10/02/2011

Upstairs Downstairs - The Complete First Season (1974) Review

Upstairs Downstairs - The Complete First Season (1974)
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This British series is in a "class" by itself. It's characters are unforgettable, the acting inspired and the backdrop evocative - Edwardian England from 1904 into the 1930s. The story evolves around the aristocractic Bellamy family "Upstairs" and their servants "Downstairs," but it is not a soap opera. It is as genuine, real and honest as any period production, or for that matter, any production, that I have ever seen. The characters grapple with the same struggles that we continue to confront in mordern-day America: love, loss, coming of age, morality, prejudice, death, economics, social responsibility, freedom and the search for life's ultimate meaning - concluding with the horrendous effects of a World War and its devastating aftermath. This unflinching look at history as well as a truly timeless, engaging saga is not to be missed. I genuinely rejoice that such a remarkable treasure is finally available on DVD. Originally broadcast on PBS's Masterpiece Theatre.

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Follow the "upstairs" dwellers, the Bellamys, and their "downstairs" servants through one of television's most loved and lauded series of all time. This collector's set includes the entire first season, all 13 episodes, of the multi-award winning series. Catch a first glimpse of 165 Eaton Place and be enchanted with the saga that captures the essence of life and love in Edwardian England.

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The Heritage Theatre - The Mysteries Review

The Heritage Theatre - The Mysteries
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A friend from church told my wife and me "you MUST see this!" He was right. It brings old familiar Bible stories richly to life in a fresh and new way. Great casting, clever humor in places, and amazing music and dance from a country (South Africa) where they have a lot of great singers and dancers.


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Created by Mark Dornford-May and Charles Hazelwood.In June 2001, this South African company’s first production, THE MYSTERIES, opened at Wilton’s Music Hall in London and within a day of the first reviews appearing had sold out.Over the next twelve months, the company became an international hit, touring festivals in Australia and America, as well as a sold-out run in the West End.Rarely in the world of theatre does a company appear to such instant and universal acclaim. YIIMIMANGALISO - THE MYSTERIES is a spectacular African version of the English Medieval Chester Mystery Plays.These timeless Biblical stories are brought to life through exhilarating songs, dance, and heart-breaking drama.It is both passionate and uplifting.An altogether stunning piece of theatre that breathes life into some of the greatest stories told. "A SPECTACULAR PIECE OF THEATRE. It puts the world on stage and squeezes tears of sorrow, joy and laughter along the way."TIME OUT. "MOVING, INVENTIVE, BEAUTIFUL. YOU FEEL THAT YOU HAVE DIED AND GONE TO HEAVEN."DAILY TELEGRAPH."It is impossible not to be swept away by this DRAMATIC DYNAMITE.Each story is a miracle of energy, invention and humour."EVENING STANDARD."THE MOST MAGNIFICENT AND MOVING EVENT OF THE YEAR" OBSERVER.

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10/01/2011

The Pallisers - The Complete Collection (1977) Review

The Pallisers - The Complete Collection (1977)
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The Pallisers is a 1974 BBC production based on Anthony Trollope's six-volume series of novels which takes place in the mid to late 1800s and covers more than 20 years. Where Trollope's Barchester series revolves around the church, his Palliser series revolves around the world of politics. Throughout the course of the series, one gains some familiarity with the political issues of the time--issues such as Irish tenant rights, the implementation of secret ballots, the abolition of rotten boroughs, the decimalization of the currency, and so on. If you're not particularly interested in politics or political history, you needn't worry, for the issues are not the focal point of the series. The show is primarily about individuals, their relationships with one another, and the scandals and intrigues that arise--we're even treated along the way to a murder and the ensuing court case.

