Showing posts with label england. Show all posts
Showing posts with label england. Show all posts

12/22/2011

A Town Like Alice (1981) Review

A Town Like Alice  (1981)
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Joe Harmon (played by Bryan Brown) rocks! And so does this whole movie, based on Nevil Shute's superb novel of the same name. It starts well, picks up speed, and gets better and better. During WWII, Jean (who is her family's only survivor) is force marched back and forth across Malaysia by the Japanese, who don't know what to do with a bunch of English women and children. As their group dwindles from starvation, fatigue, malaria and dystntery, Jean becomes the leader of the little group, and she negotiates a deal with the headman of a small village whose men have been taken off to fight in the war: if the village will shelter them, the surviving English will work in the rice fields.
But it was during the months of wandering that Jean met Joe Harmon, an Austrailian prisoner of war who steals food for her, is crucified and left for dead by the Japanese.
After the war, when Jean is back in England, she comes into her family's money, and she has a dream: to return to Malaya to build a well for the village women. To her amazement, she learns that Harmon actually survived: when the Japanese could not grant him his last wish, they were honor bound to save his life. Jean goes back to find him at the same time he, having just discovered that she wasn't married when he met her (a deception she fostered for her own protection), flies to England to look for her. The two planes cross.
But, as with most good love stories, they meet - and things are awkward and stilted. When he knew her, her hair was loose and tangled, she was barefoot and wearing a sarong, and she had an orphan child balanced on her hip. Now when he sees her, she's an English lady - and he's still just a bloke from the outback.
Oh, I'm telling too much. Suffice to say that Jean's attempt to resume their former easy and relaxed relationship while in Australia's Great Barrier Reef is spectacularly successful, and she's faced with spending the rest of her life in the desolate and lonely outback. Alice Springs, the nearest thing to `civilization,' is too far to go, so Jean determines to spend her small fortune turning her little nowhere town into a place from which the young people will no longer flee in frustration. In short, she creates the world in which she wants to live and raise Joe's and her children.
It's so, so, so, so good, one of those videos you'll have to buy. Trust me on that.

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12/12/2011

Love for Lydia (1979) Review

Love for Lydia (1979)
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From September 23 to December 9 in 1979, watchers of Masterpiece Theatre were all excited over a dramatization of H.E. Bates' jazz-age novel, "Love for Lydia." The title character, played flawlessly by Mel Martin, was an utterly self-centered young girl, who was brought to live with two aged aunts (Rachel Kempson and Beatrix Lehmann) and their parasitic brother (a great characterization by Michael Aldridge). She wanted only to have men cater to her every whim ("I will hate you if you don't") and enjoy herself to the fullest.
For several evenings, I have been watching the DVD release of this 13-part series, now available from Acorn Media in a boxed set of 4 discs (AMP-8648) with a running time of 650 minutes. So vivid were the characters that my wife and I fell into a disagreement as to how likable several of them were. (I voted that some man would have done her a favor by telling her to get stuffed--as one of them finally does but too politely; my spouse thought she was a very sad character who deserved pity.) Such was the quality of the acting.
There is little plot but a good deal of character interaction. A would-be writer Edward Richardson (played by Christopher Blake) is a sullen creature, always misunderstanding motives, is jealously in love with Lydia and cannot see how much he is loved by the farm girl Nancy (Sherrie Hewson, looking very much like Shelley Winters in "A Place in the Sun"). Her brother Tom (Peter Davison) and Richardson's best friend Alex (Jeremy Irons) are drawn to Lydia, as is the seemingly anti-social but actually terribly shy taxi-driver Blackie (Ralph Arliss). Her enjoyment of being vied for leads to the death of one of them, possibly another by indirection, and her own bout with near death towards the end.
Mel Martin was quoted as saying, "She was an innocent, untutored in the ways of the world [and] behaved instinctively." I have yet to read the book to see how closely it follows the novel, but the scriptwriter, Julian Bond, pointed out that given 13 episodes, he had 50 minutes to devote to every 17 pages of the original. (In the Penguin paperback, the novel runs 301 pages, making that 23 pages per episode.) So there is lots of time for lingering on the English countryside, the 1920s dresses, the dances and music, and most of all the complex characters.
Grab this one as soon as you can and hold "Lydia" parties to see and discuss it all with your friends.

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LOVE FOR LYDIA - DVD Movie

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10/20/2011

Moll Flanders (2pc) (Mobile Masterpiece Theatre) (1996) Review

Moll Flanders (2pc) (Mobile Masterpiece Theatre)  (1996)
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This is the BBC/Masterpiece version of MOLL FLANDERS (most recent version) and definitely a film to buy if you are fond of English literature adapted for film. This is a long film 3 hours and 40 minutes, and was shown over several nights on our local PBS station. I own the DVD and it is excellent. The costumes, settings, etc. are fabulous and accurate and comparable to other Masterpiece dramas on DVD such as the recently released WIVES AND DAUGHTERS.
Moll Flanders (played by Alex Kingston) was an incredibly resourceful woman. Daniel Defoe (author of ROBINSON CRUSOE, 1719) wrote Moll Flanders and in some respects Moll is a mirror-twin to Robinson. While Robinson battled nature Moll battled civilization. Civilization in late 16th-early 17th Century England was ragged around the edges. We hear much about slavery during this period, but life for the ordinary working-class male and female was just as ugly. Through Moll we learn just how ugly life could be and what it meant to survive, especially for those not "To the Manor Born" and in some cases those who were. Poverty, illness, sexism, seduction, rape, murder--Moll sees it all. In spite of all this, Moll has her moments of gracious living, so you won't be watching a poor tattered Moll during the whole film. Moll is elegantly dressed most of the time, and the settings for the action in this film include everything from the finest drawing rooms in Tudor style manors to a plantation house in the English colony of Virginia.
Moll marries five times, and each marriage is perfectly logical, pragmatic, and a choice she makes to survive. Moll turns to the camera in each instance and asks, "What would you do" much as Defoe asked the reader the same question. Her marriages face incredible odds. Her favorite beau Jemmy, played by Daniel Craig (The Ice House), surfaces over and over. Are these two star-crossed lovers or destined to be together? The end will tell.
I like Moll, and though she's been characterized as a "bad girl" I don't think she was at all. Moll took what she was handed and made the best of it. Moll was street smart before the term was invented. More than one of us is descended from someone who faced these incredible odds of survival. Does Moll beat the odds, you'll have to see the film to find out. A special treat--the wonderful Diana Rigg as Mrs. Golightly.

