Showing posts with label kenneth branagh. Show all posts
Showing posts with label kenneth branagh. Show all posts

12/26/2011

Discovering Hamlet Review

Discovering Hamlet
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For anyone interested in a behind the scenes look at how a play proceeds through production this video is for you. The Birmingham Repertory Theater is the setting for this production directed by Derek Jacobi with Kenneth Branagh taking the lead as Hamlet. Narration is provided by Patrick Stewart to guide viewers through the production process. Interspersed between scenes of the rehearsals are interviews with the various actors discussing their characters. I would have like a longer interview with the director, Derek Jacobi, discussing his vision of Hamlet but all in all this is quite a good video.

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Two of Britain\'s greatest actors stage Shakespeare\'s greatest tragedy
A behind-the-scenes look at Shakespearean theatre
In 1988, rising star Kenneth Branagh tackled the role of Shakespeare\'s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi, considered "the best Hamlet of his generation" (The New York Times). Narrated by Patrick Stewart, this hour-long film documents how these two intelligent, passionate men found new depths in Shakespeare\'s classic drama.
Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night. Interviews with principal actors--as well as the set designer, costume supervisor, text advisor, and others--reveal how each member of the company meets the production\'s challenges. In all, Discovering Hamlet offers an intimate, behind-the-scenes look at the process of staging Shakespeare\'s most demanding tragedy.
An Emmy®-winning star of stage and screen, Derek Jacobi (I, Claudius) has played some of the Bard\'s most challenging parts in his 50-year career, including Hamlet, Prospero, Macbeth, and Lear.
Four-time Oscar® nominee Kenneth Branagh is a versatile actor, director, and writer famed for bringing Shakespeare to the silver screen in Hamlet, Henry V, and other films.

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12/21/2011

Henrik Ibsen Collection (Hedda Gabler / Ghosts / Little Eyolf / The Wild Duck / The Master Builder) (1963) Review

Henrik Ibsen Collection (Hedda Gabler / Ghosts / Little Eyolf / The Wild Duck / The Master Builder) (1963)
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Because one of the earlier posters asked, the titles included in the set are "Brand", "A Doll's House", "Hedda Gabler", "The Wild Duck", "Ghosts", "Little Eyolf", "An Enemy of the People", "The Lady from the Sea" and two versions of "The Master Builder." Also included are the following plays in radio versions: "Peer Gynt", "The Pretenders", "Emperor and Galilean", "The Pillars of Society", "Rosmersholm", "John Gabriel Borkman", "When We Dead Awaken" and "A Meeting in Rome" by Michael Meyer (a play about a meeting between Ibsen and August Strindberg).

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The Henrik Ibsen Collection features ten star-studded BBC productions of Ibsen's most famous plays, together in one six-disc box set. Considered the father of modern realistic drama, Henrik Ibsen is one of the most important playwrights of all time. His plays attacked the values of the Victorian society in which he lived and were considered scandalous during his lifetime. Yet many of his themes are thoroughly modern today. The Henrik Ibsen Collection features stellar casts in Ibsen's best-known works, including Ingrid Bergman and Michael Redgrave in Hedda Gabler, Judi Dench and Michael Gambon in Ghosts, Anthony Hopkins and Diana Rigg in Little Eyolf, Denholm Elliot in The Wild Duck, Sir Donald Wolfitt and Leo McKern respectively in two extraordinary productions of The Master Builder, and much more. It's a quintessential part of any theater lover's library.

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11/20/2011

Much Ado About Nothing / New York Shakespeare Festival (Broadway Theatre Archive) (1973) Review

Much Ado About Nothing / New York Shakespeare Festival (Broadway Theatre Archive) (1973)
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I first saw this version of Much Ado about Nothing in the '70's, and have remembered it ever since, so I was delighted when the Broadway Theatre Archive made it available again. The setting, the "Rough Riders" era of the turn of the century, somehow suits the material better than any other I've seen, in particular Dogberry and his inept Watchmen, who appear here as Keystone Kops. Sam Waterston and Kathleen Widdoes are both completely believable, and the supporting cast is excellent.
This version is for those who want to savor every moment of the play. As far as I could tell, it includes almost every word of Shakespeare's text, and to that are added quite a few sequences without dialogue, making the entire length of the production closer to three hours than to two. For this play, this is definitely to my taste, but may not be to everyone's.
The DVD includes nothing but the performance and scene selections (by acts only). Since this play was originally filmed for television, the visual and sound quality are not exceptional, although they're not actually bad.

