Balanchine (2009) Review

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(More customer reviews)This dvd, originally seen on PBS, is a great tribute to the Russian-born choreographer George Balanchine, who founded the New York City Ballet and is often creditted with bringing classical ballet to the United States. This documentary focuses almost exclusively on his professional and artistic life, and this is right and proper. There are books, as well as several documentaries ("Dancing for Mr. B," "Elusive Muse") which focus on Balanchine's complicated personal life. Here, we can just look at his great artistic creations.
There;s archival footage of so many great ballerinas and ballet dancers that were Mr. B's inspiration. Tanaquiel le Clercq (who judging from the footage may have been the most beautiful ballerina to ever step onstage), Diana Adams, Maria Tallchief, Edward Villela, Allegra Kent, Suzanne Farrell, Peter Martins, Patricia McBride ... None of the dancers are interviewed, perhaps because of time constraints. But just the footage of the dancing was enough to keep me happy. I was struck by Mr. B's diversity -- there are many clips of his ballets, and it's a testament to Mr. B's genius that I was always upset when the clips ended, because I wanted to see more.
There are also several interviews with Mr. B. His soft, gentle voice and almost childlike enthusiasm are infectious. Particularly amusing are the clips of him and Igor Stravinsky, the composer whose music whom Mr. B set so many of his best ballets (Rubies, Apollo, Agon et al.) Mr. B talks about his love of cats and cooking. So even though the documentary focuses squarely on the artistic, these interviews with Mr. B humanize him. Read the various memoirs and autobiographies for Mr. B's darker, more complex side: he was famously possessive of his ballerinas, and did not think they should have families or even personal lives apart from him. This video focuses purely on Balanchine as a creative artist.
Recently, more extensive dvd's have been released of Mr. B's complete ballets. But this documentary is still a must-see, a wonderful tribute to one of the 20th century's most prolific and remarkable artists.

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As seen on public television. Regarded as the "father of American ballet," George Balanchine's legacy lives on in his prolific body of choreographic work. Creating over 450 works, Balanchine is, arguably, the foremost contemporary choreographer of the 20th century. Through rare archival audio and video footage, interviews, film, and photographs, this program traces Balanchine's life from his youth at the Maryinsky Theater, through his work for Hollywood and Broadway, to his ultimate creation of the New York City Ballet. It also focuses on the themes of his work and his thoughts on dancemaking, using interviews with the choreographer himself. Features selections of his vast repertory of ballets, including Chaconne, Agon, Symphony in C, Serenade, Apollo, and A Midsummer Night's Dream, among others.

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George Balanchine's The Nutcracker (1993) Review

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(More customer reviews)All things considered, I have to say that this is quite an enjoyable theatrical presentation of Balanchine's "The Nutcracker." Looking at "the show" itself, its most rave-worthy characteristic is how well the team of Peter Martins (ballet master), Emile Ardolino (director) and Ralf Bode (cinematographer) collaborated to actually "choreograph the camera" to the movements of the performers. Thanks to a talented movie crew and an incredible amount of consideration given to viewing angles (read the description in the disc's "special features"), the TV always seemed to be showing exactly what I wanted to look at on the stage. Add in some nice work by Industrial Light & Magic, decent narration, and a top-notch production team, and the result is a superb presentation.
From a performance standpoint, I'd give this an A-minus mainly because the versions of "The Nutcracker" I've seen most often cast the Nutcracker Prince in a much more active role dancewise. Still, everyone else did a fantastic job. Noteworthy were the Pas de Deux by the Cavalier (Damian Woetzel) and Sugarplum Fairy (Darci Kistler), and the powerful dance presence of Coffee (Wendy Whelan). The other "Sweets" performed very well also. So long as you try not to picture Macaulay Culkin as a ballet dancer, you'll be okay. Let's face it: you can't expect the little guy to measure up next to the NYC Ballet, but he is there to add a little star appeal and possibly sell ballet to your kids (which may not be a bad idea). Nuff said. By the way, the younger performers from the School of American Ballet were wonderful.
Regarding disc features, the DVD has some cool stuff to offer: two viewing formats, 30-scene index, and some good production notes regarding the history of the show, camera choreography and description of ILM's special effects.

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Angels and sugarplums. Candy canes and ice. A magic prince, a dreamy young girl, a mysterious old man and a Christmas tree that grows sky high. Enter the world of George Balanchine's The Nutcracker, featuring the New York City Ballet, and let this all-new movie version of a timeless Yuletide fantasy, narrated ny Academy Award(R) winner Kevin Kline, draw you under its spell. Starring Macaulay Caulkin, Darci Kistler and Bart Robinson Cook. Year: 1993 Director: Emile Ardolino Starring: Bart Robinson Cook, Macaulay Caulkin, Darci Kistler, Damian Woetzel

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American Ballet Theatre at the Met - Mixed Bill (1984) Review

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(More customer reviews)This eclectic program (Les Sylphides, Sylvia pas de deux, Kenneth MacMillan's Triad, and Paquita) is a beautiful slice of ABT's wide range of repertory and features sparkling performances from Baryshnikov, Cynthia Gregory, Fernando Bujones, Cynthia Harvey, Marianna Tcherkassky, Martine van Hamel, and many others. Although the taping itself is a little less engaging than I would like (ABT's 1998 tape, Variety and Virtuosity, is far superior in this aspect), this is still a wonderful addition to any ballet fan's collection.

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From the Metropolitan Opera House, New York, this triple bill of ballets, with an additional glittering pas de deux, is a delightful introduction to the range and excitement of American Ballet Theatre’s repertory. The first piece is Les Sylphides in which Mikhail Baryshnikov is the poet surrounded by the drifting chorus of sylphs. The Sylvia Pas de deux is a sparkling duet for Martine van Hamel and Patrick Bissell, and it is followed by Triad, one of Sir Kenneth MacMillan’s most poetic and sensitive short ballets. Finally, in a blaze of brilliant dancing, the Grand Pas from Paquita shows off the technical virtuosity of ABT’s dancers in a cascade of mock-Spanish bravura choreography staged by Natalia Makarova from the original Petipa version.

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