Showing posts with label shakespeare - comedies. Show all posts
Showing posts with label shakespeare - comedies. Show all posts

2/12/2012

Kiss Me Kate (Broadway Revival - PBS Great Performances) (2003) Review

Kiss Me Kate (Broadway Revival - PBS Great Performances)  (2003)
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`Kiss Me Kate', Winner of 5 Tony Awards, 6 Drama Desk Awards and 4 Outer Critics Awards including Best Musical Revival, is a wonderful production with breathtaking performances from a stellar cast including Brent Barrett and Rachel York. What I want to clear up is the criticism of the DVD. I have to disagree with everything negative said - the sound is fine and a pleasant balance of orchestra and vocal with a crisp clarity.
Secondly, the DVD is widescreen and captures a lot of the onstage `business'. Indeed the cameras do follow the main action, but never misses anything. It has been filmed by people who both appreciate the performance, the art and the intention of Michael Blakemore. Since he directed it and then adapted `Kiss Me Kate' for television, surely he of all people knows what needs to be filmed?
Always, the performance has an `on stage' feel and I urge you to ignore the exaggerated views of others here. Sound is good, video is good, DVD menu is good and I guarantee that you'll be as enthusiastic about the DVD as I was today after watching it. Maybe the others need to appreciate that this is a stage `adaptation' as stated on the DVD case.

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The first Broadway revival in nearly 50 years of the musical comedymasterpiece by composer Cole Porter and book writers Sam and Bella Spewack not onlyenchanted critics and delighted audiences, but went on to triumph as one of the biggestprize winners of the 2000 season. Taking its inspiration from Shakespeare, this hilarious romp recounts the backstage and on-stage antics of two feuding romances during an out-of-town tryout for a musical adaptation of The Taming of the Shrew. Sparkling with 18 classic Cole Porter songs including "Another Op'nin', Another Show," "Wunderbar," "So in Love," "Always True to You in My Fashion," "Too Darn Hot," and "Brush Up Your Shakespeare" this is Broadway musical comedy at its irresistible best. Directed by Michael Blakemore, this Tony winner for "Best Revival" stars Brent Barrett, Rachel York (Victor/Victoria), Nancy Anderson and Michael Berresse as the squabbling couples whose offstage disputes entangle them with a pair of song-and-dance gangsters and a pompous U.S. army general.

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1/09/2012

As You Like It (1982) Review

As You Like It (1982)
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This rendition of the popular comedy is not a glitzy Hollywood production, and in fact much of its charm derives from the fact that it is a live stage production that was "movified" by video cameras in the theater.
Although movie creations can offer intimacy and rich scenery that is not available on stage, there are always speeches that are whispered and shouted, and some of the throw-away lines are swallowed so that it can be difficult to understand the words-which is very important to the appreciation of the philosophical richness of Shakespeare's comedies. The twin benefits I see is this Stratford Festival production are that (1) it is much easier to understand all of the words, because stage players have to speak all lines to the guy in the back row. And (2) the stage and scenery are more like the Elizabethan theaters the plays were written to be performed in. You don't need fancy scenery to enjoy a Shakespeare play; you need excellent actors and a lively imagination.
All of the important actors are extremely well-cast, but Roberta Maxwell outshines them all. She brings Rosalind to life in a fresh and captivating interpretation. Truly she "counterfeits well" in her male impersonator's role, but throughout she is feminine grace personified. I fell in love with her by the end of the second scene, as would any red-blooded male who is free to do so. Her hands are especially beautiful in her eloquent gestures.
Of course, Orlando is as charming to the ladies, but his role is almost eclipsed by the brilliant Roberta.
The words of the play are true to the text, but the barnyard humor is surprisingly overplayed for the taste of educated people; however, mature observers can discount these occurrences for the richness of the morality and the philosophical expression offered by the Shakespearean wit. He puts most of the best lines into the mouths of rustics and fools, which makes them the more notable.
This video is an excellent buy!

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12/27/2011

William Shakespeare's Twelfth Night DVD: Performed in American Sign Language and English Review

William Shakespeare's Twelfth Night DVD: Performed in American Sign Language and English
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William Shakespeare's Twelfth Night is a DVD theater production of Shakespeare's classic romantic comedy especially for deaf and hearing-impaired viewers. Featuring an American Sign Language performance with a stellar cast including deaf actors Adrian Blue, Peter Cook, Robert DeMayo, Monique Holt, and Jackie Roth, optional captions, and a lively English voice-over track for accessability to hearing audiences, William Shakespeare's Twelfth Night is a singularly expressive and vivacious presentation. A "must-see" Shakespeare experience for ASL users everywhere. 131 minutes, color.

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William Shakespeare\'s wonderful romantic romp Twelfth Night now can be viewed on DVD translated into a vivacious American Sign Language performance. Director Peter Novak presents a stellar cast of Deaf actors in this unique production, including Adrian Blue, Peter Cook, Robert DeMayo, Monique Holt, Jacke Roth, and Dennis Webster. These accomplished performers bring alive the confused lovers Viola, Orsino, Sebastian, and Olivia, and present hilarious characterizations of the wily Maria, Sir Toby Belch, Sir Andrew Aguecheek, the feisty clown Feste, and the dour steward Malvolio. Accompanied by an equally accomplished English voice-over, the actors add sensational brio and panache to their interpretation of this delightful comedy, all enhanced by the singular expressiveness of ASL. This fully captioned DVD enables viewers to experience Twelfth Night in an utterly unique way. Also, they can delve further into its creation by visiting a special Internet site that features explanations of the techniques used for the ASL translation, information about Shakespeare and the inception of the play, and complete lesson plans. Educators and students of ASL and Shakespeare both will benefit enormously from viewing, analyzing, and discussing this remarkable rendition of one of Shakespeare\'s most beloved plays.

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12/18/2011

The Taming of the Shrew (Broadway Theatre Archive) (1976) Review

The Taming of the Shrew (Broadway Theatre Archive)  (1976)
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Riveting high energy interpretation of one of Shakespeare's more problematic comedies. The director's decision to present this somewhat sexist comedy as an over-the-top commedia dell'ate production was brilliant. Patruchio's use of physical violence to tame his headstrong finacee is somehow made tolerable because all the relationships in this play are embued with violence. And like characters in a Roadrunner cartoon, victims bounce back with vigor and always manage to give as good as they get. The troupe is incredibly in sync with one another, highly athletic, and incredibly gifted at reciting their iambic pentameter flawlessly while being twirled overhead or kicked in the groin. It really has to be seen to be believed. And who knew Marc Singer, the Beastmaster, could act?! In the end, he brings a subtlety to his part that leaves you wondering who's taming whom?
Harold Clurmann's interview with the director is a nice DVD extra.

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San Francisco's prize-winning American Conservatory Theater's rowdy commedia dell'arte production incorporates slapstick, pratfall and earthy humor into William Shakespeare's comedy about the two unmarried daughters of a wealthy Italian merchant. While daughter Bianca is genteel and popular, daughter Kate is foul-tempered and strong-willed. No one dares to marry Kate, until Petruchio arrives in Padua and tries his hand at courtship."...delivered with such clarity." --The New York Times. With Fredi Olster, Marc Singer, Stephen St. Paul, Sandra Shotwell, and William Paterson.

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