Showing posts with label dancing. Show all posts
Showing posts with label dancing. Show all posts

12/03/2011

George Balanchine's The Nutcracker (1993) Review

George Balanchine's The Nutcracker (1993)
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All things considered, I have to say that this is quite an enjoyable theatrical presentation of Balanchine's "The Nutcracker." Looking at "the show" itself, its most rave-worthy characteristic is how well the team of Peter Martins (ballet master), Emile Ardolino (director) and Ralf Bode (cinematographer) collaborated to actually "choreograph the camera" to the movements of the performers. Thanks to a talented movie crew and an incredible amount of consideration given to viewing angles (read the description in the disc's "special features"), the TV always seemed to be showing exactly what I wanted to look at on the stage. Add in some nice work by Industrial Light & Magic, decent narration, and a top-notch production team, and the result is a superb presentation.
From a performance standpoint, I'd give this an A-minus mainly because the versions of "The Nutcracker" I've seen most often cast the Nutcracker Prince in a much more active role dancewise. Still, everyone else did a fantastic job. Noteworthy were the Pas de Deux by the Cavalier (Damian Woetzel) and Sugarplum Fairy (Darci Kistler), and the powerful dance presence of Coffee (Wendy Whelan). The other "Sweets" performed very well also. So long as you try not to picture Macaulay Culkin as a ballet dancer, you'll be okay. Let's face it: you can't expect the little guy to measure up next to the NYC Ballet, but he is there to add a little star appeal and possibly sell ballet to your kids (which may not be a bad idea). Nuff said. By the way, the younger performers from the School of American Ballet were wonderful.
Regarding disc features, the DVD has some cool stuff to offer: two viewing formats, 30-scene index, and some good production notes regarding the history of the show, camera choreography and description of ILM's special effects.

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Angels and sugarplums. Candy canes and ice. A magic prince, a dreamy young girl, a mysterious old man and a Christmas tree that grows sky high. Enter the world of George Balanchine's The Nutcracker, featuring the New York City Ballet, and let this all-new movie version of a timeless Yuletide fantasy, narrated ny Academy Award(R) winner Kevin Kline, draw you under its spell. Starring Macaulay Caulkin, Darci Kistler and Bart Robinson Cook. Year: 1993 Director: Emile Ardolino Starring: Bart Robinson Cook, Macaulay Caulkin, Darci Kistler, Damian Woetzel

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10/27/2011

Life After Tomorrow Review

Life After Tomorrow
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Life After Tomorrow is a documentary about what happens in life after your dreams come true. The film reunites cast members who played orphans in the Broadway production of Annie. Via interviews with high-profile "annies" like Sarah Jessica Parker, viewers get a glimpse of life inside the dream-nights at Studio 54 when you're ten, life on the road with tutors who got high, stage mothers who had affairs with stage fathers and subsequent abortions, and worst of all, growth spurts which predicated your removal from the show. As one cast member in the film remarks, "the younger ones are coming to take your place and you're 12."
This isn't a US Weekly type of documentary. There are no child star "smash-ups" here-no stories of "annies" robbing liquor marts for drug money because they weren't able to readjust to life after stardom. The tragedy here is subtle and understated. Many of these women admit to being forced off stage and continuing life with the nagging hope in their heart that they would get back to Broadway. Life happens to these actresses-they become financial planners, mothers and annoying stage mothers, but some of them are obviously stuck somewhere else-not in tomorrow, but yesterday-when they were singing and dancing in Annie. Some of them haven't self-actualized which is unpleasant to see in someone who is turning 40. Others have adjusted OK. It's interesting, but it's also a hard-knock life when you peak at 10.

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The award winning Life After Tomorrow, a film by Julie Stevens and Gil Cates, Jr., reunites more than 40 women who played orphans in the original Broadway production of Annie and reveals the highs and lows of their experiences as child actresses in a cultural phenomenon. Once the curtain came down, many found it could be a hard-knock-life, fraught with out-of-control stage mothers, separation anxiety, and worst of all, pubescent growth spurts that could find the moppets being replaced by smaller, younger editions just waiting in the wings. As one cast member in the film remarks, The younger ones are coming to take your place and you're 12. It's not like you are getting downsized at 50...you're 12!. While their lives moved on, the impact of the experience remains. Features behind-the-curtain footage from the original Broadway production and performances with the re-united orphans.

