Avant Garde - Experimental Cinema of the 1920s & 1930s Review

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(More customer reviews)This features a number of directors better known as painters (Fernand Leger, Marcel Duchamp) or photographers (Man Ray). For the curious, there is a short Orson Welles film from 1934, fully seven years before Citizen Kane. "The Life and Death of 9413, A Hollywood Extra" is on the Library of Congress's National Film Registry of significant American films, as is "H²O". Ménilmontant, at 37 minutes the longest film in this collection, is considered a masterpiece by some.
Worth exploring, if you like this sort of stuff. You know who you are.
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It drives me nuts that Amazon doesn't include the bare-bones information about the films in this sort of collection, so I will:
Le Retour à la raison (The Return to Reason)
Directed by Man Ray
France 1923
2 Min.
Emak-Bakia (Leave Me Alone)
Directed by Man Ray
France 1926
16 Min.
L'Étoile de mer (The Starfish)
Directed by Man Ray
France 1928
15 Min.
Les Mystères du Château du Dé (The Mysteries of the Château of Dice)
Directed by Man Ray
France 1929
20 Min.
Ménilmontant
Directed by Dimitri Kirsanoff
France 1926
37 Min.
Brumes d'Automne (Autumn Mists)
Directed by Dimitri Kirsanoff
France 1928
12 Min.
The Life and Death of 9413, A Hollywood Extra
Directed by Robert Florey and Slavko Vorkapich
US 1928
13 Min.
Lot in Sodom
Directed by James Sibley Watson and Melville Webber
US 1933
27 Min.
Rhythmus 21 (Film Is Rhythm)
Directed by Hans Richter
Germany 1921
3 Min.
Vormittagsspuk (Ghosts Before Breakfast)
Directed by Hans Richter
Germany 1928
9 Min.
Anémic Cinéma
Directed by Marcel Duchamp
France 1926
6 Min.
Ballet Mécanique
Directed by Fernand Léger
France 1924
11 Min.

Symphonie Diagonale (Diagonal Symphony)
Directed by Viking Eggeling
Germany 1924
7 Min.
Le Vampire
Directed by Jean Painlevé
France 1939-45
9 Min.
The Hearts of Age
Directed by Orson Welles and William Vance
US 1934
8 Min.

uberfall (Assault)
Directed by Ernö Metzner
Germany 1928
22 Min.
La Glace à trois faces (The Three-Sided Mirror)
Directed by Jean Epstein
France 1927
33 Min.
Le Tempestaire (The Tempest)
Directed by Jean Epstein
France 1947
22 Min.

Romance Sentimentale (Sentimental Romance)
Directed by Sergei Eisenstein and Grigori V. Alexandrov
France 1930
16 Min.
Autumn Fire
Directed by Herman G. Weinberg
US 1931
15 Min.
Manhatta
Directed by Paul Strand and Charles Sheeler
US 1921
10 Min.
La Coquille et le Clergyman (The Seashell and the Clergyman)
Directed by Germaine Dulac
France 1926
31 Min.
Regen (Rain)
Directed by Joris Ivens
Netherlands 1929
14 Min.
H²O
Directed by Ralph Steiner
US 1929
12 Min.
Even -- As You And I
Directed by Roger Barlow, Harry Hay and LeRoy Robbins
US 1937
12 Min.

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Studio: Kino InternationalRelease Date: 08/02/2005

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Fauteuils d'Orchestre Review

