Georges Bizet - Carmen / Peter Hall, Bernard Haitink, Maria Ewing, Barry McCauley, London Philharmonic, Glyndebourne Festival Opera (2005) Review

Average Reviews:

(More customer reviews)This is not a "music professional's review". Carmen is theater, Carmen is about human nature, about jealousy, about life. Perhaps the most popular opera ever. It can be presented and performed in many different ways. This performance, this presentation is the best. Not just as an opera, but perhaps one of the best performances in the recorded performing arts.
One does not have to be an opera-lover to enjoy this Carmen. It is like the first Star Wars movie - an instant classic - with one difference. This one has one superb actress in it - Maria Ewing.
She is Carmen from the first appearance to the end. Of course, she can sing, but what really counts is that she can act. She is perfect for the role. To be clear about this: I am not just praising Carmen, Bizet's opera. It can be performed badly, or questionably - just three weeks ago (November 2005) I saw a performance in Denver that was mediocre at best - mostly because of the somewhat weird ideas in directing, trying to be original... But this Carmen is unique: it has everything.
Is this something your children can see? Yes. My daughters, thankfully, have seen over and over this one (in the VHS tape edition) since they were about five.
I probably never recommended anything as a "you should buy this one", but this is it. It is very good news that finally this performance is available on DVD. Even if you never saw an opera, or never want to see one, get this DVD, and you will be glad you got it.

Click Here to see more reviews about: Georges Bizet - Carmen / Peter Hall, Bernard Haitink, Maria Ewing, Barry McCauley, London Philharmonic, Glyndebourne Festival Opera (2005)

Carmen is one of the few indisputable masterpieces of its time to be composed for a small theater and Glyndebourne provides a heaven-sent backdrop for this sizzling Peter Hall production."Bizet's score sounds miraculous in this theatre. " FINANCIAL TIMES. The accent is on stark realism and dramatic intensity. An electrically vivid Carmen is portrayed by Maria Ewing ".a rare combination of gifted singer and outstanding actress" SUNDAY TELEGRAPH. Bizet's famous Spanish gypsy is matched with the sentimental Don José of Barry McCauley ".an American tenor of real promise.a thrilling Don José" OBSERVER. Bizet's famous score includes such favorites as the Habanera, The Flower Song, The Toreador's Song and perhaps the most famous overture of all opera. "The London Philharmonic under Bernard Haitink is honouring every treasurable detail of Bizet's enchanting score" INTERNATIONAL HERALD TRIBUNE.

Get 10% OFF

Click here for more information about Georges Bizet - Carmen / Peter Hall, Bernard Haitink, Maria Ewing, Barry McCauley, London Philharmonic, Glyndebourne Festival Opera (2005)

Unseen Cinema - Early American Avant Garde Film 1894-1941 (1910) Review

Average Reviews:

(More customer reviews)The contents below are from unseen-cinema; they include the contents of a 160-page softcover Series Catalog, which is sold separately, but I think you would want. This is clearly a labor of love; though I can't imagine trying to watch all this in a month of Sundays, I could see dipping into it from time to time.
=====================================
Disk 1: THE MECHANIZED EYE
Experiments in Technique and Form
The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent companies further image manipulation through creative staging, editing, and printing, such as a stunning three-screen film that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill, and the film collectives Nykino and Artkino record the world in a continual process of flux. A most extreme approach is realized by Henwar Rodakiewicz with Portrait of a Young Man (1925-31), a monumental study of natural and abstract motions.
18 FILMS:
5 Paris Exposition Films (1900)-James White
Eiffel Tower from Trocadero Palace (1900)
Palace of Electricity (1900)
Champs de Mars (1900)
Panorama of Eiffel Tower (1900)
Scene from Elevator Ascending Eiffel Tower (1900)
Captain Nissen Going through Whirpool Rapids, Niagra Falls (1901)-creators unknown
Down the Hudson (1903)-Frederick Armitage & A.E. Weed
The Ghost Train (1903)-creators unknown
Westinghouse Works, Panorama View Street Car Motor Room (1904)-G.W. "Billy" Bitzer
In Youth, Beside the Lonely Sea (c. 1924-25)-creators unknown
Melody on Parade (c. 1936)-creators unknown
La Cartomancienne (The Fortune Teller) (1932)-Jerome Hill
Pie in the Sky (1934-35)-Nykino: Elia Kazan, Ralph Steiner & Irving Lerner
Travel Notes (1932)-Walker Evans
Oil: A Symphony in Motion (1930-33)-Artkino: M.G. MacPherson & Jean Michelson
Poem 8 (1932-33)-Emlen Etting
Storm (1941-43)-Paul Burnford
Portrait of a Young Man (1925-31)-Henwar RodakiewiczDisk 2: THE DEVIL'S PLAYTHING
American Surrealism
Edwin S. Porter and other early filmmakers used bizarre sets, fantastic costumes, and magic lantern tricks to illuminate their fantasy films. American parody supplied Douglas Fairbanks with enough unusual material to produce the truly surreal When the Clouds Roll By (1919). The expressionistic Cabinet of Dr. Calagari (1919) influenced American sensibilities throughout the 1920s as seen in Beggar of Horseback (1925), The Life and Death of 9413-A Hollywood Extra (1927) and The Telltale Heart (1928). The emphasis shifted when amateurs J.S. Watson, Jr., Joseph Cornell, and Orson Welles crafted a unique variety of American surrealism on film unfettered by European concerns.
17 FILMS:
Jack and the Beanstalk (1902)-Edwin S. Porter
Dream of a Rarebit Fiend (1906)-Edwin S. Porter
The Thieving Hand (1907)-creator unknown, Vitagraph
Impossible Convicts (1905)-G.W. "Billy" Bitzer
When the Clouds Roll By (1919)-Douglas Fairbanks & Victor Fleming (excerpt)
Beggar on Horseback (1925)-James Cruze (excerpt)
The Fall of the House of Usher (1926-27)-J.S. Watson, Jr. & Melville Webber
The Life and Death of 9413: A Hollywood Extra (1927)- Robert Florey & Slavko Vorkapich
The Love of Zero (1928)-Robert Florey & William Cameron Menzies
The Telltale Heart (1928)-Charles Klein
Tomatos Another Day (1930/1933)-J.S. Watson, Jr. & Alec Wilder
The Hearts of Age (1934)- William Vance & Orson Welles
Unreal News Reels (c. 1926)-Weiss Artclass Comedies (excerpt)
The Children's Jury (c. 1938)-attributed Joseph Cornell
Thimble Theater (c. 1938)-Joseph Cornell
Carousel: Animal Opera (c. 1938)-Joseph Cornell
Jack's Dream (c. 1938)-Joseph CornellDisk 3: LIGHT RHYTHMS
Music and Abstraction
The rhythmic elements of cinema are explored by artists and filmmakers fascinated by the abstract qualities of light. The American authors of avant-garde classics Le Retour á la raison (1923), Ballet mécanique (1923-24), Anémic cinéma (1926), and Une Nuit sur le Mont Chauve (1934), are finally acknowledged for their seminal artistic achievements made in Europe. Pioneer abstract films by Ralph Steiner, Mary Ellen Bute, Douglass Crockwell, Dwinnell Grant, and George Morris are compared and contrasted with Hollywood montages created by Ernst Lubitsch, Slavko Vorkapich, and Busby Berkeley. For the first time on video, composer George Antheil's original 1924 score accompanies Fernand Léger and Dudley Murphy's film Ballet mécanique, a truly avant-garde cacophony of image and sound.