The series primarily follows the lives of wealthy Plantagenet Palliser (Philip Latham), a Member of Parliament for the Liberal Party, the heir to a dukedom, and a very serious, conscientious, and morally upright gentleman; and the beautiful, spirited, and wealthy Lady Glencora (Susan Hampshire (The Barchester Chronicles, The Forsyte Saga, The First Churchills, The Grand, The Monarch of the Glen))--a young woman who, as the story opens, is head over heels in love with an avaricious but charismatic gambler, but whose hand is destined (if her guardian has her way) for Plantagenet.
I might just mention that each novel is an independent entity, and one can usually tell when one has reached the end of the dramatisation of each one, for there is a sense of closure to that particular story and we often see no more of individuals who were introduced for that story. Having said that, a couple of characters worth mentioning are the new, cash-strapped Irish MP Phineas Finn (Donal McCann), and Madame Max (Barbara Murray), a shrewd, resourceful and wealthy Austrian, both of whom feature prominently throughout much of the series.
The series consists of twenty-six 50-minute episodes, and one ought not to expect a slick production like those one has come to expect of 90's efforts. The production is very well done, but it is done according to 1970's standards. In other words, if you're familiar with Upstairs Downstairs, The Duchess of Duke Street, Lillie, and other 70's productions, you can expect the same sort of look and feel here. The only complaint I have (and it's a minor one) concerns the first episode or two which, unfortunately, appear to have been either overexposed or overdeveloped.
In short, this is a splendid period drama punctuated with plenty of comic relief, seasoned with a memorable cast of characters, and consummately acted by an all-star British cast. To name but a few: a bewhiskered Derek Jacobi (I Claudius, Cadfael) plays Lord Fawn, a cash-strapped man who has no luck with women. Penelope Keith (To the Manor Born, Good Neighbours) briefly appears in a few episodes as Fawn's domineering sister (just the type of character at which she excels!). Peter Sallis (Last of the Summer Wine's Norman Clegg) portrays the surly, unpleasant Mr. Bonteen. Anthony Andrews (Brideshead Revisited) appears in the later episodes as a grown-up Silverbridge, the Duke's eldest son, with Jeremy Irons (also Brideshead Revisited) as Frank Tregear, Silverbridge's best friend.
I highly recommend this captivating, intelligent, and all around enjoyable series (which I for one had never seen before). If you enjoy period drama, it's a safe bet that you'll soon find yourself hooked on this one--our family certainly was!


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The BBC jewel that became a PBS classic! "Wonderfully detailed etchings of manners, fashion and Parliamentary maneuvering" -The New York Times Set in the palatial country houses and grand Mayfair salons of mid-Victorian England, The Pallisers is a sprawling BBC saga of wealth, passion, and power. Based on Anthony Trollope’s six "political" novels-called the finest sequence of fiction ever written about British Parliamentary life-and adapted by contemporary British novelist Simon Raven, the series proved powerfully addictive to television audiences on both sides of the Atlantic.Starring Emmy®-winner Susan Hampshire as the beautiful and passionate Lady Glencora, whose arranged marriage to rising politician Plantagenet Palliser (Philip Latham) touchingly endures despite being tested by public and private crises. Also starring Derek Jacobi (Cadfael),Penelope Keith (To the Manor Born), Anthony Andrews (Brideshead Revisited), Kate Nichols (Nicholas Nickleby), and Jeremy Irons (Damage). DVD SPECIAL FEATURES INCLUDE exclusive Susan Hampshire interview, 36-page viewer’s guide, Trollope materials, cast filmographies and Victoriana.

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The Blob Review

The Blob
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When I saw that the CRITERION COLLECTION was bringing THE BLOB to DVD - I have to admit I was shocked. This effective and classy little 1950's monster flick was getting the kind of star treatment that most films released on DVD are begging for. And for good reason... THE BLOB is an excellent movie. It hits all the marks, it stands it grounds, it never bores you and it provides you with a original (and even credible) monster that to this day is still more sinister than most that cross the screen (and yet remains the most fun - really, if gum chewed back, it would look like the BLOB). CRITERION again shines here... period style box art (including in the lower left corner a warning that the producers of THE BLOB can not be held libal for heart attacks or faninting from watching the film), a fact based booklet featuring the orginal poster art from the release for it's cover, plus a half sheet poster of the box art that is high quality and all glossy... a beautiful touch. The disc features an excellent transfer of the film. The colors are crisp and the sound is still effective and well balanced. Two audio commentaries are included with the disc, and each are insightful and entertaining. Both remain pretty much screen specific, but do branch out from time to time to explain a host of inside details (like why McQueen wished had had taken a percentage of THE BLOB, and how the leading lady wasn't cast until the very last second... which was the very first day of shooting). Trailer is included, as well as what is really a excellent addition... a photo collection of behind the scene stills, effects (even what the real BLOB looked like off camera and just how big it really was... little hint: not very), and rare BLOB props and BLOB memorabilia - overall CRITERION has given us yet another must have for DVD owners. If you're a fan of the period and the genre, then THE BLOB is a must, I can not recommend it enough... it's pure fun. And if you know someone this holiday season that is getting a DVD and into 50's shockers... start them off right and pick up the BLOB.

