Cranford.
A fair note of warning - this particular installment in the Cranford franchise is much more subdued than the original and there's quite a fair bit of tragedy - there's death (involving a couple of familiar characters who were also in the original), grief, tension, family drama, imperiled friendships, the age-old battle between those opposed to change and those who embrace the challenges of modernization, etc., but there's also romance and lighthearted moments. However, I can understand how this particular follow-up might disappoint purists who loved the original and how well it adhered to Gaskell's novel. Personally, I loved the original Cranford and thought it was a superior production, and though I like RTC, the plot is not as engaging as the original. As for the production qualities - they are excellent. The cinematography is gorgeous, capturing the beauty of the village surroundings as well as the period details, and the score complements the story perfectly. For the price offered here, this boxed set is value for money (I am getting this for my aunt as I've already purchased the two productions separately).

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Cranford: The BBC drama series adapted from Mary Gaskell's classic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change… For spinsters Deborah Jenkyns, the arbiter of correctness in Cranford, and Matty, her demurring sister, the town is a hub of intrigue - a handsome new doctor Frank Harrison from London has arrived; a retired Captain and his daughters have moved in to a house opposite and the preparations for Lady Ludlow's garden party are underway. Everyone - from charming rogue Dr Marshland to mean Mrs Jamieson and her lap dog talks, and is talked about, behind closed doors. The town also has its secrets which it slowly reveals: Matty's encounter with an old flame at the garden party; Lady Ludlow's gardener, Mr Carter, teaching a gypsy lad to read and write; the wild expectations of the May Day celebrations and - news that shakes the town when it is revealed - a railway line from Manchester is coming to Cranford.
Return to Cranford: Welcome to Cranford, where all changes and all remains the same. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realised in the birth of Tilly, daughter of her maid Martha and carpenter Jem. The shadow of the railway still looms but, to the relief of Matty and the Amazons, the line has been halted five miles outside of Cranford because of Lady Ludlow's refusal to sell her land. Elsewhere Miss Matty's friend Mr Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty decides to introduce them to Peggy Bell, a young woman who lives in an isolated cottage with her mother and domineering brother, Edward, in the hope of building friendships. But, when tragedy strikes, she comes to believe that she has opened Pandora's box and fears Cranford will never recover.

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