29 FILMS:
Le Retour à la raison (1923)-Man Ray
Ballet mécanique (1923-24)-Fernand Léger & Dudley Murphy
Anémic cinéma (1924-26)-Rrose Sélavy (Marcel Duchamp)
Looney Lens: Anamorphic People (1927)-Al Brick
Out of the Melting Pot (1927)-W.J. Ganz Studio
H20 (1929)-Ralph Steiner
Surf and Seaweed (1929-30)-Ralph Steiner
7 Vorkapich Montage Sequences (1928-37)-Slavko Vorkapich
The Furies (1934)
Skyline Dance (1928)
Money Machine (1929)
Prohibition (1929)
The Firefly- Vorkapich edit (1937)
The Firefly-MGM release version (1937)
Maytime (1937)
So This Is Paris (1926)-Ernst Lubitsch (excerpt)
Light Rhythms (1930)-Francis Bruguière & Oswell Blakeston
Une Nuit sur le Mont Chauve (Night on Bald Mountain) (1934)-Alexandre Alexeieff & Claire Parker
Rhythm in Light (1934)-Mary Ellen Bute, Ted Nemeth & Melville Webber
Synchromy No. 2 (1936)-Mary Ellen Bute & Ted Nemeth
Parabola (1937)-Mary Ellen Bute & Ted Nemeth
Footlight Parade - "By a Waterfall" (1933)-Busby Berkeley
Glen Falls Sequence (1937-46)-Douglass Crockwell
Simple Destiny Abstractions (1937-40)-Douglass Crockwell
Abstract Movies (1937-47)-George L.K. Morris
Scherzo (1939)-Norman McLaren
Themis (1940)-Dwinell Grant
Contrathemis (1941)-Dwinell Grant
1941 (1941)-Francis Lee
Moods of the Sea (1940-42)-Slavko Vorkapich & John HoffmanDisk 4: INVERTED NARRATIVES
New Directions in Story-Telling
Early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as Moonland (c. 1926), Lullaby (1929), and The Bridge (1929-30). Depression era films by socially-conscious filmmakers reshape drama as demonstrated in Josef Berne's brooding Black Dawn (1933) and Strand and Hurwitz's biting Native Land (1937-41): each pictures a raw reality. Parody and satire find their mark in Theodore Huff's Little Geezer (1932) and Barlow, Hay and Le Roy's Even as You and I (1937). David Bradley's Sredni Vashtar by Saki (1940-43) boasts an inadvertent post-modern attitude.
12 FILMS:
The House with Closed Shutters (1910)-D.W. Griffith & G.W. "Billy" Bitzer
Suspense (1913)-Lois Weber & Philips Smalley
Moonland (c. 1926)-Neil McQuire & William A. O'Connor
Lullaby (1929)-Boris Deutsch
The Bridge (1929-30)-Charles Vidor
Little Geezer (1932)-Theodore Huff
Black Dawn (1933)-Josef Berne & Seymour Stern
Native Land (1937-41)-Frontier Films: Leo Hurwitz & Paul Strand (excerpt)
Black Legion (1936-7)-Nykino: Ralph Steiner & Willard Van Dyke
Even As You and I (1937)-Roger Barlow, Harry Hay & Le Roy Robbins
Object Lesson (1941)-Christoher Young
"Sredni Vashtar" by Saki (1940-43)-David BradleyDisk 5: PICTURING A METROPOLIS
New York City Unveiled
Only Unseen Cinema DVD released as a SINGLE
The DVD depicts dynamic images of New York City and scenes of New Yorkers among the skyscrapers, streets, and night life of America's greatest city during a half century of progress, while at the same time showing changes in film style and the history of cinema experiments. Avant-garde moments pop up in the most unlikely of places including turn-of-the-twentieth-century actualities, commercial and radical newsreels, and Busby Berkeley's "Lullaby of Broadway" from Gold Diggers of 1935. Included are spectacular prints of Charles Sheeler and Paul Strand's Manhatta (1921), Robert Flaherty's Twenty-four-Dollar Island (c. 1926), Robert Florey's Skyscraper Symphony (1929), Jay Leyda's A Bronx Morning (1931), and Rudy Burckhardt's Pursuit of Happiness (1940).
26 FILMS:
The Blizzard (1899)-creators unknown
Lower Broadway (1902)-Robert K. Bonine
Beginning of a Skyscraper (1902)-Robert K. Bonine
Panorama from Times Building, New York (1905)-Wallace McCutcheon
Skyscrapers of NYC from North River (1903)-J.B. Smith
Panorama from Tower of the Brooklyn Bridge (1903)-G.W. "Billy" Bitzer
Building Up and Demolishing the Star Theatre (1902)-Frederick Armitage
Coney Island at Night (1905)-Edwin S. Porter
Interior New York Subway 14th Street to 42nd Street (1905)-G.W. "Billy" Bitzer
Seeing New York by Yacht (1902)-Frederick Armitage & A.E. Weed
2 Looney Lens: Split Skyscrapers (1924) and Tenth Avenue, NYC (1924)-Al Brick
4 Scenes from Ford Educational Weekly (1916-24)-creators unknown
Manhatta (1921)-Charles Sheeler & Paul Strand
Twentyfour-Dollar Island (c. 1926)-Robert...Read more›