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I, Claudius (1976) Review

I, Claudius (1976)
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Many important scenes have been cut (censored?) from the original Masterpiece Theater version including the contest between Claudius' wife and the prostitute, Caligula's horse Incitatus being made senator, and others. These omissions sacrifice the overall continuity and flow. These omissions are unnecessary and unforgivable given the DVD format. A general disappointment for those who remember the original version. Other than the above this is highly enjoyable.

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Roman history comes alive in this magnificent 13-part series. I, Claudius ranks among the most acclaimed productions in television history. Tracing the lives of the last of the Roman emperors, it's an epic of ruthless ambition, shocking debauchery and murderous intrigue set in one of history's most fascinating eras. Bearing witness to the saga is Claudius, whose stutter and limp have marked him a fool--yet whom prophesies have foretold will one day rule Rome. This collector's edition set includes a unique documentary feature, The Epic That Never Was (1965, 71 min.), a remarkable behind-the-scenes look at Alexander Korda's ill-fated 1937 screen adaptation of I, Claudius. Starring Merle Oberon and Charles Laughton, the chronicle of this uncompleted masterpieces is an unforgettable coda to one of the greatest stories ever told.

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The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008) Review

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008)
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The impression that "The Sisterhood of the Traveling Pants 2" gives is that it's a bubbly, bright, and--for all intents and purposes--meaningless sequel to the first film. To my relief, it follows the example set by its predecessor, a surprisingly levelheaded friendship story. Four years after discovering a magically fitting pair of jeans, best friends Tibby Tomko-Rollins (Amber Tamblyn), Carmen Lowell (America Ferrera), Lena Kaligaris (Alexis Bledel), and Bridget Vreeland (Blake Lively) have returned for a second chapter that remains on perfectly equal ground with the first, focusing on coming-of-age issues like maturity, self-discovery, family, and love. Unoriginal ideas? Maybe so, but that doesn't mean they're any less effective. If anything, they make the film's message that much clearer. It helps that many of the girls' problems are based in reality--high school issues, like being pretty and popular, are pushed aside in favor of adult issues, like pregnancy scares and family crises.
If there's anything we learned from the first film, it's that the magic of the titular jeans was symbolic; by in large, the girls worked through their own ups and downs on their own, with no miraculous intervention other than their friendship with one another. We learn pretty much the same thing in this film, which sees each character facing new, more mature challenges. Let's begin with Carmen, who doubles as the film's bookend narrator. She now attends Yale, working as a stagehand for the theatre department. Her mother (Rachel Ticotin) has since remarried and is now pregnant with her second child. When Carmen's hopes of spending the summer with her friends are dashed, she decides to join a Shakespearian theater company in Vermont with a prima donna named Julia (Rachel Nichols). Once there, a British actor named Ian (Tom Wisdom) coaxes Carmen into auditioning for "A Winter's Tale"; to her shock--and to Julia's horror--she's cast as Perdita. As rehearsals continue, she begins to fall in love with Ian.
Next, there's Bridget, who plays Soccer at Brown University. Lately, her interests have shifted to archeology. While on an expedition in Turkey, her instructor, Professor Nasrin Mehani (Shohreh Aghdashloo), opens her eyes to the fact that she's only running away from her past. Bridget, it seems, is still haunted by the suicide of her mother. And her relationship with her father (Ernie Lively) is worse than ever; before leaving for Turkey, she discovered a box full of letters her grandmother had written her, letters her father wanted to keep hidden. Returning to the United States, Bridget takes a bus to Alabama and finally meets her grandmother, Greta (Blythe Danner), an accommodating woman with a matter-of-fact outlook on everything, including her daughter's mental illness.