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(More customer reviews)Jessica (gamin-like Cecile de France from "The Spanish Apartment) arrives in Paris without a sou in her pocket but within minutes nabs a prime waitress job in a smart, stylish, up to this point type of café that only hires men as waiters, Restaurant on the Avenue Montaigne, close to the Champs Elysee' with the Eiffel Tower looming nearby.
Though "Avenue Montaigne" ("Fauteuils D'orchestre" in France or "Orchestra Seats") is very fairy tale-like, there is actually a very good reason for Jessica's hiring: the restaurant is short of help and the very next night three major events are taking place nearby: a big auction selling off the contents of an entire apartment filled with names like Braque, Brancusi and Modigliani belonging to an art collector played by the legendary Claude Brasseur, a major piano recital featuring virtuoso pianist Jean-François Lefort (Albert Dupontel) and the opening of a Feydeau farce starring TV Soap star, (actress Catherine Versen played by Valérie Lemercier) looking to land a prime Motion Picture about Simone de Beauvoir. Jessica swirls in and out of every one of these stories having a positive effect on all with her sunny sweetness and disarming honesty. There are definitely shades of "Amelie" and "Emma" at work here. "Avenue Montaigne" is as slight and light as a Crepe and de France, Brasseur and Lemercier hit all the right notes, acting-wise which sounds a lot easier than it is as the genre of light comedy is pretty much dead today and these actors are remarkably spot on here.
No one in the world makes this kind of film as well as the French and director Daniele Thompson is definitely up to the task: her film exudes warmth and a charismatic charm that is damn near impossible to resist.


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Rendez-Vous Review

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(More customer reviews)Notice how the jackets of just about every video, especially the French ones, SHOUT how SEXY the movie is. In Krzysztof Kieslowski's "Blue," par example, Juliette Binoche and the film are touted as being so, so sexy. But it wasn't, and neither was she. However in "Rendez-Vous" you will see a Juliette Binoche with enough sexual power to awaken a dead man-not to say that this movie is as good as Kieslowski's "Blue." It isn't, but it's not bad.
Binoche is full of energy as a provincial French girl with a flair for the stage new to the lights of gay Paree. She plays fast and loose (and natural) with the men she meets, and dodges some serious trouble before working it out with the man she really wants. Characteristically, Director André Téchiné leads us close to the dark side of sex without really offending our sensibilities.
Jean-Louis Trintignant appears in a small role that anticipates his triumphant creation as the admiring older man in Kieslowski's "Trois Couleurs: Rouge" nine years later.

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In her first major screen role, Academy Award®-winner Juliette Binoche (The English Patient) gives a raw and electrifying performance as sexual free-spirit Nina, who moves to Paris to become an actress. She has a profound impact on three men. Paulot (Wadeck Stanczak) is a timid real estate clerk infatuated with her. His roommate, Quentin (Lambert Wilson), is an emotionally scarred actor who performs in live sex shows. Scrutzler (screen legend Jean-Louis Trintignant) is a stage director who casts Nina in his production of Romeo and Juliet. Co-written by Olivier Assayas (Irma Vep), Rendez-vous is a mesmerizing study of love, loss, and redemption that earned director Andre Techine (Wild Reeds) Best Director honors at the Cannes Film Festival.