Click Here to see more reviews about: Unseen Cinema - Early American Avant Garde Film 1894-1941 (1910)

7 DVDs – 20 Hours - 155 Classics of Avant Garde Cinema! "Unseen Cinema: Early American Avant-Garde Film 1894-1941" reveals hitherto unknown accomplishments of American filmmakers working in the United States and abroad from the invention of cinema until World War II, and offers an innovative and often controversial view of experimental film as a product of avant-garde artists, of professional directors, and of amateur movie-makers working collectively and as individuals at all levels of film production. Many of the films have not been available since their creation, some have never been screened in public, and almost all have been unavailable in copies as good as these until now. Sixty of the world's leading film archive collections cooperated with Anthology Film Archives to bring this long-neglected period of film history back to life for modern audiences.

Get 31% OFF

Click here for more information about Unseen Cinema - Early American Avant Garde Film 1894-1941 (1910)

Acting in Film (2002) Review

Average Reviews:

(More customer reviews)For a student of film acting, this DVD is a rare chance to get good, solid, practical advice from a successful working actor. Mr. Caine presents information in a down to earth and entertaining way to both a panel of students and a studio audience.
My only complaint is that it should have run longer than 1 hour. I realize that the production was bound by the restraints of the television series, but as a DVD release more could have been included.
Highly recommended as is Mr. Caine's companion book 'Acting In Film'.

Click Here to see more reviews about: Acting in Film (2002)

Mr. Caine gives you a once-in-a-lifetime chance to rob him blind! The man who's hypnotized the camera lenses for a quarter of a century reveals the most closely guarded secrets on script preparation. working with the director, forming a character, voice, sound, and movement. Pearl by pearl he lays out the Caine wisdom on everything from set politics to set decorum, the film bureaucracy and more!A treasure ... I'm not going to look at performances quite the same way ... A grand entertainment with more drama than most movies ... He's a marvelous teacher ... A real clear-cut lesson that every critic should see and everbody who goes to the movies should see... - Gene Siskel, Siskel & EbertI watched the video and had my doubts ... I thought a lot of what he said was horseshit, but halfway through the movie I thought: The son of a bitch is right! -Howard Stern

Get 10% OFF

Click here for more information about Acting in Film (2002)

King Lear (1984) Review

Average Reviews:

(More customer reviews)I have to disagree with the negative reviews posted above. This is possibly Olivier's best recorded performance, and the bulk of the other performances are excellent as well, particularly that of Diana Rigg. The actors speak their lines so casually and easily that, even if you're not used to Shakespearian dialog, it'll soon all seem perfectly natural. The set is minimalist, true, but if your enjoyment of Shakespeare is dependent upon set design then I recommend you never attend a stage performance. If I have one complaint about this production it's that the actors, while individually turning out great performances, don't appear to be relating to each other very well--as if they're each giving their rendition of their characters without letting their performances be informed by the performances of those around them. Still and all, this is an extremely moving production of one of the most powerful plays in the canon.

Click Here to see more reviews about: King Lear (1984)

The late Sir Lawrence Olivier stars in this Emmy Award winning production of Shakespeare's King Lear. It is the timeless tale of greed and lust for power, and of a sick old man, his scheming children and lost loyalties. Also stars Diana Rigg, John Hurt, Leo McKern, and Colin Blakely. Special DVD features include a biography and filmography on Sir Lawrence Olivier, character and cast list, chapter stops on each scene, and more. 158 minutes.

Get 28% OFF

Click here for more information about King Lear (1984)

Matinee (1993) Review

Average Reviews:

(More customer reviews)I was 12 years old during the Cuban Missle Crisis, in love with cheap, schlocky horror movies (ANYTHING with Vincent Price!), and had a subscription to "Famous Monsters of Filmland" Magazine, so, except for living in Florida (I lived in Hollywood - well - Los Angeles, the only place for a film fanatic to grow up) this could be my biography. When the boy is shown with monster magazines spread all over his bed, they're real magazines from the period, and I had every last blessed one of them! I also had the monster models in his bedroom. When he turns into a fount of movie minutia at lunch, he IS me at school lunch, the kid who knew the difference between William Castle and Roger Corman, who couldn't have mistaken Dick Miller, who knew every trivial fact about every trivial horror movie ever made, and who would share them all with anyone in earshot. This hilarious yet heartfelt movie pushed all my nostalgia buttons. Even now, I can say what's that poster for "Whatever Happened to Baby Jane" doing in a 1962 movie theater when the film hadn't even been shot yet? I remember the panic in our local grocery store during the missle crisis, and it was exactly as Dante shows it in the film. It's my favorite John Goodman performance. He was born to play William Castle, aka "Lawrence Woolsey". This is Joe Dante at his best. Apparently he and I had the exact same childhood.

