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(More customer reviews)"Not too tight, old boy," says Ralph Gorse at the end of The Charmer. We've spent nearly 312 minutes leading up to this point. They are 312 well spent minutes.
Gorse (Nigel Havers) is a charming English con man in the early Thirties. He lives by his amoral wits, seducing, enticing and working the side deals. He wants everything he isn't and everything he hasn't. Eventually he works his way up to murder. The Charmer, a wonderful Masterpiece Theater presentation now twenty years old, maintains every bit of its queasy allure, thanks in large part to Havers, to Rosemary Leach and to Bernard Hepton. Leach plays Joan Plumleigh-Bruce, a somewhat frumpy upper-middle class, snobbish Englishwoman, a widow who attracts Gorse's attention because of her property and her income. Hepton plays Donald Stimpson, a man who wears round, thick eyeglasses, has a rather silly mustache and is a property broker. He is a long-time friend and wooer of Joan, and he also fancies a marriage to her, to her income and to her property. The idea of a regular bit of the old bed springs is attractive to Stimpson, too. When Gorse meets Donald and, through him, Joan, the main pieces in this sly, malicious and self-serving game come into play.
In the course of this six-part series we will watch Gorse woo and manipulate, empty bank accounts, impregnate, cause a fire with fatal results, seduce, and murder. Following his trail like a middle-aged, self-serving angel of retribution is Donald. And Donald pulls along in his wake Joan, a woman who knows she was had and scorned, who still loves her Rafe but has Donald whispering to her that Rafe must be held accountable. Donald, of course, would like nothing better than to see Gorse brought down, partly because he detests Gorse and partly because he is sure that will be the path back to Joan's heart, bed and finances.
Is there anyone likable in this drama? Not really, and that's so satisfying. It is the ability of Gorse, Joan and Donald to ignore their real motives and fail to hide their real moral characters from us that gives us so much pleasure. By the end of the drama, Gorse, Joan and Donald each in their own way find a comeuppance that allows us to think our own upright moral characters might even be real.
Nigel Havers has a particularly tough job giving us the picture of Ralph Gorse. Havers must show us what a heel the man is, yet he also must make us see Gorse's charm. We know when Gorse is thinking up some disreputable betrayal for his own benefit. We can see how he is justifying a death. Havers also is able to show us how seductive, how pleasant, how companionable Gorse can be when he wants to. Rosemary Leach gives us a wonderful portrayal of a singularly unlikable, self-deluding woman who wants to be loved, who flutters at Gorse's attentions, who rather likes Donald's insistent courting and who thinks nothing of giving her young Irish maid condescending disdain. And last, we have Bernard Hepton, in my view one of the best of Britain's skilled character actors. With those thick glasses and that mustache, Hepton turns Donald Stimpson into a figure of slightly pompous amusement for us; that is, until we begin to realize just how resentful Stimpson is becoming, and how relentless he is in the pursuit of bringing down Gorse. Hepton turns Stimpson into a little man dangerous to underestimate, who simply won't let go.
The Charmer is murderous black comedy that is a great deal of fun, and features three outstanding performances. The DVD transfer is not as crisp as we've come to expect, but is still very easy to watch.
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Starring: Nigel Havers, Bernard Hepton, Rosemary Leach, Fiona Fullerton, David McKail.Based on the novel ‘Mr. Stimpson & Mr. Gorse’ by Patrick Hamilton.On the surface Ralph Gorse is a charmer in every sense of the word: handsome, suave and stylish, sparkling company and the possessor of a sexual magnetism that attracts most women h e encounters. But the charm is a veneer. Gorse is a con man and sexual adventurer, whose conquests are merely a way of obtaining his heart’s desires: money and power. VOLUME ONE Episode One – The Tempter Ralph Gorse, down to his last pennies, meets Joan Plumleigh-Bruce in a roadhouse. She is attracted to Gorse, despite the difference in their ages. But Plumleigh-Bruce has another suitor, the stolid Donald Stimpson, who is attracted by her regular income, her pleasant house and the promise – yet unfulfilled – of sex. Gorse lures the jealous Stimpson into a sordid night at a pleasure house in a scheme of subtle blackmail.Episode Two – The Investor Gorse allies himself with Clarice Mannor’s fast socialite crowd and continues to fortify his relationship with the romantically-swayed Plumleigh-Bruce with whom he opens a joint bank account for depositing the promised fruits of their future investments. Stimpson casts a jealous and suspicious eye over their financial and romantic liaisons.VOLUME TWOEpisode Three – The DeceiverGorse flees to Brighton where he finds employment as a car salesman and begins romancing the innocent and lovely daughter, Pamela, of his boss, Harold Bennett. Stimpson’s dogged inquiries have uncovered Gorse’s whereabouts; and with the swindled Plumleigh-Bruce in tow, he proceeds to Brighton to confront Gorse with the evidence.Episode Four – Gorse in the Middle Gorse marries the pregnant Pamela and settles uncomfortably into married life. Bennett, father of the bride, still suspicious of Gorse’s motives, buys the newlyweds a house. The deed is solely in the bride’s name, but Gorse has a scheme to turn the tables – and collectthe insurance.VOLUME THREEEpisode Five – The ImposterGorse is drafted for military service, but army life is not his cup of tea. He decides not to return from a brief furlough and checks into a fashionable Brighton seaside hotel where he exchanges identities with a drunken R.A.F. officer. Shortly afterward, a corpse is found on the beach bearing Gorse’s identity papers. Episode Six – Gorse at the EndPlumleigh-Bruce and Stimpson are summoned to Brighton to verify the identity of the body bearing Gorse’s papers. Plumleigh-Bruce can’t face the gruesome prospect and flees to their hotel where she bumps into Alison Warren, Gorse’s latest conquest. Plumleigh-Bruce’s story confirms Warren’s mounting suspicions. She confronts Gorse with the truth and threatens to expose him. Cornered, he takes desperate measures to escape his pursuers.
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