Showing posts with label in the mediterranean. Show all posts
Showing posts with label in the mediterranean. Show all posts

2/04/2012

The Merchant of Venice / Trevor Nunn, Royal National Theatre Review

The Merchant of Venice / Trevor Nunn, Royal National Theatre
Average Reviews:

(More customer reviews)
If you are a fan of The Merchant of Venice but were disappointed by Al Pacino's Shylock this DVD may be for you. Henry Goodman brings a grounded and passionate honesty to the role that Pacino sorely lacked. Although, I was not impressed by David Bamber as Antonio (boring) or Derbhle Crotty as Portia (lacking any real substance; Raymond Coulthard as the Prince of Arragon is historical and steals his scene. The show worked better on stage than it does as a filmed version but it is still well worth a viewing.

Click Here to see more reviews about: The Merchant of Venice / Trevor Nunn, Royal National Theatre

William Shakespeare's controversial classic comes to bristling life in this riveting production from theater legend Trevor Nunn. Relocated to Europe between the two world wars, the story follows the misadventures of young heiress Portia, who must don the disguise of a male lawyer to save the life of her love, and the financially obsessed Shylock (Notting Hill's Henry Goodman), determined to literally collect a pound of flesh in court. Trevor Nunn directed the landmark revival of Rodgers & Hammerstein's Oklahoma! with Hugh Jackman as well as groundbreaking versions of Nicholas Nickleby, Othello, and Porgy & Bess. Originally presented to tremendous acclaim at the Royal National Theatre in June, 1999. Awards include: Olivier Awards - Best Actor (Henry Goodman) / Critics' Circle Theatre Awards - Best Actor (Henry Goodman)

Buy NowGet 24% OFF

Click here for more information about The Merchant of Venice / Trevor Nunn, Royal National Theatre

1/04/2012

In Fashion (Broadway Theatre Archive) (1974) Review

In Fashion (Broadway Theatre Archive)  (1974)
Average Reviews:

(More customer reviews)
A charming period piece on many levels- a look at the 1890's from the perspective of the 1970's. Pleasant songs, none of which go on too long (except one- on purpose) and a very capable cast. The romantic lead is Daniel Davis, who might surprise those who know him as Niles the butler in THE NANNY, or Professor Moriarity on STAR TREK. Likewise Charlotte Rae (from THE FACTS OF LIFE) reveals a remarkably good singing voice behind her comic facade. The quality of the image is quite good, with the usual dificulties of shooting a live performance. There is one tape glitch about midway through, but I'm thankful that this minor gem survived.

Click Here to see more reviews about: In Fashion (Broadway Theatre Archive) (1974)

By John Jory. This rollicking musical is based on George Feydeau's turn-of-20th-century farce "Tailleur Pour Dames." Set in Paris shortly after 1900, the plot revoloves around Feydeau's favorite theme of marital infidelity. Full of chance meetings, mistaken identities, little deceits and big lies, In Fashion is a delightful French souffle with bouncy music, witty lyrics, and plenty of laughs. Starring Max Wright(All That Jazz), Daniel Davis (The Nanny, Hunt For Red October), and Emmy and Tony-nominee Charlotte Rae (Bananas), this show was taped before a live audience in New York City.

Buy NowGet 40% OFF

Click here for more information about In Fashion (Broadway Theatre Archive) (1974)

12/18/2011

The Taming of the Shrew (Broadway Theatre Archive) (1976) Review

The Taming of the Shrew (Broadway Theatre Archive)  (1976)
Average Reviews:

(More customer reviews)
Riveting high energy interpretation of one of Shakespeare's more problematic comedies. The director's decision to present this somewhat sexist comedy as an over-the-top commedia dell'ate production was brilliant. Patruchio's use of physical violence to tame his headstrong finacee is somehow made tolerable because all the relationships in this play are embued with violence. And like characters in a Roadrunner cartoon, victims bounce back with vigor and always manage to give as good as they get. The troupe is incredibly in sync with one another, highly athletic, and incredibly gifted at reciting their iambic pentameter flawlessly while being twirled overhead or kicked in the groin. It really has to be seen to be believed. And who knew Marc Singer, the Beastmaster, could act?! In the end, he brings a subtlety to his part that leaves you wondering who's taming whom?
Harold Clurmann's interview with the director is a nice DVD extra.