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In 1972, twenty million people saw the broadcast of this CBS-TV production of Shakespeare's classic tale of romance, mistaken identity, and the battle of the sexes. Though this turn-of-the-century version has Roosevelt's Rough-Riders and bicycle riding suffragettes, the story is the same: Beatrice and Benedick fight their merry war of words; the evil Don Juan conspires to disrupt the wedding of Hero and Claudio; and it's up to Dogbery to save the day. Critically acclaimed and loved by audiences, this rollicking comedy is brassy, bouncy and all-together entertaining. First presented at the New York Shakespeare Festival, this production later became the first truly successful Shakespeare play in Broadway history that did not boast a major star. Features Oscar-nominee Sam Waterston (Law & Order)as Benedick and the Tony-nominated performances of Emmy-winners Kathleen Widdoes (As the World Turns) and Barnard Hughes (Midnight Cowboy).

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11/08/2011

Wallander: Sidetracked / Firewall / One Step Behind (2009) Review

Wallander: Sidetracked / Firewall / One Step Behind (2009)
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The Kurt Wallander novels, authored by Henning Mankell, are quite popular in Europe but rather less well known in the US. "Wallander-Series I" brings to television and DVD the dramatization of three of the novels. Wallander, portrayed by veteran and gifted Irish actor Kenneth Branagh, is a detective on the police force of the gritty seaside town of Ystad in Sweden. He is a borderline physical and psychological burnout case, who has lost his sense of detachment from his cases and takes everything far too personally. At the same time, he is a brillant sleuth with an ability to make intuitive connections between seemingly unrelated cases. Assisted by his staff and supported by a faithful daughter, he manfully plugs away at some rather unorthodox cases.
"Sidetracked" opens with a brilliantly staged scene in which Wallander fails to prevent a young woman from self-immolation in a sunlit field of flowers. He is also beset by a series of murders in the local art business, and by the health issues of his estranged father. Only Wallander can see the connections, which lead to a deadly sex ring and a surprising killer.
"Firewall" opens with the seemingly senseless murder of a taxi driver by two young women. As other bodies start to pile up, Wallander picks at a strange statement by one of the two young women, who escapes from police custody and then is herself horribly murdered. Wallander's persistance leads him to an unorthodox terrorist plot, and a betrayal by a friend.
"One Step Behind" involves Wallander in the deaths of several young persons who were connected with a midsummer's eve celebration. Additional deaths lead Wallander into a wider case in which the police seem constantly one step behind the killer or killers.
This series was filmed in Sweden, which makes for some beautiful location shooting. The sets are contrasted with some grim social rot in Swedish society, as exemplified by the gritty portrayal of Ystad society. Wallander's crew, all British actors, provide low-key support to Branagh's haggard and unshaven lead detective. His personal suffering over each case and over a personal life seemingly in shambles, imparts a gray tone to the stories that may be unsettling to some viewers. However, the stories are intricately plotted and thrillingly concluded; Branagh carries the day in a fascinating portrayal. This series is very highly recommended to fans of PBS Masterpiece Mystery looking for something different in a police procedural.

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Kenneth Branagh plays Swedish detective Kurt Wallander in three new crime dramas based on the best-selling books by Henning Mankell, an international publishing phenomenon with over 25 million copies sold worldwide. Sidetracked, Firewall, and One Step Behind follow Inspector Kurt Wallander - a disillusioned everyman - as he struggles against a rising tide of violence in the seemingly sleepy backwaters in and around Ystad in beautiful southern Sweden. Baffling crimes and apparently motiveless murders lead to surprising and shocking discoveries in these Swedish noir thrillers.