Click Here to see more reviews about: Matinee (1993)

Step back into a time of outrageous movie-theater gimmicks and larger-than-life B-screen stars in this charming homage to the great sci-fi and horror flicks of the 1950s and 1960s.John Goodman is at his uproarious best as the William Castle-inspired movie promoter Lawrence Woolsey, who brings his unique brand of flashy showmanship to the unsuspecting residents of Key West, Florida.It's 1962, and fifteen-year-old fan Gene Loomis (Simon Fenton) can't wait for the arrival of Woolsey, who is in town to promote his latest offering of atomic power gone berserk, MANT!. But the absurd vision of Woolsey's tale takes on a sudden urgency as the Cuban Missile Crisis places the real threat of atomic horror just 90 miles off the coast. With the help of Gene and Woolsey's leading lady, Ruth (Cathy Moriarty), the master showman gives Key West a premiere they'll never forget. Anything can happen in the movies, and everything does in this hilarious tribute to a more innocent (and outrageous) time in American cinema.

Click here for more information about Matinee (1993)

Gory Gory Hallelujah (2005) Review

Average Reviews:

(More customer reviews)Another entry in the long tradition of Jesus Motorcycle Gang movies, Sue Corcoran's GORY GORY HALLELUJAH is the groovy tale of four actors who try out for the role of Jesus in "The Greatest Play Ever Written." The quartet approaches their roles from different perspectives. There's Rahim the black revolutionary (Jeff Gilbert), Sky the bi hippie (Tim Gouran), Joshua the mensch (Todd Licea), and Jessie the feminist (Angie Louise). When the four Jesuses run into a pack wild Elvis impersonators things get all shook up. On the run from the law after one of the King of Kings lays low one of the Kings of Rock `n' Roll, the group happens upon the wrong backwater Podunk town.

It's about here where this wild movie settles down; perhaps a little too much. Our four Jesuses become prisoners in Jacksville and are placed with various pillars of the community, only to find that they're not everything they pretend to be. Unfortunately, this was about the time that I lost interest in the movie. I could have done for more hysteria and less histrionics. It's a shame that this flick didn't live up to its potential. Even the zombie-filled finale can't save the tepid second act.

Click Here to see more reviews about: Gory Gory Hallelujah (2005)

Four actors compete for the role of Jesus -- a Black revolutionary, a bisexual hippie, a neurotic Jewish guy and a woman! When all four are rejected, they hit the road on motorcycles, bound for glory in New York City. A fateful roadhouse run-in with a gang of Elvises strands the unlikely quartet in the town of Jackville where folk don t take kindly to blasphemers, alternative lifestyle choices, people of color or anything else for that matter. Will our would-be saviors fall prey to evil small-town conspirators, flesh-eating zombies, or save the world from the Apocalypse?

Click here for more information about Gory Gory Hallelujah (2005)

Amelie (2001) Review

Average Reviews:

(More customer reviews)I have seen thousands of films in my life, and thought nothing could surprise me anymore on a screen. Amelie proved me I was wrong. Instead of writing another "best film ever" comment, I would like to give some indications for non-french speaking viewers, as the translation might have made some lines a bit obscure.
Amelie says to Colignon "Meme les artichauds ont du coeur" (Even artichokes have a heart). In french, "un coeur d'artichaud" (an artichoke heart) is a person that falls very often and easily in love.
Colignon calls Amelie "Amelie-melo" (pronounce "ah-may-LEE-may-low") which sounds like "un meli-melo", a muddle or mix-up.
In the cafe, people discuss about time and weather, as the same word "temps" means both "le temps qui passe" (time that passes) and "le temps qu'il fait" (the weather). So goes Hippolito's theory : they speak about the weather because they are afraid of the passing time.
Collignon says about his mother : "Elle a une memoire d'elephant, un elephant de mer" (literally: she has memory like an elephant, a sea elephant). A "sea elephant" is a sort of walrus, and "mer" (sea) and "mere" (mother) are pronounced the same.
When Amelie is in a theater, she watches "Jules & Jim", a movie by Francois Truffaut. There are many references to Truffaut in the movie : Claire Maurier plays the mother in "the 400 blows" and many scenes refer to "Bed and Board", which itself refers to Hitchcock's "Rear window". I still have to figure which was the movie whith Spencer Tracy driving without watching...
When Amelie watches her projected life on TV, a scene that refers to Woody Allen's "Zelig", the voice over is from Frederic Mitterand, nephew of his uncle, who is famous for commenting weddings or funerals of aristocrats on french TV.
The "likes/dislikes" narration was experimented by Jeunet in a short movie "Foutaise" with Dominique Pinon, that will be included in the collector edition of the DVD. It also refers to "La vie, mode d'emploi" (Life: a user's manual) from Georges Perec, although Jeunet admits he could never finish the book.
Most TV scenes are stock shots. The story about the horse running in the Tour de France is true. Most stories told in the film are true, including the one about collecting discarded pictures.
There are numerous references in the movie, including to other Jeunet films. The scene in the mystery train is almost a copy of a similar scene in Alien : Resurrection where Ripley has an almost tender behaviour with the alien.
Finally, "Amelie" comes from "Emily", as Emily Watson was supposed to play the role, and "Poulain" is both a young untrained horse and a chocolate brand. And this is not a coincidence.