Click Here to see more reviews about: The Taming of the Shrew (Broadway Theatre Archive) (1976)

San Francisco's prize-winning American Conservatory Theater's rowdy commedia dell'arte production incorporates slapstick, pratfall and earthy humor into William Shakespeare's comedy about the two unmarried daughters of a wealthy Italian merchant. While daughter Bianca is genteel and popular, daughter Kate is foul-tempered and strong-willed. No one dares to marry Kate, until Petruchio arrives in Padua and tries his hand at courtship."...delivered with such clarity." --The New York Times. With Fredi Olster, Marc Singer, Stephen St. Paul, Sandra Shotwell, and William Paterson.

Buy NowGet 40% OFF

Click here for more information about The Taming of the Shrew (Broadway Theatre Archive) (1976)

12/09/2011

Shakespeare - The Winter's Tale / Royal Shakespeare Company, Barbican Theatre Review

Shakespeare - The Winter's Tale / Royal Shakespeare Company, Barbican Theatre
Average Reviews:

(More customer reviews)
This filmed stage recording is indeed magical. I believe a former critic's particular critique in this regard should be regarded in the light of two distinguishing characteristics of Shakespeare on film: whether the production is a film interpretation or a filmed stage production. This DVD is the latter: over-the-top FX, panoramic view and the like don't necessarily apply. Here one has the magic of being in the audience at a grand performance of the Royal Shakespeare Company, with the added pleasure of being granted close-ups! The acting is all-around sublime, especially Ian Hugh's Autolycus; I've yet to see a rogue interpreted better.
For a contrast of what can be accomplished with Shakespeare as film interpretation versus filmed stage production, compare Orson Welles' Othello with Richard Burton's Hamlet (both available through Amazon); both, I believe, are the ideal of each venue.

Click Here to see more reviews about: Shakespeare - The Winter's Tale / Royal Shakespeare Company, Barbican Theatre

At the court of King Leontes of Sicilia, Polixenes, King of Bohemia, is nearing the end of a visit. He is persuaded by Hermione, Leontes's Queen, to prolong his stay. Leontes becomes convinced that the two of them are guilty of adultery and that the child Hermione is expecting is not his. He tries to have Polixenes poisoned but Camillo, entrusted with the murder, reveals the plot to Polixenes and the two of them flee to Bohemia. This fuels Leontes' rage. He has Hermione imprisoned, and when she gives birth to a daughter he orders the child to be cast out into the wilderness. At Hermione's trial, the sacred Oracle of Apollo at Delphi declares that she is innocent and that Leontes is a tyrant who will die without an heir if his lost child is not found. When news is brought of the death of their other child, the boy Mamillius, Hermione collapses with grief. When he hears that she, too, is dead, Leontes is overcome with remorse. Hermione's baby, abandoned in Bohemia, is found by shepherds, who call her Perdita and bring her up as their own. Time moves on by sixteen years, and Perdita has grown in a lovely young woman. Prince Florizel, Polixenes' son, has fallen in love with her and, believing her to be a humble shepherd's daughter, plans to marry her without his father's consent. However, Polixenes discovers the plan and the young couple are forced to elope, to Sicilia, accompanied by Camillo. They arrive at Leontes's court where the penitent King has spent the last sixteen years in atonement, and Perdita's true identity is discovered. To crown the celebrations, Paulina takes Leontes to see a statue, which has been made in memory of Hermione. With Antony Sher as Leontes, Alexandra Gilbreath as Hermione, and the Royal Shakespeare Company, performed at the Barbican Theatre, London."Greg Doran’s TRIUMPHANT production of the Winter’s Tale" -Sunday Telegraph "A MASTERFUL version of one of the very greatest plays…not to be missed. Sher’s Leontes…a performance of overwhelming psychotic intensity…THRILLING."-Daily Mail "Powerfully affecting theatre…that sets the stage ablaze."-The Daily Telegraph "One of Sher’s most intense, most fully achieved performances…its greatest subtly lies in portraying the side of Leontes that Leontes doesn’t know.""MAGNIFICENT…Doran and Jones’ BRILLIANT imagination."-The Sunday Times"Alexandra Gilbreath’s STUNNING Hermione…the supreme insight of both actress and director is that Hermione feels sorrow rather than rancor for her diseased husband."-The Guardian

Buy NowGet 10% OFF

Click here for more information about Shakespeare - The Winter's Tale / Royal Shakespeare Company, Barbican Theatre

12/07/2011

Guests of the Nation (Broadway Theatre Archive) (1981) Review

Guests of the Nation (Broadway Theatre Archive)  (1981)
Average Reviews:

(More customer reviews)
Frank O'Connor's famous short story becomes a stage play by Neil McKenzie in this Broadway Theatre Archives production, directed by John Desmond. Set in Ireland in 1921, the waning days of the fight for Irish independence, the play, like the short story, emphasizes the futility of war as two Irishmen capture two British soldiers while the British soldiers are bird-watching. Assigned to guard them in an Irish cottage for three weeks, the Irish soon discover that the British, like them, are country people who have been doing what they are expected to do by those in charge of their "side." None of them are really committed to the bloodshed which has marked this horrific war for independence.
To help the time pass inside Kate O'Connell's thatched cottage, they play cards together, practice step-dancing, share cigarettes, become friends on the most basic level, and even argue about the fine points of religion. The Irish think their prisoners are "decent chaps....to keep a guard on them is beyond sense," while the British acknowledge that "it's hard to remember what side you're on....I ain't even thinking of being set free no more." When a sixteen-year-old English soldier is killed in the western part of Ireland, the Irish soldiers must decide whether their emotional kinship with these simple, British "good lads" is stronger than their political kinship with the Irish army.
The almost slapstick high humor of the beginning becomes agonized decision-making in the course of the play. Frank Converse, as Barney, and Richard Cottrell, as Noble, the Irish guards, effectively convey the difficulties of wielding power over men very much like themselves. Charlie Stavola, as the irrepressible, harmonica-playing Hawkins, and Nesbitt Blaisdell as Belcher, the English birdwatcher, are so ingenuous that their efforts to be friends, rather than enemies, are completely believable.
Estelle Parsons, as Kate O'Connell, offers common sense advice, gradually changing from being a crotchety scold to a woman blossoming under their attention. The music by Elizabeth Swados, mostly flute, fiddle, and bodhran drums, suits the setting, and the outdoor scenes in the Irish countryside are beautifully filmed. A play that goes straight to the heart, Guests of the Nation, shows two sets of "lads" trying to understand their "duty" when it is "hard to remember what side you're on." Mary Whipple


Click Here to see more reviews about: Guests of the Nation (Broadway Theatre Archive) (1981)

This drama tells the story of Irish insurgents and the captured British soldiers whom they are assigned to guard. While confined to a remote farmhouse owned by the spirited Widow O'Connell (Estelle Parsons of Bonnie and Clyde), the foursome - all equally attuned to "make peace, not war" - enjoy card playing, jig dancing, and a great deal of amiable bickering. Throughout the conviviality, however, Barney Callahan (Frank Converse) is haunted by the knowledge that reprisals will be in order if the Irish harm their captives.

Buy NowGet 40% OFF

Click here for more information about Guests of the Nation (Broadway Theatre Archive) (1981)

11/30/2011

Romeo & Juliet (1993) Review

Romeo and Juliet (1993)
Average Reviews:

(More customer reviews)
As other people have observed about other videos in this collection, this isn't high quality in terms of the video tape. But the performance itself, which is basically a tape of play is a sound version of Romeo and Juliet. This time, they set it in more modern times, ladies are in evening dresses for example, but the dialogue is unchanged really. There are some good and not so good performances. The leading man does a good job as Romeo, though I prefered his dramatic scenes to his romantic ones. I felt the leading lady was very finicky in the role and very dramatic, perhaps too dramatic. She didn't seem to me like a teenager. Otherwise, Juliet's father and Romeo's best friend Mercutio I believe are both splendid. If you are just interested in viewing different Romeo and Juliet videos, this is fine, but the other versions, the 1960's version, the 1930's version and even the newer version are just as good or better in other ways. I've watched them all, and this version does hold up to the others, more or less

Click Here to see more reviews about: Romeo & Juliet (1993)



Buy Now

Click here for more information about Romeo & Juliet (1993)

11/20/2011

Much Ado About Nothing / New York Shakespeare Festival (Broadway Theatre Archive) (1973) Review

Much Ado About Nothing / New York Shakespeare Festival (Broadway Theatre Archive) (1973)
Average Reviews:

(More customer reviews)
I first saw this version of Much Ado about Nothing in the '70's, and have remembered it ever since, so I was delighted when the Broadway Theatre Archive made it available again. The setting, the "Rough Riders" era of the turn of the century, somehow suits the material better than any other I've seen, in particular Dogberry and his inept Watchmen, who appear here as Keystone Kops. Sam Waterston and Kathleen Widdoes are both completely believable, and the supporting cast is excellent.
This version is for those who want to savor every moment of the play. As far as I could tell, it includes almost every word of Shakespeare's text, and to that are added quite a few sequences without dialogue, making the entire length of the production closer to three hours than to two. For this play, this is definitely to my taste, but may not be to everyone's.
The DVD includes nothing but the performance and scene selections (by acts only). Since this play was originally filmed for television, the visual and sound quality are not exceptional, although they're not actually bad.

