Showing posts with label richard chamberlain. Show all posts
Showing posts with label richard chamberlain. Show all posts

11/24/2011

Out of Our Fathers' House (Broadway Theatre Archive) (1978) Review

Out of Our Fathers' House (Broadway Theatre Archive)  (1978)
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This 70s production was enlightening, and it took me a couple of views to grasp the characters identities. The play, done in a nonconventional format, is about six women with remarkable and notable lives during our history. The six women come together to share their thoughts, dreams, struggles, bravery, movements, privileges, hardships, etc.
The storyline is based on a book by Eve Merriam, Growing Up Female in America (Beacon paperback). Although the book has 10 women, only 6 are present for the play. The title, From Our Father's House, theme derives from the clutches of their father, imposed or instilled. Better yet, the play is not hand-written; the text generates from the works of their journals, letters, diaries, etc. The six women who come together, take turns sharing and listening to one another are...
Dr. Anna Howard Stern (1847-1919), the first ordained women's preacher, doctor and leader of the sufferage movement. Listen, as she determined she overcame her father's message that reading was a waste of time, and she would make nothing of her life. She chose the pulpit over her own family.
Maria Mitchell (1818-1889), the first professional astronomer, whose father was an astronomer. She learned all about astronomy, but at that time, experienced that it was not as valued by the public for a woman with that knowledge.
Elizabeth Southgate (1783-1909), a young girl of privilege, went to finishing school, adored and respected her parents. She writes about finding the right man, marrying, becoming sick, (presumably TB). She died in her mid 20s. There is an interesting collection of her letters available in book form. A Girl's Life Eighty Years Ago: Selections From The Letters Of Eliza Southgate Bowne (1887).
Elizabeth Gertrude Stein (1890-1950), writer, journalist, feminist, shares when husband became sick, she worked in a department story, had a promotion, then went back home. Later, she became a profitable writing earning much.
Elizabeth Cady Stanton (1815-1902), founder of the Women's Suffrage movement. She tells of her age at 12, when her brother in college died, and how he was the pride of her father's heart. She tried to match up to being a male, learning Greek, Latin, etc. Struggling to do it, her father said, "you should have been a boy!"
"Mother" Mary Jones (1830-1930), prominent labor organizer and powerful voice of the underprivileged. Wonderful story telling about her child labor movement. The most mature actress portraying Mary Jones has done a superb job.
Enjoyable, informative, educational, hear the voices of the past, similar to the present.....Rizzo


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This play presents the true stories of women who sought independence at any cost. The compelling text is taken entirely from the diaries, journals and letters of the characters portrayed, among them: Elizabeth Cady Stanton, the powerful founder of the women's suffrage movement; the famous labor organizer "Mother" Mary Jones; and Dr. Anna Howard Shaw, a frontier minister who protected herself by carrying a fully-loaded pistol at all times. Stars two-time Oscar famous labor organizer "Mother" Mary Jones; and Dr. Anna Howard Shaw, a frontier minister who protected herself by carrying a fully-loaded pistol at all times. Stars two-time Oscar® - winner Dianne Wiest (Hannah and Her Sisters) and two-time Emmy® - winner Carol Kane (Taxi).

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9/27/2011

The Good Doctor (Broadway Theatre Archive) (1978) Review

The Good Doctor (Broadway Theatre Archive) (1978)
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The cream of the Broadway Theatre Archive, this production has it all--the stories of Anton Chekhov, Neil Simon to mold the stories into exquisitely timed and hilarious theatre, and a cast that is hard to duplicate. Starring Marsha Mason, who plays everything from a maid to a lady of the night; Ed Asner who is a terrific, blustering general; and Lee Grant, who ranges from a wily and assertive employer to a wild woman with a "nervous disorder," the production also includes Bob Dishy, who has an elastic face and expressive eyes, starring in "The Sneeze" and "The Seduction," and Gary Dontzig as the "Drowned Man" and a 19-year-old son about to be introduced to sex for the first time.
The seven Chekhov stories which become one-act plays here are filled with dry humor, surprise endings, and clever common people in confrontations with "superiors" which end in absurdity. "The Sneezer" cannot apologize enough to the general who is his boss at work, then believes that he himself has been humiliated. In "The Governess," an employer (Grant) tricks a subservient governess (Mason) out of 80% of her pay. "The Seduction" shows a man-about-town (Chamberlain) using a husband as the conduit for his seduction of the man's wife, a story with a twist at the end. "The Drowned Man" (Dontzig) claims to be in the "maritime entertainment business" and will "drown" for a small fee. "The Defenseless Creature" gives Grant her star turn, and she is hilarious as the clever wife who wants money from a banker (Chamberlain), threatening him with a curse if he refuses. In "The Arrangement" a father takes his shy, 19-year-old son to a house of ill repute, then realizes that the son will no longer be a boy.
The most stunning episode is "The Audition," and anyone interested in acting would do well to study Marsha Mason, who is magnificent here. Playing the parts of all three sisters from the conclusion of Chekhov's The Three Sisters, she is sensitive, bursts into tears on cue, then becomes rational and straightforward. As Mason convincingly plays the three different roles, one witnesses a truly great acting moment. Each of the scenes is beautifully produced and sensitively acted, and the viewer comes away from the production awed by Chekhov's writing, Simon's dramatic sense, and the ensemble cast's incredible talent. Mary Whipple


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Anton Chekhov's early short stories, which so eloquently capture the comic and serious sides of the 19th century Russian Bourgeoisie, were the source and inspiration for this hit by Neil Simon--one of the most prolific and beloved playwrights of all time. Simon's tribute to Chekhov resonates with great feeling and warm humor. Richard Chamberlain as The Writer, who ties everything together, glides through the production in a variety of guises, opening with "The Sneeze" and progressing to "The Governess." He is joined by an all-star team of farceurs including Ed Asner, Bob Dishy, Lee Grant, and Marsha Mason. "Studded with the kind of names that make hearts palpitate... an elaborate conceit by Neil Simon." --The New York Times

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