The next in line is Tibby, who continues to pursue her filmmaking dreams at NYU. Forced to stay in New York for the summer to rewrite her screenplay, she gets a job at a local video store. She's now dating Brian McBrian (Leonardo Nam), who was introduced in the first film as the "Dragon's Lair" champion. When their relationship is threatened (for reasons I won't reveal), Tibby begins to wonder if she was meant for happiness. She does put up a wall every time she gets close to someone, and that's because, deep down, she believes that those you love the most will eventually abandon you. Her attempts to get sympathy from Carmen are flatly rejected; she doesn't appreciate how uncommunicative Tibby has been all summer.
Finally, there's Lena, who attends an art college in Rhode Island on a scholarship. Heartbroken after breaking up with her Greek boyfriend, Kostos (Michael Rady), she reverts to her old timid ways. She then meets Leo (Jesse Williams), the male model hired to pose nude in her art classes. It isn't long before they fall in love, although we suspect it's for all the wrong reasons. All she really knows about Leo is that he's a nice guy, and he's incredibly handsome. But does she know what she wants out of life? Does she even know who she is? How can know she when she's torn between two men?
Naturally, the pants themselves have to play a part in this story, and indeed, they're continually FedEx-ed from friend to friend. The question is: Do any of them need the pants anymore? You'd think that, at this point, a pair of old jeans traveling the world would reveal itself as a big metaphor. They may realize that by the time the film ends. I'm not entirely sure, though.
Moments of this movie are perhaps a little too sentimental, and the general plot may be a little too formulaic. At times, the dialogue is a bit contrived. Consider this conversation: When Tibby says drearily, "I suck at relationships. I should have been a guy," Lena calmly responds, "A guy wouldn't care about sucking at relationships." Only best friends in a coming-of-age story could get away with lines like that. Then again, I never expected a reinvention of the wheel. Movies like "The Sisterhood of the Traveling Pants 2"--and its predecessor--are aimed at a very specific audience, namely teenage girls; if they can get something out of it other than the sight of four young women looking pretty, if they can leave the theater understanding the more complex aspects of the story, then the filmmakers can include all the predictable dialogue they want. I think this movie will get the job done, not merely for teenage girls, but for anyone open to the idea.

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Join the four best friends as they finish their first year of college and dive into a summer of excitement. Bridget (Blake Lively) journeys to Turkey on an archeological dig. Carmen (America Ferrera) plunges into the hectic, creative world of summer theater in Vermont. Lena (Alexis Bledel) discovers new love and old heartbreak at the Rhode Island School of Design. And in the Big Apple, Tibby (Amber Tamblyn) takes a big step in her relationship with Brian. Romance, laughs, tears and that magical pair of jeans that keeps the girls together even when theyre far apart all here in a heart-lifting second film based on Ann Brashares bestsellers. Its a perfect fit.

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Blood Theater Review

Blood Theater
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I have to admit I'm a sucker when it comes to bad b-movie horror , and this happens to be one that I actually enjoy and have watched twice so far. I first came across this on amazon when going in to a search for horror movies and found it listed as " MOVIE HOUSE MASSACRE" on VHS and than " THEATER OF BLOOD " on DVD and is kind of odd that the movie lists two different directors and really no facts on when it was made or any of the characters , but the plot is fairly simple when a movie theatre owner becomes upset that movie sales are down and kills the usher than burns down the theatre with everyone trapped in. Many years later a whole chain of theatres open with young people hired as employees , and the acting throughout is amateurish but somewhat humorous which is what I enjoyed most about the movie , and would have to recommend this only for b- movie horror enthusiast like myself.

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