Click Here to see more reviews about: Amelie (2001)

Nominated for five Academy Awards including Best Original Screenplay, this magical comedy earned overwhelming acclaim nationwide! A painfully shy waitress working at a tiny Paris cafe, Amélie makes a surprising discovery and sees her life drastically changed for the better! From then on, Amélie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others?

Get 30% OFF

Click here for more information about Amelie (2001)

Yamaha HTR-5930SL 5.1-Channel Digital Home Theater Receiver, Silver Review

Average Reviews:

(More customer reviews)I just installed my new receiver last night - in a breeze.
This replaces my high-end Yamaha RX-V890; I needed 2 optical audio inputs. I tested all the functions and I am totally impressed and satisfied with my purchase. What is most important, is to have good speakers. Great quality is no longer a luxury. A better surprise, this is a 2006 model. WOW!

Click Here to see more reviews about: Yamaha HTR-5930SL 5.1-Channel Digital Home Theater Receiver, Silver

Take the next step in home theater performance with the Yamaha HTR-5930 digital surround receiver, which boasts 5.1 channels (110 watts x 5) of amplification and a host of high-end features. The receiver is built around Yamaha's proprietary surround sound technology and a powerful 192 kHz/24-bit digital-to-analog converter that maximizes the signal quality, ensuring that everything from two-channel audio sources to 5.1-channel DVDs sound rich, immersive, and dynamic. Plus, the receiver's wide 10 Hz to 100 kHz frequency range helps digital audio sources like DVD-Audio and Super Audio CD reach their full potential.
Movie and music buffs will dig the HTR-5930's Digital Sound Processing (DSP), Yamaha's means of simulating the acoustics of a concert hall, movie theater, or rock concert hall in the comfort of your own home. The Cinema DSP's four programs includes Movie Dramatic, Movie Spacious, Game, and TV Sports, each of which creates an optimum sound field for a specific type of programming. The Music DSP modes, meanwhile, range from 2-Channel Stereo to Concert Hall to Roxy Theatre, the latter of which reproduces the dynamic music environment of one of L.A.'s legendary rock clubs. And, of course, the HTR-5930 handles standard processing for Dolby Digital, DTS, and Pro Logic II sources.
What really makes the HTR-5930 tick, however, are the extras, such as Silent Cinema, a Yamaha-exclusive technology that lets you enjoy multichannel music or movie sound through ordinary headphones, and a night listening mode that lowers the volume during loud passages so the kids don't jolt awake after hearing explosions and other special effects from the next room. Plus, the HTR-5930 not only comes with a standard AM/FM tuner, but is also XM satellite radio ready. All you need is a separately sold XM antenna and a subscription to XM satellite radio and you're set.
Additional features include a virtual surround sound mode, A or B speaker selection, a sleep timer, and a Set menu that lets you optimize the receiver to suit your individual home theater system.
With a bevy of digital and analog inputs, the HTR-5930 can accommodate several digital sources such as DVD players, CD players, video game consoles, digital satellite systems, and much more. The rear panel options include two optical digital inputs and one coaxial digital input; three HDTV-compatible component video inputs and one output; four composite video inputs and two outputs; and two analog audio inputs and one output. Also present is a 5.1 multichannel input.
The HTR-5930 measures 17.12 by 5.94 by 12.44 inches (W x H x D) and is backed by a two-year warranty.
What's in the Box HTR-5930 receiver, remote control, two AA batteries, AM loop antenna, indoor FM antenna, user's manual.

Click here for more information about Yamaha HTR-5930SL 5.1-Channel Digital Home Theater Receiver, Silver