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8/29/2011

Fortunes of War (1987) Review

Fortunes of War (1987)
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I was so pleased when "Fortunes of War" was released on DVD! When I first saw this splendid BBC television series, I rushed to the nearest bookstore (in Rome at the time) and bought Olivia Manning's mammoth Balkan and Levant trilogies, which I have since devoured at least three times (so much so that the paperback editions are falling apart). Reading, however, in no way lessens, but, instead, enhances one's enjoyment of "Fortunes of War," which preserves the essence of Manning's novels. Visually stunning, the film recreates Bucharest and Athens on the brink of World War II, and then Cairo and Alexandria, as well as Damascus and Jerusalem, the outposts of the British Empire in the Levant. One step ahead of the advancing Nazi armies, Guy and Harriet Pringle, the film's central characters, are constantly uprooted and forced to be on the move.
Guy, acted with affable understatement by Kenneth Brannagh, epitomizes the type of academic who constantly puts the wants of his students first. Friend to all the world, Guy Pringle remains totally oblivious to the needs of his newly-married bride. Harriet, played with a dry and subtle irony by Emma Thompson, must cope with setting up house, first, in a city that is about to fall to the juggernaut of the Third Reich; next, in a series of hotel rooms, each more seedy than the last; and finally, sharing digs in Cairo with an odd assortment of British expatriates (and their even odder friends and acquaintances who continually drift in and out of the premises). Guy simply cannot understand that Harriet might be miffed at his heedlessness. For example, after Guy offers her the female title role in Shakespeare's "Troilus and Cressida," she suddenly discovers that he has taken the part away without telling her and has given it to Sophie, a Rumanian professional student and troublemaker who resents Harriet's presence, both in Bucharest and in Guy's life. It is not that Guy Pringle does not love his "little monkey's paws," Harriet; he simply takes her for granted.
Among the outstanding ensemble cast, two performances are memorable: those of Ronald Pickup and Alan Bennett.
Pickup plays the incorrigible Prince Yakimov, a displaced Anglo-Russian aristocrat, long-since fallen on hard times. Pickup's performance is so poignantly nuanced that the viewer is moved from loathing, to laughing--first at him and then with him--and finally to loving him. "Poor Yaki" resembles a spoiled but irrepressibly sweet and helpless child. Not even the much-imposed-upon Harriet can remain angry at a man who appears before her wearing one brown and one black shoe and then explains that he has another pair just like them at home.
Alan Bennett plays the insufferably fussy Cambridge don, Professor Lord Pinkrose, who is always on the verge of giving his renowned lecture on Byron but who, for one reason or another, is always prevented from doing so. Bennett's performance does not make one love Pinkrose (nor should it); it does, however, make one recognize him (He often sits on dissertation committees!). With his smarmy herd of acolytes (including the odious Toby Lush and the insidious Dubidat), Pinkrose, who always darts a baneful glance in Harriet's direction, causes Guy so much trouble that the viewer is tempted to cheer when the Lord Professor finally gets his just desserts. Every film ought to have a character that one loves to hate, and Alan Bennett plays this one to perfection.
The viewer seeking the wartime thrills of dogfighting Messerschmidts, exploding bombs, and action packed battle sequences should go watch "Saving Private Ryan" or a John Wayne movie. Even though the conflict in "Fortunes of War" is omnipresent, it is always just over the horizon. It nevertheless exerts a profound impact on the characters, both major and minor. It exerts an equally profound impact on the audience. For the discerning viewer, who appreciates exceptional acting and remarkable characterization, "Fortunes of War" represents the epitome of cinematic storytelling.
For Kenneth Brannagh and Emma Thompson, who acted together for the first time, this film represented "the start of a beautiful friendship," both on film and in real life. Unfortunately, it was not to last, but "Fortunes of War" at least allows us to glimpse the brilliant start, and to be glad that their joint venture in film lasted as long as it did!

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The Baltics, 1939. British professor Guy Pringle (Kenneth Branagh) arrives in Romania with his new bride, Harriet (Emma Thompson) and becomes enmeshed in the politics of anti-fascism. Despite Harriet's serious misgivings, Guy's social circle soon includes members of the British Secret Service who want to involve him in dangerous missions, and a downtrodden prince who zeroes in on Guy's generous nature and winds up living with the Pringles. Thus the stage is set for this mesmerizing story of marriage tested by accidental betrayal, callous insensitivity, and a world in upheaval. Based upon the autobiographical novels of best-selling author Olivia Manning, and set in places as far-flung as Bucharest, Athens and Cairo, Fortunes of War is majestic in both its scope and its vision.

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