Click Here to see more reviews about: Much Ado About Nothing / New York Shakespeare Festival (Broadway Theatre Archive) (1973)

In 1972, twenty million people saw the broadcast of this CBS-TV production of Shakespeare's classic tale of romance, mistaken identity, and the battle of the sexes. Though this turn-of-the-century version has Roosevelt's Rough-Riders and bicycle riding suffragettes, the story is the same: Beatrice and Benedick fight their merry war of words; the evil Don Juan conspires to disrupt the wedding of Hero and Claudio; and it's up to Dogbery to save the day. Critically acclaimed and loved by audiences, this rollicking comedy is brassy, bouncy and all-together entertaining. First presented at the New York Shakespeare Festival, this production later became the first truly successful Shakespeare play in Broadway history that did not boast a major star. Features Oscar-nominee Sam Waterston (Law & Order)as Benedick and the Tony-nominated performances of Emmy-winners Kathleen Widdoes (As the World Turns) and Barnard Hughes (Midnight Cowboy).

Buy NowGet 10% OFF

Click here for more information about Much Ado About Nothing / New York Shakespeare Festival (Broadway Theatre Archive) (1973)

11/19/2011

Cinema Paradiso (Limited Collector's Edition) (1990) Review

Cinema Paradiso (Limited Collector's Edition) (1990)
Average Reviews:

(More customer reviews)
Cinema Paradiso is one of my favorite movies.I finally found the new version available for rent through Netflix when I couldn't find it in any Blockbuster.
For those who have already seen Cinema Paradiso it needs no introduction. For everybody else, it won the Academy Award for Foreign Language Film in 1989 and features one of the most nostalgic treatments of the role of movies in people's lives. Ennio Morricone's theme song has also been recycled in countless commercials and movie montages and trailers.
What's good about the Director's Cut or "New Version" DVD is that one can view the director's cut with added scenes on one DVD side and the originally released version on the other.
For those of us who wanted some kind of closure to Toto and Elena's relationship, the Director's Cut has it-- there's about an hour more of footage of their relationship. The new version also more footage of Toto's military service and his adulthood. The added scenes somewhat mute the focus of the movie, so I could see why they were originally cut out. But, at the same time, the added scenes fill in the blanks that originally made a lot of us think, "Hey-- What about...?" And although Toto's childhood scenes are, as far as I can tell, unchanged from the original version, we also find out more about Alfredo.
After finishing the New Version I appreciated the original version better. I highly recommend the new version not because it makes Cinema Paradiso more of a masterpiece, but because it adds more characterization to what, arguably, is a masterpiece. The added scenes can be a bit superfluous, but they show how important editorial decisions are to shaping the structure and momentum of a movie.

Click Here to see more reviews about: Cinema Paradiso (Limited Collector's Edition) (1990)

A famous film director returns home to a Sicilian village for the first time after almost 30 years.He reminisces about his childhood at the Cinema Paradiso here Alfredo, the projectionist, first brought about his love of films.He is also reminded of his lost teenage love, Elena, ho he had to leave before he left for Rome. Cinema Paradiso is one of the most beloved Foreign films of all time!Winner ofthe 1990 Oscar for Best Foreign Film!

Buy Now

Click here for more information about Cinema Paradiso (Limited Collector's Edition) (1990)

10/11/2011

Luigi Pirandello's The Rules of the Game (Broadway Theatre Archive) (1975) Review

Luigi Pirandello's The Rules of the Game (Broadway Theatre Archive) (1975)
Average Reviews:

(More customer reviews)
Pirandello's "The Rules of the Game," which has nothing to do with the Renoir film of the same title, is a relatively minor entry in the Pirandello canon but it's still an intriguing and effective play.
This TV production, originally presented on PBS's Theater in America series, was based on a stage production by the Phoenix Repertory Company that played on Broadway in 1974. (And how sad is it that it's been so long since PBS has had anything like the Theater in America series?)
The main characters are Silia (Joan van Ark), who is having a long-term affair with Guido (David Dukes), while remaining obsessed with her estranged husband, Leone (John McMartin) As part of their separation agreement (this being Italy and there being no possibility of divorce), Leone must visit Silia every evening for a half-hour.
Leone has decided that the best way to win what he refers to as "the game" is to drain himself of all painful emotions and to give in without argument to what others request of him. By continually agreeing to all of Silia's requests, including when she requested a separation, he frustrates her will, which is why she remains obsessed with him.
The play has a couple of plot twists that are fairly predictable, but what makes it a pleasure is Pirandello's language, which comes through effectively even in translation. (The William Murray translation is used.) And Pirandello provides dramatic situations that give good actors a lot to work with.
As Leone, John McMartin is particularly fascinating, finding ways to make Leone seem somewhat passive while subtly (and sometimes not so subtly) tormenting Silia and Guido. That fine actor David Dukes (who died far too young) provides an excellent foil for McMartin. They play their scenes beautifully.
Joan van Ark, who had been a late replacement for Mary Ure in the stage production, doesn't inhabit Silia's mix of sensuality, sadism, and neediness as fully as she might, but she's generally sound and sometimes more than that.
The supporting cast (including Charles Kimbrough, perhaps best known as Jim Dial on "Murphy Brown," in a fairly important supporting role, and Glenn Close, listed prominently on the DVD case, in a tiny role) is excellent, though it's a little strange that while most of the cast speak in more-or-less standard American stage speech, a couple seem to be trying to sound vaguely Italian.
The play was a cut a bit to fit into a 90-minute TV time slot, but the cutting was done skillfully. I question how McMartin was directed to play the final moments (going way beyond what is suggested in the script), but this DVD is an excellent way to experience this rarely seen Pirandello play. And except perhaps for those final moments, McMartin gives a superb and fascinating performance.

Click Here to see more reviews about: Luigi Pirandello's The Rules of the Game (Broadway Theatre Archive) (1975)

This 1918 tragicomedy by Luigi Pirandello is set among the Italian upper class. The main characters are an impulsive young woman, the lover she exasperates and her cynical husband. The husband's apathetic attitude is that life is a game played by arbitrary rules, and his role is that of an unemotional observer. His philosophy is severely put to the test when his wife draws him into a duel with a nobleman who drunkenly accosted her. Stars Joan Van Ark (Dallas)and Emmy-nominee David Dukes (The Josephine Baker Story). Also featuring a brief appearance by Glenn Close in an early role.

Buy Now

Click here for more information about Luigi Pirandello's The Rules of the Game (Broadway Theatre Archive) (1975)

9/11/2011

The Taming of the Shrew (Broadway Theatre Archive) (1976) Review

The Taming of the Shrew (Broadway Theatre Archive) (1976)
Average Reviews:

(More customer reviews)
Riveting high energy interpretation of one of Shakespeare's more problematic comedies. The director's decision to present this somewhat sexist comedy as an over-the-top commedia dell'ate production was brilliant. Patruchio's use of physical violence to tame his headstrong finacee is somehow made tolerable because all the relationships in this play are embued with violence. And like characters in a Roadrunner cartoon, victims bounce back with vigor and always manage to give as good as they get. The troupe is incredibly in sync with one another, highly athletic, and incredibly gifted at reciting their iambic pentameter flawlessly while being twirled overhead or kicked in the groin. It really has to be seen to be believed. And who knew Marc Singer, the Beastmaster, could act?! In the end, he brings a subtlety to his part that leaves you wondering who's taming whom?
Harold Clurmann's interview with the director is a nice DVD extra.

Click Here to see more reviews about: The Taming of the Shrew (Broadway Theatre Archive) (1976)

San Francisco's prize-winning American Conservatory Theater's rowdy commedia dell'arte production incorporates slapstick, pratfall and earthy humor into William Shakespeare's comedy about the two unmarried daughters of a wealthy Italian merchant. While daughter Bianca is genteel and popular, daughter Kate is foul-tempered and strong-willed. No one dares to marry Kate, until Petruchio arrives in Padua and tries his hand at courtship. "...delivered with such clarity." --The New York Times. With Fredi Olster, Marc Singer, Stephen St. Paul, Sandra Shotwell, and William Paterson.

Buy NowGet 28% OFF

Click here for more information about The Taming of the Shrew (Broadway Theatre Archive) (1976)