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10/02/2011

The Heritage Theatre - The Mysteries Review

The Heritage Theatre - The Mysteries
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A friend from church told my wife and me "you MUST see this!" He was right. It brings old familiar Bible stories richly to life in a fresh and new way. Great casting, clever humor in places, and amazing music and dance from a country (South Africa) where they have a lot of great singers and dancers.


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Created by Mark Dornford-May and Charles Hazelwood.In June 2001, this South African company’s first production, THE MYSTERIES, opened at Wilton’s Music Hall in London and within a day of the first reviews appearing had sold out.Over the next twelve months, the company became an international hit, touring festivals in Australia and America, as well as a sold-out run in the West End.Rarely in the world of theatre does a company appear to such instant and universal acclaim. YIIMIMANGALISO - THE MYSTERIES is a spectacular African version of the English Medieval Chester Mystery Plays.These timeless Biblical stories are brought to life through exhilarating songs, dance, and heart-breaking drama.It is both passionate and uplifting.An altogether stunning piece of theatre that breathes life into some of the greatest stories told. "A SPECTACULAR PIECE OF THEATRE. It puts the world on stage and squeezes tears of sorrow, joy and laughter along the way."TIME OUT. "MOVING, INVENTIVE, BEAUTIFUL. YOU FEEL THAT YOU HAVE DIED AND GONE TO HEAVEN."DAILY TELEGRAPH."It is impossible not to be swept away by this DRAMATIC DYNAMITE.Each story is a miracle of energy, invention and humour."EVENING STANDARD."THE MOST MAGNIFICENT AND MOVING EVENT OF THE YEAR" OBSERVER.

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9/10/2011

Ballet Shoes Review

Ballet Shoes
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BALLET SHOES (starring Emma Watson... celebrated for her lead roles in the Harry Potter films...along with an all-star acclaimed ensemble cast) is absolutely wonderful. I personally am in love it. Targeting a very large and underserved audience which is best defined as "moms and their daughters", Ballet Shoes is a film about realizing ambitions; a film where its tag line `dreams do come true' is really the `spot on' underlying message of the film... and the storyline. I believe it is destined to be a huge success for it is a tale of inspiration indeed.
A big-budget Granada film production, originally for the BBC, Ballet Shoes is based on the literary classic penned by Noel Streatfeild that women especially are very familiar with as key reading material from their childhood. A costume drama with absolutely stunning cinematography, the film portrays 1930's London with a sense of dreamy realism. For those who recall the box office smash "You've Got Mail", the book is the one being sought after that Meg Ryan launches into a verbal expose about. Ms. Ryan was right on the money, as is this adaptation of the tale.
Ballet Shoes is the story of three orphan girls; Petrova, Posie and Pauline (Emma Watson) who are raised as sisters after being brought together by a rich, world traveler as babies. As they grow up, each girl develops a dream of their own. Pauline wants to be an actress; Petrova longs to be an aviator; Posie wishes to dance. Circumstances bring them together, and together they vow to go down in the history books. "We three Fossils vow...". This vow launches the three Fossil sisters on their voyage, a journey that they travel individually as well as together, one that can only serve to inspire any young girl who watches the film.
On a personal note, I watched this film with my 8 year old daughter and 6 year old son. While my son fought to pay attention (not surprising), my daughter was riveted throughout the film. The appearance of `Hermoine' as a teen brought her into focus early on, and then the tale itself kept her eyes and ears wide open. She's asked repeatedly to watch Ballet Shoes again, which of course she has. My son, of course, is back to watching `his thing', Spiderman, Superman and The Adventures of the Galaxy Rangers...
Ballet Shoes, in a certain sense, is a long form faerie tale, and I recommend it with no reservations whatsoever as superb family viewing.


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Dreams do come true… Emma Watson (Hermione from Harry Potter) stars in Ballet Shoes, a heartwarming and uplifting film based on the beloved, best-selling novel by Noel Streatfeild and featuring an award-winning cast that includes Emilia Fox, Victoria Wood, Richard Griffiths and Eileen Atkins. "We three Fossils vow to put our name in the history book, because it is ours, and ours alone…" With these words, three orphans, raised as sisters, leave their sheltered lives and embark on an exhilarating journey that takes them to the heights of the stage, screen and sky! DVD EXTRAS: Exclusive 20-Minute Interview with Emma Watson Deleted Scenes, Ballet Shoes Audiobook Excerpt

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