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8/27/2011

Small Island (Masterpiece Theatre) Review

Small Island (Masterpiece Theatre)
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While selective TV viewing, I found Small Island showing on PBS and couldn't change the channel. I'm glad I didn't. What a delight to see Jamaicans portrayed with the dignity and class that most Jamaican's deserve. The acting was superb and I felt a kinship to all the characters, African and European. I was tempted to buy the book and finally purchased a book and DVD for my sister. The video with the narrative gave voice to the book and sensitivity to the subject. At the time, I felt no need to read the book, and enjoyed every moment of advice, cliches', antidote's and consciousness of love, life & passion that swept through every scene.
The revelations on the colonial history of Jamaica and the affection Jamaican's felt to the "Motherland" aka England, made the teachings of Marcus Garvey and the music of Bob Marley, even more relevant. It's no wonder Marcus Garvey was not accepted in Jamaica as he was preaching for Africans in Jamaica to look to Africa as the Motherland.
The struggles Jamaicans went through to live and be accepted in England after World War 2 is something that many people are not aware of, thank you Ms. Levy. I really love this movie and will share it with many friends, for its history and as a great love story that touches the heart on the many levels of joy and sorrow.

I absolutely loved the entire story, until the end. It left me with a sad question. Why didn't Queenie give Hortense the photo of the baby's father, she had it...but she sent her photo along with the baby? Hortense wouldn't of been too shocked, and maybe even finally happy (other than getting the material things) to know the child was the son of her childhood sweetheart. It was another eurocentric case of killing the black man's legacy. The ending as is, will lead to a great book club discussion. It is my humble opinion and remains a travesty that some Africans/Jamaicans/Americans desire to uplift and emulate European culture, at all cost, fact or fiction. The author, while giving homage to her paternal grandmother, (Queenie aka or symbolically England, the other Small Island) sadly, loses the memory of the child's paternal Jamaican roots. Over all it is a story well told and acted out by all involved.

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Adapted from the award-winning 2004 novel, this mini-series stars Naomie Harris (Pirates of the Caribbean, White Teeth) as Hortense, a young ambitious Jamaican woman thrust into the grit of 1940s post-war London.

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8/20/2011

The Buccaneers (1995) Review

The Buccaneers (1995)
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My sister and I adore this mini-series which was shown in Masterpiece Theater many years ago. Anyone who enjoys turn-of-the-century films such as The Age of Innocence, House of Mirth, The Golden Bowl, A Room With A View and Howard's End or stories of the Astors and Vanderbilts will find themselves enraptured with this tale of 4 beautiful American women who find themselves being courted by sons of the British nobility.
In the center of the story are Nan (Carla Gugino) and Virginia St. George (Alison Eliott), and their friends Conchita Closson (Mira Sorvino) and Lizzy Elmsworth (Rya Kihlstedt) - four young women living in turn-of-the-century America, when social status and wealth were the most important considerations in a woman's life (these were the days of the Astors and Vanderbilts, after all). Early in the story we find Conchita married to Lord Marable and begins her new life with the English nobility. Spurned in Newport and New York social circles because they are considered "new money," Nan, Virginia and Lizzy travel to England to visit Conchita and hopefully try their luck there. With the help of 2 enterprising older women, they soon become the toast of the town and are courted by many handsome, wealthy young men. Virginia and Lizzy vie for the attentions of Lord Seadown (Mark Tandy) who is not quite what he seems. Nan is pursued by the humble but ambitious Guy Thwaite (Greg Wise from "Sense and Sensibility") and the wealthy and reserved Julius, the Duke of Trevenick (James Frain).
The mini-series offers beautiful scenery and costumes, great acting from members of the cast (including veterans Cherie Lunghi, Jenny Agutter, Michael Kitchen and Rosemary Leach) and a thoroughly engaging story. I loved the fantastic mansions, palaces and castles in Newport and England alike and the wonderful intertwining of the American and British sensibilities in the plot. It has "one foot in America and another foot in England," as Masterpiece Theater narrator Russell Baker aptly explains. I highly recommend this to anyone who enjoys top-notch romance/drama!

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Deemed nouveau riche and shunned by elitist New York society, sisters Nan and Virginia St. George, along with their friends Lizzy Elmsworth and Conchita Closson (Academy Award winner Mira Sorvino), try their luck in London. The girls' New World spontaneity and impertinence constitute nothing less than a social invasion of Old World society and they soon find themselves courted by a coterie of fascinated admirers. But as the old and new worlds come to clash, something has to give.

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