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Amelie (2001) Review

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(More customer reviews)I have seen thousands of films in my life, and thought nothing could surprise me anymore on a screen. Amelie proved me I was wrong. Instead of writing another "best film ever" comment, I would like to give some indications for non-french speaking viewers, as the translation might have made some lines a bit obscure.
Amelie says to Colignon "Meme les artichauds ont du coeur" (Even artichokes have a heart). In french, "un coeur d'artichaud" (an artichoke heart) is a person that falls very often and easily in love.
Colignon calls Amelie "Amelie-melo" (pronounce "ah-may-LEE-may-low") which sounds like "un meli-melo", a muddle or mix-up.
In the cafe, people discuss about time and weather, as the same word "temps" means both "le temps qui passe" (time that passes) and "le temps qu'il fait" (the weather). So goes Hippolito's theory : they speak about the weather because they are afraid of the passing time.
Collignon says about his mother : "Elle a une memoire d'elephant, un elephant de mer" (literally: she has memory like an elephant, a sea elephant). A "sea elephant" is a sort of walrus, and "mer" (sea) and "mere" (mother) are pronounced the same.
When Amelie is in a theater, she watches "Jules & Jim", a movie by Francois Truffaut. There are many references to Truffaut in the movie : Claire Maurier plays the mother in "the 400 blows" and many scenes refer to "Bed and Board", which itself refers to Hitchcock's "Rear window". I still have to figure which was the movie whith Spencer Tracy driving without watching...
When Amelie watches her projected life on TV, a scene that refers to Woody Allen's "Zelig", the voice over is from Frederic Mitterand, nephew of his uncle, who is famous for commenting weddings or funerals of aristocrats on french TV.
The "likes/dislikes" narration was experimented by Jeunet in a short movie "Foutaise" with Dominique Pinon, that will be included in the collector edition of the DVD. It also refers to "La vie, mode d'emploi" (Life: a user's manual) from Georges Perec, although Jeunet admits he could never finish the book.
Most TV scenes are stock shots. The story about the horse running in the Tour de France is true. Most stories told in the film are true, including the one about collecting discarded pictures.
There are numerous references in the movie, including to other Jeunet films. The scene in the mystery train is almost a copy of a similar scene in Alien : Resurrection where Ripley has an almost tender behaviour with the alien.
Finally, "Amelie" comes from "Emily", as Emily Watson was supposed to play the role, and "Poulain" is both a young untrained horse and a chocolate brand. And this is not a coincidence.

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Nominated for five Academy Awards including Best Original Screenplay, this magical comedy earned overwhelming acclaim nationwide! A painfully shy waitress working at a tiny Paris cafe, Amélie makes a surprising discovery and sees her life drastically changed for the better! From then on, Amélie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others?

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Avenue Montaigne Review

Average Reviews:

(More customer reviews)Jessica (gamin-like Cecile de France from "The Spanish Apartment) arrives in Paris without a sou in her pocket but within minutes nabs a prime waitress job in a smart, stylish, up to this point type of café that only hires men as waiters, Restaurant on the Avenue Montaigne, close to the Champs Elysee' with the Eiffel Tower looming nearby.
Though "Avenue Montaigne" ("Fauteuils D'orchestre" in France or "Orchestra Seats") is very fairy tale-like, there is actually a very good reason for Jessica's hiring: the restaurant is short of help and the very next night three major events are taking place nearby: a big auction selling off the contents of an entire apartment filled with names like Braque, Brancusi and Modigliani belonging to an art collector played by the legendary Claude Brasseur, a major piano recital featuring virtuoso pianist Jean-François Lefort (Albert Dupontel) and the opening of a Feydeau farce starring TV Soap star, (actress Catherine Versen played by Valérie Lemercier) looking to land a prime Motion Picture about Simone de Beauvoir. Jessica swirls in and out of every one of these stories having a positive effect on all with her sunny sweetness and disarming honesty. There are definitely shades of "Amelie" and "Emma" at work here. "Avenue Montaigne" is as slight and light as a Crepe and de France, Brasseur and Lemercier hit all the right notes, acting-wise which sounds a lot easier than it is as the genre of light comedy is pretty much dead today and these actors are remarkably spot on here.
No one in the world makes this kind of film as well as the French and director Daniele Thompson is definitely up to the task: her film exudes warmth and a charismatic charm that is damn near impossible to resist.


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AVENUE MONTAIGNE centers around Jessica (Cecile de France) a beautiful young woman from the provinces who comes to Paris and lands a job waiting tables at a chic bistro on fabled Avenue Montaigne, the city's nexus for art, music, theater and fashion. Jessica's customers include a popular TV actress (Valerie Lemercier) who is courting a major Hollywood director (Sydney Pollack) for her first serious film role; a wealthy art collector (Claude Brasseur) who is about to liquidate a lifetime's worth of treasures at auction; and an illustrious classical pianist (Albert Dupontel) who is at odds with his manager/wife (Laura Morante) as to where his career is headed. Precisely because Jessica doesn't know how celebrated these people are, her guileless and completely unintimidated engagement in their lives has a transforming effect on them - and ultimately her.
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